26:
412:. Tamerlano has ordered Andronico to remove the chains, but Bajazet is mistrustful of this action. Bajazet adds that the only reason he does not commit suicide is his love for his daughter, Asteria. (Aria: "Forte e lieto a morte andrei"). Tamerlano arrives and orders Andronico to try and obtain Bajazet and Asteria's consent for Asteria to marry Tamerlano, with a reward for Andronico of the Greek throne, marriage with Irene, and freedom for Bajazet. Andronico is troubled, as he brought his love Asteria to try and soften Tamerlano, only to see Tamerlano fall in love with her. (Aria: "Bella Asteria"). Tamerlano tells Asteria of his intentions and the offer to Andronico, which makes her angry at Andronico's seeming betrayal.
458:
Tamerlano will not listen, and orders
Asteria to become his servant, and that she must first serve him wine. Asteria puts the poison from her father into the cup. Irene then reveals her true identity to Tamerlano and the situation of the poisoned cup. Tamerlano then orders Asteria to decide who first to give the cup to, her father or Andronico, before she may bring it to him. Asteria is about to drink from the cup herself when Andronico hits it out of her hand, which further enrages Tamerlano. He orders Asteria's arrest and confinement in the common seraglio, and that Bajazet will have to see her being shamed. Bajazet, angry at this situation, declares that his spirit will haunt Tamerlano when he has died. (Aria:''
437:
wedding, and also avoids being humiliated by
Tamerlano when he is stopped. Asteria makes a move to the dais, only for her father to stop her. She then pulls out a dagger, saying that it would have been her present to Tamerlano. After a trio between Tamerlano, Bajazet, and Asteria, Tamerlano orders the death of Bajazet and Asteria. However, Asteria protests that she has never been unfaithful and gets agreement from Bajazet, Andronico, and Irene, which gives her some feeling of happiness. She also feels sad that her plans for assassination failed and that she has lost her chance for happiness.
446:
466:
to his daughter and berates
Tamerlano, until Andronico and Asteria carry him out of the room. Asteria then returns to ask for death, since Tamerlano can never get what he wants from her. Both Irene and Andronico send after Asteria to try and stop her suicide, while Tamerlano is finally changed by the events he has witnessed as well as by Irene's pleas. He finally pardons Asteria, Andronico, and Bajazet. The opera concludes with a love duet between Tamerlano and Irene, and the chorus sings of love's ability to save light from the dark.
95:
425:
433:
marry
Tamerlano, but through a misunderstanding, Andronico is left dejected at the thought. Meanwhile, Leone brings the disguised Irene to Tamerlano, where she pleads Irene's case. (Aria: "Par che mi nasca.") Tamerlano hears her with composure. When Irene and Asteria are alone, Asteria shows sympathy towards Irene and speaks of her own feelings. Irene finds hope in this revelation, while Leone "comments only on love's irresistible power for good or evil".
172:
393:
2810:
2831:
852:
2821:
1573:
416:
lasciatemi.") Irene arrives to learn that she is no longer to marry
Tamerlano, but instead Andronico. Andronico tells Irene that she can still change the outcome if she pretends to be her own messenger and takes issue with Tamerlano. She agrees to this plan, while he bemoans his current compromised situation.
457:
Meanwhile, Irene pledges her love to
Tamerlano if he returns his own love to her, while Leone hopes that ultimately love will win the day over revenge. Tamerlano prepares to humiliate his enemies, and begins by bringing Bajazet and then Asteria before him. Andronico pleads for mercy from Tamerlano.
465:
Irene and
Tamerlano sing of the happy life that awaits them, after Tamerlano has had his revenge. Leone then reports the arrival of Asteria and Bajazet. Bajazet is surprisingly serene now, but finally reveals that this is because he has taken poison. As he becomes more incoherent, he says goodbye
432:
Tamerlano tells
Andronico of Asteria's acceptance of his marriage proposal, and that the two planned weddings, of Tamerlano to Asteria and of Andronico to Irene, will happen soon. Tamerlano and Asteria sing contrasting arias at the situation. Asteria pretends to tell Andronico that she is about to
117:
of an organisation called the Royal
Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to produce Italian operas in London. Handel was not only to compose operas for the company but hire the star singers, supervise the orchestra and musicians, and
436:
Bajazet is outraged at his daughter's impending marriage to
Tamerlano and swears to stop this, while Andronico is furious and resolves to have his vengeance on Tamerlano before he kills himself. Asteria is secretly preparing to kill Tamerlano in the meantime. However, Bajazet manages to stall the
453:
Asteria and Bajazet decide to kill themselves with concealed poison. Alone, Asteria contemplates her oncoming death. Tamerlano makes one last attempt to win Asteria and says that he will even pardon her father. However, Andronico and Asteria declare their love for each other, which enrages
415:
Bajazet declines Tamerlano's offer, and furthermore is angry at his daughter's seeming meekness at Tamerlano's demands. (Aria: "Ciel e terra armi di sdegno"). However, once alone, Asteria says that despite Andronico's apparent treachery, her feelings for him have not changed. (Aria: "Deh,
157:: "the overture is well known, and retains its favour among the most striking and agreeable of Handel's instrumental productions.. Many of Handel's operas offer perhaps more specimens of his fire and learning, but none more pleasing melodies and agreeable effects."
454:
Tamerlano and makes him swear his own revenge. Bajazet tries to gain inspiration from their action, while the couple can only find happiness in facing together whatever may come of declaring their mutual love.
