Knowledge (XXG)

Talawa Theatre Company

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544:. Referring to the story and setting of A Place For We, Buffong said: "In Talawa's 35-year history we've been at the forefront of presenting the issues faced by our communities. More than ever, gentrification is the pressing issue of our day." Critical receptions to the play were largely complimentary, with reviews awarding three to five stars. The Guardian review held particular praise for the "subtlety and naturalism" of the production, awarding four stars. Awarding five stars, the Theatre Weekly review dubbed A Place for We "the funniest play of the year". What's On Stage commented that "This production has been a long time coming... but rest assured, it has been worth the wait". 434:, a career development community of Black theatre artists. The MAKE community creates 250 new opportunities for Black artists every year, across four areas, enabling artists to make connections and build the support they need to create new work. A Talawa spokesperson commented that "Diversity projects tend to be just that – projects – and as a quick-fix approach, they are not building an infrastructure. What we need is sustained engagement that provides artists with a pathway into the industry, and the footholds to keep them there ...". 1018:
when I'd finished he said I had to show it to someone. Talawa Theatre Company found me and Michael Buffong put that play in a Talawa Firsts show, and I got signed by my agent there ... Talawa completely took a chance on me. I had no training or experience or credentials, and there was no one to offer a reference. But Michael believed in me. It took me forever though, probably until the opening night of Girls at HighTide, for me to believe him."
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Birmingham Rep have taken to host a Nightingale Court does not align with Talawa's commitment to Black artists and communities, the communities most affected by this decision. It has threatened the integrity of the Black Joy season; regrettably the partnership is no longer tenable under current circumstances." Talawa have stated that they are "exploring our options" to still bring the season "to the audiences it was intended for".
851:, East London. A fraught relationship with them propels Sasha out into a world of cam and sex work, and Instagram fakery. There was praise for Lecky, with one reviewer writing: "performing her own raw and fiery solo piece, she's a revelation...." while another stated that the "slow reveal of all the ways in which Sasha has been neglected, damaged and violated is deeply affecting." The play was adapted into a TV-series, 25: 1017:
Theresa Ikoko commented on her experience of working with Talawa to get the story produced, saying: "This isn't the first play I've written, but it's my first produced play. The first play I wrote, I didn't really know it was a play, it was just for me. I would read it over the phone to my friend and
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reviewer commented that the stories were "not just about expressing anger at systemic injustice. They are miniature character studies, rich in insight and individual detail. They reveal a person and a life, as well as giving a depth of meaning to the high rates of Covid-related deaths among people of
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Recovery Worker, played by Sapphire Joy, which highlighted the racial bias in the medical treatment of Black people, and their disdain for performative gratitude during the pandemic, followed by the failure to award pay rises to front line staff. As Buffong explained in interviews at the time, "These
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In August 2021, Talawa revived The Tide for a free national tour of Talawa's first production created exclusively for outdoor performance. The Tide is a movement based theatre production and is an artistic collaboration between choreographer Jade Hackett and writer Ryan Calais Cameron which explores
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referred to figures from the House of Commons library, which showed that black and minority ethnic people are over-represented within the criminal justice system, accounting for 23 per cent of people prosecuted (against 16 per cent of population), and 27 per cent of prison inmates and, with average
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was revived in September 2021 to both critical and audience acclaim. The reviewer for The Stage awarded the production five stars, stating that it was: "full of exuberance, but it’s not an uncritical celebration. The piece also offers gentle interrogation of some of the more problematic elements of
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the production was postponed. Run It Back was announced as part of Talawa's 2021 season, performing in September 2021 and was well received by critics and audiences alike, with the Guardian's critic, Arifa Akbar describing it as "This is the purest enactment of 'black joy' – as a political act – I
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In common with other parts of the live performance sector, and in line with advice from the UK Government and health authorities, Talawa Theatre Company staff transferred to working from home, releasing updates on company activity in early May 2020 and late September 2020. In common with many
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Subsequently, Talawa announced "…that having to make the difficult calls between maintaining the creative and political integrity of cultural buildings, and preserving the jobs of those who work within them, is a position arts leaders shouldn't be forced into", going on to state: "The decision
181:, describing the move as enabling the organisation to "make outstanding work which will truly diversify and shape the cultural life of the whole country." Carolyn ML Forsyth joined the organisation in November 2020 to work alongside Michael Buffong as Joint CEO and Executive Director. 693:
from December '20 to June '21". This move was not well received by many Black artists, creatives and community leaders. Press reports highlighted that the move had "alienated staff, audiences and cultural workforce", leading to criticism from prominent figures, including the comedian
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at Edinburgh in summer 2017. At the time Marshall said: "My whole life I've been holding my breath but when I perform Half-Breed I feel like I'm breathing. I want to bring something real and different to the Fringe. I want to create a conversation, I want to open people's minds up."
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Described variously as a story about growing up mixed-race, and as a story about friendship, Half Breed was written by Natasha Marshall and first performed at Talawa Firsts 2016 before being developed further by both Talawa and the Soho Theatre. That same partnership presented
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review focused on the verbatim aspects of the work, stating: "This is a necessary art – an example of the way theatre can be used to educate and promote understanding. Where else can we hear the unadulterated stories of our front-line workers told in their own words?"
920:'s musical, which swirls around the lives of the petty gangsters and their 'dolls' who inhabit New York's underbelly, moves the action to Harlem at its prewar height in 1939. It is a Talawa production with an all-black cast and it is terrific from the get-go." 2647: 372:
from 1991 until 1995, a period within which the company achieved a high profile. Following the departure from the Cochrane Theatre in 1995, the failed attempt to secure a new theatre space in Victoria, and the departure of its founder
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theatre companies at a time when live performance was not possible, Talawa transferred activities online, holding advice and career development sessions, and developing work for release in digital or broadcast formats as part of
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directors, writers and actors, and creatives to make theatre on British stages, and to enlarge theatre audiences seeing black work. Talawa's work embraces touring classical works on the mid-scale to regional theatres in the
220:"to champion Black Excellence in theatre; to nurture talent in emerging and established artists of African or Caribbean heritage and to tell inspirational and passionate stories reflecting Black experiences through art." 166:
in recognition of consistently high-quality artistic work, and was one of very few organisations to receive an uplift in its grant for the period between 2018 and 2022 in recognition for its audience development.
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Recognition is co-created by Amanda Wilkin and Rachael Nanyonjo, written by Amanda Wilkin and directed by Rachael Nanyonjo. Recognition has original music composed by Mercury Prize nominated Seed Ensemble leader
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The core of Talawa's work is championing reinterpretations of classic plays, developing new writing and directing talent, and developing and producing new plays from and about the Black British Community and
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Recognition was largely well received, with one reviewer describing it as "a superb piece of theatre" while others parised the assured direction and the elegance of the staging and strong performances.
