Knowledge (XXG)

Tuk band

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381:. The tuk band is based on the regimental bands of the British military, which played frequently during the colonial era. The Tuk Band is accompanied by characters that are African in origin. African tribes used costumed figures to represent elements such as fertility, witch doctors, and describing routes of commercial transportation, as well as having survived difficult times. 407:
After being colonized in 1627 by the British, "Little England" (as Barbados was called) had much fusion of music. Eighty Englishmen and ten Africans were captured from a Spanish galleon and settled in Barbados in February in 1627. The result of this mixture of people was "African-based drum music and
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The Donkey Cart was an important means of transportation in the past, and the Donkey Man is representative of the island transportation that was used by the locals. Mother Sally represents the female fertility, and with an exaggerated back end. Mother Sally is always good for a laugh, and a favorite
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Shaggy Bear is said to represent an African witch doctor figure. Shaggy gained a reputation as the Bank Holiday Bear because he always shows up on island Bank Holidays. Other Caribbean islands like Jamaica have their own Shaggy Bear figure which goes under a different name.
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In the Barbados Tuk Band, the regular costumed figures are Shaggy Bear (who is sometimes called the Bank Holiday Bear), the Donkey Man, Mother Sally, a masked man dressed up like a woman with an exaggerated behind, and the Stiltman.
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The slaves simply altered their drum playing to sound like the music of the English fife and drum corps. After this was accomplished, they played during the weekend celebrations and when away from the sugar cane fields.
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The newly initiated slaves were forced to leave their drums behind, but found the Mahogany trees on the island well suited for the drum base, and they fashioned the drum skin from sheep, goats and cattle.
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The Stiltman is another character that accompanies the Tuk Band, and is also seen on Bank Holidays. The Stiltman represents surviving hard times, and the effigy of Mr. Hardin.
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Tuk Bands perform during island festivals such as Crop Over, the Holetown Festival, and at Christmas and New Years. The trio provides musical accompaniment for The Landship.
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The drums were an intricate part of the African culture, and the African slaves could no more stop playing the drum as they could stop breathing.
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No doubt the slaves did figure out a way to communicate with their drums, and Barbados was one of the earlier islands to abolish slavery.
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The English slave owners instituted a law in the late 1600s to outlaw the playing of drums, with one of the penalties being death.
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British folk ballads and religious songs ultimately led to the distinctively Barbadian sound of traditional tuk band music".
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The music of the drums was brought to the island of Barbados by African slaves who arrived on the island in the mid-1600s.
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The plantation owners were afraid the slaves would use the drums to "talk to each other", and organize rebellions.
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Performance of Landship and Tuk Band at the arrival of the Amistad replica to Barbados in 2008
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Sound samples from the "Barbadian Tuk Music – A Fusion of Musical Cultures" article
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Meredith, Sharon (2004). "Barbadian Tuk Music – A Fusion of Musical Cultures".
