858:
830:
846:
814:
802:
790:
904:
874:
889:
121:
38:
2463:“was widely sold in the months immediately after Japan's surrender, when better alcoholic beverages were not available. Kasutori smelled like the rotgut it was, since it was made of the fermentable materials of the worst quality, but it did have one advantage: it was cheap. Thus kasutori came to symbolize the spirit and mores of the times. 'Kasutori Jidai' (Days in the Dregs) became a general term for that period after the war.” Mitsuhashi, "Reappraisal", p. 11.
254:), again under Tamura. On his graduation the following year, he returned to Tokuyama, but “spent a year in dissipation, drinking heavily every night”. Yet he managed to retain his interest and prowess in photography. In 1939 his family decided to make a final allowance to him of ¥200, which he quickly wasted in Tokyo on food and drink. Tamura got him a job in a developing and printing firm in
683:; his photographs of the trips appeared in magazines. For decades thereafter they were little known, but forty were exhibited in a major posthumous retrospective, where they reminded viewers that Hayashi did not need to stage and excelled at the snapshot too; though his photographs still contrasted with Kimura's in the subjects' awareness of being photographed.
717:(The village settings of stories) for which Hayashi traveled around Japan to the settings of novels and short stories, looking for and sometimes staging the scenes that are echoed in the fiction. It would be seven more years before his second book was published (a pace that was normal at the time), and the photographs that had made him famous in the
414:) (cheap, sensational and short-lived magazines) every month. As Hayashi would later describe it, Yoshida would tell publishers that he photographed women, and Hayashi (later renowned for his portraits of men) would tell them that he photographed anything other than women. The ploy seems to have worked: he was frenetically busy, and the photographer
495:), other writers and figures close to the world of literature, in its January 1948 issue; the series would continue until 1949 and was later collected into an anthology. Hayashi's portraits show their subjects in context, and the combination of their subject matter and the method by which he took them — by his own account intermediate (
857:
564:
In the early 1950s, a strong trend toward photographing unaltered reality was fueled by manifestos in camera magazines by Ken Domon and others; Hayashi bucked this by arranging his photographs so that the whole and every part would form a flawless composition, staging if this were necessary. For this
2335:
in 1946. Ueda's memories corroborate this. Saitō's are more alarming: contrary to
Hayashi's claim that he spent eight hours on each of working, sleeping or drinking, Saitō asserts that drinking was his main activity, incapacitating him — until a camera was in his
739:
In the early 1980s
Hayashi traveled around Japan, taking photographs for a number of photo books. However, in 1985 he announced that he had cancer of the liver. This did not stop him from working: he embarked on work for a book of photographs for a book on the
829:
845:
813:
2266:
Yamaguchi: Yamaguchi
Prefectural Museum of Art, 1990. Despite the alternative title in English, almost exclusively in Japanese (although each of the twelve has a potted chronology in English). Catalogue of an exhibition held at
172:) was a mediocre photographer and a spendthrift; the boy's grandfather forced the parents to divorce and the boy grew up with his mother and surrounded by photography. He did well at school, where he took photographs.
2764:
Tokyo: Tokyo
Metropolitan Museum of Photography, 1993. This bilingual production is particularly informative (as well as having an excellent selection of Hayashi's earlier work, excellently reproduced).
801:
2033:
A collection of photographs of writers and also photographs taken in the locations of novels. Text and comments on each photograph in
Japanese only; captions and some other material also in English.
789:
724:
Hayashi's middle age had its setbacks. His wife died in 1961, his tuberculosis recurred in 1970, and his second son Jun died in 1973. But he continued to produce books, notably the lavish
270:, where he soon had an unexpected opportunity to demonstrate his unusual command, gained in Yokohama, of flash illumination. Demand for his services increased. He married Akiko Sasaki (
2313:"Chronology", pp. 178, 179. This informative chronology is in parallel versions, Japanese and English, and is the basis of the biographical information here unless otherwise noted.
526:
Meanwhile, his portraits of orphans and the desperate but sometimes pleasurable life of the city were run in camera magazines, general-interest magazines, and more surprisingly in
3016:
2481:
Composition, staging, widely perceived contrast with Kimura: Mitsuhashi, "Reappraisal", pp. 15–17. Mitsuhashi goes on to point out that the contrast is simplistic.
2377:.) As recounted by Ōtake. Ueda and Saitō confirm that the name Chū-san lingered after the war even when the reference to wide angle was dropped; Saitō also mentions
3011:
3006:
112:
photographer noted for a wide range of work including documentary (particularly genre scenes of the period immediately after the war) and portraiture.
