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Talk:Abraham-Louis-Rodolphe Ducros

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381:, opera non meno rimarchevole della prima, e che ebbe il medesimo successo. Istruitissimo nella sua arte, appassionato per il genere che aveva adottato, avendo viaggiato con vantaggio e disegnato i siti più interessanti delle contrade che aveva percorse, era giunto a formare con questo mezzo una collezione bellissima e curiosissima di disegni. Questa collezione, ed in generale tutte le opere di Ducros, sono molto ricercate in Svizzera, in Germania ed in Inghilterra, ove sono più conosciute che in Francia. Ha dato, oltre le vedute che abbiamo di già citate : 419:, a work no less remarkable than the former, and equally successful. Well-educated in his art, passionate about the genre he had adopted, having travelled extensively and drawn the most interesting sites of the countries he had travelled through, he had come to form a beautiful and very peculiar collection of drawings. This collection, and, in general, all the works of Ducros, are much sought after in Switzerland, Germany and England, where they are better known than in France. In addition to the views we have already mentioned, he has produced: 146: 263: 84: 53: 211: 22: 166: 70: 225: 200: 655:, from Yverdon, at present in Rome, has published coloured prints of various views of this capital. He renders especially the ancient ruins with a striking veracity... I have seen him paint in turn the Colosseum, the Temple of Sibyl, the Pantheon, the Arch of Titus, of Constantine, the Forum. He is currently working on a body of work on Sicily containing 94: 369:, pittore paesista ed incisore, nacque in Svizzera nel 1745. Dopo aver acquistato nell’ arte sua cognizioni abbastanza estese per sentire la necessità di aumentarle, e di perfezionare il suo talento come pittore e come incisore, si portò in Italia, e si stabili tosto in Roma, ove si unì in amicizia con 925:
Let's not forget that Pietro Ducros is rumoured to have produced 24 prints of Sicily and Malta (date unclear), while Louis, having been twice in his life for an extended period in Sicily and Malta, has produced a remarkably large portfolio of watercolours and prints, all nicely kept at the great art
373:. Ambedue intrapresero di dare una collezione di vedute di Roma e delle belle campagne che circondano quella città. La loro intrapresa ottenne il più brillante successo, e Ducros acquistò la riputazione di un eccellente paesista e di un abile incisore. Si unì egualmente con un artista romano, 405:, landscape painter and engraver, was born in Switzerland in 1745. After having acquired enough knowledge in his art to feel the need to increase it, and to perfect his talent as a painter and as an engraver, he went to Italy and soon settled in Rome, where he became friends with 411:. Both undertook to create a collection of views of Rome and the beautiful countryside surrounding that city. Their venture was most successful, and Ducros acquired the reputation of an excellent landscape painter and skilled engraver. He also joined forces with a Roman artist, 951:), but cannot see where it came from, nor if the description is accurate. If the caption is correct, it cannot have come from the series of 1778, now held at the Rijksmuseum in Amsterdam, as it translates as "View of Messina after the earthquake of 1783". 922:), in 1748, and died on 18 February 1810 in Lausanne, (i.e. the same month, year and location) with an interpellingly similar course of life mostly spent in Italy, doing a similar type of job, at the same time, with the same engravers (e.g. Volpato)? 676:
View of the interior of the city of Messina after the earthquake of 1784. View of Palermo (taken from Montreal). View of Mount Etna. View of the Amphitheatre of Syracuse. View of the Theatre of Taormina. View of the Galleys Port and the Arsenal of
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La Vue de l’intérieur de la ville de Messine après le tremblement de terre de 1784. Vue de Palerme (prise de Montréal). Vue de l’Etna. Vue de l’Amphithéâtre de Syracuse. Vue du Théâtre de Taormina. Vue du Port aux Galères et de l’Arsenal de
926:
institutions of today. Both are said to have made prints showing Rome and its surroundings with Volpato, who is known to have worked with Louis from c.1779 till c. 1792, with signed prints as proof. This series may have been published by a
1177: 351:: "Continuazione al Nuovo Dizionario Istorico degli uomini che si sono renduti piu' celebri per talenti, virtu', scelleratezze, errori, ec., la quale abbraccia il periodo degli ultimi 40 anni dell' era volgare." p. 399 69: 907:
In the major European and American museums, galleries and auction houses there's virtually no prints to be found online for Pietro (or Pierre), while there is a plethora of works out there by Louis or A-L-R Ducros.
