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501:. To achieve this he combined various disciplines such as art, science, philosophy and ecology. Both projects allow an active participation of the audience in the artistic process. Sreeraj Gopinathan deems it as a necessity to assign an existential purpose to his projects and therefore connects them to the mainstream of life. Art should serve here as a tool to stimulate a change of attitude towards a more conscious way of
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The fragility of environment and climate forms the nucleus of
Gopinathan's second project titled SAMASYA, which began in 2016. With this project he addresses the industrial societies, the hub of a world in transition. Based on his perspective that the aspect food plays a key role in the unity of the
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His passionate attachment to nature soon led to a confrontation with the impact of human life on the planet, which flowed seamlessly into his work. It increasingly developed into a practically implemented form of life, in which existence and art no longer form separate aspects, but merge into each
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Despite the different facets of his development, there exists a cohesion like a recurring theme throughout
Gopinathan's creative process from the beginning â a universal attitude, the view of a large whole, of an intangible mystery, which seems to escape any attempt at rapprochement.
618:, which are assembled on the same stage. The project is centered around addressing fundamental human needs and aims to raise awareness within society, fostering a shift in collective consciousness. Its primary goal is to actively contribute to the preservation of Earth's ecosystem.
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of acquaintances from the neighbourhood but also of famous personalities. He preferred to choose older people, whose facial features reflected their past life. Another interest in his youth was the discovery of the diversity of flavours and the use of spices in the cuisine of
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Sreeraj
Gopinathan deems it as a necessity to assign an existential purpose to his projects and therefore connects them to the mainstream of life. Art should serve here as a tool to stimulate a change of attitude towards a more conscious way of thinking and acting.
369:. The few resources at his disposal limited his beginnings to drawing and painting in which he liked to capture human faces and natural structures. By combining the two, he developed his own style. In 1989 and 1993, he participated in the annual exhibition of the
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In 2018, around 1000 inhabitants of the forest village
Thirthamala were presented with a vegan feastâ12 energy-efficient, environmentally and climate-friendly dishes created by Sreeraj Gopinathan with 100% vegetable
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under the painter Suhas Roy and parallel the French language under the writer Saraju Gita
Banerjee. In 1993, he was awarded the scholarship of Visva-Bharati University and in 1995 the National Scholarship of the
492:
In order to devote himself to detailed research, Gopinathan retired in 2004 from public appearances largely back. From his studies, two solution-oriented projects emerged, focusing on the relationship between
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nutritional concept. In order to achieve an ample social participation for the implementation of the project, he uses a mixture of methods such as
Internet publication, performance, light
549:. The surrounding forest is characterized by a unique flora and fauna, but increasingly threatened by human influences. The project is dedicated to the construction of a timely
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at the Ăcole supĂ©rieure of the beaux-arts du Mans in France. Benefiting from the new techniques, he began experimenting with new components such as photography,
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For the first artistic experiments he used natural materials and paper, which he combined with cooked rice as an adhesive in order to make plastic forms.
