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and fuzzy elements that muddy the overall effect. The review suggests that the music has a strange ecstasy in the vocals and a melancholic feel in some parts. Overall, the review portrays the music as complex and mature, with certain sonic qualities that stand out, but also with some limitations in terms of sonic clarity.
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Benjamin Bland writing for Drowned in Sound describes the EP as a charming and youthful record consisting of eight tracks of ambient techno, showcasing the band's early musical vision. It highlights the absence of the heavy darkness present in their later work and the uniqueness of each track. Noting
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Andy Beta of Pitchfork describes how the EP features prescient, beanie-nodding beats and highlights the complexity of certain tracks like "Basefree," with a surging bass throb and intense hyper-beat. However, it also notes limitations due to the cassette-only format, with some tracks having distorted
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There are differences between "Sixtyniner" on this EP and other releases, as Boards of Canada have often re-released early songs on later, more popular releases, sometimes with changes. On the original Music70 pressing of the record, "Sixtyniner" lasted 5:40, while reissues shortened it to 5:14.
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The channels are reversed on the CD reissue compared to the original vinyl EP. This can also be noted on the tracks "Seeya Later" and "Smokes Quantity", which have the channels reversed compared to their appearances on
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was re-pressed in 2002, it was a highly sought-after item, being pressed in an edition of approximately 100 copies. It would often be exchanged from one person to the next for around £800 (
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how the EP is seen as a sonically incomplete yet fascinating glimpse into Boards of Canada's early style, shedding light on their musical evolution over time.
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features the same exquisitely spooky, textured emotronica that fans will want to hear, all at as high a level as the brilliant
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AllMusic said of the reissue, "Excepting only the rigid drum monster "Basefree" (which sounds a bit like
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in August 1995. Initially limited to 100 copies and released privately, the EP was reissued by
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logo on it. The barcode on the CD's digipack was also an easily removable sticker.
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is the only widely available Boards of Canada release with early third member
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The EP was initially pressed by Boards of Canada's own Music70 label on
761: 343:, resulting in the release of Boards of Canada's first major public EP 326: 766: 770: 728:"Scottish Duo Re-release Their Ultra Rare Seminal Debut" 1015: 988: 935: 917: 898: 847: 804: 667:"Ep Review: Boards of Canada - EPs (2013 remaster)" 492: 484: 153: 136: 117: 101: 75: 64: 56: 48: 35: 21: 730:. British Broadcasting Corporation. Archived from 660: 658: 325:, self-financed and released through their own 439:discs, and included a sticker with the yellow 782: 8: 424:The album cover is taken from the 1980 film 260: 222: 694: 692: 388:Canadian Musical Reproduction Rights Agency 789: 775: 767: 630: 628: 605:Michael Sandison - production, photography 197: 27: 18: 481: 880:In a Beautiful Place Out in the Country 701:"Boards of Canada: Twoism Album Review" 624: 435:was on a black CD, similar to original 203: 7: 665:Bland, Benjamin (18 November 2013). 