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There are two principal interpretations of the picture. Most critics see it as an image of a wife offering the child to her husband, an interpretation supported by the sacred symbolism and by the fact that Brown depicted his own wife and their new son. Some commentators, however, interpret it as more
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which depicts a woman showing her newborn son to its father. She is offering her baby towards the viewer of the painting, who is implicitly equated with the father - seen in the mirror behind, opening his arms to receive the baby. The mirror also forms a halo behind the mother's head, and the pattern
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Brown's own wife was pregnant whilst he was painting this picture and she gave birth to a son which they named Arthur. Arthur then died at just ten months old and it is considered Brown was unable to complete the painting through grief for his son, so he abandoned it.
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has argued that the painting is deliberately paradoxical, playing on the conflict between new life and death. She suggests that the portrayal of the baby is influenced by medical images of
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surrounded by viscera within the body of woman, and that the woman's glazed, white and emaciated features suggest death.
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confrontational image, in which an abandoned mistress presents her baby to its father.
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38.1 cm × 70.5 cm (15.0 in × 27.8 in)
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Pointon, Marcia, "Interior
Portraits: Women, Physiology and the Male Artist",
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on the wallpaper suggests the starry heavens. Brown's principal influence was
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Tate
Gallery Collection, Take your Son, Sir'!1851-92
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148:List of paintings by Ford Madox Brown
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293:Cromwell, Protector of the Vaudois
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180:, No. 22 (Spring, 1986), pp. 5-22
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391:Paintings by Ford Madox Brown
330:Lucy Madox Brown (daughter)
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350:Pre-Raphaelite Brotherhood
340:Ford Madox Ford (grandson)
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345:John Brown (grandfather)
237:Manfred on the Jungfrau
396:Paintings of children
312:The Manchester Murals
110:The woman is wearing
386:Unfinished paintings
285:Cromwell on his Farm
245:The Pretty Baa-Lambs
77:Tate Gallery, London
269:The Last of England
253:Take your Son, Sir!
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130:The art historian
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375:Categories
112:crinolines
66:Dimensions
224:Paintings
142:See also
74:Location
323:Related
136:fetuses
304:Murals
296:(1877)
288:(1874)
272:(1855)
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56:Medium
51:1851–6
38:Artist
154:Notes
261:Work
48:Year
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