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and pushing into the indentations by percussive use of a stiff brush. The paper is allowed to dry and then removed. The image is reversed from the inscription, and protrudes from the squeeze paper.
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The use of a squeeze allows more information to be gleaned than examining the original inscription, for example curves inside the cuts can identify the scribe who originally carved the inscription.
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Modern digitising methods mean that the image can be restored to its original orientation.
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Squeezes can also (and some have been since the 1950s) be made by applying layers of
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54:. This method works best on horizontal surfaces.
60:Large collections of squeezes are held by the
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128:Squeeze Making in the Athenian Agora
156:. You can help Knowledge (XXG) by
66:and other epigraphic collections.
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120:at the Smithsonian Institution (
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20:An epigraphic squeeze of the
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148:This article relating to
40:, made by applying moist
36:is a reverse copy of an
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22:Athenian tribute lists
63:Inscriptiones Graecae
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208:Archaeology stubs
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118:Squeeze making
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112:External links
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122:Archived here
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81:Brass rubbing
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76:Rubbing (art)
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34:squeeze paper
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158:expanding it
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52:liquid latex
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42:filter paper
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150:archaeology
38:inscription
24:(reversed).
197:Categories
89:References
203:Epigraphy
70:See also
30:squeeze
152:is a
154:stub
32:or
199::
97:^
28:A
185:e
178:t
171:v
160:.
124:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