339:The EP led the duo to be noticed by 637:"Boards of Canada - Twoism Review" 431:The first pressing of the CD from 390:he only co-wrote "Melissa Juice". 14: 589:"1986 Summer Fire" (hidden track) 262: 224: 281: 276: 271: 266: 261: 243: 238: 233: 228: 223: 813:Music Has the Right to Children 677:from the original on 2023-08-13 466:Music Has the Right to Children 410:Music Has the Right to Children 16:1995 EP by Boards of Canada 726:Walton, Matthew (2002-11-21). 485: 1: 426:The Killings at Outpost Zeta 321:by Scottish electronic duo 1070: 585: 574: 563: 552: 541: 530: 519: 508: 497: 489: 349:in 1996 on Skam Records. 211: 208: 161: 26: 608:Marcus Eoin - production 1049:Boards of Canada albums 989:Live bootleg recordings 829:The Campfire Headphase 336:on November 25, 2002. 938:studio albums and EPs 888:Trans Canada Highway 199:Professional ratings 200: 926:Reach for the Dead 837:Tomorrow's Harvest 198: 1036: 1035: 596: 595: 578:"Smokes Quantity" 310: 309: 196: 195: 192: 191: 1061: 1016:Related articles 798:Boards of Canada 791: 784: 777: 768: 743: 742: 740: 739: 723: 717: 716: 714: 712: 696: 687: 686: 684: 682: 662: 653: 652: 650: 648: 632: 487: 482: 441:Boards of Canada 323:Boards of Canada 292:Drowned in Sound 286: 285: 284: 280: 279: 275: 274: 270: 269: 265: 264: 248: 247: 246: 242: 241: 237: 236: 232: 231: 227: 226: 201: 163: 162: 155:Boards of Canada 144:Michael Sandison 113: 112: 108: 71:, Pentland Hills 42:Boards of Canada 31: 19: 1069: 1068: 1064: 1063: 1062: 1060: 1059: 1058: 1039: 1038: 1037: 1032: 1011: 984: 957:Play by Numbers 937: 936:Limited release 931: 913: 894: 843: 800: 795: 752: 747: 746: 737: 735: 725: 724: 720: 710: 708: 698: 697: 690: 680: 678: 664: 663: 656: 646: 644: 634: 633: 626: 621: 602: 597: 567:"Melissa Juice" 479: 449: 422: 396: 355: 302:Pitchfork Media 282: 277: 272: 267: 244: 239: 234: 229: 187: 178: 169: 110: 106: 105: 44: 17: 12: 11: 5: 1067: 1065: 1057: 1056: 1054:1995 debut EPs 1051: 1041: 1040: 1034: 1033: 1031: 1030: 1025: 1019: 1017: 1013: 1012: 1010: 1009: 1001: 992: 990: 986: 985: 983: 982: 974: 966: 960: 954: 948: 941: 939: 933: 932: 930: 929: 921: 919: 915: 914: 912: 911: 902: 900: 896: 895: 893: 892: 884: 876: 868: 860: 851: 849: 845: 844: 842: 841: 833: 825: 817: 808: 806: 802: 801: 796: 794: 793: 786: 779: 771: 765: 764: 751: 750:External links 748: 745: 744: 718: 688: 671:DrownedInSound 654: 623: 622: 620: 617: 616: 615: 609: 606: 601: 598: 594: 593: 590: 587: 583: 582: 579: 576: 572: 571: 568: 565: 561: 560: 557: 554: 550: 549: 546: 543: 539: 538: 535: 532: 528: 527: 524: 521: 517: 516: 513: 510: 506: 505: 502: 499: 495: 494: 491: 488: 480: 478: 475: 448: 445: 421: 418: 413:respectively. 395: 392: 354: 351: 308: 307: 304: 298: 297: 294: 288: 287: 258: 250: 249: 220: 214: 213: 210: 206: 205: 194: 193: 190: 189: 180: 171: 159: 158: 151: 150: 149: 148: 145: 140: 134: 133: 132: 131: 126: 121: 115: 114: 103: 99: 98: 97: 96: 91: 86: 79: 73: 72: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1066: 1055: 1052: 1050: 1047: 1046: 1044: 1029: 1026: 1024: 1021: 1020: 1018: 1014: 1007: 1006: 1002: 999: 998: 997:Live @ Warp10 994: 993: 991: 987: 980: 979: 975: 972: 971: 967: 964: 961: 958: 955: 952: 951:Acid Memories 949: 946: 943: 942: 940: 934: 927: 923: 922: 920: 916: 909: 908: 904: 903: 901: 897: 890: 889: 885: 882: 881: 877: 874: 873: 869: 866: 865: 861: 858: 857: 853: 852: 850: 846: 839: 838: 834: 831: 