357:: "Continuation of the New Historical Dictionary of people who have made themselves most famous for talents, virtues, wickedness, errors, etc., which covers the period of the last 40 years of the common era. p. 399 526:, a Swiss landscape painter in oil and water-colours, and an engraver, was born in 1748. He lived for a considerable time at Rome, and painted views of that city and its environs. He executed in a masterly manner 1124:
Continuazione al Nuovo Dizionario Istorico degli uomini che si sono renduti piu' celebri per talenti, virtu', scelleratezze, errori, ec., la quale abbraccia il periodo degli ultimi 40 anni dell' era volgare
1172: 533:
The similar subject denominations of several engravings seem more than just suggest A/, B/, C/ and D/ are about the same person..., as expected, although the dates of birth differ: 1745 <: -->
1075:
What are the odds of these two Swiss painters-engravers, being in Italy over the same long period of time, reputedly having both collaborated with the same artists and publishers, e.g.
851:, Swiss-Italian artist (died in February 1810 in Lausanne), or his actual physical works signed by or attributed to him in major collections, proves extremely elusive for the moment! 421:"View of Palermo, taken from Monreale"; "View of the Theatre of Tauromina"; "View of Mount Etna"; "View of the Amphitheatre of Syracuse"; "View of the Interior of the City of Messina" 236:. The project works to allow users to contribute quality articles and media files to the encyclopedia and track their progress as they are developed. To participate, please visit the 155: 63: 601:
Je l’ai vu tour à tour peindre le Colisée, le Temple de Sibylle, le Panthéon, l’Arc de Titus, de Constantin, le Forum. Il travaille actuellement à une oeuvre de Sicile contenant
1182: 1010:
as the likely date of the series of 24 views of Sicily (even though no mention of Malta...), in a verifiable source, which the Pinterest image above also says in its caption
756:“Rimasto a Napoli fino al 1807, dopo un nuovo viaggio in Sicilia e a Malta (di queste calate verso il sud resta documento in una collezione di 24 vedute eseguiti col romano 1187: 854:
Contrary to Louis (or Abraham-Louis-Rodoplphe) Ducros or Du Cros, the names of Pierre (or Pietro) Ducros return no search results on specialised Swiss databases, such as:
767:“Remaining in Naples until 1807, after a new trip to Sicily and Malta (a document of these trips to the south remains in a collection of 24 views executed with the Roman 598:, d’Yverdon, actuellement à Rome, a publiè des estampes colorièes de différentes vue de cette capitale. Il rend surtout les ruines antiques avec une vérité frappante… 771:) and having lost more or less all of his fortune through the bankruptcy of a banker, he returned home, managing to save his collection of watercolours and drawings.” 1202: 760:) e aver perso pressapoco tutta la sua fortuna per il fallimento di un banchiere, riparò in patria, riuscendo a salvare la sua collezione di aquarelli e disegni.” 469: 1063:
Dufour, Liliane, La Sicilia dal pittoresco al sublime: il viaggio di Louis Ducros nel 1778, Catania : Domenico Sanfilippo, 2007, 229 p. ISBN 978-88-85127-47-0
237: 232: 205: 911:
I have a theory that there may have been a misnomer at a certain point of time of his original French 1st name by (later?) Italian and other sources...
479:, Swiss, 18th – 19th century, male. Born 1748, in Switzerland; died 1810, in Lausanne. Painter, engraver (burin). Among Pierre Ducros' engravings are: 1192: 112: 1167: 938:
However, I stumbled on a Pinterest image saying : << "Veduta di Messina dopo il terremoto del 1783" di Abraham Louis Rodolphe Ducros,
896: 287: 116: 120: 1207: 530:, besides numerous drawings made during his sojourn in Italy, some of which are of large dimensions. He died at Lausanne in 1810." 111:, a collaborative effort to create, develop and organize Knowledge's articles about people. All interested editors are invited to 978:
https://en.wikipedia.org/Talk:Pietro_Paulo_Montagnani#Is_Paolo_Montagnari_in_fact_%28Pietro%29_Paolo_Montagnani%28-Mirabili%29_%3F
1197: 210: 107: 58: 181:
or other tool because one or more other projects use this class. Please ensure the assessment is correct before removing the
968:, not Paolo Montagnari as under A/. This is subject matter for another debate though for which I refer to the Talk page of 915: 1051:
1785 is about a decade after A-L-R Ducros first set foot in Rome, so halfway his Roman period, so a very early source!
933:
From Volpato and Pietro Ducros I've been unlucky enough to find not a single signed one till now... Any help out there?