133:. Eve Meyer has noted that the role of Bajazet was one of the first major tenor roles in opera, and has also commented on the place of the opera in the context of the contemporary fashion for Turkish culture (
102:
The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera
163:
wrote in 1966: "here the principal role, that of Bajazet, is given to a tenor....This is the first great tenor role in opera. Handel was entirely successful in portraying Bajazet."
2834:
2209:
1486:
25:
2764:
1511:
2541:
113:
created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed
121:
Viewed as one of Handel's major works, he composed it in the space of 20 days in July 1724, in a year in which two more great operas were composed by him:
2733:
2855:
2012:
1440:
1506:
579:
2895:
2890:
1411:
1342:
2885:
2551:
2191:
1004:
983:
932:
1434:
2880:
2566:
2516:
2506:
1479:
2759:
2686:
2536:
2531:
2496:
2475:
2824:
2586:
2581:
2576:
2571:
2561:
2556:
2526:
2511:
2501:
2177:
1214:
2611:
2606:
2601:
2596:
2591:
2521:
2342:
1404:
1391:
1327:
2860:
2546:
2363:
2025:
1096:
2813:
2642:
2637:
2632:
2627:
2145:
1527:
1472:
2769:
202:(4–5 November). There were 12 performances and it was repeated on 13 November 1731. The opera then received a production in
2875:
2784:
2457:
2184:
1947:
79:
2436:
2431:
2426:
2388:
2272:
699:
2484:
2471:
2223:
17:
2717:
2707:
1063:
2328:
2216:
94:
2702:
2680:
2370:
2258:
2103:
1607:
211:
1970:
1122:
621:
682:
445:
187:
2251:
2170:
2075:
1579:
1319:
1268:
520:
2743:
2738:
2712:
2402:
2349:
2296:
1916:
1877:
1495:
1416:, an opera; Engrav'd on Copper Plates, Compos'd by Mr. Handel and Corrected & Figur'd by his own Hand"
195:
51:
1189:
2311:
2306:
2230:
529:
363:
59:
2279:
2244:
2865:
2467:
2237:
1898:
1891:
1458:
574:
2490:
2096:
2089:
1572:
1362:
958:
Meyer, Eve R., "Turquerie and Eighteenth-Century Music" (Summer 1974). 'Eighteenth-Century Studies
778:
616:
515:
335:
424:
171:
2659:
1677:
1614:
1305:
566:
289:
2794:
800:
392:
219:
142:
The opera is scored for two recorders, two flutes, two oboes, bassoon, two horns, strings, and
2774:
2395:
2138:
2082:
1831:
1810:
1768:
1663:
1560:
1400:
1323:
1000:
979:
928:
922:
812:
672:
358:
307:
215:
129:
83:
1445:
2409:
2335:
2152:
2131:
2124:
2040:
2019:
1991:
1984:
1930:
1859:
1817:
1796:
1761:
1712:
1600:
1239:
1037:
1017:
999:
Norton, New York 1966, New Edition: Dover Publications, Mineola, New York (Paperback) 1996,
705:
206:
with the recitative in German and the arias in Italian. The first modern production was in
2870:
2673:
2356:
2301:
2117:
2110:
2068:
2061:
2053:
2035:
2005:
1977:
1963:
1754:
1747:
1567:
1553:
1538:
1370:
871:
866:
783:
695:
687:
594:
160:
105:
2789:
1338:
2666:
2030:
1923:
1691:
1313:
774:
606:
561:
401:
150:
71:
1450:
2849:
2265:
1998:
1845:
1733:
1649:
1621:
1593:
1396:
1021:
820:
807:
677:
667:
649:
601:
552:
210:
on 7 September 1924. Amongst recent productions, it appeared in the repertory of the
123:
114:
2779:
1884:
1726:
945:
857:
143:
1151:
2452:
2046:
1301:
830:
824:
223:
47:
1628:
847:
1824:
1782:
1719:
405:
342:
275:
207:
135:
39:
1041:
1670:
1532:
1464:
976:
A General History of Music: from the Earliest Ages to the Present Period.
324:
265:
55:
2830:
1334:
The first of the two volume definitive reference on the operas of Handel
1803:
1740:
1705:
302:
203:
851:
1852:
1789:
1775:
1684:
1642:
1635:
1546:
191:
194:, on 31 October 1724, around the time of the annual performance of
1838:
1698:
1586:
444:
423:
409:
391:
378:
284:
253:
170:
93:
24:
396:
Caricature of Francesco Borosini, who created the role of Bajazet
262:
1468:
1075:
978:
Vol. 4. London 1789, reprint Cambridge University Press 2010,
449:
Francesca Cuzzoni (1696–1778), who created the role of Asteria
43:
924:
Essays on Handel and Italian opera by Reinhard Strohm
2752:
2726:
2695:
2651:
2620:
2466:
2445:
2419:
2380:
2320:
2289:
2210:
Agrippina condotta a morire or Dunque sarĂ pur vero
2201:
2162:
1940:
1908:
1869:
1520:
218:in November 2009; both productions featured tenor
1349:. New York: G. P. Putnam's Sons. pp. 39–41.
222:who also appeared as Bajazet in a production at
118:adapt operas from Italy for London performance.
1480:
8:
1487:
1473:
1465:
1441:International Music Score Library Project
1097:"Opera review: 'Tamerlano' at L.A. Opera"
908:
896:
721:
478:
233:
146:instruments (cello, lute, harpsichord).