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in a protected area. The involvement of the local population is presupposed by the underlying concept. Ultimately, the project contributes to the
553:â a model space, a refuge for rare animals and plants, in which nature and human form a harmonious coexistence. The ultimate aim is to preserve
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The experiences of childhood in a traditional healer family and in the nature rich environment of the coastal region of
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431:â to his compositions of light, darkness and space. Gopinathan integrated a time-bound action of the audience into the
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ArchÀologisches Museum, Bad Königshofen im
Grabfeld, ed. (August 31, 2002), "ohne Titel, lichtintegriertes Objekt",
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In 1996, Gopinathan received the Bourse du
Gouvernement Français. With the residence scholarship, he studied
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Sreeraj
Gopinathan â Ăber dem Horizont: Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994 â 2002
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Kerala
Lalithakala Akademi Government of Kerala, ed. (December 22, 1989), "Untitled, pen and ink drawing",
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Sreeraj Gopinathan â Ăber dem Horizont: Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994â2002
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Sreeraj Gopinathan â Ăber dem Horizont: Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994â2002
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Sreeraj Gopinathan â Ăber dem Horizont: Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994â2002
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978:
964:
2062:
Margit Hess (October 13, 2003), TARA art e.V. Kunstförderverein (ed.), "Suche nach dem Ungreifbaren",
2013:
James Sebastian (August 16, 2014), TARA art e.V. Kunstförderverein (ed.), "Zwischen FĂŒlle und Leere",
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Gregor Bendel (October 13, 2003), TARA art e.V. Kunstförderverein (ed.), "Von der Linie zum Licht",
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The enthusiasm for the humanistic and nature-bound life's work of the Indian poet and philosopher
994:, EinfĂŒhrung von Holger Christian Stockinger, German language, publisher: Sreeraj Gopinathan 2016
881:
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1849:
Sreeraj Gopinathan (September 22, 1995), Alliance française du Bengale (ed.), "Ma grand-mÚre",
1998:
Holger Christian Stockinger (April 1, 2014), TARA art e.V. Kunstförderverein (ed.), "Prolog",
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and dominated in particular by projects based on environmental and climate-relevant concepts.
1124:
Holger Christian Stockinger: Spurensuche nach den irdischen Wurzeln. In: Indisch Kulinarisch
327:, India) is a German contemporary artist of Indian descent. His work is characterized by its
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1673:(in German), vol. Bildband (2000 ed.), Coburg: TARA art e.V. Kunstförderverein,
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Umweltshonend, klimafeundlich, vegan, Publication in internet, Part of the Project SAMASYA
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324:
1583:
Akademie fĂŒr Gestaltung und Denkmalpflege, Ebern, ed. (June 14, 2002), "Lichtkaskaden",
852:, Exhibition of Indian contemporary artists, Akademie fĂŒr Gestaltung und Denkmalpflege,
1425:
574:
263:
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2064:Ăber dem Horizont: Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994 â 2002
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1961:Ăber dem Horizont: Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994 â 2002
1865:
1490:
Kerala Lalithakala Akademi Government of Kerala, ed. (December 23, 1993), "The Gaze",
2136:
1815:
Sreeraj Gopinathan (January 12, 1995), Alliance française du Bengale (ed.), "L'ami",
922:, picture book, Berlin 2014, German language publisher: TARA art e.V. art association
752:
Sreeraj Gopinathan â Ăber dem Horizont, Lichtintegrierte Objekte, Bilder, Zeichnungen
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615:
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1983:
Margit Hess (April 1, 2014), TARA art e.V. Kunstförderverein (ed.), "Im Zwielicht",
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Projekts SAMASYA â Teil I â Resensitization, Offizielle Website von Project SAMASYA
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1903:
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It may require cleanup to comply with Knowledge's content policies, particularly
1509:(in German), NĂŒrnberg: Verlag NĂŒrnberger Presse Druckhaus NĂŒrnberg GmbH & Co
626:
542:
538:
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1908:
Projekt SAMASYA â Teil II â Elementary, Offizielle Website von Project SAMASYA
573:, clay-architecture, climate-friendly nutrition and cooking method as well as
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1941:
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747:, Thuringia, sponsored by ThĂŒringer Ministerium fĂŒr Bildung, Jugend und Sport
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Climate-friendly cooking concept published in internet, project SAMASYA, 2016
1334:
Freies Wort, regionale Tageszeitung in SĂŒdthĂŒringen, ed. (October 1, 2002),
942:
Resensitization, Berlin 2016, German language, publisher: Sreeraj Gopinathan
409:
350:
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Dieter Ungelenk (October 3, 2003), Neue Presse Coburg, Tageszeitung (ed.),
416:. This resulted in a series of three-dimensional light-integrated objects.
1959:
Nobert Kastner (2003), TARA art e.V. Kunstförderverein (ed.), "GruĂwort",
1273:. Coburg, Germany: TARA art e.V., non profit art association. p. 66.