2986:
2981:
2516:
1267:
398:) in 1946. The family photo studio had been destroyed, but with Yoshida he set up a new studio, busily churning out photographs for twenty or more
903:
2743:
2353:
has a diagonal angle of view of 63°; in the early twenty-first century, lenses such as this are commonly regarded as standard rather than wide.
2297:
series appear in this lavish catalogue of an exhibition of postwar black and white photographs. Captions and text in both
Japanese and English.
888:
2705:
873:
2056:
2026:
418:
later termed him “he first professional photographer in Japan”. He also found time to remarry in 1946, his second wife being Kane
Watanabe (
211:
and returned to
Tokuyama, where he enthusiastically practiced photography while recuperating, and participated in the group Neko-no-me-kai (
571:
Through this period
Hayashi was busily cofounding and participating in various organizations of photographers. Together with Eiichi Akaho (
2331:
Hayashi would continue to drink heavily. Midorikawa recalls how
Hayashi, Akiyama and he “often ended up dead drunk” after nights out in
2268:
175:
Hayashi graduated from school in 1935, and his mother determined that he would apprentice himself to the photographer Shōichi Nakayama (
2779:
207:
late at night and was reinspired in photography by his realization of the effort Nakayama was putting in. A year later he contracted
2932:
2910:
2881:
2817:
2202:
2116:
1996:
1967:
1911:
1886:
1835:
1810:
1763:
1712:
1682:
1635:
2954:
2833:
2770:
2174:, "Portraits of 110 literati"). Tokyo: Asahi Shinbunsha, 1990. Hayashi is one of five photographers — the others are
767:
2991:
2976:
612:
203:. Hayashi did much running of errands between the two. On one occasion he passed the Ashiya studio of the photographer
1248:
553:
were sharing a studio in the basement of the Nihon Seimei Building, a dirty old building (subsequently demolished) in
220:
733:
160:) was an accomplished photographer, particularly of portraits, taught by her father; his father, Shin'ichi Hayashi (
2519:
in 1993; the observations are by Mitsuhashi, "Reappraisal", p. 21–3, who also quotes Tsutomu Watanabe (
519:). The series of portraits that he was commissioned to take remained fresh; that of an unposed (and unsuspecting)
258:, where he worked at both printmaking and commercial photography. A few months later he moved to Tōkyō Kōgeisha (
1324:
1188:
520:
120:
37:
2674:
1301:
1180:
1172:
752:. Hayashi survived publication of his own book by two months; Midorikawa's book only came out a year later.
2839:
Mitsuhashi Sumiyo. “Tadahiko Hayashi: A reappraisal in the light of America 1955.” pp. 7–25 of
1252:
1207:
966:
729:
603:
in 1947; the group would meet once every two months, for discussion and drinking. A year later he joined
473:
1940:
The Japanese title means “The world of Tadahiko Hayashi: The postwar period that Tadahiko Hayashi saw:
1120:
2175:
1948:
concentrates on these three areas of Hayashi's work. Captions and texts in English as well as Japanese.
584:
546:
1286:
1000:
3001:
2996:
2242:
1945:
1771:
1075:
864:
775:
771:
745:
741:
592:
333:), which he had just cofounded. While in China he did a lot of work with what was then regarded as a
137:
133:
97:
2152:
836:
483:
2702:
2132:
1500:
1176:
362:
192:
129:
2128:
1105:
640:
287:
1090:
2155:— who provide 340 photographs for this well-illustrated and large photographic history of
2205:. Hayashi is one of eleven photographers whose works appear in this large book (the others are
600:
2928:
2906:
2877:
2813:
2686:
2218:
2198:
2136:
2112:
2052:
2022:
1992:
1963:
1907:
1882:
1831:
1806:
1759:
1708:
1678:
1631:
588:
89:
755:
From 1980 until 1989 Hayashi was principal of the photographic academy Nihon Shashin Gakuen (
749:
2750:
Hayashi Tadahiko no sekai: Hayashi Tadahiko no mita sengo: Kasutori, bunshi, soshite Amerika
2238:
2234:
2230:
1922:
Hayashi Tadahiko no sekai: Hayashi Tadahiko no mita sengo: Kasutori, bunshi, soshite Amerika
1677:
period: 1945–55 seen by the lens, Tokyo). Asahi bunko. Tokyo: Asahi Shinbunsha, 1987.
1305:
1184:
188:
386:
Hayashi was still in Beijing at the end of the war. He returned to Japan with Jun Yoshida (
2709:
1233:
1146:
1034:
334:
109:
2144:
140:(Japan) on 5 March 1918, to a family running a photographic studio (Hayashi Shashin-kan,
2063:
Japan shortly after the end of the war. Text in Japanese only; captions also in English.
