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Tales from the Gimli Hospital

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290:) succumbs to a smallpox epidemic and is admitted to the Gimli hospital for treatment, where he meets his neighbor Gunnar (Michael Gottli). While both are at first pleased to have a friend nearby in their time of illness, the two men soon begin competing for the attentions and affections of the hospital's beautiful young nurses. Gunnar outperforms Einar in this regard, given his storytelling abilities and his skill at carving birch bark into the shape of fish. The hospital is built above a stable (for heat from the animals) and director Maddin appears in a cameo as a surgeon who operates while patients are told to observe a badly-acted puppet show as a sort of anesthesia. 258:(Maddin himself is Icelandic by ancestry). Maddin's aunt Lil had recently retired from hairdressing, and allowed Maddin to use her beauty salon (also Maddin's childhood home) as a makeshift film studio (Lil appears in the film briefly as a "bedside vigil-sitter in one quick shot just a couple of days before she died" at the age of 85). After Maddin's mother sold the house/studio, Maddin completed the remaining shots of the film at various locations, including his own home, over a period of eighteen months. Maddin received a grant from the 294:
Gunnar's protests, then laid her body to rest in the traditional aboriginal manner, on a raised platform with tokens and gifts including the shears. Einar relates to Gunnar the story of how he came to possess the shears: while wandering in the dark one night he discovered the corpse of a beautiful woman on a raised burial platform (who he now realizes must have been Snjófridur). Einar stole the tokens buried with her and had sex with her corpse.
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referred to its "midnight-cult status" and lengthy run at New York's Quad Cinema, and noted that "Many bits of seemingly surreal business supposedly draw on ancient Icelandic customs, like using oil squeezed from fish as a hair pomade, cleaning the face with straw, and sleeping under dirt blankets."
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Filming occurred over one year from 1987 to 1988. Some outdoor scenes were shot in Gimli and most of the interior scenes were filmed in Maddin's aunt house, a former beauty salon. Several actors in the film were amateurs who were not paid. Maddin hired a cinematographer, but he refused to come after
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giving a public speech. Einar hallucinates that Lord Dufferin is the mythical Fish Princess. The men end up in a field together along with a Shriners Highland Pipe Band and begin to Glima Wrestle—a traditional competition where fighters graps each other's buttocks and take turns lifting one another
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Einar is later back in his small shack/fish smokehouse and is visited by a recovered and no-longer-blind Gunnar and his new fiance. They happily saunter along the beach of Lake Winnipeg while Einar regards them jealously, still Einar the Lonely. The scene returns to the present-day Gimli where the
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Gunnar borrows Einar's fish-carving shears and recognizes the decorated pair of shears as uncannily similar to those he buried with his wife Snjófridur (Angela Heck). Gunnar recalls the story of their courtship and her death from smallpox she contracted from Gunnar. His aboriginal friend, despite
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Gunnar is furious but too weak to take immediate revenge on Einar, and coincidentally a fire breaks out on the hospital roof. The Icelanders put out the fire by pouring milk over it, which then drips down into Gunnar's face and blinds him. A blackfaced minstrel is buried and Einar contemplates
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similarly noted that " self-consciously borrows from dozens of sources, including radio dramas, Our Gang shorts, hygiene films, school plays, stag pictures, Universal horror, ethnographic documentaries, and the indie weirdness of John Waters and David Lynch." The 1989 review in
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children are informed that their mother has died. They ask the storytelling Amma to be their mother and she says "no" but that she will still visit "if your father lets me." They ask about heaven and she prepares to tell another story as the film ends.
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grandmother launches into the grim and convoluted tale of Einar the Lonely, a patient in a far-distant-past version of the same hospital—in "a Gimli we no longer know," as the grandmother puts it. The rest of the film consists of Einar's story.
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reporting a 71% approval rating based on 7 reviews. Reviewers, although generally positive, also seemed perplexed by the film: Jonathan Rosenbaum commented on its "moment-to-moment invention and genuine weirdness" and Noel Murray of the
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The film earned $ 116,000 in Canada and $ 22,380 internationally by May 1992. $ 105,000 was from television, $ 9,700 from theatrical, and $ 2,400 from non-theatrical sources. Cinephile spent $ 29,000 on the film in the same period.
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premiered at the Winnipeg Film Group Cinematheque in April 1988, and Klymkiw spent $ 5,000 on the event. Klymkiw submitted the film to the major festivals in Montreal, Toronto, Vancouver, and Halifax. The film was rejected by the
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Maddin had himself endured a recent period of male rivalry and noticed that he found himself "quite often forgetting the object of jealousy" and instead becoming "possessive of my rival." The film was originally titled
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was offering a $ 20,000 film grant. The application deadline was the next day and Maddin combined some ideas into three to four pages. He lost the grant competition, but submitted the idea to the
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further destroying Gunnar through carving him up with the selfsame shears stolen from his wife's corpse. Einar and Gunnar exit the hospital and wander around feverishly. Einar observes
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nomination for Best Original Screenplay as well, although the script consisted of a series of Post-it notes. Along with Maddin's debut short film,