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National Portfolio Organisation status for the company and leading to a renewed profile for its work with new artists and its revived classic theatre productions. Michael Buffong featured on
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Critics described the production as "heart wrenching", noting that "Talawa's contribution to the Arthur Miller centenary ... is a worthwhile one" and one that "ratchets up the tension".
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writing talent. The Company also supports and develops emerging theatre-makers – performers, designers and technicians – through their flagship participation programmes
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by Archie Maddocks was announced as a co-production between Talawa Theatre Company and Park Theatre, opening in early October 2021. Having been postponed during the
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was also nominated for the "Best New Play", "Best Female Performance" and "Most Promising New Playwright" awards in the Offies, an award presented by Off-West End.
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wrote: "Whoever had the idea of moving this classic musical from one part of New York to another bit, just up the road, needs to be congratulated. This version of
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Many reviewers commented on the quality of the films, as well as the power of the verbatim narratives. Further episodes were released in February and April 2021.
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played at Brighton Festival on 11 May, at Norfolk & Norwich Festival on 18 and 19 May and at Greenwich + Docklands International Festival on 29 June 2019.
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Talawa Theatre Company co-produces a major touring production annually in addition to a rolling programme of artist development and showcases of new work.
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movement, and the challenges of supporting students' education during an era of great uncertainty. The second film presented a verbatim narrative from an
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noted: "Relocated to Harlem, this fine new production of Frank Loesser’s classic musical retains a threat of violence under a cartoon-bright exterior."
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National Portfolio Organisations, Talawa was granted an additional year's grant extension to ensure stability. The 2023-2026 investment programme from
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was also announced as part of Talawa's 2021 season, returning to the Greenwich+Docklands International Festival and also popping up in Croydon.
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is a show with a live DJ set inspired by Black British club culture and was originally devised by Talawa Theatre Company's TYPT 2018 company.
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ensured that Talawa retained its NPO status with an enhanced grant in view of its audience development and community engagement activity.
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In May 2021 Talawa presented three well received new radio dramas on BBC Radio 4, co-produced with radio production company, feral inc.
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As well as touring major works across the UK, Talawa Theatre Company commissions new plays, and develops theatre artists and directors.
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music and club culture, by highlighting homophobic lyrics and violently misogynist behaviour that so often goes unchecked." Meanwhile,
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pandemic, highlighted a mix of livestreamed work and online workshops gradually building towards live performance later in the year.
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resident. Talawa Theatre Company are presenting Recognition as part of This Is Croydon, London Borough of Culture 2023 programme.
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Reviews singled out the production for being "as close to definitive as can be", "a significant production" and "outstanding".
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began life as an audio play directed by Michael Buffong on BBC Radio 4 as part of the Talawa Stories season. In September 2021,
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are the words of the teacher, the health worker, the train dispatch worker, the woman who works in the supermarket warehouse."
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and funded by the digital commissioning body The Space. The film was available to view on-demand and free of charge on
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As part of MAKE, Talawa also offers a script reading service and produces an annual season of play readings, named
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was launched on 30 November 2020, with the first two films of dramatised verbatim testimony getting good notices.
1224: 3666: 3094: 1833: 2259: 3267:"Tales from the Front Line: How this London theatre company set out to tell the stories of Black key workers" 3244: 3551: 1917: 1451: 1132: 483: 477: 1433: 1289: 5199: 5131: 4969: 4529: 3434: 2791: 1141: 1082: 1064: 894: 868: 4017:"'Commissioners: hire more people with different experiences!' Meet Nicôle Lecky, TV's newest superstar" 753: 270: 4660: 3149: 1728: 1493: 266:, a play that had not been performed in England for 50 years, and never before with an all-black cast. 4708:"Theresa Ikoko: 'Putting your work out there is like sending your child to school naked' - Interviews" 3945: 3224:"'It's a lot of work being black in Britain' – Tales from the Front Line … and Other Stories – review" 269:
Since then, Talawa has produced and toured classic work by numerous playwrights and writers including
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for BBC Radio 4. No Talawa staff were placed on furlough, made redundant or worked reduced hours.
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to be: "the purest enactment of 'black joy' – as a political act – I have seen in the past year."
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that was directed by Michael Buffong, which toured across the UK, in addition to playing at the
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In February 2019, Buffong announced plans for a 200-seat on-site performance space at Croydon's
4627: 3287: 2733:"Running with Lions is a beautiful new play about three generations of British-Jamaican family" 516:, which would again be directed by Michael Buffong; the production performed in February 2022. 3928:"Superhoe review: Nicôle Lecky is a revelation in smart, authentic and provocative solo piece" 2766: 2706: 2278: 1158: 793: 761: 690: 620: 566: 533: 509: 5090: 4482: 2648:"The week in theatre: Two Billion Beats; Running With Lions; The Forest; The Chairs – review" 4310: 853: 848: 565:
in spring 2020, but plans were postponed following the lockdowns arising as a result of the
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the production, which was to have played to audiences in May and June 2020, was postponed.
3979: 3845: 3495:"Birmingham Rep critics 'threatened with violence' after slamming Nightingale Court lease" 3015:"Talawa Brings Rave to Theatre with RUN IT BACK Opening at Fairfield Halls This September" 2979:"Theatres and shows with cancelled or rescheduled performances in response to coronavirus" 2862: 2542:"New Mike Bartlett play and black culture festival to feature in Lyric Hammersmith season" 1997: 1494:"BBC Radio 4 and Talawa Theatre Company showcase three new audio dramas by rising talents" 1090: 1030: 789: 562: 541: 412: 408:, celebrating Britain's most influential people of African or African Caribbean heritage. 390: 386: 374: 354: 244: 207: 178: 171: 144: 4939: 3827: 3680: 3608: 840: 3748: 3476:"Birmingham Rep accused of 'breaking trust' as it leases space for 'Nightingale Courts'" 962:
toured India in autumn 2017, where it was well received by audiences and critics alike.
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stated that it was "Impossible not to listen; impossible to look away" from the pieces.
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Talawa Theatre Company is a National Portfolio Organisation, supported by funding from
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It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
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performed in a Talawa and Park Theatre co-production at Park Theatre in October 2021.