66:together with another libretto entitled
1363:"Autograph manuscript of full score of
889:
2013:L'Allegro, il Penseroso ed il Moderato
1373:. R.M.20.c.11 (Royal Music Collection)
1949:Il trionfo del Tempo e del Disinganno
1176:
580:La Grande Écurie et la Chambre du Roy
408:is brought in chains to the court of
236:Roles, voice types, and premiere cast
7:
2820:
1347:The Definitive Kobbé's Book of Opera
874:using the same libretto by Piovenne.
2687:Keyboard suite in D minor (HWV 437)
1953:Il trionfo del Tempo e della VeritĂ
2178:Ode for the Birthday of Queen Anne
175:The King's Theatre, London, where
62:, adapted from Agostino Piovene's
14:
2343:Funeral Anthem for Queen Caroline
1392:The New Grove Dictionary of Opera
1064:"Semi-Historical Drama: Handel's
921:Strohm, Reinhard (20 June 1985).
354:friend of Andronico and Tamerlano
2856:Operas by George Frideric Handel
2829:
2819:
2809:
2808:
2364:Wedding anthem for Princess Anne
1571:
1361:Handel, George Frideric (1724).
850:
539:Chamber Orchestra of Copenhagen
248:Premiere cast, 31 October 1724
76:Tamerlan, ou La Mort de Bajazet
2896:Operas set in the 15th century
2891:Operas set in the 14th century
2785:Handel & Hendrix in London
78:. The opera was staged by the
1:
2458:Music for the Royal Fireworks
1957:The Triumph of Time and Truth
1152:"G. F. Handel's Compositions"
727:discography, video recordings
484:discography, audio recordings
82:in the King's Theatre at the
2886:Cultural depictions of Timur
2389:Utrecht Te Deum and Jubilate
2273:Tra le fiamme (Il consiglio)
1528:Handel's lost Hamburg operas
323:Francesco Bernardi, called "
2881:Operas based on real people
1103:. No. 22 November 2010
1026:: the creation of an opera"
186:was first performed at the
18:Tamerlano (Gasparini opera)
2912:
1131:Musicweb International.com
149:18th century musicologist
15:
2803:
2703:Handel Reference Database
2681:The Harmonious Blacksmith
2371:Foundling Hospital Anthem
2259:O lucenti, o sereni occhi
2192:Ode For St. Cecilia's Day
1502:
1315:Handel's Operas 1704–1726
964:, pp. 474–488.
765:Elisabeth Norberg-Schulz,
212:Washington National Opera
2718:Hallische Händel-Ausgabe
2708:Händel-Werke-Verzeichnis
2696:Catalogs and collections
622:English Baroque Soloists
460:Empio, per farti guerra"
338:, betrothed to Tamerlano
109:. A tremendous success,
16:Not to be confused with
2861:Italian-language operas
2217:Allor ch'io dissi addio
2171:Aci, Galatea e Polifemo
2076:Joseph and his Brethren
1320:Oxford University Press
1215:"Synopsis of Tamerlano"
997:George Frideric Handel.
584:CD:The Sony Opera House
2643:Concerti grossi, Op. 6
2638:Concerti grossi, Op. 3
2633:Organ concertos, Op. 7
2628:Organ concertos, Op. 4
2403:Queen Caroline Te Deum
2146:The Choice of Hercules
1496:George Frideric Handel
450:
429:
397:
258:Emperor of the Tartars
180:
99:
98:George Frideric Handel
80:Royal Academy of Music
52:George Frideric Handel
30:
29:Title page of libretto
2231:Clori, Tirsi e Fileno
1277:Prestoclassical.co.uk
1030:The Musical Quarterly
909:Dean & Knapp 1995
897:Dean & Knapp 1995
638:Tassis Christoyannis,
448:
427:
395:
364:Giuseppe Maria Boschi
174:
97:
60:Nicola Francesco Haym
28:
2876:Operas set in Turkey
2765:Letters and writings
2238:Dalla guerra amorosa
1899:Va tacito e nascosto
1892:Svegliatevi nel core
1512:List of compositions
1459:Friedrich Chrysander
1410:Cluer, John (1724).
1399:. London: Macmillan
1343:The Earl of Harewood
1322:. pp. 527–571.
1318:(Revised ed.).
1042:10.1093/mq/LVI.3.405
738:Tamerlano, Bajazet,
654:Orchestra of Patras
575:Jean-Claude Malgoire
559:Mieke van der Sluis,
495:Tamerlano, Bajazet,
428:Tamerlan and Bajazet
347:Anna Vincenza Dotti
2760:British citizenship
2713:Händel-Gesellschaft
2437:Oboe Concerto No. 2
2432:Oboe Concerto No. 1
2427:Oboe Concerto No. 3
2097:Occasional Oratorio
1878:Lascia ch'io pianga
1385:Hicks, A., (1992) "
1306:Knapp, John Merrill
779:The English Concert
740:Asteria, Andronico,
729:
617:John Eliot Gardiner
516:Gwendolyn Killebrew
497:Asteria, Andronico,
486:
280:Sultan of the Turks
238:
226:, Madrid, in 2008.