33: 918:(whose life and works have been extensively researched in 1927 by Mlle. Daisy Agassiz), was born only 3 years later ( 591:
Ceci nous est confirmé par les lettres du Doyen Bridel, qui semble porter un vif intérêt à son célèbre compatriote :
648:
This is confirmed by the letters of Dean Bridel, who seems to have taken a keen interest in his famous compatriot:
816:(in Italian). Vol. Tomo I - Aprile 1785. Roma: Stamperia Pagliarini. p. LV ff. – via Getty Research Institute; 1099: 892: 514: 281: 948: 1080: 969: 637: 580: 174: 21: 874: 1095: 888: 39: 813: 717: 1086:
The perspective from point E/ above offers clear additional arguments for this theory in my opinion.
884: 878: 563: 277: 877:, dedicated to the rich cultural and intellectual past of French-speaking Switzerland during the 481:"View of Messina after the Earthquake in 1784"; "View of Palermo"; "The Amphitheatre of Syracuse" 145: 383:"Veduta di Palermo, presa da Monreale"; "Veduta del teatro di Tauromina"; "Veduta dell' Etna" 1076: 407: 99: 1103: 900: 1027:
Point G/ : These "Memoirs for the Fine Arts" talk, in April 1785, about some of the works
559:. Revue Historique Vaudoise (in French). Vol. 35e année. Lausanne: Éditions Spes. p. 13 178: 991:
a number of namesake views of Sicily and Malta as points A/ and C/ partially do, on a
387:"Veduta dell' Anfiteatro di Siracusa"; "Veduta e dell' interno della città di Messina" 1161: 848: 977: 1139: 1122: 724:, Vol. XVII, 1956. Roma: Straderini Editore, pp. 206-212 (pp. 144 - 148 in scan) 393:. Ducros ritornò nella sua patria, e morì a Losanna nel mese di febbraio 1810." 83: 52: 555: 262: 165: 89: 455:"Ducros Pietro (1745-1810), Swiss, was a painter in Rome; died in Lausanne." 949:
https://www.pinterest.com/pin/messina-dipinti-e-stampe--782711610219963389/
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E-Periodica - Abraham-Louis-Rodolphe Du Cros : peintre et graveur 1748-1810
427:. Ducros returned to his homeland, and died in Lausanne in February 1810." 1003:, in what can be assessed as an in-depth research effort by Mlle. Agassiz 914:
Isn't it peculiar indeed that another Swiss artist, going by the name of
578:Ă  Rome vers 1789. Il publia Ă  ce moment, en collaboration avec Pierre de 449:"Ducros Pietro (1745-1810), svizzero, fu pittore a Roma; m. a Losanna." 224: 199: 976:
Is Paolo Montagnari in fact (Pietro) Paolo Montagnani(-Mirabili) ?(
870: 119:. For instructions on how to use this banner, please refer to the 721: 619:(2) Conservateur suisse, 1813. Châpitre consacré aux beaux-arts." 1127:(in Italian). Vol. III. Napoli: R. Marotta e Vanspandoch. p. 399. 863: 859: 1083:, being two different people altogether? Not a lot, I'd say... 313: 1178:
Unknown-importance biography (arts and entertainment) articles
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Abraham-Louis-Rodolphe Du Cros : peintre et graveur, 1748-1810
15: 995:(as in A/ & D/), except the series of articles are about 682:(2) Swiss curator, 1813. Chapter devoted to the fine arts. " 635:. At that time he published, in collaboration with Pierre de 261: 164: 144: 460:
Pietro may be Italian for Pierre, its French equivalent...
