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A Bay of Blood

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plan that they abandon their children for several days. When they return home, the starving and terrified children kill them. The thirteen murders were conceived as isolated sequences, with no initial idea of how they would fit into the story; Sacchetti credits Bava with the idea of two people being killed with a spear while making love and himself with the idea of a woman being killed in her wheelchair.
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film. Sacchetti and Bava got along well, and together came up with a story in which two parents commit murder to secure a better future for their children. In this early version of the story, the parents are driven to commit one murder after another in a chain reaction, becoming so caught up in their
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and its outlying property. Bava had to resort to various camera tricks to convince the audience that an entire forest existed when in fact, only a few scattered trees were at the location. Betti recalled: "All of this had to occur in a forest. But where was it? Bava said, 'Don't worry. I will do the
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forest'. And he found a florist who was selling these little stupid branches with little bits of foliage on them, and he began to make them dance in front of the camera! We had to act the scenes strictly in front of those branches—if we moved even an inch either way, the 'woods' would disappear!"
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Real estate agent Frank Ventura and his lover Laura plot to take possession of the bay. After the Countess refused to sell her home and property to them, the couple hatched a scheme with Filippo to murder his wife. To finalize their plan, Ventura needs Filippo's signature on legal documents. They
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Knowing there are now no other living heirs, Albert and Renata prepare to return home to await the announcement of their inheritance when they are shot dead from the caravan by their son, who has mistaken their shotgun for a toy. The son and daughter think their parents are playing dead and rush
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Ventura's partner Laura arrives, planning to meet up with him. When Simon discovers that it was the pair who had plotted with Filippo to kill his mother, he strangles Laura to death. No sooner has he exacted his revenge than Simon himself is murdered by Albert. The wounded Ventura reappears, but
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Their curiosity piqued by news of the murder, four local teenagers Duke, Bobby, Denise, and Brunhilde break into the seemingly deserted mansion and are murdered. Brunhilde skinny-dips at the lake, then is chased and has her throat slit with a billhook. Bobby has his face split open with the same
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effects. To create the deaths of Anna, Brunhilda, and Denise, wax effigies of the actresses' throats and backs were constructed and rigged to expulse brightly colored blood when cut. The illusion of Bobby being stabbed in the face with a billhook was achieved with a prop blade which was swiftly
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After killing Filippo, he is now conspiring with Ventura, who offers Simon a huge cash pay-off to sign the relevant legal documents. Their scheme is dealt a potentially ruinous blow when Filippo's estranged daughter Renata appears, determined to ensure that her father's estate comes into her
871:). Assembled with a striking visual assurance that never ceases to amuse, this is typical Bava material, simply one ghastly murder after another – 13 in all – surrounded by what must be one of the most preposterous and confusing plots ever put on film". In 408:
living on the grounds of the Donati estate. Fossati's wife, Anna, tells them that Filippo was responsible for the Countess's death and says that Simon will probably end up with the property. Renata, unaware that she has a stepbrother, makes plans with her husband to murder Simon.
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s "The 100 Greatest Horror Movies of All-Time", with its entry stating that the film "remains a vital watch for horror fans, and a reminder of how Bava continued to push horror into new and interesting realms, the reverberations of which are still felt today".