2210:
2183:
2124:
985:
894:
558:
452:
294:
204:
2440:
Mitsuhashi, "Reappraisal", p. 13, quoting an interview with Hayashi published in 1983.
1465:, Nagasaki: The sea and the crucifix). Nihon no Kokoro 8. Tokyo: Shūeisha, 1980.
2970:
2222:
2148:
1429:, Portrait photographs). Gendai Kamera Shinsho 50. Tokyo: Asahi Sonorama, 1978.
676:
596:
550:
415:
2293:
Tokyo: Tokyo Metropolitan Museum of Photography, 1990. Eleven photographs from the
2346:
1896:
Kyō no chashitsu: Setouchi Jakuchō san to otozureru: Meisō to kataru cha no kokoro
1271:
820:
728:
portraits of and representative works by 108 Japanese painters, which won both the
301:
208:
196:
2812:, “Reading photobooks: A complete guide to the best 338”). Tokyo: Metarōgu, 1997.
2459:
565:
reason he is commonly regarded as very unlike a photographer such as Ihei Kimura.
2431:
For Hayashi's ability to strike up friendships, see particularly Akiyama, p. 31.
2226:
2214:
2187:
2140:
1795:
Hayashi Tadahiko taidanshū: Shashin suru tabibito: Warera Kontakkusu nakama yori
981:
947:
879:
608:
504:
448:
1788:). Yokohama: Hayashi Tadahiko 50-nen Shashin Sōshūten Jikkō Iinkai, 1990.
909:
542:, "The rotgut period"), that has a lasting reputation as a historic document.
2917:
2206:
2179:
2120:
1871:
Zenkoku meichashitsu annai: Itsudemo haiken dekiru: Kokuhō kara meiseki made
1447:, 108 Japanese painters). 2 vol. Tokyo: Bijutsu Shuppansha, 1978.
604:
500:
2673:— although a typo gives this as the unrelated (and Yokohama-based)
2653:
the time of the literati; Tokyo: Shinjuku Historical Museum, 2009)
2350:
2332:
2081:
the time of the literati). Tokyo: Shinjuku Historical Museum, 2009.
1720:
1690:
1192:
255:
2884:. Despite its alternative title in English, the text is all in Japanese.
1019:
680:
443:
318:
1962:, Tadahiko Hayashi). Nihon no Shashinka. Tokyo: Iwanami Shoten, 1998.
2836:”: on an exhibition at Studio Equis (Paris); with sample photographs.
2374:
1595:
1537:). Shōwa Shashin: Zenshigoto 3. Tokyo: Asahi Shinbun-sha, 1982.
1353:, The village settings of stories). Tokyo: Chūō Kōronsha, 1957.
1038:
554:
1451:
Photographs of painters and their works: a lavish, boxed production.
851:
A Japanese war-orphaned girl shoeshining in Yūrakuchō, Tokyō in 1947
471:
bar, are now famous. At the end of that year, the literary magazine
2823:
Midorikawa Yōichi. “My Dear Friend Hayashi Tadahiko. P. 79 of
441:
Always gregarious, Hayashi had friends and acquaintances among the
285:
In 1940 Hayashi's photographs appeared in the photography magazine
2913:. Despite the English-language alternative title, all in Japanese.
2159:
from 1937 to 1947. Captions and text in both Japanese and English.
2156:
1004:
951:
932:
639:). In 1953 he was a founding member of the photography section of
267:
239:
200:
119:
627:), which would later become the Japan Photographers Association (
2923:
Orto, Luisa. "Hayashi Tadahiko." In Anne Wilkes Tucker, et al.,
2573:(Tokyo: Tokyo Metropolitan Museum of Photography, 1993), p.192.
1311:"Shinjuku, jidai no katachi: Kasutori jidai, bunshi no jidai" (
352:
Hayashi's photographs were published in the women's magazines
2119:. Hayashi is one of ten photographers — the others are
1830:, Tadahiko Hayashi collected works). Tokyo: Heibonsha, 1992.
713:
Two years later, the first of Hayashi's books was published:
477:
published the first of Hayashi's series of portraits, titled
1936:
Tokyo: Tokyo Metropolitan Museum of Photography, 1993.
1778:
Hanseiki no danmen: Hayashi Tadahiko 50-nen shashin sōshūten
530:; these too would be anthologized, first in 1980 in a book,
2671:
Shinjuku, jidai no katachi: Kasutori jidai, bunshi no jidai
2639:
Shinjuku, jidai no katachi: Kasutori jidai, bunshi no jidai
2067:
Shinjuku, jidai no katachi: Kasutori jidai, bunshi no jidai
1856:). Sun Art, 1992. Photography of the works of Hiroki Oda (
1221:), Wakō Hall (Ginza, Tokyo); also Tokuyama and Osaka, 1991
698:, Twelve photographers), directed by Hiroshi Teshigawara (
507:— led them to be termed “intermediate photographs” (
242:, where he studied at the Oriental School of Photography (
1412:, Kusayanagi Daizō). Tokyo: Daiyamondo-sha, 1975.