830: 826: 823: 822: 818: 815: 814: 810: 809: 807: 805:Studio albums 803: 799: 792: 787: 785: 780: 778: 773: 772: 769: 763: 759: 758: 754: 753: 749: 734:on 2002-12-16 733: 729: 722: 719: 706: 702: 695: 693: 689: 676: 672: 668: 661: 659: 655: 642: 638: 631: 629: 625: 618: 613: 610: 607: 604: 603: 599: 591: 588: 584: 580: 577: 573: 569: 566: 562: 558: 556:"Seeya Later" 555: 551: 547: 544: 540: 536: 533: 529: 525: 522: 518: 514: 511: 507: 503: 500: 496: 483: 477:Track listing 476: 474: 470: 468: 467: 462: 459:circa 1992), 458: 453: 446: 444: 442: 438: 434: 429: 427: 419: 417: 414: 412: 411: 406: 400: 393: 391: 389: 385: 381: 377: 375: 371: 366: 364: 360: 352: 350: 348: 347: 342: 337: 335: 331: 328: 324: 320: 317:is the debut 316: 315: 305: 303: 300: 299: 295: 293: 290: 289: 259: 257: 256: 252: 251: 221: 219: 216: 215: 207: 204:Review scores 202: 186: 185: 181: 177: 176: 172: 168: 165: 164: 160: 156: 152: 146: 143: 142: 141: 139: 135: 130: 127: 124: 123: 122: 120: 116: 104: 100: 95: 92: 90: 87: 85: 82: 81: 80: 78: 74: 70: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1003: 995: 976: 968: 962: 956: 950: 944: 907:Peel Session 905: 886: 878: 870: 862: 855: 854: 835: 827: 819: 811: 756: 736:. Retrieved 732:the original 721: 709:. Retrieved 704: 699:Beta, Andy. 679:. Retrieved 670: 645:. Retrieved 640: 635:Bush, John. 614:- production 523:"Iced Cooly" 501:"Sixtyniner" 471: 464: 460: 454: 450: 433:Warp Records 430: 425: 423: 415: 408: 404: 401: 397: 379: 378: 369: 367: 356: 344: 341:Skam Records 338: 334:Warp Records 330:record label 313: 312: 311: 253: 182: 174: 173: 166: 1028:Hexagon Sun 1023:Discography 711:3 September 707:. Pitchfork 681:3 September 647:3 September 612:Chris Horne 512:"Oirectine" 437:PlayStation 384:Chris Horne 147:Marcus Eoin 69:Hexagon Sun 52:August 1995 1043:Categories 1005:Live @ ATP 978:Boc Maxima 963:Hooper Bay 738:2006-11-26 643:. AllMusic 619:References 534:"Basefree" 469:to boot." 457:Aphex Twin 353:Background 184:Boc Maxima 167:Hooper Bay 157:chronology 970:Old Tunes 945:Catalog 3 864:Hi Scores 705:Pitchfork 447:Reception 405:Hi Scores 365:in 1995. 346:Hi Scores 89:downtempo 928:" (2013) 872:Aquarius 821:Geogaddi 675:Archived 641:AllMusic 545:"Twoism" 359:cassette 306:(7.0/10) 218:Allmusic 138:Producer 84:Trip hop 57:Recorded 49:Released 39: by 918:Singles 899:Live EP 762:Discogs 600:Credits 420:Artwork 394:Content 376:1500). 368:Before 327:Music70 255:Blender 188:(1996) 179:(1995) 170:(1994) 125:Music70 94:ambient 1008:(2001) 1000:(1999) 981:(1996) 973:(1996) 965:(1994) 959:(1994) 953:(1989) 947:(1987) 910:(1999) 891:(2006) 883:(2000) 875:(1998) 867:(1996) 859:(1995) 856:Twoism 840:(2013) 832:(2005) 824:(2002) 816:(1998) 757:Twoism 493:Length 461:Twoism 380:Twoism 370:Twoism 314:Twoism 296:(8/10) 212:Rating 209:Source 175:Twoism 102:Length 65:Studio 22:Twoism 490:Title 363:vinyl 119:Label 77:Genre 713:2023 683:2023 649:2023 592:1:36 581:3:10 570:1:32 559:4:33 548:6:06 537:6:35 526:2:22 515:5:11 504:5:40 407:and 374:US$ 361:and 129:Warp 60:1995 848:EPs 760:on 486:No. 1045:: 703:. 691:^ 673:. 669:. 657:^ 639:. 627:^ 586:9. 575:8. 564:7. 553:6. 542:5. 531:4. 520:3. 509:2. 498:1. 428:. 319:EP 111:37 107:36 37:EP 924:" 790:e 783:t 776:v 741:. 715:. 685:. 651:. 109::

Index


EP
Boards of Canada
Hexagon Sun
Genre
Trip hop
downtempo
ambient
Label
Warp
Producer
Boards of Canada
Boc Maxima
Allmusic
Blender
Drowned in Sound
Pitchfork Media
EP
Boards of Canada
Music70
record label
Warp Records
Skam Records
Hi Scores
cassette
vinyl
US$
Chris Horne
Canadian Musical Reproduction Rights Agency
Music Has the Right to Children

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