425:"Views of the Port of the Galleys of the Arsenal of Malta" 499:(1787 , two temperas , 45 × 30 ins/114 × 76 cm and 40¼)" 1144:(in Italian). Vol. I–II. Milano: Manuali Hoepli. p. 707. 847:
Finding firm evidence, still available nowadays, about
391:"Vedute del porto delle galere dell' arsenale di Malta" 272: 1173:
Stub-Class biography (arts and entertainment) articles
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made for 2 British aristocrats, i.e. in other words:
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yearbook with monthly entries in Italian from 1785:
741:“Between 1787 and 1789 he went to Sicily and Malta.” 735:“Si recò tra il 1787e il 1789 in Sicilia e a Malta.” 497:"View of the Colosseum"; "View of the Campo Vaccino" 389:, dopo il tremuoto ch' avvenne nel 1783; finalmente 324:
Based on a regrouping of several sources hereafter:
495:( drawing in colour ) FRF 81 Rome , 19 May 1981 : 379:24 vedute della Sicilia e dell' isola di Malta 305:Is Louis Ducros the same man as Pietro Ducros? 319:for arguments' sake, consider the following: 8: 515:Bryan's dictionary of painters and engravers 423:, after the earthquake of 1783; and finally 920:or the same year depending on other sources 246:Knowledge:WikiProject Articles for creation 1183:Arts and entertainment work group articles 983:after all, Pierre is French for Pietro... 882: 718:Carriera romana dell'acquarellista Du Cros 417:24 views of Sicily and the island of Malta 249:Template:WikiProject Articles for creation 230:This article was reviewed by member(s) of 194: 47: 19: 1188:Automatically assessed biography articles 958:Point E/ adds a new perspective since : 608:» Rome, le 28 juillet 1789. L.B. » 440:" figures on top of page 707 in another 1121:Olivier-Poli, Gioacchino Maria (1824). 1113: 1019:a visit to Sicily and Malta took place 916:Abraham-Louis-Rodolphe aka Louis Ducros 783:as is made clear on p. 206 of the book. 483:. Auction Records Paris , 6 Feb 1895 : 345:author : Gioacchino Maria Olivier-Poli 196: 49: 1203:AfC submissions by date/11 August 2017 314:https://en.wikipedia.org/Pietro_Ducros 182: 779:the Du Cros in this article is about 584:, une deuxième série de gravures ; « 528:twenty-four views of Sicily and Malta 156:the arts and entertainment work group 7: 711:annual revue in Italian from 1956: 105:This article is within the scope of 468:Search results for "Ducros" on the 38:It is of interest to the following 1006:it, for the first time, specifies 641:, a second series of engravings; " 549:monthly revue in French from 1927: 472:return the following description: 14: 679:(only known engraving of Malta). 616:(seule gravure de Malte connue). 493:"Peasant Next to Two Young Women" 442:dictionary in Italian from 1907 : 233:WikiProject Articles for creation 1141:Dizionario Biografico Universale 871:https://lumieres.unil.ch/fiches/ 860:Swiss Institute for Art Research 312:there is also a wiki page named 223: 209: 198: 92: 82: 68: 51: 20: 1138:Prof Garollo, Gottardo (1907). 1040:d'Yverdon, clearly the same as 822:p. LV (55) cites a "...il Sig. 340:dictionary in Italian from 1824 270:This article was accepted from 129:Knowledge:WikiProject Biography 1193:WikiProject Biography articles 997:Adolphe-Louis-Rodolphe Ducros, 873:), a research platform of the 864:https://recherche.sik-isea.ch/ 781:Abraham-Louis-Rodolphe Du Cros 276:on 11 August 2017 by reviewer 132:Template:WikiProject Biography 1: 1168:Stub-Class biography articles 1042:Abraham-Louis-Rodolphe Ducros 812:Stamperia Pagliarini (1785). 586:24 vues de Sicile et de Malte 415:, and they jointly published 153:This article is supported by 930:, as suggested by point E/. 