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Wharenui

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The introduction of steel tools by European settlers allowed the size and scale of wharenui to increase, and wharenui built from the 1840s onwards became the direct antecedents of the style and structure of modern wharenui. Taiporohenui, constructed at Manawapou (near modern day
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Wharenui have been built in New Zealand for hundreds of years. By the 15th century, wharenui became more elaborately carved, and large enough that one or two central pou (posts) were needed to carry the weight of the structure. In the 18th century during the voyages of
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varying from tribe to tribe. Modern meeting houses are built to regular building standards. Photographs of recent ancestors may be used as well as carvings. The houses always have names, sometimes the name of a famous ancestor or sometimes a figure from
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Strict rules of conduct generally govern the use of the wharenui, which is considered the domain of unity and peace. If anyone should become irate or physically violent, they would be asked to leave the house until they can control their
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While a meeting house is considered sacred, it is not a church or house of worship, but religious rituals may take place in front of or inside a meeting house. On most marae, no food may be taken into the meeting house.
44: 153:) in the 1850s, was 27.6 metres long and 9.2 metres wide. The size and scale of Taiporohenui symbolised the opposition of Māori to European settlement and colonisation of traditional lands. 111:(literally "carved house"), the present style of wharenui originated in the early to middle nineteenth century. The houses are often carved inside and out with stylized images of the 124:. Some meeting houses are built at places that are not the location of a tribe, but where many Māori gather; typically, a school or tertiary institution with many Māori students. 587: 215:
depicting genitalia, and removed penises of ancestors from the carvings on wharenui. Opposition to carvings depicting genitalia began to cease in the 1940s.
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The building often symbolises an ancestor of the wharenui's tribe. Different parts of the building represent body parts of the ancestor.
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By the 1920s, marae and wharenui had become a symbol of Māori cultural identity, especially among people who were landless.
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was a large proponent of the re-development of marae in the country, leading to the construction of wharenui at
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is a very important open space directly in front of the wharenui, which is used to welcome visitors onto the
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began in 1870, and was eventually completed in 1888. The third, Te Tokanganui-a-Noho, was constructed at
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Ceremonial occasions, including wedding and funeral typically take place in the meeting house or on the
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in Chicago, Illinois has an original Māori meeting house, called Ruatepupuke II as shown in this
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Meeting houses are the centre of any cultural, business, or any affair which is relevant to the
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Typically, visitors to the village would be allowed to stay in the meeting house at night.
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Lee-Morgan, Jenny; Hoskins, Rau; Te Nana, Rihi; Rua, Mohi; Knox, Wayne (30 June 2019).
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A Report of the Manaaki Tāngata Programme at Te Puea Memorial Marae (Second Edition)
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During the 19th and early 20th century, missionaries and Christians condemned
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was a proponent of reviving wharenui as a symbol of Māori identity and mana.
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on the front of the wharenui can represent the ancestor's head.
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oversaw the construction of three massive wharenui during the
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in 1873, after Te Kooti retreated behind the border of the
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of New Zealand, generally situated as the focal point of a
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is the opening of Te Wheke Hall on December 30, 1901.
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Māori Architecture – from fale to wharenui and beyond
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Index

Tāhuhu



Te Papa Tongarewa
[ˈɸaɾɛnʉ.i]
Māori people
marae
New Zealand English
whakairo
iwi
carvings
Māori mythology
James Cook
Mokoia
South Taranaki
Te Kooti
New Zealand Wars
Waioeka
Ruatāhuna
Te Kūiti
King Country
Āpirana Ngata
Waikato Tainui
Te Puea Hērangi
Tūrangawaewae
Ngāruawāhia
Te Puea Memorial Marae
Auckland
whakairo

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