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Is there some guideline that says we should use "Premier Livre" instead of Book 1? Obviously, they were originally named in French, but the meaning is precisely the same in French and
English, and the English would be clearer. Secondly, it seems it would also be nice to include Lesure numbers (Book
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Re:La sérénade interrompue: Is there some basis for this interpretation in
Debussy's writing, or is it just an interpretation written by the author of this article? I can see that Debussy suggests it be played like in a guitar-like fashion, but is the narrative given also based on a source, or is it
328:, which uses the English translation, lowercased: "first book", "second book", and (in the worklist) the abbreviated forms "Préludes, bk 1" and "Préludes, bk 2". Other sources should be consulted, of course, in order to determine whether this is usual practice.—
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I'd always understood that he wrote them purely as abstract pieces, with no program intended, and only supplied the individual titles at some later time, after the first publication, stipulating that the titles appear at the end of the pieces. ???? --
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I think the guideline is to use the forms of titles that are most commonly used in reliable
English sources. This is not always perfectly clear, and this may be one such case. A place to start, though, is
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I think We need a seperate page for La sérénade interrompue. It's too in depth, and not the most famous work. it looks very out of place here. Is there a catalouge number for these works?
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I see the citation needed superscript, but I really think that, until the citation is acquired, this sentence does not belong. It looks like like the thesis to a persuasive essay.
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1 is L. 117 and Book 2 is L. 123). However, I don't know what the policy is regarding them, and I don't want to add them if they're just going to be taken down. --
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There's actually a copy of at least the second set on google books with small essays on each by Hinson. Obviously the score itself is incomplete tho
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A performance of
Debussy's "La Fille aux Cheveux de Lin" (The Girl with the Flaxen Hair) by Mike Ambrose.
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for writing and maintaining articles. To participate, you can edit this article or visit the
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The latter piece recorded by pianist Ivan Ilic in April 2006, Paris
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Nope, the first edition already has the titles at the end.--
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I suggest to include some or all of the files at right.
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