828:, while noting that Bava was able to "achieve some striking images", opined "zooms, no doubt programmed by the imperative to work quickly, spoil some scenes that cried out for Bava's particularly fluid use of camera movement which were so much in evidence in 40: 384:
At night, in her bayside mansion, wheelchair-using Countess Federica Donati is attacked and strangled to death by her husband, Filippo Donati. Moments later, Filippo himself is stabbed to death by an assailant, and his corpse is then dragged to the
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are strikingly similar to two of Bava's murder sequences: one character is slammed in the face with a hawkbill machete, though Bava's film had a billhook instead, and two teenage lovers are interrupted when a spear impales both of them. Along with
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After discovering Filippo's mangled and rotting corpse on Simon's boat, Renata and Albert head to Ventura's house. Upon their arrival, Ventura attacks Renata, but Renata gains the upper hand and stabs Ventura with a large pair of scissors in his
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was suggested by Zaccariello because the word "ecologia" was in vogue at the time. The film's budget was extremely low, and it had to be shot very quickly and cheaply. Due to the severe budgetary restrictions, Bava not only acted as his own
417:. Paolo Fossati, who witnesses the assault, attempts to telephone the police but is confronted by Albert, who strangles him to death with the phone's cord. Renata decapitates Anna with an ax to ensure there are no additional witnesses. 760:
was greeted with extreme controversy and disappointment by several critics, especially by those who were fans of the director's earlier, more restrained films. At the 1971 Avoriaz Film Festival, where the movie had its world premiere,
583:. At the time De Laurentiis approached Bava about working with Sacchetti, Bava and Betti had been toying with the idea of making a movie called "Odore di carne" ("stench of flesh") about cannibalism on Los Angeles colleges. 814:... The resulting movie is guaranteed to make audiences squirm, but the violence is near pornographic. In the same way that pornographic movies reduce human interactions to the workings of genitals, 909:
wrote that Bava's film is "the acknowledged smoking gun behind the 'body count' movie phenomenon of the 1980s, which continues to dominate the horror genre two decades later with such films as
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billhook. Duke and Denise are both impaled with a spear while having sex. The Countess's illegitimate son Simon, who lives on the grounds in a separate shack, is the killer.
865:) that it "features enough violence and gore to satisfy the most rabid mayhem fans and benefits from the inimitably stylish direction of horror specialist Mario Bava ( 1531: 1973: 572:) to take over as producer. Zaccariello insisted that the shooting script be written by Filippo Ottoni, who was reluctant to take the job since he did not like 401:
possession. A search for a will proves unsuccessful, and Ventura, who believes that Renata may be the rightful beneficiary, urges Simon to kill his stepsister.
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A snapshot of a murder scene in the film where a couple is impaled by an assailant with a spear in a bed. This scene has been imitated, notably in the movie
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on the grounds that it intruded on their exclusive right to rate motion pictures, and the film was withdrawn and re-released under the now common title
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Several critics have noted that the film is probably the most influential of Bava's career, as it had a huge and profound impact on the slasher film
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are ever-present, and serve as the only interest keeping the plot in motion, but nothing really redeems the dumb storyline". Gary Johnson, on his
598:("the bay of silver"), discarded for fear that the movie would be perceived as a parody of Dario Argento's works as a result. The final title of 2028: 1730: 719: 389:. Upon investigation, the police find what they believe to be a suicide note written by the Countess, but Filippo's murder goes undiscovered. 1978: 1963: 1953: 1077: 686: 404:
Accompanied by her husband Albert and leaving their young son and daughter in a caravan nearby, Renata visits the house of Paolo Fossati, an
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Controversy of the film continued in subsequent years and maintained a mixed critical response. Jeffrey Frentzen, reviewing the film for
2013: 2003: 733:, but it has since been re-released theatrically and on home video under a variety of titles. In the US alone, its later titles include 1888: 1303: 1428: 889:... Seen today, the violence in this movie remains as potent and explicit as anything glimpsed in contemporary 'splatter' features 1948: 1786: 917: 698: 2023: 560:, felt he needed to complete a film soon, and turned to Giuseppe Zaccariello (who had silently backed Bava's earlier films 2008: 1916: 1814: 1800: 1716: 996:
specifically "followed Bava's inspired cue, having young people stalked by violent death amid beautiful wooded settings".
677: 568: 323:. Bava co-wrote the screenplay with Giuseppe Zaccariello, Filippo Ottoni, and Sergio Canevari, with story credit given to 1993: 1968: 1958: 1539: 1252: 985: 653:("Ecology of Crime"). When the film did poorly on its initial release, it was pulled from Italian theaters and retitled 1587: 1012:
Although known by several different Italian-language titles, the film's original theatrical release title in Italy was
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pulled out of frame to hide the fact that it was sculpted to conform exactly to actor Roberto Bonanni's profile.
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attended a screening of the film, having expressed an interest in seeing the latest effort from the director of
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was acquired up for US distribution in 1972 by Steve Minasian's Hallmark Releasing, which specialized in
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appearing in advertisements. Thanks to Hallmark's distribution partnership with Bava's former employer
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unreels like a macabre, ironic joke, a movie built like an inescapable trap for its own anti-hero
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is one of the most imitated movies of the past 30 years. It helped kick start the slasher genre
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failed to recreate its domestic popularity when released abroad, also abandoned the project.