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entire web of life, he designed an energy reducing and resource saving,
565:, the lung of the planet. Practical trainings offered on topics such as
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936:â Eine gesunde und nachhaltige Interpretation der indischen Kochkunst,
841:
2001 Kunstausstellung NATUR â MENSCH, Exhibition of selected artists,
2078:
1798:"Eine gesunde und nachhaltige Interpretation der indischen Kochkunst"
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In 2005, Gopinathan launched his first large-scale project OWIYAM in
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443:. In the following years he exhibited more works from this series in
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2099:
1927:
SREERAJ GOPINATHAN â Home, Offizielle Website von Sreeraj Gopinathan
1922:
1587:(in German), Ebern: Akademie fĂŒr Gestaltung und Denkmalpflege, Ebern
1570:
Kunstausstellung NATUR â MENSCH, Kunst und Kultur National Park Harz
730:
Sreeraj Gopinathan â Zeichnungen, GemĂ€lde und Fotoarbeiten 1995â1997
1671:
Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994 â 2002
973:(Poem and ink drawing), French language, Kolkatta 2014, im Magazin
903:, Lichtintegrierte Objekte, Bilder, Zeichnungen und Texte 1994â2002
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1832:"Alliance française du Bengale I Official french centre in India"
909:
2003, German language, publisher: TARA art e.V. art association,
1213:. Berlin: TARA art e.V., non profit art association. p. 97.
1831:
1712:(in German), Coburg: Mediengruppe Oberfranken GmbH & Co. KG
1399:(in German), Coburg: Mediengruppe Oberfranken GmbH & Co. KG
580:-neutral energy production are a crucial parts of the project.
423:. Making use of the experience gained during the employment at
1697:(in German), Coburg: Druck und Verlagsanstalt Neue Presse GmbH
1414:(in German), Coburg: Druck und Verlagsanstalt Neue Presse GmbH
235:
178:
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18:
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1338:(in German), Suhl: Suhler Verlagsgesellschaft mbH & Co.KG
866:, Exhibition of selected artists, ArchÀologisches Museum Bad
2015:
Sreeraj Gopinathan â SAMASYA â Irdisch und Kosmisch Zugleich
2000:
Sreeraj Gopinathan â SAMASYA â Irdisch und Kosmisch Zugleich
1985:
Sreeraj Gopinathan â SAMASYA â Irdisch und Kosmisch Zugleich
1600:
Feuer und Wasser, Kunstausstellung 2002, Ausstellungskatalog
1071:
Sreeraj Gopinathan â SAMASYA â Irdisch und kosmisch zugleich
1060:
Sreeraj Gopinathan â SAMASYA â Irdisch und kosmisch zugleich
1049:
Sreeraj Gopinathan â SAMASYA â Irdisch und kosmisch zugleich
933:
Indisch kulinarisch â umweltschonend, klimafreundlich, vegan
920:
Sreeraj Gopinathan â SAMASYA â Irdisch und kosmisch zugleich
1743:
1505:
NĂŒrnberger Nachrichten, ed. (May 24, 1999), "Ewige Reise",
1450:
1309:
992:
InterdisziplinĂ€res Projekt SAMASYA Teil I â Resensitization
2083:
Indisch Kulinarisch â Umweltshonend, Klimafeundlich, Vegan
880:, Exhibition of selected artists, ArchÀologisches Museum
741:
Bilder, Objekte und Installationen von Sreeraj Gopinathan
1081:- zum ersten Teil des Projekts SAMASYA â Resensitization
810:
Exhibition of selected artists, Schloss Pommersfelden,
754:, Galerie des Lehr- und Forschungsinstitutes DAP e.V.,
83:
488:
Earth architecture on the project OWIYAM terrain, 2011
193:
A major contributor to this article appears to have a
1946:
OWIYAM Chronik, Offizielle Website von Project OWIYAM
1669:
Sreeraj Gopinathan, ed. (2003), "Ăber dem Horizont",
377:
and won the Annual State Award for Painting in 1993.