214:in 2008 and of the
179:was first performed
167:Performance history
90:History and context
2290:Latin church music
2280:Un'alma innamorata
2245:Del bell'idolo mio
2224:Aure soavi e lieti
1158:. Handel Institute
722:
683:Max Emanuel Cenčić
626:CD:Warner Classics
567:Isabelle Poulenard
479:
451:
430:
398:
298:Bajazet's daughter
290:Francesco Borosini
234:
181:
100:
31:
2843:
2842:
2775:Handel at Cannons
2446:Orchestral suites
2396:Dettingen Te Deum
2329:As Pants the Hart
2185:Alexander's Feast
1832:Alessandro Severo
1769:Parnasso in festa
1420:museum-digital.de
1194:handelhendrix.org
1101:Los Angeles Times
1018:Knapp, J. Merrill
1005:978-0-486-29227-4
995:Paul Henry Lang:
984:978-1-1080-1642-1
934:978-0-521-26428-0
841:
840:
813:Jennifer Holloway
788:DVD:Arthaus Musik
769:Anna Bonitatibus,
715:
714:
673:John Mark Ainsley
586:Cat: 88697527252
571:Gregory Reinhart
544:Cat:PACD96038/40
369:
368:
308:Francesca Cuzzoni
216:Los Angeles Opera
84:Haymarket, London
50:in three acts by
2903:
2833:
2823:
2822:
2812:
2811:
2753:Related articles
2410:Chandos Jubilate
2336:Zadok the Priest
2163:Odes and masques
2104:Judas Maccabaeus
1909:Incidental music
1762:Arianna in Creta
1713:Lotario (Handel)
1608:Acis and Galatea
1601:Amadigi di Gaula
1575:
1489:
1482:
1475:
1466:
1446:Italian libretto
1439:: Scores at the
1431:
1429:
1427:
1382:
1380:
1378:
1350:
1333:
1288:
1287:
1285:
1283:
1265:
1259:
1258:
1256:
1254:
1236:
1230:
1229:
1227:
1225:
1211:
1205:
1204:
1202:
1200:
1186:
1180:
1174:
1168:
1167:
1165:
1163:
1148:
1142:
1141:
1139:
1137:
1119:
1113:
1112:
1110:
1108:
1093:
1087:
1086:
1084:
1082:
1059:
1053:
1052:
1050:
1048:
1014:
1008:
993:
987:
974:Charles Burney:
972:
966:
956:
950:
949:
943:
941:
918:
912:
906:
900:
894:
860:
855:
854:
817:Luigi De Donato
730:
728:
718:Video recordings
659:Cat: MDG6091457
646:Petros Magoulas
644:Irina Karaianni,
642:Mary-Ellen Nesi,
636:Nicholas Spanos,
534:Marius Rintzler
487:
485:
475:Audio recordings
239:
237:
2911:
2910:
2906:
2905:
2904:
2902:
2901:
2900:
2846:
2845:
2844:
2839:
2799:
2795:Händel-Jahrbuch
2748:
2722:
2691:
2647:
2616:
2462:
2441:
2415:
2376:
2357:Chandos Anthems
2316:
2285:
2197:
2158:
2118:Alexander Balus
2054:Scratch Messiah
2006:Israel in Egypt
1971:Brockes Passion
1964:La resurrezione
1936:
1904:
1865:
1516:
1498:
1493:
1461:, Leipzig 1876)
1425:
1423:
1409:
1376:
1374:
1371:British Library
1360:
1357:
1337:
1330:
1300:
1292:
1291:
1281:
1279:
1269:"Recordings of
1267:
1266:
1262:
1252:
1250:
1248:Operadis.org.uk
1240:"Recordings of
1238:
1237:
1233:
1223:
1221:
1213:
1212:
1208:
1198:
1196:
1188:
1187:
1183:
1175:
1171:
1161:
1159:
1150:
1149:
1145:
1135:
1133:
1121:
1120:
1116:
1106:
1104:
1095:
1094:
1090:
1080:
1078:
1061:
1060:
1056:
1046:
1044:
1016:
1015:
1011:
994:
990:
973:
969:
957:
953:
939:
937:
935:
927:. CUP Archive.