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effects. The story details a string of mysterious murders that occur around the titular bay.
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Widely considered Bava's most violent film, its emphasis on graphically bloody murder
39: 1932: 649:("Before the Fact"), but when finally released to theatres, the title had changed to 608: 534: 479: 336: 151: 405: 363: 1170:"Shock Horror! Total Film Proudly Hails The 50 Greatest Horror Movies Of All Time" 1440: 1641: 1508: 1217: 956: 799: 645:
was promoted with multiple different titles in Italy. The film was announced as
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by proclaiming that Bava's film was "The Second Film Rated 'V' for Violence!" (
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reduces cinematic thrills to little more than knives slicing through flesh".
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To ensure the utmost realism in depicting the thirteen different murders,
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The film began production in early 1971, still under the shooting title
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is made for people who derive pleasure from seeing other people killed
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Several commentators have noted that two sequences in the 1981 film
1306:. The Encyclopedia of Fantastic Film and Television. Archived from 1236:
Magazine, #32 (1996), pgs. 10-11, "A Bay of Blood" videotape review
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The cast included Laura Betti, who had got along well with Bava on
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having been the first). This campaign prompted a lawsuit from the
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holds an 86% approval rating based on 14 critic reviews, with an
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subgenre that would follow a decade later. In 2005, the magazine
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wrote thirteen years after the film's theatrical release that "
607:, but also utilized a simple child's wagon for the film's many 594:("chain reaction"). Yet another title used during shooting was 1369:
Frentzen, Jeffrey (1974). "Twitch of the Death Nerve Review".
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have no idea, however, that Filippo himself has been killed.
675:, Hallmark copied their successful advertising campaign for 614:
The location shooting was mostly completed at Zaccariello's
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and their respective sequels". According to Gary Johnson, "
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or triple bill with other Hallmark/AIP films, most notably
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Dante, Joe. "'Joe Dante's Fleapit Flashbacks' review of
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Sacchetti wrote the first draft of the script, titled
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Paola Montenero (as Paola Rubens) as Sylvie (Denise)