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Marshall, Trevor G. and Watson, Elizabeth F. (2004). "Barbados".
377:; the traditional fiddle has most recently been replaced by the 108: 498:. University of Texas Press, Austin. pp. 345–357. 496:Music in Latin America and The Caribbean volume 2 540:Documentary about Tuk and the Barbados Landship 365:. They consist of a double-headed bass drum, 330: 8: 518:: CS1 maint: multiple names: authors list ( 446:Music, Power and Politics, ed. Annie Randall 471:Garland Encyclopedia of World Music, Vol. 2 337: 323: 149: 138: 132: 15: 238: 152: 143: 25: 511: 7: 14: 393:among Bajans and visitors alike. 20:Music of the Anglophone Caribbean 206:St. Vincent and the Grenadines 1: 560:African diaspora in Barbados 247:Aruba and the Dutch Antilles 465:Millington, Janice (1999). 581: 411:HISTORY OF THE TUK BAND 231:Other Anglophone islands 473:. Routledge. pp.  357:ensemble, which plays 307:Trinidad and Tobago 211:St. Kitts and Nevis 166:Antigua and Barbuda 262:Dominican Republic 565:Music of Barbados 505:978-0-292-70951-5 455:978-0-415-94364-2 355:Barbadian musical 347: 346: 314: 313: 226:US Virgin Islands 221:UK Virgin Islands 186:British Caribbean 139: 133: 572: 523: 517: 509: 488: 459: 339: 332: 325: 216:Turks and Caicos 150: 16: 580: 579: 575: 574: 573: 571: 570: 569: 550: 549: 530: 510: 506: 493: 485: 464: 456: 443: 440: 405: 343: 74:Rake-and-scrape 12: 11: 5: 578: 576: 568: 567: 562: 552: 551: 548: 547: 542: 537: 529: 528:External links 526: 525: 524: 504: 490: 489: 483: 461: 460: 454: 439: 436: 404: 401: 345: 344: 342: 341: 334: 327: 319: 316: 315: 312: 311: 310: 309: 304: 299: 294: 289: 284: 279: 274: 269: 264: 259: 254: 249: 241: 240: 236: 235: 234: 233: 228: 223: 218: 213: 208: 203: 198: 193: 188: 183: 178: 173: 168: 163: 155: 154: 146: 145: 144:Regional music 141: 140: 135: 134: 129: 128: 127: 126: 121: 116: 111: 106: 101: 96: 91: 86: 81: 76: 71: 66: 61: 56: 51: 46: 41: 36: 28: 27: 23: 22: 13: 10: 9: 6: 4: 3: 2: 577: 566: 563: 561: 558: 557: 555: 546: 543: 541: 538: 535: 532: 531: 527: 521: 515: 507: 501: 497: 492: 491: 486: 484:0-8153-1865-0 480: 476: 472: 468: 463: 462: 457: 451: 448:. Routledge. 447: 442: 441: 437: 435: 432: 428: 425: 422: 419: 415: 412: 409: 402: 400: 397: 394: 390: 386: 382: 380: 376: 372: 368: 364: 363:rukatuk music 360: 356: 353:is a kind of 352: 340: 335: 333: 328: 326: 321: 320: 318: 317: 308: 305: 303: 300: 298: 295: 293: 290: 288: 285: 283: 280: 278: 275: 273: 270: 268: 265: 263: 260: 258: 255: 253: 250: 248: 245: 244: 243: 242: 239:Related areas 237: 232: 229: 227: 224: 222: 219: 217: 214: 212: 209: 207: 204: 202: 199: 197: 194: 192: 189: 187: 184: 182: 179: 177: 174: 172: 169: 167: 164: 162: 159: 158: 157: 156: 151: 148: 147: 142: 137: 136: 131: 130: 125: 122: 120: 117: 115: 112: 110: 107: 105: 102: 100: 97: 95: 92: 90: 87: 85: 82: 80: 77: 75: 72: 70: 67: 65: 62: 60: 57: 55: 52: 50: 47: 45: 42: 40: 37: 35: 32: 31: 30: 29: 24: 21: 18: 17: 495: 470: 445: 433: 429: 426: 423: 420: 416: 413: 410: 406: 398: 395: 391: 387: 383: 379:pennywhistle 362: 358: 350: 348: 292:Puerto Rico 153:Local forms 554:Categories 467:"Barbados" 438:References 375:snare drum 287:Martinique 267:Guadeloupe 201:Montserrat 99:Rocksteady 536:, YouTube 514:cite book 49:Dancehall 367:triangle 351:tuk band 302:Suriname 297:St Lucia 257:Dominica 176:Barbados 161:Anguilla 124:Steelpan 64:Junkanoo 475:813–821 403:History 282:Jamaica 196:Grenada 191:Caymans 181:Bermuda 171:Bahamas 104:Scratch 59:Goombay 44:Chutney 39:Calypso 502:  481:  452:  373:and a 272:Guyana 119:Spouge 94:Ripsaw 89:Reggae 26:Genres 371:flute 277:Haiti 84:Rapso 79:Ragga 69:Mento 34:Benna 520:link 500:ISBN 479:ISBN 450:ISBN 252:Cuba 114:Soca 361:or 359:tuk 109:Ska 54:Dub 556:: 516:}} 512:{{ 477:. 469:. 369:, 349:A 522:) 508:. 487:. 458:. 338:e 331:t 324:v

Index

Music of the Anglophone Caribbean
Benna
Calypso
Chutney
Dancehall
Dub
Goombay
Junkanoo
Mento
Rake-and-scrape
Ragga
Rapso
Reggae
Ripsaw
Rocksteady
Scratch
Ska
Soca
Spouge
Steelpan
Anguilla
Antigua and Barbuda
Bahamas
Barbados
Bermuda
British Caribbean
Caymans
Grenada
Montserrat
St. Vincent and the Grenadines

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