869:the site Lumières.Lausanne ( 643:24 views of Sicily and Malta 611:(1) Les plus connues sont : 377:, e pubblicarono in società 117:contribute to the discussion 826:d'Yverdun...", or : "...Mr 659:of this famous island (2). 547:" figures in the following 1224: 1104:14:49, 15 April 2023 (UTC) 901:16:33, 15 April 2023 (UTC) 709:" figure in the following 605:de cette île fameuse (2). 1033:Luigi R. Ducros d'Yverdun 814:Memorie per le belle arti 805:figures in the following 751:Original text in Italian: 470:Oxford Art Online website 447:Original text in Italian: 361:Original text in Italian: 269: 218: 172: 152: 77: 46: 1208:Accepted AfC submissions 830:d'Yverdon..." in French 674:(1) The best known are: 1198:Stub-Class AfC articles 970:Pietro Paulo Montagnani 769:Pietro Paolo Montagnani 758:Pietro Paolo Montagnani 716:Verdone, Mario (1956). 553:Agassiz, Daisy (1927). 517:from 1903, Vol. II: D-G 875:University of Lausanne 266: 173:This article has been 169: 149: 64:Arts and Entertainment 28:This article is rated 1021:between 1787 and 1789 1015:Point F/ adds that : 862:(SIK-ISEA) database ( 722:Strenna dei Romanisti 265: 243:Articles for creation 240:for more information. 206:Articles for creation 168: 148: 108:WikiProject Biography 965:Pierre de Montagnani 879:Age of Enlightenment 746:on p. 209, it says : 728:on p. 208, it says : 720:, (in Italian). in 570:Original in French: 485:"Beside the Stream" 175:automatically rated 838:(to be continued) 574:" Nous retrouvons 267: 170: 150: 135:biography articles 34:content assessment 903: 887:comment added by 662:"Rome, 28th July 489:"Women and Ducks" 302: 301: 298: 297: 294: 293: 193: 192: 189: 188: 1215: 1146: 1145: 1135: 1129: 1128: 1118: 1077:Giovanni Volpato 987:it cites almost 413:Paolo Montagnari 375:Paolo Montagnari 275: 254: 253: 250: 247: 244: 227: 220: 219: 214: 213: 212: 202: 195: 184: 137: 136: 133: 130: 127: 113:join the project 102: 100:Biography portal 97: 96: 95: 86: 79: 78: 73: 72: 71: 66: 55: 48: 31: 25: 24: 16: 1223: 1222: 1218: 1217: 1216: 1214: 1213: 1212: 1158: 1157: 1156: 1151: 1150: 1149: 1137: 1136: 1132: 1120: 1119: 1115: 1060: 1058:Further Reading 1038:Louis R. Ducros 981: 837: 828:Louis R. Ducros 824:Luigi R. Ducros 817: 798: 793: 725: 696: 691: 631:in Rome around 560: 540: 505: 467: 433: 403:DUCROS (Pietro) 367:DUCROS (Pietro) 338:" figures in a 331: 325: 307: 271: 251: 248: 245: 242: 241: 208: 134: 131: 128: 125: 124: 98: 93: 91: 67: 61: 32:on Knowledge's 29: 12: 11: 5: 1221: 1219: 1211: 1210: 1205: 1200: 1195: 1190: 1185: 1180: 1175: 1170: 1160: 1159: 1155: 1152: 1148: 1147: 1130: 1112: 1111: 1107: 1096:Shooting4truth 1089:Any thoughts? 1069: 1067: 1066: 1064: 1059: 1056: 1054: 1045: 1026: 1024: 1023: 1014: 1012: 1011: 1004: 975: 974: 973: 957: 954: 935: 934: 905: 904: 889:Shooting4truth 867: 841: 835: 834: 831: 811: 809: 796: 788: 785: 784: 773: 772: 766: 753: 748: 747: 742: 730: 729: 715: 713: 694: 686: 685: 552: 538: 537: 524:DUCROS, Pierre 503: 502: 477:Ducros, Pierre 465: 464: 431: 430: 329: 323: 318: 306: 303: 300: 299: 296: 295: 292: 291: 278:KGirlTrucker81 268: 258: 257: 255: 228: 216: 215: 203: 191: 190: 187: 186: 171: 161: 160: 151: 141: 140: 138: 104: 103: 87: 75: 74: 56: 44: 43: 37: 26: 13: 10: 9: 6: 4: 3: 2: 1220: 1209: 1206: 1204: 1201: 1199: 1196: 1194: 1191: 1189: 1186: 1184: 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1165: 1163: 1153: 1143: 1142: 1134: 1131: 1126: 1125: 1117: 1114: 1110: 1106: 1105: 1101: 1097: 1093: 1090: 1087: 1084: 1082: 1081:PP Montagnani 1078: 1073: 1072: 1065: 1062: 1061: 1057: 1055: 1052: 1050: 1046: 1043: 1039: 1035: 1034: 1030: 1022: 1018: 1017: 1016: 1009: 1005: 1002: 1001:Pietro Ducros 