1866: 1701: 261: 253: 243: 220: 212: 198: 188: 178: 168: 160: 119: 111: 92: 62: 52: 32: 657:("Chain Reaction"), and was later re-released as 376:one of the 50 greatest horror films of all time. 701:, the film played for years under this title in 27:1971 Italian giallo slasher film by Mario Bava 1679: 8: 855:was enthusiastic about the film, writing in 1354:Normanton, Peter (2012). "A Bay of Blood". 1686: 1672: 1664: 533:, had fallen out with the film's director 494:Giovanni Nuvoletti as Count Filippo Donati 443:as Alberto (Albert in the English version) 293:, lit. "Ecology of Crime", later retitled 38: 29: 1228: 1226: 1060: 1058: 1056: 1054: 1052: 421:Albert kills him after a brief struggle. 1532:"The 100 Best Horror Movies of All Time" 1208: 1206: 1204: 1202: 1200: 1198: 1196: 1194: 1050: 1048: 1046: 1044: 1042: 1040: 1038: 1036: 1034: 1032: 1028: 1005: 1485:Lucas, Tim. "Bava's Terrors, Part 2". 1421:The Overlook Film Encyclopedia: Horror 1375:. Vol. 4, no. 3. p. 36. 1070:Mario Bava: All the Colors of the Dark 1974:American International Pictures films 1598:from the original on October 18, 2018 1180:from the original on October 20, 2007 687:Motion Picture Association of America 7: 1072:. Video Watchdog. pp. 847–869. 709:throughout the country as part of a 1415:The Aurum Film Encyclopedia: Horror 825:The Aurum Film Encyclopedia: Horror 327:and Franco Barberi. The film stars 1586:Parker, Jason (January 12, 2011). 1504:"Looking Back at 'A Bay of Blood'" 1358:. Philadelphia, PA: Running Press. 1356:The Mammoth Book of Slasher Movies 491:Roberto Bonanni as Roberto (Bobby) 25: 629:was hired to provide the special 473:as Franco Ventura (Frank Ventura) 1984:Films scored by Stelvio Cipriani 1538:. Jamie Righetti. Archived from 1502:Rambie, Ryan (8 December 2010). 1216:DVD, Image Entertainment, 2000, 556:Bava, owing a massive amount in 1787:Dr. Goldfoot and the Girl Bombs 1276:"First Look: ABE's BAY OF BLOOD 931:I Know What You Did Last Summer 918:I Know What You Did Last Summer 699:American International Pictures 488:Guido Boccaccini as Luca (Duke) 461:as Paolo Fossati (Paul Fossati) 425:outside to play along the bay. 1889:Caltiki – The Immortal Monster 1815:Roy Colt & Winchester Jack 1592:Friday the 13th: The Franchise 1474:. No. 95. pp. 24–25. 943:". It was listed at No. 94 in 739:Last House on the Left Part II 588:Cosi imparano a fare i cattivi 547:Cosi imparano a fare i cattivi 527:, screenwriter of the popular 362:was hugely influential on the 1: 2029:English-language horror films 1801:Five Dolls for an August Moon 1717:Hercules in the Haunted World 661:("Bay of Blood" in Spanish). 569:Five Dolls for an August Moon 351:created the gruesome special 1979:Films directed by Mario Bava 1964:1970s Italian-language films 1954:1970s English-language films 590:, which was soon changed to 467:as Countessa Federica Donati 2019:Italian serial killer films 1989:Films set in country houses 1393:"Twitch of the Death Nerve" 1119:"Twitch of the Death Nerve" 216:Nuova Linea Cinematografica 207:Nuova Linea Cinematografica 2045: 2014:Italian multilingual films 2004:Italian exploitation films 1731:The Girl Who Knew Too Much 1491:. No. 43. p. 31. 720:The Last House on the Left 476:Anna Maria Rosati as Laura 229:8 September 1971 1808:Hatchet for the Honeymoon 1468:Twitch of the Death Nerve 1214:Twitch of the Death Nerve 923:Twitch of the Death Nerve 816:Twitch of the Death Nerve 808:Twitch of the Death Nerve 786:Twitch of the Death Nerve 691:Twitch of the Death Nerve 581:Hatchet for the Honeymoon 563:Hatchet for the Honeymoon 306:Twitch of the Death Nerve 37: 18:Twitch of the Death Nerve 1882:The Day the Sky Exploded 1423:, Overlook Press, 1995, 1949:1971 multilingual films 1329:"'Bay of Blood' – 1971" 1098:American Film Institute 1094:"Mario Bava Centennial" 717:'s equally-influential 1910:The Wonders of Aladdin 1766:Planet of the Vampires 1759:The Road to Fort Alamo 1304:"Ecologia del delitto" 973:Friday the 13th Part 2 967: 963:Friday the 13th Part 2 2024:Italian slasher films 1896:The Giant of Marathon 1822:Four Times That Night 1773:Knives of the Avenger 1745:The Whip and the Body 1117:Thompson, Nathaniel. 