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Running With Lions was well received, with critics reserving praise Carter's writing
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tells the story of Sasha, a wannabe singer living with her mother and step-father in
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toured the UK in Spring 2018 as a co-production between Talawa Theatre Company and
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had a sell-out London run following its success at Edinburgh. The co-production of
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were revealed. The move gave Talawa its first such space since a residency at the
2806:"'Running With Lions' review — a lovingly crafted intergenerational family drama" 1472: 4952: 4148: 4114: 2939: 2292: 2161: 2157: 1370: 1188:"Black & Asian Performance in Britain 1970 onwards - Talawa Theatre Company" 1113: 1086: 905: 326: 302: 1855: 1335:"Michael Buffong: 'Putting black actors on stage is the easy bit' - Interviews" 881:, the first UK production with an all-Black cast. Among the cast announced for 619:, based on verbatim interviews from Black key and frontline workers during the 4674: 3790: 1663:"Talawa: To build back better, theatre must empower Black artists and leaders" 1137: 1074:'s performance as King Lear was described as "a heartbreaking tour de force". 886: 695: 411:
In February 2019, plans for a 200-seat on-site performance space at Croydon's
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Since 2011, Talawa Theatre Company has been led by CEO and Artistic Director
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The first film presented a verbatim narrative from a Teacher, played by
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the narratives and experiences of migration within the United Kingdom,
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training workshops for educational institutions and corporate clients.
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Reviews had particular praise for the music, direction, relocation to
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as "Scorchingly intelligent and as powerful as a gut punch", while
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s "50 Creative Leaders" list in 2017, having also featured in the
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saying "Me lickle but me talawa", meaning to be small but strong.
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Talawa Theatre Company: A Theatrical History and the Brewster Era
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called it "clever, audacious, entertaining and full of promise."
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In late June 2016, Talawa Theatre Company announced the film of
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Also in 2016, Talawa also co-produced the award-winning play by
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was a successful dual heritage African and British composer and
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was nominated as a "Best New Play" at the UK Theatre Awards.
5040:"Talawa's Michael Buffong to revive Moon on a Rainbow Shawl" 4371:"Why we all need a bolshie friend - Charlie Brinkhurst-Cuff" 4326:"Women dominate best new play category at UK Theatre Awards" 4255:"Edinburgh theatre review – a world without borders, almost" 3552:"A Theater Serves as a Courthouse, Provoking Drama Offstage" 3322:"Review: Tales from the Front Line – Talawa Theatre Company" 2422:"Recognition review – student's ode to a neglected composer" 321:
and worked with a variety of directors and actors including
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and played from late March to early April 2020. Due to the
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revealed that they would hire several spaces "to operate a
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took over the helm from Patricia Cumper, securing enhanced
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Talawa announced their winter 2017 co-production with the
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went on tour with a new cast, having first played at the
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In October 2019, Talawa announced the co-production with
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announced the co-production with Talawa of Sian Carter's
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in an extended run from December 2017 to February 2018.
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in 2003, Talawa was briefly led by Ben Thomas, and then
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In October 2015, Talawa announced a new production of
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A major contributor to this article appears to have a
4873:"King Lear: The Film - News - Royal Exchange Theatre" 4774:"King Lear review – as close to definitive as can be" 2468: 2466: 4984: 4982: 1711:"New Talawa season marks company's 35th anniversary" 1600:"NEWS: Talawa Theatre Company Announces Senior Team" 1553: 1551: 1354:"Michael Buffong appointed Talawa artistic director" 889:, Ashley Zhanghazha, Abiona Omonua, and Lucy Vandi. 222:
In doing so, the company provides opportunities for
2994: 2992: 119: 109: 101: 83: 5171:. Victoria and Albert Museum: Theatre Collections. 4595:"Theatre: HighTide Festival at Aldeburgh, Suffolk" 4588: 4586: 3260: 3258: 3095:"Talawa Stories: Running with Lions – BBC Radio 4" 2972: 2970: 2214: 2212: 2210: 1531: 1529: 980:in April 2021 as part of "Culture in Quarantine". 430:In January 2017, Talawa announced the creation of 5110:"Moon on a Rainbow Shawl, National, SE1 - review" 4647:"BWW Review: GIRLS, Soho Theatre, 1 October 2016" 3288:"Tales from the Front Line ... and other stories" 2857: 2855: 2512:"Lyric Hammersmith Theatre announces 2022 Season" 1936:"Talawa theatre company: the fights of our lives" 1406: 1404: 711:sentences longer than those of white people. The 4940:"All My Sons tour marks Arthur Miller centenary" 4465:"'All of us have been victims and perpetrators'" 3667:"An Update on Talawa Activity and Looking Ahead" 4923:"BBC Four - Schedules, Sunday 25 December 2016" 4215: 4213: 4211: 255:and Inigo Espejel founded the company in 1986. 5169:"Records of Talawa Theatre Company, 1986-2007" 4563: 4561: 3692: 3690: 3567: 3565: 3450: 3448: 3282: 3280: 3239: 3237: 3217: 3215: 2934: 2932: 2260:"MAKE: a brand new community of Black artists" 2254: 2252: 2077:"Patricia Cumper ends five-year run at Talawa" 2060:"Hopes fade for Britain's first black theatre" 1851: 1849: 1847: 1207:"Records of Talawa Theatre Company, 1962-2007" 3603: 3601: 1686: 1684: 1682: 1680: 1678: 1676: 1575: 1573: 1509: 1507: 1467: 1465: 1427: 1425: 1423: 8: 2574:"Black British theatre's great leap forward" 2488:"Black British theatre's great leap forward" 1411:"Bringing Black into the Theatre Mainstream" 1329: 1327: 1325: 1240: 1238: 717:highlighted the lack of transparency around 78: 5091:"Moon on a Rainbow Shawl – Exeunt Magazine" 4970:"All My Sons – New Wolsey Theatre, Ipswich" 4369:Brinkhurst-Cuff, Charlie (8 October 2017). 1906: 1904: 1902: 1107:Talawa Theatre Company toured a revival of 476:(Published by Decca Publishing) as well as 4407:Sandra Marina Fernandes (5 October 2017). 3245:"Tales from the Front Line, Parts 1 and 2" 1488: 1486: 1375:"Do we need diversity quotas for theatre?" 1202: 1200: 1198: 1196: 77: 4234:Brown, Griselda Murray (11 August 2017). 2148: 2146: 1183: 1181: 1179: 580:went further, with Arifa Akbar declaring 64:Learn how and when to remove this message 5007:"All My Sons – Richmond Theatre, London" 3531:Swerling, Gabriella (24 December 2020). 2896:"Review: A Place for We at Park Theatre" 1930: 1928: 1580:Wainwright, Oliver (18 September 2019). 1130:The 2013–14 production was a revival of 1029:, where it was presented as part of the 788:was to have opened the Talawa Studio at 184:Talawa's 2021 season, coming out of the 5210:Theatre companies in the United Kingdom 5057:"Moon on a Rainbow Shawl by Errol John" 4236:"Edinburgh Festival Fringe: highlights" 3779:from the original on 11 September 2021. 3150:"Talawa Stories: Precious Little Thing" 3064:from the original on 11 September 2021. 2396:"Recognition – Fairfield Halls, London" 2236: 2234: 1175: 623:, would be available from Autumn 2020. 561:would have opened the Talawa Studio at 5185:Arts organizations established in 1986 4610:"How to Talk About Terrorism On Stage" 3996:Harrison, Daniella (5 February 2019). 3961:Cavendish, Dominic (6 February 2019), 3474:Paxton, Charlotte (15 December 2020). 2731:Lukowski, Andrzej (16 February 2022). 1729:"Requirements of funded organisations" 258:Talawa's first production in 1986 was 4753:Hutchinson, David (12 October 2015). 3901:"What's On: Superhoe by Nicôle Lecky" 3731:"Meet the Shortlist- Archie Maddocks" 3455:Sanderson, David (24 December 2020). 2636:from the original on 7 November 2022. 1952:Brewster, Yvonne (7 September 2017). 1272:"Case Study - Talawa Theatre Company" 685:season. Following that announcement, 504:Written by Sian Carter (née Davila), 7: 5163:Encyclopedia of AfroEuropean Studies 4661:"GIRLS Hightide Festival, Aldeburgh" 3926:Hitchings, Henry (5 February 2019). 3320:Philpott, Maryam (4 December 2020). 3265:Rainbow, Sophie (30 November 2020). 2828:"Powerful new play 'A Place for We'" 2757:Allfree, Claire (16 February 2022). 2540:Masso, Giverny (15 September 2021). 2474:"Talawa Stories: Running with Lions" 2037:Bartholomew, Roy (1 November 1995), 1973:. Collection items, British Library. 1958:Discovering Literature: 20th Century 1820:Encyclopedia of AfroEuropean Studies 1352:Woolman, Natalie (13 October 2011). 1247:, Moving Here – Migration histories. 615:In July 2020, Talawa announced that 4324:Snow, Georgia (14 September 2017). 4196:Brennan, Clare (10 December 2017). 3978:Allfree, Claire (7 February 2019), 3735:The Bruntwood Prize for Playwriting 3645:Campbell, Joel (23 December 2020). 3114:"Talawa Stories: NSA – BBC Radio 4" 2597:Hemming, Sarah (24 February 2022). 2152:Thorpe, Vanessa (25 October 2015), 1868:Jackson, Beau (23 September 2020). 1692:"Talawa's 2021 Season Announcement" 807:In February 2019, Talawa announced 5132:"Moon on a Rainbow Shawl – review" 5108:Hitchings, Henry (15 March 2012). 5089:Pringle, Stewart (16 March 2012). 4608:Abraham, Amelia (5 October 2016). 4593:Marlowe, Sam (13 September 2016). 