2728:
Akiyama Shōtarō. Untitled reminiscence. P. 31 of
819:
A Japanese war-orphaned begging boy spinning a hoop -
807:
Japanese war-orphaned boys in Ueno park, Tokyō in 1946
736:'s Annual Prize a year after its publication in 1977.
2669:"Hayashi Tadahiko: Shashin to tomo ni (keireki)", in
2095:
Association to Establish the Japan Peace Museum, ed.
1944:
literati and America”; and this excellently produced
1663:
Kasutori jidai: Renzu ga mita Shōwa nijūnendai, Tōkyō
795:
A long line for food distribution - Ginza, Tokyo 1946
321:, with the North China News Photography Association (
2944:
Saitō Kōichi. Untitled reminiscence. P. 131 of
2195:
Japan, a Self-Portrait: Photographs 1945–1964.
2003:
Text by Yoshikatsu Hayashi (the photographer's son).
867:, from The Holidays in Tōkyō - Shibuya, Tōkyō - 1954
306:
The couple had their first child, a son, Yasuhiko (
74:
62:
47:
21:
2960:Ueda Shōji. Untitled reminiscence. P. 129 of
2938:Ōtake Shōji. Untitled reminiscence. P. 77 of
2629:"Hayashi Tadahiko: Shashin to tomo ni (keireki)" (
1545:Tennonzan gohyaku rakanji: Ryōjusen shaka seppō zu
721:period would only be anthologized from the 1980s.
1918:With Yoshikatsu Hayashi (the photographer's son).
1499:). Tokyo: Asahi Sonorama, 1980. With an essay by
615:and others in founding the Photographers' Group (
2649:, Shinjuku, the shape of the times: The time of
2077:, Shinjuku, the shape of the times: The time of
1319:, Shinjuku, the shape of the times: The time of
317:In 1942 Hayashi went to the Japanese embassy in
2665:
2663:
2406:
2404:
1707:). Asahi bunko. Tokyo: Asahi Shinbunsha, 1988.
1642:Black and white photographs taken much earlier.
464:
101:
2903:Biographic Dictionary of Japanese Photography.
2895:
2866:
2850:
2806:
2790:
2754:
2643:
2631:
2563:
2551:
2521:
2500:
2492:
2418:
2416:
2383:
2283:
2256:
2168:
2101:
2071:
2041:
2011:
1981:
1956:
1926:
1900:
1875:
1858:
1850:
1824:
1799:
1782:
1752:
1731:
1701:
1667:
1650:
1624:
1607:
1583:
1566:
1549:
1531:
1514:
1493:
1476:
1459:
1441:
1423:
1406:
1398:
1381:
1364:
1347:
1313:
1294:
1279:
1260:
1241:
1226:
1215:
1200:
1165:
1154:
1139:
1128:
1113:
1098:
1083:
1068:
1057:
1046:
1027:
1012:
993:
974:
959:
940:
925:
757:
700:
692:
665:
645:
629:
617:
573:
536:
509:
489:
458:
432:
420:
404:
388:
372:
343:
323:
308:
272:
260:
244:
225:
213:
177:
162:
150:
142:
2962:Hayashi Tadahiko no sekai / Tadahiko Hayashi.
2946:Hayashi Tadahiko no sekai / Tadahiko Hayashi.
2940:Hayashi Tadahiko no sekai / Tadahiko Hayashi.
2841:Hayashi Tadahiko no sekai / Tadahiko Hayashi.
2825:Hayashi Tadahiko no sekai / Tadahiko Hayashi.
2736:Hayashi Tadahiko no sekai / Tadahiko Hayashi.
2730:Hayashi Tadahiko no sekai / Tadahiko Hayashi.
2264:Twelve Photographers in Japan, 1945–55.
663:In 1955 Hayashi accompanied Keiko Takahashi (
8:
2782:at the Shunan City Museum of Art and History
2773:at the Shunan City Museum of Art and History
1630:, The era of literati). Tokyo: Asahi, 1986.
1387:). Tokyo: Shufu-to-seikatsu-sha, 1971.