959: 768:The Whip and the Body 747:New House on the Left 551:The Cat o' Nine Tails 530:The Cat o' Nine Tails 482:as Louise (Brunhilde) 2009:Italian horror films 1752:Blood and Black Lace 1413:Hardy, Phil (1986). 1176:. October 10, 2005. 1014:Ecologia del delitto 859:(later reprinted in 806:website, said that " 791:Blood and Black Lace 773:Sitges Film Festival 651:Ecologia del delitto 600:Ecologia del delitto 315:) is a 1971 Italian 291:Ecologia del delitto 115:Giuseppe Zaccariello 72:Giuseppe Zaccariello 1994:Films shot in Italy 1969:1970s slasher films 1959:1970s Italian films 1903:Esther and the King 1867:Collaborative works 1445:Rotten Tomatoes.com 317:giallo slasher film 1843:Lisa and the Devil 1724:Erik the Conqueror 1659:TCM Movie Database 1561:Kerswell, Justin. 1220:. ASIN: B000055ZCA 968: 743:Last House Part II 669:exploitation films 574:exploitation films 521:Dino De Laurentiis 519:was when producer 1944:1971 horror films 1926: 1925: 1530:Righetti, Jamie. 1333:A Slice of Horror 1282:. 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Aurum Press. 1405: 1378: 1361: 1346: 1335:. 15 June 2014 1320: 1295: 1266: 1246:Bitel, Anton. 1238: 1234:Video Watchdog 1222: 1190: 1161: 1141:"Bay of Blood" 1131: 1109: 1085: 1078: 1027: 1025: 1022: 1019: 1018: 1004: 1003: 1001: 998: 898: 895: 862:Video Watchdog 849:average rating 845:A Bay of Blood 758:A Bay of Blood 754: 751: 735:A Bay of Blood 665:A Bay of Blood 643:A Bay of Blood 639: 636: 627:Carlo Rambaldi 609:tracking shots 517:A Bay of Blood 512: 509: 508: 507: 504:Nicoletta Elmi 501: 495: 492: 489: 486: 483: 477: 474: 468: 462: 456: 450: 444: 441:Luigi Pistilli 438: 435:Claudine Auger 430: 427: 415:femoral artery 381: 378: 374:A Bay of Blood 349:Carlo Rambaldi 341:Nicoletta Elmi 333:Luigi Pistilli 329:Claudine Auger 282:A Bay of Blood 276: 275: 273: 272: 269: 265: 263: 259: 258: 255: 251: 250: 247: 244: 241: 240: 238: 237: 226: 224: 221: 218: 217: 214: 213:Distributed by 210: 209: 206: 204: 199: 196: 195: 190: 186: 185: 180: 176: 175: 170: 166: 165: 162: 161:Cinematography 158: 157: 155: 154: 149: 144: 139: 134: 132:Luigi Pistilli 129: 127:Claudine Auger 123: 121: 117: 116: 113: 109: 108: 106: 105: 104:Franco Barberi 102: 96: 94: 90: 89: 87: 86: 83: 78: 76:Filippo Ottoni 73: 70: 66: 64: 60: 59: 54: 50: 49: 43: 35: 34: 33:A Bay of Blood 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2041: 2030: 2027: 2025: 2022: 2020: 2017: 2015: 2012: 2010: 2007: 2005: 2002: 2000: 1997: 1995: 1992: 1990: 1987: 1985: 1982: 1980: 1977: 1975: 1972: 1970: 1967: 1965: 1962: 1960: 1957: 1955: 1952: 1950: 1947: 1945: 1942: 1940: 1937: 1936: 1934: 1919: 1918: 1914: 1912: 1911: 1907: 1905: 1904: 1900: 1898: 1897: 1893: 1891: 1890: 1886: 1884: 1883: 1879: 1877: 1876: 1872: 1871: 1869: 1865: 1859: 1858: 1854: 1852: 1851: 1847: 1845: 1844: 1840: 1838: 1837: 1833: 1831: 1830: 1826: 1824: 1823: 1819: 1817: 1816: 1812: 1810: 1809: 1805: 1803: 1802: 1798: 1796: 1795: 1791: 1789: 1788: 1784: 1782: 1781: 