4463:Phukan, Vikram (31 October 2017). 4444:Hasan, Snigdha (26 October 2017). 4388:Datta, Sravasti (3 October 2017). 4129:Rutter, Claire (18 October 2017). 3711:Thomas, Sophie (14 October 2019). 3626:Mohdin, Aamna (24 December 2020). 3586:Snow, Georgia (22 December 2020). 3550:Marshall, Alex (18 January 2021). 3512:Rodger, James (17 December 2020). 3493:Rodger, James (17 December 2020). 3396:Snow, Georgia (26 November 2020). 3377:Omaweng, Chris (4 December 2020). 3358:Collins, Geoge (5 December 2020). 2913:Ainley, Oliver (12 October 2021). 2434:from the original on 13 June 2023. 1887:Khaos, Marissa (16 October 2020). 1558:Snow, Georgia (20 February 2019). 780:In January 2020, Talawa announced 368:Talawa had a home at Bloomsbury's 14: 4871:Higgins, Eleanor (30 June 2016). 4772:Hickling, Alfred (7 April 2016). 4706:Snow, Georgia (25 October 2016). 4390:"How dark are those racist jokes" 4253:Brennan, Clare (13 August 2017). 4181:Treneman, Ann (8 December 2017). 3881:Snow, Georgia (22 October 2018). 3222:Akbar, Arifa (27 November 2020). 3050:Akbar, Arifa (6 September 2021). 2697:Akbar, Arifa (16 February 2022). 2671:Curtis, Nick (16 February 2022). 2660:from the original on 3 June 2023. 2586:from the original on 4 June 2023. 2500:from the original on 4 June 2023. 2219:Snow, Georgia (1 February 2017). 2131:Hemley, Matthew (22 April 2015). 1292:. Artscouncil.org.uk. 3 July 2017 835:announced their co-production of 4548:"<Looking Back at Half Breed" 4291:Lee, Veronica (14 August 2017). 4272:Treneman, Ann (17 August 2017). 4162:Gardner, Lyn (7 December 2017). 3998:"Review: Superhoe (Royal Court)" 3946:"Pains and perils of a Superhoe" 3112:Philpott, Maryam (14 May 2021). 2977:Editorial Staff (9 April 2020). 2525:Wood, Alex (15 September 2021). 1832:Thompson, Tosin (2 March 2021). 1536:Brown, Mark (19 February 2019). 1223:Kolawole, Helen (26 July 2003). 756:of Archie Maddocks's debut play 218:The company's stated mission is 44:. Please discuss further on the 23: 5190:Black British culture in London 5153:Talawa Theatre Company website. 4838:Allfree, Claire (18 May 2016). 4809:– via www.thetimes.co.uk. 4597:– via www.thetimes.co.uk. 4280:– via www.thetimes.co.uk. 4185:– via www.thetimes.co.uk. 4015:Khan, Coco (18 February 2022). 3808:Baldwin, Louisa (13 May 2019). 3339:Smith, Anna (6 December 2020). 3301:Marlowe, Sam (5 January 2021). 3013:Cristi, A.A. (10 August 2021). 1911:Curtis, Nick (15 August 2012). 1709:Bosanquet, Theo (8 June 2021). 441:, which showcases the best new 4805:Bassett, Kate (8 April 2016). 4510:Wood, Alex (4 December 2020). 4427:"Half Breed - British Council" 4072:Wiegand, Chris (7 June 2017). 3435:"Nightingale Court at The REP" 2876:Ryan, Anya (12 October 2021). 2018:Howard, Tony (25 March 2014), 1954:"Directing The Black Jacobins" 1934:Iqbal, Nosheen (29 May 2011), 1754:"2023-26 Investment Programme" 1514:Akbar, Arifa (26 March 2021). 1081:, in a collaboration with the 540:, in a production directed by 1: 4942:, BBC News, 13 February 2015. 4471:– via www.thehindu.com. 4396:– via www.thehindu.com. 3181:Bakare, Lanre (6 July 2020). 2343:Darvill, Josh (15 May 2023). 2112:Gardner, Lyn (27 June 2017). 2093:Wicker, Tom (28 March 2016). 1390:Snow, Georgia (5 June 2015), 1245:"New Black theatre companies" 1225:"Look who's taking the stage" 797:have seen in the past year". 206:The name Talawa comes from a 195:pandemic, and along with all 16:Black British theatre company 4221:"Half Breed at Soho Theatre" 3683:. Talawa. 22 September 2020. 3439:Birmingham Repertory Theatre 2369:Fitter, Alan (6 June 2023). 2039:"Homeless, but not rootless" 904:and sense of spectacle. As 831:In October 2018, Talawa and 719:Birmingham Repertory Theatre 687:Birmingham Repertory Theatre 679:Birmingham Repertory Theatre 5205:Theatre companies in London 5020:Dihal, K. (19 March 2015). 4860:. The Space. 12 April 2016. 3575:. Talawa. 22 December 2020. 3415:Tammy V (2 December 2020). 3168:"Tales from the Front Line" 2514:. Lyric. 15 September 2021. 1413:(Michael Buffong profile), 89:; 38 years ago 5226: 4431:uk-india.britishcouncil.in 3980:"Theatre review: Superhoe" 3200:Wood, Alex (2 July 2020). 3093:Tope, Helen (7 May 2021). 1432:Bano, Tim (29 July 2020). 1211:Victoria and Albert Museum 677:In Autumn 2020 Talawa and 370:Jeannetta Cochrane Theatre 5026:The Oxford Culture Review 4858:"Get closer to King Lear" 4571:. Talawa.com. 16 May 2018 4497:"Half Breed UK Tour 2018" 4483:"Half Breed UK Tour 2018" 4311:"Half Breed at Edinburgh" 2919:at Park Theatre – review" 1998:"30 years of achievement" 1858:, Talawa Theatre website. 1452:"Oliver: Lagos To London" 1063:was co-produced with the 736:Tales from the Front Line 625:Tales from the Front Line 617:Tales From the Front Line 610:Tales From the Front Line 5159:"Talawa Theatre Company" 3681:"Talawa during COVID-19" 3290:. Talawa. November 2020. 2183:www.creativereview.co.uk 1816:"Talawa Theatre Company" 1604:Love London Love Culture 419:came to an end in 1995. 4988:Anne Morley-Priestman, 4877:www.royalexchange.co.uk 1918:London Evening Standard 1157:, Methuen Drama, 2021, 1133:Moon on a Rainbow Shawl 1125:Moon on a Rainbow Shawl 893:played at Manchester's 484:Samuel Coleridge-Taylor 478:Samuel Coleridge-Taylor 317:, Natasha Marshall and 4905:"King Lear - BBC Four" 3421:The British Black List 3170:. Talawa. 