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detracts from its enjoyment. I think many artists hold other views. Some deliberately disregard minor details of continuity as being secondary to elements such as plot and character development. Others go further and view the story an artform to which a real-world concept of continuity can not be meaningfully applied. This is perhaps a symptom of the article being unsourced (and, as unsourced articles tend to, wandering into OR). A more thorough study of the literature available on the topic will probably help broaden the article's POV to be more inclusive.--
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This article seems to conflate to very distinct things, visual continuity in film and video, with narrative continuity in long running fiction and or franchises. Wouldn't make sense to split these into two articles, the issues of film script supervision has little to do with the business of "a set of
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In the absence of this source, the current position with regard to
Knowledge is just to avoid assuming either approach when discussing Barks' work (or Rosa's for that matter). And it's not as easy as it might sound. The websites from which much of our information comes all seem to use Rosa's approach
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Quote from article: "Visual errors are instant discontinuities. These errors only occur in visual media such as film and television. Items of clothing change colors, shadows get longer or shorter, items within a scene change place or disappear...Such errors occur as early as
Chaucer's The Canterbury
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I was just thinking that it might be good to have examples of continuities that have worked out really well. What comes to my mind is the Star Wars franchise of the expanded universe. Such tight control is kept over that continuity (By George Lucas) that practicably all media in the franchise is
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The article as currently written treats discrepencies in continuity as errors which are inherently undesirable. I would consider this a non-neutral point-of-view, based on a particular view of stories as "fictional histories" - from which it follows that any imperfection in the story's "reality"
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The german link should really be "Kontinuität (Medien)", not "Anschluss (Film)", for last one is only the movie/film-cutting-technique-continuity and not the narrative fictional stuff. I tried linking from the german and the english article, but got that "link is already used by
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Tales, where in "The Miller's Tale" a door is ripped off its hinges only to be slowly closed again in the next scene." Um, this isn't a huge problem, but I'm pretty sure the
Canterbury Tales isn't a visual medium. It's a book, right? (Edit) Ok, that's been fixed; thanks.
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I would love to add a sentence at the very top of the article that explains the difference between the concept of "Continuity" in the course of creating a film production (which this article is primarily about), and the concept of a
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films are another interesting study. The series has been recently bootstrapped; This possibility was not even a consideration when casting for the early movies. Each stands on its own, and there was no attempt to make
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574:"Bachstage Rage"-Scooby doo gang and criminal are trapped in tunnel after door accidently locks. Scooby doo gang get out via ladder to trapdoor and Criminal tries to block door from outside-how did he get outside??
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It could be a nice addition, if you can find a good source. It should be too detailed though, to avoid giving undo weight to comics and/or Marvel in a topic with much broader reach. 20:02, 25 September 2015 (UTC)
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Arthur Clarke's 2001 series might be a good example of deliberate inconsistencies: he says in the introductions to 2010 and 2061 that he deliberately updated the backstory to match current scientific discoveries.
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I am particularly interested in this aspect of the understanding of Barks' work. The situation as I see it is that, in this respect, Barks' approach is diametrically opposed to that of his successor
565:"What the Hex Is going on?" Sharon is shown in Hidden room-how did Scooby Doo Gang find her?; Sharon remarks she knows uncle isn't old when wig blows off-but she is suprized when he is shown a fraud.
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provides a good example, as much of the backstory for the universe was written in the 1960's and involves fictional events in the late 20th and early 21st century, which have not occurred.
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Why was the cleanup template added? As there is no corresponding rationale on the talk board (how lazy) and - more importantly - the article reads just fine, I'm removing the template. --
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I Agree, mention what's his face request to comic book writers not to kill off a certain character, aswell as arrested development's amazing continuity, especially for a sitcom.
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I looked at it (just now); there's really no sourcing for the "catching error era" (the one I recall), & only one good one for the "explaining error era". Unfortunately...
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571:"Decoy For a Dognapper" Main criminal is caught-but not his accomplice!! (In later episode criminal and accomplice is caught-but only shown main criminal capture!!}
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and any departures from it are errors. Again, not to recognise that Smith was doing something significant at the time is to misunderstand the context of his work.
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An excellent point IMO. Continuity violations are not always errors, particularly between books of a series and TV and radio series episodes. It varies.
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Hmmm, it's even more complicated... the first book of the
Lensman series was retconned into it as it turns out. Never knew that before. Lots going on!