1163:"Hayashi Tadahiko 50-nen shashin sōshūten" (
292:and the next year also the women's magazine
219:, “Cat's-Eye Group”) under the photographer
2369:within Tadahiko. (This incidentally is the
1052:), Contax Gallery (Tokyo and Fukuoka), 1981
3017:Recipients of the Medal with Purple Ribbon
2802:Shashinshū o yomu: Besuto 338 kanzen gaido
2625:
2623:
2621:
2619:
2617:
2615:
2613:
2611:
2609:
2607:
2605:
2603:
2601:
2599:
1770:Color photographs of landscapes along the
1489:Kasutori jidai: Shōwa 21 nen, Tōkyō, Nihon
447:(dissolute writers), and his portraits of
124:Hayashi Tadahiko in Beijing during the war
18:
2597:
2595:
2593:
2591:
2589:
2587:
2585:
2583:
2581:
2579:
1739:To Spend Pleasant Days in a Foreign Land.
748:that Midorikawa should do another on the
2927:New Haven: Yale University Press, 2003.
2517:Tokyo Metropolitan Museum of Photography
1377:Nihon no sakka: Hayashi Tadanobu shashin
1268:Tokyo Metropolitan Museum of Photography
1044:"Wakaki shura-tachi no sato: Chōshūji" (
2874:328 Outstanding Japanese Photographers.
2734:"Chronology". Pp. 178–87 of
2498:); it was later changed to Yoshikatsu (
2306:
785:
499:) between the tense, decisive style of
1613:). Tokyo: Kirihara Shoten, 1985.
1572:). Tokyo: Kirihara Shoten, 1983.
1555:). Tokyo: Gohyaku Rakanji, 1982.
545:By 1954 Hayashi and the photographers
370:The couple had their second son, Jun (
2271:. Twenty of Hayashi's photographs of
2193:Hiraki, Osamu, and Keiichi Takeuchi.
1842:A large anthology of Hayashi's works.
1134:), Kyocera Contax Salon (Ginza), 1986
1063:), Kyocera Contax Salon (Ginza), 1983
768:Shunan City Museum of Art and History
766:Hayashi's works are displayed by the
7:
2925:The History of Japanese Photography.
2876:Kyoto: Tankōsha, 2000. P. 258.
2090:Other substantial book contributions
1510:Wakaki shura-tachi no sato: Chōshūji
1370:). Kyoto: Tankō Shinsha, 1964.
42:Hayashi in a Los Angeles hotel, 1955
2398:Twenty or more: Chronology, p. 183.
2269:Yamaguchi Prefectural Museum of Art
1719:A reworking of the book of 1986 in
1689:A reworking of the book of 1980 in
1160:), Fuji Photo Gallery (Tokyo), 1988
503:and the relaxed, informal style of
148:). The boy's mother, Ishi Hayashi (
3012:Writers on photographic techniques
2905:Tokyo: Nichigai Associates, 2005.
2515:The retrospective was that in the
2490:The boy's name was first Shigeru (
1433:About how to photograph portraits.
14:
3007:Deaths from liver cancer in Japan
2449:Mitsuhashi, "Reappraisal", p. 25.
2365:is an alternative reading of the
1656:). Tokyo: Fujin Gahō, 1986.
1137:"Dentō to bunka e no manazashi" (
568:In 1950 his fourth son was born.
2987:People from Yamaguchi Prefecture
2252:Sengo shashin / Saisei to tenkai
2111:Tokyo: Atelier for Peace, 1986.
1037:, Tokyo), 1980; Wakita Gallery (
902:
887:
872:
856:
844:
828:
812:
800:
788:
128:Hayashi was born in Saiwai-chō,
36:
2982:Japanese portrait photographers
2756:林忠彦の世界：林忠彦の見た戦後、カストリ・文士・そしてアメリカ
1928:林忠彦の世界：林忠彦の見た戦後、カストリ・文士・そしてアメリカ
1820:Hayashi Tadahiko shashin zenshū
1805:). Tokyo: Nippon Camera, 1991.
1589:). Tokyo: Shūeisha, 1983.
1520:). Tokyo: Kōdansha, 1981.
1482:). Tokyo: Shūeisha, 1980.
1224:"Hayashi Tadahiko sakuhinten" (
1152:"Yomigaetta heiwa no naka de" (
734:Japan Photographers Association
2712:, Shinjuku City website.
2275:appear on pp. 7–17.
2007:Bunshi to shōsetsu no furusato
599:, he was a founding member of
360:and the photography magazines
337:; this led to his nickname of
223:using the name Jōmin Hayashi (
1:
1404:). Text by Daizō Kusayanagi (
1292:"Hayashi Tadahiko no sekai" (
1258:"Hayashi Tadahiko no sekai" (
1198:"Hayashi Tadahiko no jidai" (
1033:), Shinjuku Olympus Gallery (
1018:), Contax Gallery (Tokyo and
686:He also appeared in the film
675:), Japan's contender, to the
430:); they had a son, Hidehiko (
195:, but had a second studio in
1906:). Tokyo: Fujin Gahō, 1993.