2 June 2020. 1213:: Theatre Collections. 1153:David Vivian Johnson, 1142:Royal National Theatre 1083:Royal Exchange Theatre 1065:Royal Exchange Theatre 976:was also broadcast on 895:Royal Exchange Theatre 869:Royal Exchange Theatre 138:Talawa Theatre Company 79:Talawa Theatre Company 5195:Black British history 5022:"Review: All My Sons" 4891:"King Lear: The Film" 3944:Katherine M. Graham, 3132:"Talawa Stories: NSA" 2000:. Talawa. 16 May 2018 1500:. BBC. 23 April 2021. 754:Park Theatre (London) 42:neutral point of view 4953:"All My Sons review" 4792:"King Lear Reviewed" 4663:. 18 September 2016. 4634:. 15 September 2016. 3775:. 6 September 2021. 2656:. 20 February 2022. 2632:. 16 February 2022. 2560:"Running with Lions" 1984:"The Black Jacobins" 1758:Arts Council England 1733:Arts Council England 1651:. 28 September 2020. 1606:. 28 September 2020. 1033:Edinburgh Showcase. 653:colour in Britain." 395:Arts Council England 201:Arts Council England 197:Arts Council England 164:Arts Council England 111:Artistic director(s) 5128:Billington, Michael 5059:, National Theatre. 4996:, 18 February 2015. 4976:, 17 February 2015. 4959:, 18 February 2015. 4693:"Reviews for Girls" 4632:www.thefword.org.uk 4569:"Reviews for Girls" 3814:Eastern Daily Press 3615:. 22 December 2020. 3039:. 6 September 2021. 2963:. 25 February 2020. 2848:. 7 September 2021. 2834:. 8 September 2021. 2794:. 20 February 2022. 2201:www.powerlist.co.uk 1417:, 16 December 2012. 1276:The Audience Agency 1057:in the title role. 1045:William Shakespeare 875:-inspired musical, 833:Royal Court Theatre 707:The Daily Telegraph 524:A Place For We 2021 299:William Shakespeare 80: 5095:exeuntmagazine.com 4974:The Public Reviews 4645:Al-Hassan, Aliya. 4118:. 19 October 2017. 4098:. 18 October 2017. 4046:. 18 October 2017. 3952:, 7 February 2019. 3828:"The Garden Party" 3737:. 2 November 2017. 3573:"Black Joy Update" 3556:The New York Times 3345:Pocketsize Theatre 3251:. 9 December 2020. 3000:"Run It Back 2021" 2902:. 11 October 2021. 2808:. 16 February 2022 1960:. British Library. 1856:"Talawa's Mission" 1458:. BBC. March 2020. 1415:Arts Industry (AI) 1097:on Christmas Day. 1027:Edinburgh Festival 636:Black Lives Matter 514:Running With Lions 506:Running With Lions 499:Running With Lions 457:Recent productions 423:Artist development 291:Michael Abbensetts 260:The Black Jacobins 5130:(15 March 2012). 5071:(18 March 2012), 3850:Brighton Festival 3364:A Younger Theatre 2279:Islington Gazette 1805:, Talawa website. 794:COVID-19 pandemic 762:COVID-19 pandemic 729:COVID-19 pandemic 691:Nightingale Court 621:COVID-19 pandemic 567:COVID-19 pandemic 534:COVID-19 pandemic 510:Lyric Hammersmith 480:'s compositions. 147:founded in 1986. 135: 134: 74: 73: 66: 37:with its subject. 5217: 5140: 5139: 5124: 5118: 5117: 5114:Evening Standard 5105: 5099: 5098: 5086: 5080: 5066: 5060: 5054: 5048: 5047: 5036: 5030: 5029: 5017: 5011: 5010: 5003: 4997: 4986: 4977: 4966: 4960: 4949: 4943: 4937: 4931: 4930: 4919: 4913: 4912: 4901: 4895: 4894: 4887: 4881: 4880: 4868: 4862: 4861: 4854: 4848: 4847: 4835: 4829: 4828: 4817: 4811: 4810: 4802: 4796: 4795: 4788: 4782: 4781: 4769: 4763: 4762: 4750: 4744: 4743: 4736: 4730: 4729: 4722: 4716: 4715: 4703: 4697: 4696: 4689: 4683: 4682: 4671: 4665: 4664: 4657: 4651: 4650: 4642: 4636: 4635: 4624: 4618: 4617: 4605: 4599: 4598: 4590: 4581: 4580: 4578: 4576: 4565: 4556: 4555: 4544: 4538: 4537: 4526: 4520: 4519: 4507: 4501: 4500: 4493: 4487: 4486: 4479: 4473: 4472: 4460: 4454: 4453: 4441: 4435: 4434: 4423: 4417: 4416: 4404: 4398: 4397: 4385: 4379: 4378: 4366: 4360: 4359: 4357: 4355: 4346:. Archived from 4340: 4334: 4333: 4321: 4315: 4314: 4307: 4301: 4300: 4297:evening Standard 4288: 4282: 4281: 4269: 4263: 4262: 4250: 4244: 4243: 4231: 4225: 4224: 4217: 4206: 4205: 4193: 4187: 4186: 4178: 4172: 4171: 4159: 4153: 4152: 4149:"Guys and Dolls" 4145: 4139: 4138: 4126: 4120: 4119: 4106: 4100: 4099: 4088: 4082: 4081: 4069: 4063: 4062: 4054: 4048: 4047: 4040: 4034: 4033: 4031: 4029: 4012: 4006: 4005: 3993: 3987: 3976: 3970: 3959: 3953: 3942: 3936: 3935: 3932:Evening Standard 3923: 3917: 3911: 3905: 3904: 3897: 3891: 3890: 3878: 3872: 3871: 3866:. Archived from 3860: 3854: 3853: 3842: 3836: 3835: 3832:N&N Festival 3824: 3818: 3817: 3805: 3799: 3798: 3787: 3781: 3780: 3763: 3757: 3756: 3749:"A Place for We" 3745: 3739: 3738: 3727: 3721: 3720: 3708: 3702: 3701: 3698:"A Place for We" 3694: 3685: 3684: 3677: 3671: 3670: 3663: 3657: 3656: 3642: 3636: 3635: 3623: 3617: 3616: 3605: 3596: 3595: 3583: 3577: 3576: 3569: 3560: 3559: 3547: 3541: 3540: 3528: 3522: 3521: 3509: 3503: 3502: 3490: 3484: 3483: 3471: 3465: 3464: 3452: 3443: 3442: 3431: 3425: 3424: 3412: 3406: 3405: 3393: 3387: 3386: 3374: 3368: 3367: 3355: 3349: 3348: 3336: 3330: 3329: 3317: 3311: 3310: 3298: 3292: 3291: 3284: 3275: 3274: 3271:Evening Standard 3262: 3253: 3252: 3241: 3232: 3231: 3219: 3210: 3209: 3197: 3191: 3190: 3178: 3172: 3171: 3164: 3158: 3157: 3146: 3140: 3139: 3128: 3122: 3121: 3109: 3103: 3102: 3090: 3084: 3083: 3072: 3066: 3065: 3047: 3041: 3040: 3029: 3023: 3022: 3010: 3004: 3003: 2996: 2987: 2986: 2974: 2965: 2964: 2953: 2944: 2943: 2936: 2927: 2926: 2910: 2904: 2903: 