920:
919:
915:
907:
903:
895:
891:
881:
856:
849:
846:
836:
823:
816:
811:
806:
804:
801:Plácido Domingo
799:
798:Monica Bacelli,
789:
784:Jonathan Miller
777:
770:
768:
766:
764:
762:
761:Monica Bacelli,
750:Stage director
746:
741:
739:
737:
723:
720:
710:
708:
698:
696:Riccardo Minasi
691:
688:Ruxandra Donose
686:
681:
676:
671:
658:
653:
645:
643:
641:
639:
637:
628:Cat:2564698383
627:
620:
612:
610:
605:
600:
598:
595:Derek Lee Ragin
585:
578:
570:
565:
560:
558:
556:
543:
538:
533:
528:
527:Sophia Steffan,
526:
524:
521:Alexander Young
519:
503:
498:
496:
494:
480:
477:
472:
443:
422:
390:
374:
235:
232:
220:Plácido Domingo
169:
161:Paul Henry Lang
92:
21:
12:
11:
5:
2909:
2907:
2899:
2898:
2893:
2888:
2883:
2878:
2873:
2868:
2863:
2858:
2848:
2847:
2841:
2840:
2838:
2837:
2827:
2817:
2804:
2801:
2800:
2798:
2797:
2792:
2787:
2782:
2777:
2772:
2767:
2762:
2756:
2754:
2750:
2749:
2747:
2746:
2741:
2736:
2730:
2728:
2724:
2723:
2721:
2720:
2715:
2710:
2705:
2699:
2697:
2693:
2692:
2690:
2689:
2684:
2677:
2670:
2663:
2655:
2653:
2649:
2648:
2646:
2645:
2640:
2635:
2630:
2624:
2622:
2618:
2617:
2615:
2614:
2609:
2604:
2599:
2594:
2589:
2584:
2579:
2574:
2569:
2564:
2559:
2554:
2549:
2544:
2539:
2534:
2529:
2524:
2519:
2514:
2509:
2504:
2499:
2494:
2487:
2481:
2479:
2464:
2463:
2461:
2460:
2455:
2449:
2447:
2443:
2442:
2440:
2439:
2434:
2429:
2423:
2421:
2420:Oboe concertos
2417:
2416:
2414:
2413:
2406:
2399:
2392:
2384:
2382:
2378:
2377:
2375:
2374:
2367:
2360:
2353:
2346:
2339:
2332:
2324:
2322:
2318:
2317:
2315:
2314:
2309:
2304:
2299:
2293:
2291:
2287:
2286:
2284:
2283:
2276:
2269:
2262:
2255:
2252:Apollo e Dafne
2248:
2241:
2234:
2227:
2220:
2213:
2205:
2203:
2199:
2198:
2196:
2195:
2188:
2181:
2174:
2166:
2164:
2160:
2159:
2157:
2156:
2149:
2142:
2135:
2128:
2121:
2114:
2107:
2100:
2093:
2086:
2079:
2072:
2065:
2058:
2057:
2056:
2051:
2043:
2038:
2033:
2028:
2016:
2009:
2002:
1995:
1988:
1981:
1974:
1967:
1960:
1944:
1942:
1938:
1937:
1935:
1934:
1927:
1920:
1912:
1910:
1906:
1905:
1903:
1902:
1895:
1888:
1881:
1873:
1871:
1870:Opera excerpts
1867:
1866:
1864:
1863:
1856:
1849:
1842:
1835:
1828:
1821:
1814:
1807:
1800:
1793:
1786:
1779:
1772:
1765:
1758:
1751:
1744:
1737:
1730:
1723:
1716:
1709:
1702:
1695:
1692:Riccardo Primo
1688:
1681:
1674:
1667:
1660:
1653:
1646:
1639:
1632:
1625:
1618:
1611:
1604:
1597:
1590:
1583:
1580:Il pastor fido
1576:
1564:
1557:
1550:
1543:
1524:
1522:
1518:
1517:
1515:
1514:
1509:
1507:List of operas
1503:
1500:
1499:
1494:
1492:
1491:
1484:
1477:
1469:
1463:
1462:
1448:
1443:
1432:
1407:
1383:
1356:
1355:External links
1353:
1352:
1351:
1335:
1328:
1297:
1296:
1290:
1289:
1260:
1231:
1206:
1181:
1169:
1143:
1114:
1088:
1062:Scott, Bruce.
1054:
1036:(3): 405–430.
1009:
988:
967:
951:
933:
913:
911:, p. 298.
901:
899:, p. 527.
888:
887:
886:
885:
880:
877:
876:
875:
862:
861:
845:
842:
839:
838:
833:
828:
818:
805:Ingela Bohlin,
796:
792:
791:
786:
781:
775:Trevor Pinnock
772:
771:Antonio Abete
767:Graham Pushee,
763:Thomas Randle,
759:
755:
754:
751:
748:
743:
734:
719:
716:
713:
712:
702:
693:
692:Pavel Kudinov
665:
661:
660:
655:
647:
634:
630:
629:
624:
614:
613:René Schirrer
607:Michael Chance
592:
588:
587:
582:
572:
550:
546:
545:
540:
537:John Moriarty,
535:
525:Carole Bogard,
513:
509:
508:
505:
500:
491:
476:
473:
471:
468:
442:
439:
421:
418:
389:
386:
385:
384:
381:
373:
370:
367:
366:
361:
356:
349:
348:
345:
340:
329:
328:
321:
320:alto castrato
318:
311:
310:
305:
300:
293:
292:
287:
282:
272:
271:
270:Andrea Pacini
268:
260:
250:
249:
246:
243:
231:
228:
188:King's Theatre
168:
165:
151:Charles Burney
115:music director
91:
88:
72:Nicolas Pradon
54:. The Italian
13:
10:
9:
6:
4:
3:
2:
2908:
2897:
2894:
2892:
2889:
2887:
2884:
2882:
2879:
2877:
2874:
2872:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2853:
2851:
2836:
2832:
2828:
2826:
2818:
2816:
2815:
2806:
2805:
2802:
2796:
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2776:
2773:
2771:
2768:
2766:
2763:
2761:
2758:
2757:
2755:
2751:
2745:
2742:
2740:
2737:
2735:
2732:
2731:
2729:
2725:
2719:
2716:
2714:
2711:
2709:
2706:
2704:
2701:
2700:
2698:
2694:
2688:
2685:
2683:
2682:
2678:
2676:
2675:
2671:
2669:
2668:
2664:
2662:
2661:
2657:
2656:
2654:
2650:
2644:
2641:
2639:
2636:
2634:
2631:
2629:
2626:
2625:
2623:
2619:
2613:
2610:
2608:
2605:
2603:
2600:
2598:
2595:
2593:
2590:
2588:
2585:
2583:
2580:
2578:
2575:
2573:
2570:
2568:
2565:
2563:
2560:
2558:
2555:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2533:
2530:
2528:
2525:
2523:
2520:
2518:
2515:
2513:
2510:
2508:
2505:
2503:
2500:
2498:
2495:
2492:
2488:
2486:
2483:
2482:
2480:
2477:
2473:
2469:
2465:
2459:
2456:
2454:
2451:
2450:
2448:
2444:
2438:
2435:
2433:
2430:
2428:
2425:
2424:
2422:
2418:
2412:
2411:
2407:
2405:
2404:
2400:
2398:
2397:
2393:
2391:
2390:
2386:
2385:
2383:
2379:
2373:
2372:
2368:
2366:
2365:
2361:
2359:
2358:
2354:
2352:
2351:
2350:Sing Unto God
2347:
2345:
2344:
2340:
2338:
2337:
2333:
2331:
2330:
2326:
2325:
2323:
2319:
2313:
2310:
2308:
2305:
2303:
2300:
2298:
2297:Dixit Dominus
2295:
2294:
2292:
2288:
2282:
2281:
2277:
2275:
2274:
2270:
2268:
2267:
2266:Ero e Leandro
2263:
2261:
2260:
2256:
2254:
2253:
2249:
2247:
2246:
2242:
2240:
2239:
2235:
2233:
2232:
2228:
2226:
2225:
2221:
2219:
2218:
2214:
2212:
2211:
2207:
2206:
2204:
2200:
2194:
2193:
2189:
2187:
2186:
2182:
2180:
2179:
2175:
2173:
2172:
2168:
2167:
2165:
2161:
2155:
2154:
2150:
2148:
2147:
2143:
2141:
2140:
2136:
2134:
2133:
2129:
2127:
2126:
2122:
2120:
2119:
2115:
2113:
2112:
2108:
2106:
2105:
2101:
2099:
2098:
2094:
2092:
2091:
2087:
2085:
2084:
2080:
2078:
2077:
2073:
2071:
2070:
2066:
2064:
2063:
2059:
2055:
2052:
2050:(Mozart arr.)
2049:
2048:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2023:
2022:
2021:
2017:
2015:
2014:
2010:
2008:
2007:
2003:
2001:
2000:
1996:
1994:
1993:
1989:
1987:
1986:
1982:
1980:
1979:
1975:
1973:
1972:
1968:
1966:
1965:
1961:
1959:
1958:
1954:
1950:
1946:
1945:
1943:
1939:
1933:
1932:
1928:
1926:
1925:
1921:
1919:
1918:
1917:The Alchemist
1914:
1913:
1911:
1907:
1900:
1896:
1893:
1889:
1886:
1882:
1879:
1875:
1874:
1872:
1868:
1862:
1861:
1857:
1855:
1854:
1850:
1848:
1847:
1846:Giove in Argo
1843:
1841:
1840:
1836:
1834:
1833:
1829:
1827:
1826:
1822:
1820:
1819:
1815:
1813:
1812:
1808:
1806:
1805:
1801:
1799:
1798:
1794:
1792:
1791:
1787:
1785:
1784:
1780:
1778:
1777:
1773:
1771:
1770:
1766:
1764:
1763:
1759:
1757:
1756:
1752:
1750:
1749:
1745:
1743:
1742:
1738:
1736:
1735:
1731:
1729:
1728:
1724:
1722:
1721:
1717:
1715:
1714:
1710:
1708:
1707:
1703:
1701:
1700:
1696:
1694:
1693:
1689:
1687:
1686:
1682:
1680:
1679:
1675:
1673:
1672:
1668:
1666:
1665:
1661:
1659:
1658:
1654:
1652:
1651:
1650:Giulio Cesare
1647:
1645:
1644:
1640:
1638:
1637:
1633:
1631:
1630:
1626:
1624:
1623:
1622:Muzio Scevola
1619:
1617:
1616:
1612:
1610:
1609:
1605:
1603:
1602:
1598:
1596:
1595:
1591:
1589:
1588:
1584:
1582:
1581:
1577:
1574:
1570:
1569:
1565:
1563:
1562:
1558:
1556:
1555:
1551:
1549:
1548:
1544:
1541:
1540:
1535:
1534:
1529:
1526:
1525:
1523:
1519:
1513:
1510:
1508:
1505:
1504:
1501:
1497:
1490:
1485:
1483:
1478:
1476:
1471:
1470:
1467:
1460:
1456:
1452:
1449:
1447:
1444:
1442:
1438:
1437:
1433:
1421:
1417:
1415:
1408:
1406:
1405:0-333-73432-7
1402:
1398:
1397:Stanley Sadie
1394:
1393:
1388:
1384:
1372:
1368:
1366:
1359:
1358:
1354:
1348:
1344:
1340:
1339:Kobbé, Gustav
1336:
1331:
1329:0-19-816441-6
1325:
1321:
1317:
1316:
1311:
1307:
1303:
1299:
1298:
1294:
1293:
1278:
1274:
1272:
1264:
1261:
1249:
1245:
1243:
1235:
1232:
1220:
1216:
1210:
1207:
1195:
1191:
1185:
1182:
1179:, p. 40.
1178:
1173:
1170:
1157:
1156:GF Handel.org
1153:
1147:
1144:
1132:
1128:
1126:
1118:
1115:
1102:
1098:
1092:
1089:
1077:
1073:
1069:
1067:
1058:
1055:
1043:
1039:
1035:
1031:
1027:
1025:
1020:(July 1970).