998: 994: 990: 986: 985: 984: 979: 971: 967: 966: 961: 960: 959: 955: 952: 950: 945: 941: 936: 931: 929: 923: 921: 917: 912: 909: 902: 898: 894: 890: 886: 880: 876: 872: 868: 865: 861: 857: 856: 855: 852: 850: 849:Pietro Ducros 845: 844: 839: 832: 829: 825: 821: 815: 810: 808: 804: 803: 794: 791: 786: 782: 778: 777: 770: 765: 761: 759: 754: 752: 745: 744: 743: 740: 736: 734: 727: 726: 723: 719: 714: 712: 708: 707: 702: 701: 692: 689: 683: 680: 678: 672: 671: 667: 666:. L.B." 665: 660: 658: 654: 649: 646: 644: 640: 639: 634: 630: 625: 624: 620: 617: 615: 609: 606: 604: 599: 597: 592: 589: 587: 583: 582: 577: 572: 571: 567: 565: 558: 557: 551: 550: 546: 545: 535: 531: 529: 525: 520: 518: 516: 512:" figures in 511: 510: 509:Pierre Ducros 500: 498: 494: 490: 486: 482: 478: 473: 471: 462: 461: 459: 454: 450: 448: 444: 443: 439: 438: 437:Pietro Ducros 428: 426: 422: 418: 414: 410: 409: 404: 399: 398: 394: 392: 388: 384: 380: 376: 372: 368: 363: 362: 358: 356: 352: 350: 346: 343: 341: 337: 336: 335:Pietro Ducros 327: 326: 320: 316: 315: 310: 304: 289: 286: 283: 279: 274: 264: 260: 259: 256: 239: 235: 234: 229: 226: 222: 221: 217: 207: 204: 201: 197: 180: 176: 167: 163: 162: 158: 157: 147: 143: 142: 139: 122: 121:documentation 118: 114: 110: 109: 101: 90: 88: 85: 81: 80: 76: 65: 60: 57: 54: 50: 45: 41: 35: 27: 23: 18: 17: 1140: 1133: 1123: 1116: 1108: 1094: 1091: 1088: 1085: 1074: 1070: 1068: 1053: 1048: 1047: 1041: 1037: 1032: 1031: 1028: 1025: 1020: 1013: 1007: 1000: 996: 992: 988: 982: 964: 963: 956: 953: 946: 939: 937: 932: 927: 924: 919: 913: 910: 906: 883:— Preceding 853: 846: 842: 840: 833: 827: 823: 819: 818: 806: 801: 800: 795: 789: 787: 780: 775: 774: 768: 763: 762: 757: 755: 750: 749: 738: 737: 732: 731: 710: 705: 704: 699: 698: 693: 687: 684: 681: 675: 673: 669: 668: 663: 661: 656: 652: 650: 647: 642: 636: 632: 628: 626: 622: 621: 618: 612: 610: 607: 602: 600: 595: 593: 590: 585: 579: 575: 573: 569: 568: 561: 554: 548: 543: 542: 536: 532: 527: 523: 521: 513: 508: 507: 501: 496: 492: 488: 484: 480: 476: 474: 463: 457: 456: 452: 451: 446: 445: 441: 436: 435: 429: 424: 420: 416: 412: 406: 402: 400: 396: 395: 390: 386: 382: 378: 374: 370: 366: 364: 360: 359: 354: 353: 348: 347: 344: 339: 334: 333: 328: 322: 321: 317: 311: 308: 284: 252:AfC articles 238:project page 231: 154: 106: 40:WikiProjects 993:total of 24 843:Discussion: 764:Translated: 739:Translated: 733:In Italian: 623:Translated: 491:, FRF 100; 487:, FRF 100; 453:Translated: 397:Translated: 1162:Categories 1154:References 1109:References 1029:il Signore 928:Montagnani 706:Montagnani 697:The names 638:Montagnani 627:" We find 581:Montagnani 541:The name " 506:The name " 434:The name " 332:The name " 309:Dear all, 273:this draft 185:parameter. 30:Stub-class 1071:QUESTION: 962:it cites 799:The name 700:"Du Cros" 519:, p.93 : 126:Biography 59:Biography 1092:Thanks, 999:and NOT 989:verbatim 897:contribs 885:unsigned 802:"Ducros" 657:24 views 288:contribs 670:Notes : 629:Du Cros 603:24 vues 588:(1) ». 576:Du Cros 544:Du Cros 408:Volpato 371:Volpato 355:English 349:Italian 1079:& 653:Ducros 645:(1)". 596:Ducros 183:|auto= 36:scale. 1049:Note: 943:: --> 942:: --> 820:Note: 776:Note: 703:and " 677:Malta 614:Malte 534:1748 458:Note: 177:by a 1100:talk 1008:1789 940:1789 893:talk 858:the 664:1789 651:"M. 633:1789 594:«M. 282:talk 115:and 1044:... 881:. 792:: 790:NEW 690:: 688:NEW 342:: 179:bot 1164:: 1102:) 980:) 944:: 899:) 895:• 836:H/ 797:G/ 695:F/ 566:) 562:( 539:E/ 504:D/ 466:C/ 432:B/ 385:; 330:A/ 290:). 62:: 1098:( 972:: 947:( 891:( 866:) 522:" 475:" 401:" 365:" 285:· 280:( 159:. 123:. 42::

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