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Agree - it would do well as a section. It's sufficiently notable as an example of continuity that the content should be retained substantively. --
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worked quite intentionally within far looser continuity. To accuse Barks of carelessness is to completely misunderstand this aspect of his work. The
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No problem, thanx for the spell check, I really should start running these once through open office, spelling (as you saw) is a weakness of mine. --
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in one of its many republications. Many, perhaps most, writers of this period would have a similar story, but there are notable exceptions.
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http://web.archive.org/web/20090203234752/http://www.latimes.com:80/classified/jobs/counselor/la-counselor-080505,0,5204004.htmlstory
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Since
Homeric nod is just a continuity error, then it's part of this topic and should be merged (since it is synonymous and (
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In the past, loose continuity was more acceptable than in the present; In the future the pendulum may well swing back.
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The example in this section doesn't quite appear to match the definition given. (How are the two versions different ?)
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Under Barks, Scrooge always was a malleable character who would take on whatever persona was convenient to the plot.
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568:"Which Witch is Which"; Daphne falls down trapdoor-shoeprints are straight back in dust-yet door opens sideways!
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regarded as Canon and great efforts are taken to maintain continuity. Could something like that be added??
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Except for recalling reading it, I can't... Maybe I can dig out an issue with an award, if that's enough?
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Or if you like, we are in a period with something of a continuity fetish. This may not last; We can't tell.
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isn't an easy one here, and the current article is IMO on the POV side. More to follow, watch this space.
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If you have discovered URLs which were erroneously considered dead by the bot, you can report them with
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562:"A Clue for Scooby-doo" when Shaggie accidently opens the secret tunnel-he has Fred Jones's blond hair!!
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on
Knowledge. If you would like to participate, please visit the project page, where you can join
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for that content in the latter page, and it must not be deleted as long as the latter page exists.
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is one I think from memory, or the one I'm particularly thinking of may be in an introduction to
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at this stage, but so obvious a point IMO that I'd be surprised if it can't be sourced somewhere.
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http://www.latimes.com/classified/jobs/counselor/la-counselor-080505,0,5204004.htmlstory
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If you found an error with any archives or the URLs themselves, you can fix them with
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and similar; He explicitly says this in several places, the introductions in
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In "Scooby-doo Where are you?" continuity errors can be seen of epsidoes of:
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Many genres do not insist on strict continuity. The ground-breaking sitcom
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Just wondering if the "dealing with errors" section deserves a mention of
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after the link to keep me from modifying it. Alternatively, you can add
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homeric nod is just a continuity error and hence is part of this topic (
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Q11111RandomNumbers0003933-Error". Thus.. fix the mess yourselves x_x
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An editor has reviewed this edit and fixed any errors that were found.
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to keep me off the page altogether. I made the following changes:
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Another problem in science fiction universes occurs when the
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When you have finished reviewing my changes, please set the
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I have just added archive links to one external link on
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for example created an early fictional universe for his
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If you would like to participate, you can help with the
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937:) synonymous meanings are merged in encyclopedias.)-
429:. Please replace this template with a more specific
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1026:'s awarding of No-Prizes for catching mistakes...
986:- But it's been two years...when will it happen?
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485:Don't see what it has to do with continuity
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278:and see a list of open tasks.
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163:notice board
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153:Get involved
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85:WikiProjects
68:
957:69.251.9.26
870:—Preceding
786:E. E. Smith
680:Roger Moore
646:The Monkees
75:Start-class
29:Homeric nod
1257:Categories
1077:TREKphiler
1047:TREKphiler
1029:TREKphiler
943:Wolfkeeper
688:Doctor Who
675:James Bond
671:Carl Barks
511:retconning
415:photograph
281:Literature
272:Literature
228:Literature
1175:this tool
1168:this tool
912:thisisace
782:Nightfall
517:text. --
479:Star Trek
475:backstory
73:is rated
1181:Cheers.—
1114:cbignore
1024:Stan Lee
872:unsigned
774:I, Robot
726:Don Rosa
663:Don Rosa
423:included
364:inactive
338:inactive
1191::Online
1143:checked
1108:my edit
849:Andrewa
816:Andrewa
794:Andrewa
737:That's
706:Andrewa
654:Biggles
626:Trystan
540:Cleanup
308:on the
203:on the
38:history
1122:nobots
935:WP:NAD
927:WP:NAD
762:Asimov
554:Errors
519:Jeff Q
487:per se
455:Upload
446:Flickr
176:Comics
148:comics
104:Comics
81:scale.
1000:Done
984:Agree
739:WP:OR
686:. In
528:Starx
502:Starx
465:Misc.
411:image
62:This
1236:talk
1147:true
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167:edit
1224:or
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611:NE2
440:or
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413:or
300:Low
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