1019:
1013:
1010:
1006:
1002:
998:
992:
989:
985:
981:
977:
971:
968:
965:
963:
955:
952:
947:
936:
930:
926:
925:
917:
914:
910:
905:
902:
898:
893:
890:
883:
882:
878:
873:
869:
868:
864:
863:
859:
853:
848:
843:
837:Cst: OA1006D
835:DVD:Opus Arte
834:
832:
829:
826:
822:
821:Paul McCreesh
819:
814:
809:
808:Sara Mingardo
802:
797:
794:
793:
787:
785:
782:
780:
776:
773:
760:
757:
756:
752:
749:
744:
742:Irene, Leone
735:
732:
731:
726:
717:
707:
706:NaĂŻve Records
703:
701:
700:Il Pomo d'Oro
697:
694:
689:
684:
679:
678:Karina Gauvin
674:
669:
668:Xavier Sabata
666:
663:
662:
656:
651:
650:George Petrou
648:
640:Mata Katsuli,
635:
632:
631:
625:
623:
618:
615:
611:Jane Findlay,
608:
603:
602:Nancy Argenta
599:Nigel Robson,
596:
593:
590:
589:
583:
581:
576:
573:
568:
563:
554:
553:Henri Ledroit
551:
548:
547:
541:
536:
531:
522:
517:
514:
511:
510:
506:
501:
499:Irene, Leone
492:
489:
488:
483:
474:
469:
467:
463:
461:
455:
447:
440:
438:
434:
426:
419:
417:
413:
411:
407:
403:
400:The defeated
394:
387:
382:
380:
376:
375:
371:
365:
362:
360:
357:
355:
351:
350:
346:
344:
341:
339:
337:
331:
330:
326:
322:
319:
317:
313:
312:
309:
306:
304:
301:
299:
295:
294:
291:
288:
286:
283:
281:
277:
274:
273:
269:
267:
264:
261:
259:
255:
252:
251:
247:
244:
241:
240:
229:
227:
225:
221:
217:
213:
209:
205:
201:
197:
196:Nicholas Rowe
193:
189:
185:
178:
173:
166:
164:
162:
158:
156:
152:
147:
145:
140:
138:
137:
132:
131:
126:
125:
124:Giulio Cesare
119:
116:
112:
108:
107:
96:
89:
87:
85:
81:
77:
73:
69:
65:
61:
57:
53:
49:
45:
41:
37:
36:
27:
23:
19:
2807:
2790:Georg Händel
2780:Handel House
2679:
2672:
2665:
2658:
2408:
2401:
2394:
2387:
2369:
2362:
2355:
2348:
2341:
2334:
2327:
2312:Salve Regina
2307:Nisi Dominus
2278:
2271:
2264:
2257:
2250:
2243:
2236:
2229:
2222:
2215:
2208:
2190:
2183:
2176:
2169:
2151:
2144:
2137:
2130:
2123:
2116:
2109:
2102:
2095:
2088:
2081:
2074:
2067:
2060:
2045:
2018:
2011:
2004:
1997:
1990:
1983:
1976:
1969:
1962:
1956:
1955: /
1952:
1951: /
1948:
1929:
1922:
1915:
1885:Ombra mai fu
1858:
1851:
1844:
1837:
1830:
1823:
1816:
1809:
1802:
1795:
1788:
1781:
1774:
1767:
1760:
1753:
1746:
1739:
1732:
1725:
1718:
1711:
1704:
1697:
1690:
1683:
1676:
1669:
1662:
1656:
1655:
1648:
1641:
1634:
1627:
1620:
1613:
1606:
1599:
1592:
1585:
1578:
1566:
1559:
1552:
1545:
1537:
1531:
1454:
1435:
1424:. Retrieved
1419:
1413:
1390:
1386:
1375:. Retrieved
1364:
1346:
1314:
1309:
1302:Dean, Winton
1280:. Retrieved
1276:
1270:
1263:
1251:. Retrieved
1247:
1241:
1234:
1222:. Retrieved
1218:
1209:
1197:. Retrieved
1193:
1184:
1172:
1160:. Retrieved
1155:
1146:
1134:. Retrieved
1130:
1124:
1117:
1105:. Retrieved
1100:
1091:
1079:. Retrieved
1071:
1065:
1057:
1045:. Retrieved
1033:
1029:
1023:
1012:
996:
991:
975:
970:
961:
959:
954:
946:Google Books
944:– via
938:. Retrieved
923:
916:
904:
892:
865:
858:Opera portal
790:Cat: 100703
724:
657:CD:MDG Scene
542:CD:Parnassus
530:Joanna Simon
481:
464:
459:
456:
452:
435:
431:
414:
399:
353:
334:Princess of
333:
316:Greek prince
315:
297:
279:
257:
199:
183:
182:
176:
159:
154:
148:
141:
134:
128:
122:
120:
110:
104:
101:
75:
67:
63:
34:
33:
32:
22:
2866:1724 operas
2491:Fitzwilliam
2453:Water Music
2047:Der Messias
1199:28 December
1190:"Tamerlano"
1162:28 December
831:Graham Vick
825:Teatro Real
562:René Jacobs
557:John Elwes,
314:Andronico,
245:Voice type
224:Teatro Real
198:'s play of
48:opera seria
2850:Categories
2090:Belshazzar
1678:Alessandro
1629:Floridante
1177:Kobbé 1987
1047:4 November
1022:"Handel's
940:2 February
879:References
747:orchestra
745:Conductor,
504:orchestra
502:Conductor,
470:Recordings
383:Time: 1402
46:18) is an
2734:Göttingen
2727:Festivals
2660:Germanico
2381:Canticles
2026:Structure
1941:Oratorios
1825:Faramondo
1783:Ariodante
1720:Partenope
1664:Rodelinda
1657:Tamerlano
1615:Radamisto
1561:Agrippina
1455:Tamerlano
1436:Tamerlano
1414:Tamerlane
1387:Tamerlano
1365:Tamerlano
1310:Tamerlano
1308:(1995). "
1271:Tamerlano
1242:Tamerlano
1219:Naxos.com
1125:Tamerlano
1123:"Handel,
1066:Tamerlano
1024:Tamerlano
1007:, p. 624.