1777: 1775: 1774: 1770: 1768: 1767: 1763: 1761: 1760: 1756: 1754: 1753: 1749: 1747: 1746: 1742: 1740: 1739: 1738:Black Sabbath 1735: 1733: 1732: 1728: 1726: 1725: 1721: 1719: 1718: 1714: 1712: 1711: 1707: 1706: 1704: 1700: 1696: 1689: 1684: 1682: 1677: 1675: 1670: 1669: 1666: 1660: 1656: 1655: 1651: 1649: 1645: 1644: 1640: 1638: 1634: 1633: 1629: 1627: 1623: 1622: 1618: 1617: 1613: 1597: 1593: 1589: 1582: 1579: 1568: 1564: 1557: 1554: 1541: 1537: 1536:IndieWire.com 1533: 1526: 1523: 1511: 1510: 1505: 1498: 1495: 1490: 1489: 1481: 1478: 1473: 1469: 1462: 1459: 1446: 1442: 1436: 1433: 1430: 1429:0-87951-624-0 1426: 1422: 1419:Reprinted as 1416: 1409: 1406: 1394: 1387: 1385: 1383: 1379: 1374: 1373: 1365: 1362: 1357: 1350: 1347: 1334: 1330: 1324: 1321: 1310:on 2007-01-20 1309: 1305: 1299: 1296: 1293: 1290: 1280: 1279: 1270: 1267: 1255: 1254: 1249: 1242: 1239: 1235: 1229: 1227: 1223: 1219: 1215: 1209: 1207: 1205: 1203: 1201: 1199: 1197: 1195: 1191: 1179: 1175: 1171: 1165: 1162: 1151:on 2006-12-22 1150: 1146: 1142: 1135: 1132: 1120: 1113: 1110: 1099: 1095: 1089: 1086: 1081: 1075: 1071: 1067: 1061: 1059: 1057: 1055: 1053: 1051: 1049: 1047: 1045: 1043: 1041: 1039: 1037: 1035: 1033: 1029: 1023: 1015: 1009: 1006: 999: 997: 995: 992: 988: 987: 982: 981: 975: 974: 965: 964: 958: 954: 948: 947: 942: 941: 936: 932: 924: 920: 919: 914: 913: 908: 904: 896: 894: 884: 880: 876: 875: 870: 869: 864: 863: 858: 854: 850: 846: 842: 838: 833: 831: 827: 826: 821: 817: 809: 805: 801: 793: 792: 787: 783: 782: 776: 774: 770: 769: 764: 759: 752: 750: 748: 744: 740: 736: 732: 731: 726: 722: 721: 716: 712: 708: 704: 700: 696: 692: 688: 684: 680: 679: 674: 670: 666: 662: 660: 656: 652: 648: 644: 637: 635: 632: 628: 623: 620: 617: 612: 610: 606: 601: 597: 593: 589: 584: 582: 577: 575: 571: 570: 565: 564: 559: 554: 552: 548: 543: 540: 536: 535:Dario Argento 532: 531: 526: 522: 518: 510: 505: 502: 499: 498:Renato Cestiè 496: 493: 490: 487: 484: 481: 480:Brigitte Skay 478: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 445: 442: 439: 436: 433: 432: 428: 426: 422: 418: 416: 410: 407: 402: 398: 394: 390: 388: 379: 377: 375: 371: 370: 365: 361: 356: 354: 350: 346: 342: 338: 337:Brigitte Skay 334: 330: 326: 322: 318: 314: 313: 308: 307: 302: 301: 296: 292: 288: 284: 283: 270: 267: 266: 264: 260: 256: 252: 248: 242: 228: 227: 225: 219: 215: 211: 205: 197: 194: 191: 189:Color process 187: 184: 181: 177: 174: 171: 167: 163: 159: 153: 152:Brigitte Skay 150: 148: 145: 143: 140: 138: 135: 133: 130: 128: 125: 124: 122: 118: 114: 110: 103: 101: 98: 97: 95: 91: 84: 82: 79: 77: 74: 71: 68: 67: 65: 63:Screenplay by 61: 58: 55: 51: 47: 41: 36: 31: 19: 1999:Giallo films 1915: 1908: 1901: 1894: 1887: 1880: 1873: 1855: 1848: 1841: 1834: 1828: 1827: 1820: 1813: 1806: 1799: 1792: 1785: 1778: 1771: 1764: 1757: 1750: 1743: 1736: 1729: 1722: 1715: 1710:Black Sunday 1708: 1653: 1642: 1631: 1620: 1600:. 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Index

Twitch of the Death Nerve

film poster
Mario Bava
Filippo Ottoni
Dardano Sacchetti
Claudine Auger
Luigi Pistilli
Claudio Volonté
Laura Betti
Leopoldo Trieste
Brigitte Skay
Carlo Reali
Stelvio Cipriani
Technicolor
Italian
giallo slasher film
Mario Bava
Dardano Sacchetti
Claudine Auger
Luigi Pistilli
Brigitte Skay
Nicoletta Elmi
Laura Betti
Carlo Rambaldi
make-up
set pieces
slasher film
Total Film
bay

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