2892: 2886: 2885: 2873: 2867: 2866: 2863:"A Place for We" 2859: 2850: 2849: 2842: 2836: 2835: 2824: 2818: 2817: 2815: 2813: 2802: 2796: 2795: 2788: 2782: 2781: 2779: 2777: 2754: 2748: 2747: 2745: 2743: 2728: 2722: 2721: 2719: 2717: 2694: 2688: 2687: 2685: 2683: 2677:Evening Standard 2668: 2662: 2661: 2644: 2638: 2637: 2620: 2614: 2613: 2611: 2609: 2594: 2588: 2587: 2570: 2564: 2563: 2556: 2550: 2549: 2537: 2531: 2530: 2522: 2516: 2515: 2508: 2502: 2501: 2484: 2478: 2477: 2470: 2461: 2460: 2458: 2456: 2442: 2436: 2435: 2418: 2412: 2411: 2409: 2407: 2392: 2386: 2385: 2383: 2381: 2366: 2360: 2359: 2357: 2355: 2340: 2334: 2333: 2331: 2329: 2314: 2308: 2307: 2305: 2303: 2289: 2283: 2270: 2264: 2263: 2256: 2247: 2246: 2238: 2229: 2228: 2216: 2205: 2204: 2193: 2187: 2186: 2175: 2169: 2150: 2141: 2140: 2128: 2122: 2121: 2109: 2103: 2102: 2090: 2084: 2074: 2068: 2067: 2058:(14 July 2005). 2052: 2046: 2035: 2029: 2016: 2010: 2009: 2007: 2005: 1994: 1988: 1987: 1980: 1974: 1968: 1962: 1961: 1949: 1943: 1932: 1923: 1922: 1908: 1897: 1896: 1884: 1878: 1877: 1865: 1859: 1853: 1842: 1841: 1829: 1823: 1812: 1806: 1800: 1794: 1793: 1791: 1789: 1775: 1769: 1768: 1766: 1764: 1750: 1744: 1743: 1741: 1739: 1725: 1719: 1718: 1706: 1700: 1699: 1688: 1671: 1670: 1659: 1653: 1652: 1639: 1633: 1632: 1630: 1628: 1614: 1608: 1607: 1596: 1590: 1589: 1577: 1568: 1567: 1555: 1546: 1545: 1533: 1524: 1523: 1511: 1502: 1501: 1490: 1481: 1480: 1469: 1460: 1459: 1448: 1442: 1441: 1429: 1418: 1408: 1399: 1388: 1382: 1368: 1362: 1361: 1349: 1343: 1342: 1341:. 28 March 2016. 1331: 1320: 1319: 1308: 1302: 1301: 1299: 1297: 1286: 1280: 1279: 1268: 1262: 1261: 1254: 1248: 1242: 1233: 1232: 1220: 1214: 1204: 1191: 1185: 1117:in spring 2015. 681:announced their 549:Run It Back 2021 417:Cochrane Theatre 403: 383:Paulette Randall 347:Paulette Randall 233:unconscious bias 159:within Britain. 157:African diaspora 131: 128: 126: 97: 95: 90: 81: 69: 62: 58: 55: 49: 35:close connection 27: 26: 19: 5225: 5224: 5220: 5219: 5218: 5216: 5215: 5214: 5175: 5174: 5149: 5144: 5143: 5126: 5125: 5121: 5107: 5106: 5102: 5088: 5087: 5083: 5067: 5063: 5055: 5051: 5038: 5037: 5033: 5019: 5018: 5014: 5009:. 1 April 2015. 5005: 5004: 5000: 4994:What's On Stage 4987: 4980: 4967: 4963: 4951:Andrew Clarke, 4950: 4946: 4938: 4934: 4921: 4920: 4916: 4903: 4902: 4898: 4889: 4888: 4884: 4870: 4869: 4865: 4856: 4855: 4851: 4837: 4836: 4832: 4819: 4818: 4814: 4804: 4803: 4799: 4790: 4789: 4785: 4771: 4770: 4766: 4752: 4751: 4747: 4738: 4737: 4733: 4726:"Girls on tour" 4724: 4723: 4719: 4705: 4704: 4700: 4691: 4690: 4686: 4673: 4672: 4668: 4659: 4658: 4654: 4644: 4643: 4639: 4626: 4625: 4621: 4607: 4606: 4602: 4592: 4591: 4584: 4574: 4572: 4567: 4566: 4559: 4546: 4545: 4541: 4528: 4527: 4523: 4509: 4508: 4504: 4499:. Soho Theatre. 4495: 4494: 4490: 4481: 4480: 4476: 4462: 4461: 4457: 4443: 4442: 4438: 4425: 4424: 4420: 4406: 4405: 4401: 4387: 4386: 4382: 4368: 4367: 4363: 4353: 4351: 4350:on 15 July 2014 4342: 4341: 4337: 4323: 4322: 4318: 4309: 4308: 4304: 4290: 4289: 4285: 4271: 4270: 4266: 4252: 4251: 4247: 4240:Financial Times 4233: 4232: 4228: 4219: 4218: 4209: 4195: 4194: 4190: 4180: 4179: 4175: 4161: 4160: 4156: 4147: 4146: 4142: 4128: 4127: 4123: 4108: 4107: 4103: 4090: 4089: 4085: 4071: 4070: 4066: 4057:BWW News Desk. 4056: 4055: 4051: 4042: 4041: 4037: 4027: 4025: 4014: 4013: 4009: 4002:What's On Stage 3995: 3994: 3990: 3977: 3973: 3960: 3956: 3943: 3939: 3925: 3924: 3920: 3912: 3908: 3899: 3898: 3894: 3880: 3879: 3875: 3870:on 29 May 2019. 3862: 3861: 3857: 3846:"Without Walls" 3844: 3843: 3839: 3826: 3825: 3821: 3807: 3806: 3802: 3789: 3788: 3784: 3765: 3764: 3760: 3747: 3746: 3742: 3729: 3728: 3724: 3710: 3709: 3705: 3696: 3695: 3688: 3679: 3678: 3674: 3665: 3664: 3660: 3644: 3643: 3639: 3625: 3624: 3620: 3607: 3606: 3599: 3585: 3584: 3580: 3571: 3570: 3563: 3549: 3548: 3544: 3530: 3529: 3525: 3518:Birmingham Mail 3511: 3510: 3506: 3499:Birmingham Mail 3492: 3491: 3487: 3480:Birmingham Mail 3473: 3472: 3468: 3454: 3453: 3446: 3433: 3432: 3428: 3414: 3413: 3409: 3395: 3394: 3390: 3376: 3375: 3371: 3357: 3356: 3352: 3338: 3337: 3333: 3326:The Reviews Hub 3319: 3318: 3314: 3300: 3299: 3295: 3286: 3285: 3278: 3264: 3263: 3256: 3243: 3242: 3235: 3221: 3220: 3213: 3199: 3198: 3194: 3180: 3179: 3175: 3166: 3165: 3161: 3148: 3147: 3143: 3130: 3129: 3125: 3118:The Reviews Hub 3111: 3110: 3106: 3099:The Reviews Hub 3092: 3091: 3087: 3076:"The Tide 2021" 3074: 3073: 3069: 3049: 3048: 3044: 3031: 3030: 3026: 3012: 3011: 3007: 2998: 2997: 2990: 2976: 2975: 2968: 2957:"'Run It Back'" 2955: 2954: 2947: 2938: 2937: 2930: 2912: 2911: 2907: 2894: 2893: 2889: 2875: 2874: 2870: 2861: 2860: 2853: 2844: 2843: 2839: 2826: 2825: 2821: 2811: 2809: 2804: 2803: 2799: 2790: 2789: 2785: 2775: 2773: 2756: 2755: 2751: 2741: 2739: 2737:Time Out London 2730: 2729: 2725: 2715: 2713: 2696: 2695: 2691: 2681: 2679: 2670: 2669: 2665: 2646: 2645: 2641: 2622: 2621: 2617: 2607: 2605: 2603:Financial Times 2596: 2595: 2591: 2582:. 4 July 2022. 2572: 2571: 2567: 2558: 2557: 2553: 2539: 2538: 2534: 2524: 2523: 2519: 2510: 2509: 2505: 2496:. 4 July 2022. 2486: 2485: 2481: 2472: 2471: 2464: 2454: 2452: 2444: 2443: 2439: 2430:. 6 June 2023. 