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theatre. A play constructed according to Gidayū's framework has five acts, performed over the course of a whole day. The first act is an auspicious opening, the second characterized by conflict, the third, the climax of the play, by tragedy and pathos, the fourth a light
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chanters in the tradition after him, chanted the narration of a play alone, along with all the spoken (or sung) lines of every character. The chanting style shifts dramatically between speaking and singing, and is based on a notation exclusive to
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drew upon, he thought of his art as a contemporary creation, and was known to poke fun at those who valued lineage and tradition over skill and beautiful performance. His writings also established frameworks for the structure of
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Though Japan's puppet theatre is more commonly known as "bunraku" in
English, that term refers to a specific school of performance established nearly 200 years after Gidayū's time.
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and reinvented the form, transforming it into the form which would be popular through much of the Edo period, and which it retains today.
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His son
Takemoto Seidayū followed him as director of the Takemoto-za and continued the style and forms established by Gidayū.
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Originally known as
Kiyomizu Gorōbei, he took on the name Takemoto Gidayū no Jō in 1701.
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Though Gidayū fully acknowledged the older traditional forms which
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chanters. He was a close colleague of the famous playwright
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chanter and the creator of a style of chanted narration for
255:. New York: Columbia University Press, 2001. pp10–18.
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104:which has been used ever since. The name "
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139:Gidayū was originally from the
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172:Jōkyō yonen Gidayū danmonoshū
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292:1714 deaths
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198:for the
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85:竹本 義太夫
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176:Jōkyō
149:Kyoto
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98:Japan
166:The
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