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to market the film. Maddin stated that the official budget figure was inaccurate and "could have been as high as $ 30,000, or as low as $ 14,000".
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in August. He did not know who Maddin was, but paid $ 5,000 to buy the distribution rights for his company Cinephile. Five English-language
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for $ 20,000 and often cites that figure as the film's budget, although also estimates the actual budget between $ 14,000 and $ 30,000.
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up until one collapses. They tear each other's clothes and claw at each other's buttocks until they bleed, then both collapse.
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and begins to compete with another patient, Gunnar (played by Michael Gottli) for the attention of the young nurses.
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The film had a budget of $ 22,000 (equivalent to $ 48,542 in 2023 and Greg Klymkiw raised $ 40,000 from the
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It became a cult success and established Maddin's reputation in independent film circles. Maddin received a
374:. He asked for $ 9,000, but the council gave him $ 20,000. Maddin's final screenplay was eight pages long. 1224: 1217: 486: 414: 406: 230: 102: 413:. Klymkiw convinced Maddin to make the project feature-length. Steven W. Snyder, a film professor at the 1144: 1128: 1096: 444:
in Montreal closed and exhibitors opened a new one in a 1,000 seat theatre. The revival house asked for
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The mayor of Gimli criticized the film for portraying the town's people as "some sort of barbarians".
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after the amateur history book produced locally by various Icelandic members of the community of
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to be the first film shown at the theatre. Klymkiw agreed and it opened on 30 September 1988.
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camera. Maddin hid powerlines that were in frame by applying vaseline onto the lens.
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when a divided jury mistook its anachronistic style as unintentionally ill-crafted.
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stated that it was the best Canadian film of the year. David Chute, writing in
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The film opens on two young children whose mother is dying in the present-day
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the first day of shooting. He instead taught Maddin how to use the 16mm
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as he could show the film at the Berlin forum for non-competing films.
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Odilon Redon, or The Eye Like a Strange Balloon Mounts Toward Infinity
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The film received generally positive reviews, with review aggregator
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Ron Eyolfson as Pastor Osbaldison / Patient (as Ronald Eyolfson)
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Canadian Dreams: The Making and Marketing of Independent Films
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Greg Klymkiw, who met Maddin while they were studying at the
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was shot in black and white on 16 mm film and stars
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hospital. During a visit to see her, the children's
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DVD. 451:Klymkiw decided to show the film at the 594: 930: 918: 827:"Tales from the Gimli Hospital (1988)" 801: 789: 777: 736: 724: 712: 700: 688: 676: 659: 641:Kino Delirium: The Films of Guy Maddin 362:proposed a 40-50 minute short, titled 7: 1121:Dracula: Pages from a Virgin's Diary 981:One Hundred Years of Canadian Cinema 494:was released to home video on DVD. 754:"Canadian Film Encyclopedia entry" 457:Berlin International Film Festival 436:Andre Bennett saw the film at the 14: 1232:The Little White Cloud That Cried 958:Canadian Independent Film Caucus 505: 1332:English-language Canadian films 1211:Bring Me the Head of Tim Horton 1327:Canadian black-and-white films 1137:The Saddest Music in the World 347:Chris Johnson as Lord Dufferin 335:Heather Neale as Granddaughter 1: 1089:Tales from the Gimli Hospital 1033:Tales from the Gimli Hospital 1022:Tales from the Gimli Hospital 814:Tales from the Gimli Hospital 492:Tales from the Gimli Hospital 446:Tales from the Gimli Hospital 431:Toronto Festival of Festivals 426:Tales from the Gimli Hospital 332:Margaret Anne MacLeod as Amma 236:Tales from the Gimli Hospital 221:Tales from the Gimli Hospital 22:Tales from the Gimli Hospital 1372:1980s English-language films 1367:1988 directorial debut films 1337:Films directed by Guy Maddin 438:Montreal World Film Festival 350:Donna Szöke as Fish Princess 148:Circle Films (United States) 986:University of Toronto Press 224:is a 1988 film directed by 161:30 September 1988 1393: 1113:Twilight of the Ice Nymphs 1011:Tales from Gimli Hospital 392:The film uses music from 329:Angela Heck as Snjófridur 26: 1342:Icelandic-language films 341:Don Hewak as John Ramsay 326:Michael Gottli as Gunnar 338:David Neale as Grandson 1362:Films shot in Manitoba 1352:Films set in hospitals 1225:The Heart of the World 571:Awards and nominations 415:University of Manitoba 407:University of Winnipeg 1357:Films set in Manitoba 1145:Brand upon the Brain! 1129:Cowards Bend the Knee 372:Manitoba Arts Council 260:Manitoba Arts Council 1377:1980s Canadian films 1267:Sissy Boy Slap Party 856:Jonathan Rosenbaum. 606:Waiting for Twilight 602:Noam Gonick (1997). 103:Margaret Anne McLeod 379:Winnipeg Film Group 368:Winnipeg Film Group 146:Cinephile (Canada) 1169:The Forbidden Room 792:, p. 183-184. 780:, p. 182-183. 739:, p. 179-180. 727:, p. 178-179. 703:, p. 175-177. 662:, p. 172-175. 639:Vatnsdal, Caelum. 549:The New York Times 517:. 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Index


Guy Maddin
Stephen Snyder
Greg Klymkiw
Kyle McCulloch
Michael Gottli
Angela Heck
Margaret Anne McLeod
Caroline Bonner
Laurence Mardon
Guy Maddin
The Dead Father
Kyle McCulloch
smallpox
Gimli
Manitoba Arts Council
Gimli
Manitoba
Icelandic
Kyle McCulloch
Lord Dufferin
Kyle McCulloch
blackface
Guy Maddin
Winnipeg Film Group
Manitoba Arts Council
Winnipeg Film Group
Bolex
Zero for Conduct
Vess Ossman

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