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The artists delved into spiritual realms in their paintings by relying on color to capture the essence of the object, rather than focusing on delineating details in mimetic form. For male artists, flower painting was a reputable genre because it followed in the 17th century
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Instead, Charmy kept her loyalties to Berthe Weill, a famous art dealer. Weill was committed to exhibiting the artworks produced by women artists, but her financial instability made it difficult for artists like Charmy to be solely dependent on
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meanings. For women artists, it was common for their flower paintings to be aligned with the
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