1881:). Tokyo: Fujin Gahō, 1993.
1741:Tokyo: BeeBooks, 1989.
2085:Catalogue of an exhibition.
1989:Journeys along the Tokaido.
1977:Tōkaidō no tabi: Shashinshū
1541:A survey of Hayashi's work.
1323:the time of the literati),
1249:Shimonoseki City Art Museum
1096:"Arishihi no sakka-tachi" (
1074:), Obihiro Camera Gallery (
1010:"Nagasaki, umi to jūjika" (
835:A dancer on the rooftop of
465:
102:
3033:
2723:Sources and external links
2716:Accessed 29 November 2009.
2693:Accessed 29 November 2009.
2291:Tokyo: A City Perspective.
2164:Bunshi no shōzō hyakujūnin
1877:全国名茶室案内：いつでも拝見できる：国宝から名席まで
1801:林忠彦対談集写真する旅人：われらコンタックス仲間より
1758:). Tokyo: Shūeisha, 1990.
1337:Books by and about Hayashi
1325:Shinjuku Historical Museum
1232:), two-part exhibition at
1189:Yokohama Civic Art Gallery
331:Kahoku Kōhō-shashin Kyōkai
2896:
2867:
2851:
2807:
2791:
2755:
2644:
2632:
2564:
2559:Hayashi Tadahiko no sekai
2552:
2549:"Tenran kaireki: Koten" (
2522:
2501:
2493:
2384:
2284:
2257:
2197:Paris: Flammarion, 2004.
2169:
2102:
2072:
2061:(in Japanese and English)
2042:
2031:(in Japanese and English)
2012:
1982:
1957:
1938:(in Japanese and English)
1927:
1902:京の茶室：報瀬戸内寂聴さんと訪れる：僧と語る茶の心
1901:
1876:
1859:
1851:
1825:
1800:
1783:
1753:
1743:(in Japanese and English)
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2689:at capacamera.net.
1327:(Shinjuku, Tokyo), 2009.
1266:) / "Tadahiko Hayashi",
957:"Shōsetsu no furusato" (
523:is particularly famous.
238:In 1937 Hayashi went to
29:
2675:Keihin department store
2657:, pp. 94–95.
1562:Shashin: Saigō Takamori
1455:Nagasaki: Umi to jūjika
1210:(Shinjuku, Tokyo), 1990
1181:Keihan department store
1025:"Sekai no machi kara" (
252:Orientaru Shashin Gakkō
2780:Photographs by Hayashi
2389:), “itinerant Mr Chū”.
2279:Tōkyō: Toshi no shisen
1669:カストリ時代：レンズが見た昭和20年代・東京
972:"Nihon no sakka-ten" (
726:Nihon no gaka 108-nin,
659:America and later work
637:Nihon Shashinka Kyōkai
125:
116:Youth and early career
2957:” at photosapiens.com
2862:Nihon shashinka jiten
2796:). Capsule review of
2322:”Chronology”, p. 181.
1437:Nihon no gaka 108-nin
938:"Taibei shashinten" (
123:
16:Japanese photographer
2992:Street photographers
2977:Photography in China
2645:新宿・時代の貌 カストリ時代・文士の時代
2073:新宿・時代の貌 カストリ時代・文士の時代
1991:Tokyo: Wedge, 2006.
1946:exhibition catalogue
1864:, Oda Hiroki).
1343:Shōsetsu no furusato
1315:新宿・時代の貌 カストリ時代・文士の時代
1289:(Ginza, Tokyo), 2007
1149:(Ginza, Tokyo), 1988
715:Shōsetsu no furusato
688:Jūninin no shashinka
132:(since 2003 part of
2848:Mitsuhashi Sumiyo (
2834:Le Japon des romans
2379:Matatabi no Chū-san
1723:(miniature) format.
1693:(miniature) format.
1501:Junnosuke Yoshiyuki
1239:"Jidai no shashu" (
1111:"Bunshi no jidai" (
1055:"Nihon no iemoto" (
730:Mainichi Arts Prize
708:Teshigawara Hiroshi
521:Jun'ichirō Tanizaki
2891:Nihon no shashinka
2808:写真集を読む：ベスト338完全ガイド
2744:CV with chronology
2708:2009-11-07 at the
2540:Midorikawa, p. 79.
2472:Katō, p. 200.
2349:lens, which for a
2109:Ginza and the War.
2051:Tokyo: Pie, 2007.