827:, Madrid
725:Tamerlano
482:Tanerlano
410:Tamerlano
343:contralto
336:Trebizond
296:Asteria,
254:Tamerlano
208:Karlsruhe
200:Tamerlane
184:Tamerlano
177:Tamerlano
155:Tamerlano
153:wrote of
136:turquerie
130:Rodelinda
64:Tamerlano
40:Tamerlane
35:Tamerlano
2814:Category
2202:Cantatas
2139:Theodora
2083:Hercules
2041:Part III
1860:Deidamia
1818:Berenice
1811:Giustino
1797:Atalanta
1671:Scipione
1533:Florindo
1426:19 April
1422:. London
1377:19 April
1341:(1987).
986:, p.297.
844:See also
404:Emperor
372:Synopsis
325:Senesino
266:castrato
144:continuo
56:libretto
2825:Commons
2478:sonatas
2476:XV solo
2321:Anthems
2153:Jephtha
2132:Solomon
2125:Susanna
2036:Part II
2020:Messiah
1992:Athalia
1985:Deborah
1931:Alceste
1804:Arminio
1755:Orlando
1741:Sosarme
1706:Tolomeo
1568:Rinaldo
1554:Rodrigo
1345:(ed.).
1295:Sources
1282:23 June
1253:23 June
1224:23 June
1136:24 June
1107:24 June
1081:24 June
1072:NPR.org
872:Vivaldi
867:Bajazet
406:Bajazet
402:Ottoman
377:Place:
352:Leone,
332:Irene,
303:soprano
276:Bajazet
204:Hamburg
111:Rinaldo
106:Rinaldo
68:Bajazet
58:was by
2871:Operas
2744:London
2674:Gideon
2302:Gloria
2111:Joshua
2069:Semele
2062:Samson
2031:Part I
1978:Esther
1853:Imeneo
1790:Alcina
1776:Oreste
1748:Catone
1685:Admeto
1643:Flavio
1636:Ottone
1547:Almira
1539:Daphne
1521:Operas
1403:
1395:, ed.
1326:
1003:
982:
931:
753:Label
711:V5373
507:Label
192:London
70:after
2835:Audio
2739:Halle
2667:Nabal
2652:Other
2468:Flute
1924:Comus
1839:Serse
1699:Siroe
1594:Silla
1587:Teseo
1457:(ed.
1451:Score
884:Notes
736:Cast:
733:Year
512:1970
493:Cast:
490:Year
441:Act 3
420:Act 2
388:Act 1
379:Prusa
285:tenor
242:Role
230:Roles
2770:Will
2621:Opus
2557:367b
2552:367a
2537:364b
2532:364a
2527:363b
2522:363a
2502:359b
2497:359a
2474:and
2472:solo
1999:Saul
1734:Ezio
1727:Poro
1428:2022
1401:ISBN
1379:2022
1324:ISBN
1284:2014
1255:2014
1226:2014
1201:2016
1164:2016
1138:2014
1109:2014
1083:2014
1049:2007
1001:ISBN
980:ISBN
962:7(4)
942:2013
929:ISBN
795:2008
758:2001
709:Cat:
664:2014
633:2007
591:1985
549:1984
359:bass
263:alto
127:and
2612:379
2607:378
2602:376
2597:375
2592:374
2587:373
2582:372
2577:371
2572:370
2567:369
2562:368
2547:366
2542:365
2517:362
2512:361
2507:360
2485:358
1453:of
1389:",
1312:".
1076:NPR
1038:doi
1034:LVI
870:by
704:CD:
462:.)
139:).
74:'s
44:HWV
2852::
2470:,
1536:,
1418:.
1369:.
1304:;
1275:.
1246:.
1217:.
1192:.
1154:.
1129:.
1099:.
1074:.
1070:.
1032:.
1028:.
960:,
327:"
278:,
256:,
190:,
86:.
42:,
2493:"
2489:"
1901:"
1897:"
1894:"
1890:"
1887:"
1883:"
1880:"
1876:"
1542:)
1530:(
1488:e
1481:t
1474:v
1430:.
1412:"
1381:.
1367:"
1332:.
1286:.
1273:"
1257:.
1244:"
1228:.
1203:.
1166:.
1140:.
1127:"
1111:.
1085:.
1068:"
1051:.
1040::
948:.
815:,
810:,
803:,
690:,
685:,
680:,
675:,
670:,
652:,
619:,
609:,
604:,
597:,
577:,
569:,
564:,
555:,
532:,
523:,
518:,
38:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