2420: 2419: 2415: 2405: 2403: 2400:The Reviews Hub 2394: 2393: 2389: 2379: 2377: 2368: 2367: 2363: 2353: 2351: 2342: 2341: 2337: 2327: 2325: 2316: 2315: 2311: 2301: 2299: 2291: 2290: 2286: 2282:, 24 June 2012. 2272:John Nassouri, 2271: 2267: 2258: 2257: 2250: 2241:BWW News Desk. 2240: 2239: 2232: 2218: 2217: 2208: 2195: 2194: 2190: 2177: 2176: 2172: 2151: 2144: 2130: 2129: 2125: 2111: 2110: 2106: 2092: 2091: 2087: 2083:, 29 June 2011. 2075: 2071: 2054: 2053: 2049: 2043:The Independent 2036: 2032: 2017: 2013: 2003: 2001: 1996: 1995: 1991: 1982: 1981: 1977: 1969: 1965: 1951: 1950: 1946: 1933: 1926: 1910: 1909: 1900: 1886: 1885: 1881: 1867: 1866: 1862: 1854: 1845: 1831: 1830: 1826: 1813: 1809: 1801: 1797: 1787: 1785: 1777: 1776: 1772: 1762: 1760: 1752: 1751: 1747: 1737: 1735: 1727: 1726: 1722: 1708: 1707: 1703: 1690: 1689: 1674: 1669:. 1 April 2021. 1661: 1660: 1656: 1641: 1640: 1636: 1626: 1624: 1616: 1615: 1611: 1598: 1597: 1593: 1579: 1578: 1571: 1557: 1556: 1549: 1535: 1534: 1527: 1513: 1512: 1505: 1492: 1491: 1484: 1471: 1470: 1463: 1450: 1449: 1445: 1431: 1430: 1421: 1409: 1402: 1389: 1385: 1373:(9 June 2015), 1369: 1365: 1351: 1350: 1346: 1333: 1332: 1323: 1318:. 27 June 2017. 1310: 1309: 1305: 1295: 1293: 1288: 1287: 1283: 1270: 1269: 1265: 1256: 1255: 1251: 1243: 1236: 1222: 1221: 1217: 1205: 1194: 1186: 1177: 1172: 1150: 1148:Further reading 1128: 1105: 1091:British Council 1067:in Manchester. 1041: 1031:British Council 988: 934: 865: 829: 805: 790:Fairfield Halls 778: 750: 731: 675: 613: 603: 592: 563:Fairfield Halls 552: 542:Michael Buffong 527: 502: 469: 459: 425: 413:Fairfield Halls 401: 399:Creative Review 391:Michael Buffong 387:Patricia Cumper 375:Yvonne Brewster 355:Sharon D Clarke 251:, and Guyanese 245:Yvonne Brewster 241: 216: 208:Jamaican patois 179:Fairfield Halls 172:Michael Buffong 145:theatre company 123: 115:Michael Buffong 112: 93: 91: 88: 70: 59: 53: 50: 39: 28: 24: 17: 12: 11: 5: 5223: 5221: 5213: 5212: 5207: 5202: 5197: 5192: 5187: 5177: 5176: 5173: 5172: 5166: 5155: 5148: 5147:External links 5145: 5142: 5141: 5119: 5100: 5081: 5069:Kellaway, Kate 5061: 5049: 5031: 5012: 4998: 4978: 4961: 4944: 4932: 4914: 4896: 4882: 4863: 4849: 4830: 4812: 4797: 4783: 4764: 4745: 4731: 4717: 4698: 4684: 4666: 4652: 4637: 4619: 4600: 4582: 4557: 4539: 4521: 4502: 4488: 4474: 4455: 4436: 4418: 4413:Times of India 4399: 4380: 4361: 4344:"Subscription" 4335: 4316: 4302: 4283: 4264: 4245: 4226: 4207: 4188: 4173: 4154: 4140: 4121: 4101: 4083: 4064: 4049: 4035: 4007: 3988: 3971: 3954: 3937: 3918: 3906: 3903:. Royal Court. 3892: 3873: 3855: 3837: 3819: 3800: 3782: 3758: 3740: 3722: 3717:London Theatre 3703: 3686: 3672: 3658: 3637: 3618: 3597: 3578: 3561: 3542: 3523: 3504: 3485: 3466: 3444: 3426: 3407: 3388: 3383:LondonTheatre1 3369: 3350: 3331: 3312: 3293: 3276: 3254: 3233: 3211: 3192: 3173: 3159: 3141: 3123: 3104: 3085: 3067: 3042: 3024: 3019:Broadway World 3005: 2988: 2966: 2945: 2928: 2917:A Place for We 2905: 2900:Theatre Weekly 2887: 2868: 2851: 2837: 2819: 2797: 2783: 2749: 2723: 2689: 2663: 2639: 2615: 2589: 2565: 2551: 2532: 2517: 2503: 2479: 2462: 2437: 2413: 2387: 2375:LondonTheatre1 2361: 2335: 2322:Theatre Weekly 2309: 2284: 2265: 2248: 2230: 2206: 2188: 2170: 2142: 2123: 2104: 2085: 2069: 2047: 2030: 2011: 1989: 1975: 1963: 1944: 1924: 1898: 1879: 1860: 1843: 1824: 1814:Obano, Nisha, 1807: 1795: 1770: 1745: 1720: 1701: 1672: 1654: 1648:Broadway World 1634: 1609: 1591: 1569: 1547: 1525: 1503: 1482: 1461: 1443: 1419: 1400: 1383: 1363: 1344: 1321: 1303: 1281: 1263: 1249: 1234: 1215: 1192: 1174: 1173: 1171: 1168: 1167: 1166: 1149: 1146: 1127: 1122: 1104: 1099: 1072:Don Warrington 1055:Don Warrington 1040: 1035: 987: 982: 933: 928: 891:Guys and Dolls 883:Guys and Dolls 878:Guys and Dolls 864: 862:Guys and Dolls 859: 828: 823: 804: 799: 777: 772: 768:A Place for We 758:A Place for We 749: 747:A Place for We 744: 740:Talawa Stories 730: 727: 714:New York Times 674: 669: 612: 607: 602: 600:Talawa Stories 597: 591: 586: 551: 546: 538:Blake Harrison 530:A Place for We 526: 521: 501: 496: 474:Cassie Kinoshi 468: 463: 458: 455: 424: 421: 363:David Harewood 351:Don Warrington 307:Samuel Beckett 279:Galt MacDermot 264:C. L. R. James 243:Jamaican-born 240: 237: 215: 212: 191:Following the 133: 132: 121: 117: 116: 113: 110: 107: 106: 103: 99: 98: 85: 72: 71: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 5222: 5211: 5208: 5206: 5203: 5201: 5200:Black theatre 5198: 5196: 5193: 5191: 5188: 5186: 5183: 5182: 5180: 5170: 5167: 5164: 5160: 5157:Nisha Obano, 5156: 5154: 5151: 5150: 5146: 5137: 5133: 5129: 5123: 5120: 5115: 5111: 5104: 5101: 5096: 5092: 5085: 5082: 5078: 5074: 5070: 5065: 5062: 5058: 5053: 5050: 5046:. 8 May 2013. 5045: 5041: 5035: 5032: 5027: 5023: 5016: 5013: 5008: 5002: 4999: 4995: 4991: 4985: 4983: 4979: 4975: 4971: 4968:Glen Pearce, 4965: 4962: 4958: 4954: 4948: 4945: 4941: 4936: 4933: 4928: 4924: 4918: 4915: 4910: 4906: 4900: 4897: 4892: 4886: 4883: 4878: 4874: 4867: 4864: 4859: 4853: 4850: 4845: 4844:The Telegraph 4841: 4834: 4831: 4826: 4822: 4816: 4813: 4808: 4801: 4798: 4793: 4787: 4784: 4779: 4775: 4768: 4765: 4760: 4756: 4749: 4746: 4741: 4735: 4732: 4727: 4721: 4718: 4713: 4709: 4702: 4699: 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