1009:- zum zweiten Teil des Projekts SAMASYA â Elementary
94:, and by adding encyclopedic content written from a
1904:"ErlebnisrĂ€ume als Sprungbrett fĂŒr das Bewusstsein"
1585:
Ausstellungskatalog, Indische zeitgenössische Kunst
1520:Lippische Landes-Zeitung, ed. (December 19, 2000),
1350:
ThĂŒringer Ministerium fĂŒr Bildung, Jugend und Sport
497:and human in the context of the drastic changes on
1885:"Holger Christian Stockinger â Offizielle Website"
1864:Sreeraj Gopinathan, Margit Hess (March 16, 2016).
520:Rare species in the highlands of South India, 2019
1921:Holger Christian Stockinger (November 15, 2007).
1723:Sreeraj Gopinathan, Margit Hess (June 28, 2003).
1006:ErlebnisrĂ€ume als Sprungbrett fĂŒr das Bewusstsein
621:Since 2005 Sreeraj Gopinathan lives and works in
541:, a remote location in the mountainous region of
2028:Holger Christian Stockinger (December 2, 2016).
1830:Alliance française du Bengale (March 19, 2000).
1294:Holger Christian Stockinger (December 2, 2018).
1554:(in German), Detmold: Lippischer Zeitungsverlag
1539:(in German), Detmold: Lippischer Zeitungsverlag
1524:(in German), Detmold: Lippischer Zeitungsverlag
711:The Waiting â Drawings and Mixedmedia 1994â1995
388:. From 1993 to 1996 he studied painting at the
2077:Holger Christian Stockinger (March 24, 2016).
1883:Holger Christian Stockinger (March 18, 2015).
1550:Lippische Rundschau, ed. (December 16, 2000),
1535:Lippische Rundschau, ed. (December 16, 2000),
1354:https://www.thueringen.de/th2/tmbjs/index.aspx
419:In 1998, he moved to the south German city of
2030:"Resensibilisierung â Im Universum der Sinne"
1746:(in German). TARA art e.V. Kunstförderverein.
1167:Kerala Lalithakala Akademi (March 11, 2012).
361:From 1987 to 1992 he studied painting at the
8:
1426:"DAP | Lehr- und Forschungsinstitut MĂŒnchen"
1395:Coburger Tageblatt, ed. (October 14, 2003),
1113:, publisher: TARA art e.V. art association,
1094:, publisher: TARA art e.V. art association,
1062:, publisher: TARA art e.V. Kunstförderverein
1032:, publisher: TARA art e.V. art association,
439:took place in 2000 in the Hanseatic city of
343:were decisive for Gopinathan's development.
1537:Junge Kunst vor alten Maschinen prÀsentiert
1078:Resensibilisierung â Im Universum der Sinne
53:Learn how and when to remove these messages
2114:Literature by and about Sreeraj Gopinathan
2105:Literature by and about Sreeraj Gopinathan
1051:, publisher: TARA art e.V. art association
528:Nature pond â a decisive part of symbiosis
512:Project area, Kantalloor (Westghats), 2008
1708:Coburger Tageblatt, ed. (July 13, 2014),
1693:Neue Presse Coburg, ed. (July 12, 2014),
1572:(in German). Nationalparkverwaltung Harz.
1296:"InterdisziplinÀres Kunstprojekt SAMASYA"
955:(Poem and ink drawing), French language,
435:process. The first presentation of those
300:Learn how and when to remove this message
282:Learn how and when to remove this message
266:so that sources are clearly identifiable.
224:Learn how and when to remove this message
167:Learn how and when to remove this message
114:Learn how and when to remove this message
2079:"Spurensuche nach den irdischen Wurzeln"
1866:"Project-SAMASYA_Teil_I_Resensitization"
1725:"Sreeraj Gopinathan â Ăber dem Horizont"
1602:(in German), Bad Königshofen im Grabfeld
762:and by the art association TARA art e.V.
1760:SAMASYA â Irdisch und kosmisch zugleich
1207:SAMASYA â Irdisch und kosmisch zugleich
1173:State Awards Kerala Lalithakala Akademi
1138:
1377:
1366:
900:Sreeraj Gopinathan â Ăber dem Horizont
677:Ministry of Human Resource Development
395:Ministry of Human Resource Development
75:contains content that is written like
1796:Sreeraj Gopinathan (March 16, 2016).