2021:Tokyo: Pie, 2007.
1784:半世紀の断面：林忠彦50年写真総集展
1495:カストリ時代：昭和21年、東京、日本
1277:"Kasutori jidai" (
1213:"Tōkaidō o toru" (
1121:Fuji Photo Gallery
1091:Fukuoka Art Museum
1081:"Saigō Takamori" (
991:"Kasutori jidai" (
349:, “wide Mr Chū”).
282:), from Tokuyama.
126:
106:, 1918–1990)
2858:Hayashi Tadahiko.
2762:Tadahiko Hayashi.
2295:Kasutori no jidai
2219:Yasuhiro Ishimoto
2137:Shunkichi Kikuchi
2057:978-4-89444-597-0
2037:Kasutori no jidai
2027:978-4-89444-596-3
1934:Tadahiko Hayashi.
1551:天恩山五百羅漢寺：霊鷲山釈迦説法図
1394:Nihon no keieisha
865:Statue of Hachikō
746:Yōichi Midorikawa
653:Nikakai shashinbu
593:Yōichi Midorikawa
170:Hayashi Shin'ichi
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2918:Hayashi Tadahiko
2916:Ono, Philbert. “
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923:"Amami-ōshima" (
918:Solo exhibitions
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66:18 December 1990
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2710:Wayback Machine
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2633:林忠彦 写真とともに (経歴)
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2410:Saitō, p. 131.
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2243:Shōmei Tōmatsu
2211:Hiroshi Hamaya
2191:
2184:Hiroshi Hamaya
2160:
2153:Maki Sekiguchi
2125:Shigeo Hayashi
2097:Ginza to sensō
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1302:Keihan Gallery
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532:Kasutori Jidai
517:chūkan shashin
484:chūkan bungaku
453:Sakunosuke Oda
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205:Iwata Nakayama
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2422:Ueda, p. 129.
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1123:(Tokyo), 1986
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1108:(Tokyo), 1984
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1003:) (Tokyo and
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969:(Tokyo), 1957
968:
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551:Kira Sugiyama
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288:Shashin Shūhō
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2735:
2729:
2703:News release
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2145:Kōji Morooka
2108:
2096:
2078:
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2036:
2018:
2006:
1988:
1976:
1951:
1941:
1933:
1921:
1895:
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1727:Ikyo Kōjitsu
1726:
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1674:
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1619:
1602:
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1578:
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1526:
1516:若き修羅たちの里：長州路
1509:
1488:
1471:
1454:
1436:
1418:
1393:
1376:
1359:
1342:
1320:
1208:Konica Plaza
1206:), Shinjuku
1106:Pentax Forum
1066:"Nagasaki" (
1048:若き修羅たちの里 長州路
821:Ueno Station
765:
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367:
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338:
330:
316:
302:Asahi Camera
300:
293:
286:
284:
280:Sasaki Akiko
279:
251:
237:
232:
221:Sakae Tamura
209:tuberculosis
197:Shinsaibashi
184:
174:
169:
158:Hayashi Ishi
157:
127:
84:
83:
78:Photographer
68:(1990-12-18)
58:5 March 1918
3002:1990 deaths
2997:1918 births
2951:(in French)
2830:(in French)
2788:Katō Kōki (
2227:Ihei Kimura
2215:Eikoh Hosoe
2188:Ihei Kimura
2141:Ihei Kimura
1383:日本の作家：林忠信写真
1253:Shimonoseki
1167:林忠彦50年写真総集展
1141:伝統と文化へのまなざし
880:Osamu Dazai
679:contest in
609:Ihei Kimura
528:Fujin Kōron
505:Ihei Kimura
449:Osamu Dazai
402:magazines (
396:Yoshida Jun
354:Fujin Kōron
295:Fujin Kōron
2971:Categories
2258:戦後写真・再生と展開
2149:Minoru Ōki
2013:文士と小説のふるさと
910:Takami Jun
597:Shōji Ueda
559:Chiyoda-ku
416:Shōji Ueda
382:Rotgut era
246:オリエンタル写真学校
75:Occupation
54:1918-03-05
2651:kasutori,
2207:Ken Domon
2180:Ken Domon
2170:文士の肖像一一〇人
2121:Ken Domon
2079:kasutori,
1983:東海道の旅：写真集
1942:Kasutori,
1646:Chashitsu
1599:of Japan.
1443:日本の画家108人
1321:kasutori,
1306:Moriguchi
1185:Moriguchi
1179:), 1988;
1156:甦った平和のなかで
1147:Wakō Hall
1126:"Chaya" (
1100:ありし日の作家たち
776:Yamaguchi
605:Ken Domon
601:Ginryūsha
501:Ken Domon
138:Yamaguchi
2706:Archived
2460:Kasutori
2285:東京：都市の視線
2049:Kastori.