1777:Sreeraj Gopinathan (March 16, 2003).
7:
758:, Bavaria, sponsored by the City of
363:Raja Ravi Varma College of Fine Arts
2066:(in German) (2000 ed.), Coburg
2051:(in German) (2000 ed.), Coburg
2017:(in German) (1000 ed.), Berlin
2002:(in German) (2000 ed.), Berlin
1987:(in German) (1000 ed.), Berlin
1552:Viele Bewerber fĂŒr Kunst-Stipendium
791:n, Exhibition of selected artists,
1451:"TARA art e.V. :: Willkommen"
1310:"TARA art e.V. :: Willkommen"
776:, Exhibition of selected artists,
14:
1902:Margit Hess (December 14, 2017).
1648:. Coburg, Germany: TARA art e.V.
1566:"Kunstausstellung NATUR â MENSCH"
1492:23rd STATE EXHIBITION OF ART 1993
1477:19th STATE EXHIBITION OF ART 1989
789:23rd STATE EXHIBITION OF ART 1993
774:19th STATE EXHIBITION OF ART 1989
687:Boursier du gouvernement français
373:, a cultural organization of the
34:This article has multiple issues.
2173:21st-century German male artists
2085:(in German). Sreeraj gopinathan.
2036:(in German). Sreeraj Gopinathan.
1948:(in German). Sreeraj Gopinathan.
1940:Margit Hess (January 11, 2017).
1929:(in German). Sreeraj Gopinathan.
1910:(in German). Sreeraj Gopinathan.
1872:(in German). Sreeraj Gopinathan.
1804:(in German). Sreeraj Gopinathan.
1785:(in German). Sreeraj Gopinathan.
1779:"Sreeraj Gopinathan-Publikation"
1731:(in German). Sreeraj Gopinathan.
1018:. In: Website Sreeraj Gopinathan
834:Exhibition of selected artists,
820:Exhibition of selected artists,
264:add missing citation information
240:
204:. Please discuss further on the
183:
130:
64:
23:
1242:Ungelenk, Dieter (2001-09-01).
472:other without a dividing line.
316:Sreeraj Gopinathan, 2016 Berlin
42:or discuss these issues on the
1942:"Odyssee zur Wiege des Lebens"
1742:Margit Hess (March 16, 2003).
1729:Sreeraj Gopinathan-Publikation
1147:"23rd State Exhibition of Art"
1028:Nobert Kastner: GruĂwort. In:
850:Indische zeitgenössische Kunst
1:
2188:21st-century Indian sculptors
2183:21st-century German sculptors
1836:Alliance française du Bengale
1522:Die MombachstraĂe in Styropor
1494:(in German), Thrichur, Kerala
1479:(in German), Thrichur, Kerala
1397:KĂŒnstlerische Reise ins Licht
1175:. Kerala Lalithakala Akademi.
1083:. In: Website Project SAMASYA
1076:Holger Christian Stockinger:
1054:Holger Christian Stockinger:
1014:Holger Christian Stockinger:
1011:. In: Website Project SAMASYA
767:Group exhibitions (selection)
695:, Kunstverein TARA art e.V.,
2168:21st-century German painters
1757:Gopinathan, Sreeraj (2014).
1639:Gopinathan, Sreeraj (2003).
1352:(in German). April 29, 2019
1264:Gopinathan, Sreeraj (2003).
1231:(in German). April 22, 2016.
1204:Gopinathan, Sreeraj (2014).
1193:(in German). April 22, 2016.
1025:. In: Website Project OWIYAM
1023:Odyssee zur Wiege des Lebens
832:Stipendium Junge Kunst 2000,
2228:Indian contemporary artists
2203:German installation artists
2153:Indian installation artists
2143:German contemporary artists
1923:"Die Stille und das Dunkel"
1889:Holger Christian Stockinger
1744:"TARA art e.V.::Willkommen"
1107:Suche nach dem Ungreifbaren
643:Kerala Lalithakala Akademie
453:Bad Königshofen in Grabfeld
2244:
2223:Indian performance artists
2158:German performance artists
2100:Website Sreeraj Gopinathan
1430:www.psychoanalysebayern.de
1298:(in German). TARA art e.V.
1244:"Ungreifbare im Zwielicht"
1073:, publisher: TARA art e.V.
793:Kerala Lalithakala Akademi
778:Kerala Lalithakala Akademi
371:Kerala Lalithakala Akademi
2198:German conceptual artists
2193:Interdisciplinary artists
1336:Kunst auf Schloss Bedheim
1016:Die Stille und das Dunkel
427:he added a new segment â
349:Often he drew or painted
2208:German environmentalists
1710:Magische Reise ins Licht
1067:Zwischen FĂŒlle und Leere
938:Project SAMASYA, Part I
838:, North Rhine-Westphalia
732:, Annette Falk Keramik,
719:Visva-Bharati University
663:Visva-Bharati University
390:Visva-Bharati University
2128:Website Projekt SAMASYA
2109:German National Library
1783:Sreeraj Gopinathan-Home
1766:. Berlin: TARA art e.V.
1229:Sreeraj Gopinathan Vita
1191:Sreeraj Gopinathan Vita
1088:Von der Linie zum Licht
734:Hofheim in Unterfranken
139:Some of this article's
2123:Website Projekt OWIYAM
2118:Bavarian State Library
2116:in the catalog of the
2107:in the catalog of the
1618:Museen in der Schranne
806:NĂŒrnberger Nachrichten
597:
588:
529:
521:
513:
489:
317:
2178:German male sculptors
1963:(in German), Coburg,
1853:(in German), Kalkutta
1819:(in German), Kalkutta
927:Internet publications
878:Kunstausstellung 2004
864:Kunstausstellung 2002
594:
586:
527:
519:
511:
487:
323:(born 20 May 1969 in
315:
202:neutral point of view
96:neutral point of view
2163:German male painters
975:Le cri de la mouche,
961:Le cri de la mouche,
884:im Grabfeld, Bavaria
673:National Scholarship
647:Government of Kerala
425:Landestheater Coburg
375:government of Kerala
251:needs more complete
1851:Le Cri de la Mouche
1817:Le Cri de la Mouche
1802:Indisch Kulinarisch
1614:"ArchÀologiemuseum"
1507:Ausstellungskatalog
1412:Die Magie der Tiefe
986:Video documentation
689:, France, 1996â1997
681:Government of India
437:contemplation rooms
399:government of India
382:Rabindranath Tagore
329:interdisciplinarity
88:promotional content
979:Alliance Française
965:Alliance Française
693:Projektförderpreis
669:, India, 1993â1994
639:Annual State Award
598:
589:
530:
522:
514:
490:
384:led Gopinathan to
321:Sreeraj Gopinathan
318:
90:and inappropriate
1695:Ăber dem Horizont
1680:978-3-00-012899-8
1642:Ăber dem Horizont
1376:Missing or empty
1267:Ăber dem Horizont
1065:James Sebastian:
981:du Bengale, India
967:du Bengale, India
959:2014, im Magazin
861:Feuer und Wasser,
843:Sankt Andreasberg
310:
309:
302:
292:
291:
284:
234:
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197:with its subject.
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92:external links
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16:German painter
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649:, India, 1993
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567:reforestation
564:
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547:Western Ghats
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335:Life and work
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249:This article
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73:This article
71:
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56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
2082:
2072:
2063:
2057:
2048:
2042:
2033:
2023:
2014:
2008:
1999:
1993:
1984:
1978:
1960:
1954:
1945:
1935:
1926:
1916:
1907:
1897:
1891:(in German).