1721:bunkobon
1691:bunkobon
1675:kasutori
1461:長崎：海と十字架
1193:Yokohama
1177:Tokuyama
1035:Shinjuku
1014:長崎・海と十字架
935:), 1954.
750:San'yōdō
732:and the
719:kasutori
400:kasutori
358:Shinjoen
325:華北広報写真協会
256:Yokohama
130:Tokuyama
110:Japanese
90:Japanese
2868:日本写真家事典
2771:Hayashi
2553:展覧会歴 個展
2059:.
2043:カストリの時代
2029:.
2019:Bunshi.
1999:.
1970:.
1914:.
1889:.
1838:.
1826:林忠彦写真全集
1813:.
1772:Tōkaidō
1766:.
1748:Tōkaidō
1715:.
1685:.
1638:.
1593:On the
1568:写真：西郷隆盛
1503:.
1366:カラー日本風景
1349:小説のふるさと
1255:), 1991
1195:), 1990
1078:), 1983
1076:Obihiro
1041:), 1981
1022:), 1980
1020:Fukuoka
986:Shibuya
961:小説のふるさと
948:Matsuya
782:Gallery
742:Tōkaidō
694:12人の写真家
681:Florida
631:日本写真家協会
444:buraiha
345:ワイドの忠さん
319:Beijing
98:Hepburn
2931:
2909:
2897:日本の写真家
2880:
2816:
2637:), in
2565:林忠彦の世界
2557:), in
2385:股旅の忠さん
2375:Itōchū
2336:hands.
2241:, and
2201:
2186:, and
2151:, and
2115:
2055:
2025:
1995:
1966:
1910:
1885:
1834:
1809:
1762:
1711:
1681:
1673:, The
1634:
1596:iemoto
1400:日本の経営者
1296:林忠彦の世界
1281:カストリ時代
1262:林忠彦の世界
1228:林忠彦作品展
1217:東海道を撮る
1202:林忠彦の時代
1039:Nagoya
1029:世界の街から
1007:, 1980
995:カストリ時代
976:日本の作家展
912:, 1952
897:, 1947
882:, 1946
839:, 1947
823:, 1946
772:Shūnan
759:日本写真学園
647:二科会写真部
555:Hibiya
538:カストリ時代
497:chūkan
479:Bunshi
406:カストリ雑誌
189:Ashiya
134:Shūnan
108:was a
2333:Ōmori
2302:Notes
2157:Ginza
2103:銀座と戦争
1846:Sanka
1703:文士の時代
1626:文士の時代
1585:日本の家元
1478:日本の家元
1332:Books
1272:Ebisu
1243:時代の射手
1115:文士の時代
1059:日本の家元
1005:Osaka
982:Tōkyū
952:Ginza
942:滞米写真展
933:Tokyo
702:勅使河原宏
667:高橋敬緯子
619:写真家集団
466:Rupan
274:佐々木秋子
268:Ginza
266:) in
262:東京光芸社
240:Tokyo
201:Osaka
193:Hyōgo
2929:ISBN
2907:ISBN
2901:) /
2878:ISBN
2872:) /
2852:三橋純予
2814:ISBN
2792:加藤功騎
2760:) /
2687:Page
2569:) /
2367:tada
2347:35mm
2289:) /
2262:) /
2199:ISBN
2113:ISBN
2107:) /
2053:ISBN
2047:) /
2023:ISBN
2017:) /
1993:ISBN
1987:) /
1964:ISBN
1932:) /
1908:ISBN
1883:ISBN
1860:織田廣喜
1832:ISBN
1807:ISBN
1760:ISBN
1737:) /
1733:異郷好日
1709:ISBN
1679:ISBN
1632:ISBN
1609:日本の岬
1425:人物写真
1408:草柳大蔵
1085:西郷隆盛
927:奄美大島
595:and
575:赤穂英一
549:and
511:中間写真
491:中間文学
451:and
422:渡辺カネ
366:and
356:and
299:and
215:猫の眼会
179:中山正一
144:林写真館
94:林 忠彦
63:Died
48:Born
30:林 忠彦
2860:In
2856:).
2523:渡辺勉
2373:of
2371:chū
2363:Chū
1958:林忠彦
1754:東海道
1533:林忠彦
1300:),
1285:),
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1104:),
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460:ルパン
434:英比古
390:吉田潤
314:).
235:).
227:林城民
164:林真一
152:林イシ
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1852:讃歌
1652:茶室
1130:茶屋
1070:長崎
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310:靖彦
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