1888:
1878:
1869:
1859:
1850:
1844:
1835:
1825:
1816:
1810:
1801:
1791:
1782:
1772:
1759:
1752:
1737:
1728:
1718:
1709:
1703:
1694:
1688:
1670:
1664:
1641:
1634:
1622:. Retrieved
1617:
1608:
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1593:
1584:
1578:
1569:
1560:
1551:
1545:
1536:
1530:
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1506:
1500:
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1458:. Retrieved
1455:tara-art.org
1454:
1445:
1433:. Retrieved
1429:
1420:
1411:
1405:
1396:
1390:
1378:|title=
1357:. Retrieved
1349:
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1317:. Retrieved
1314:tara-art.org
1313:
1304:
1289:
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1259:
1250:
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1219:
1206:
1199:
1190:
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1125:
1110:
1106:
1091:
1087:
1080:
1077:
1070:
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1055:
1048:
1045:Im Zwielicht
1044:
1029:
1022:
1015:
1008:
1005:
991:
974:
970:
960:
952:
939:
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889:Publications
877:
863:
860:
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826:Lower Saxony
817:
803:
788:
773:
751:
740:
729:
723:Santiniketan
715:Kala-Bhavana
710:
692:
686:
672:
667:Santiniketan
658:Kala-Bhavana
655:
652:
638:
620:
616:culinary art
612:installation
604:
596:ingredients.
571:permaculture
559:conservation
555:biodiversity
536:
505:and acting.
491:
474:
470:
466:
436:
418:
414:installation
403:
386:Santiniketan
379:
360:
348:
345:
338:
320:
319:
296:
278:
269:
262:Please help
257:verification
250:
220:
211:
192:
163:
154:
143:
110:
101:
86:by removing
82:Please help
74:
50:
43:
37:
36:Please help
33:
2213:1969 births
1620:(in German)
1225:"Biografie"
1187:"Biografie"
977:Publisher:
963:Publisher:
868:Königshofen
683:, 1995â1996
653:Scholarship
627:Kanthalloor
543:South India
539:Kanthalloor
455:(2002) and
429:performance
367:Mavelikkara
356:South India
144:may not be
2137:Categories
1251:Neu Presse
1133:References
999:Literature
743:, Schloss
563:rainforest
551:Noah's Ark
463:Perception
433:perception
272:March 2021
214:March 2021
157:March 2021
104:March 2021
84:improve it
39:improve it
947:Magazines
856:, Bavaria
822:Oldenburg
736:, Bavaria
545:known as
410:light art
406:fine arts
351:portraits
253:citations
206:talk page
45:talk page
1369:cite web
1154:TARA art
957:Kolkatta
503:thinking
480:Projects
459:(2003).
451:(2002),
447:(2002),
146:reliable
872:Bavaria
818:Gewagt,
812:Bavaria
799:, India
784:, India
745:Bedheim
725:, India
697:Bavaria
625:and in
561:of the
449:Bedheim
1967:
1677:
1652:
1624:1 June
1460:1 June
1435:1 June
1359:1 June
1319:1 June
1277:
1156:, 1993
1117:
1109:. In:
1098:
1090:. In:
1069:. In:
1058:. In:
1056:Prolog
1047:. In:
1036:
913:
907:Coburg
797:Kerala
782:Kerala
760:Coburg
756:Munich
699:, 2018
633:Awards
623:Berlin
495:nature
457:Munich
421:Coburg
412:, and
341:Kerala
325:Kollam
1764:(PDF)
1646:(PDF)
1271:(PDF)
1247:(PDF)
1211:(PDF)
1150:(PDF)
953:L'ami
894:Books
876:2004
859:2002
854:Ebern
848:2002
836:Lemgo
830:2000
816:2000
802:1999
787:1993
772:1989
750:2003
739:2002
728:1998
709:1995
608:vegan
499:earth
445:Ebern
441:Lemgo
1965:ISBN
1675:ISBN
1650:ISBN
1626:2019
1462:2019
1437:2019
1382:help
1361:2019
1321:2019
1275:ISBN
1115:ISBN
1096:ISBN
1034:ISBN
911:ISBN
808:1999
614:and
255:for
365:in
2139::
2081:.
2032:.
1944:.
1925:.
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