224:(24 April: outcries of a thousand souls). The publication was related to Akhter's work with the garment workers' union. During this process, Akhter photographed a man and woman who had died in the building collapse, locked in an embrace with each other. Akhter was unable to identify the subjects of the photograph despite much effort. This photograph, known variously as the "Eternal Embrace", the "Death of A Thousand Dreams", and the "Final Embrace", received widespread critical attention and multiple awards, and became emblematic of the incident, in which 1100 people died. The photograph also received widespread attention online, and led to petitions to clothing companies demanding higher minimum wages and improved safety standards. Akhter described herself a being haunted by the photograph.
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in April 2013, Akhter and other photographers from
Pathshala tried to document the lives of people who had died there, while also taking part in the rescue effort. These stories were later published as a book, titled
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in India. Her work led to her receiving the Magnum
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in 2013, she took a photograph of a woman and a man who had died in each other's arms, which became emblematic of the incident.
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Third prize for documentary photography at the Julia
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Best
Photographer Award from the 5th Dali International Photography Exhibition in China (2013).
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factory in 2012. Akhter has worked on projects in several cities in
Bangladesh, as well as in
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in science and in public administration. While at the university, she was a member of the
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391:"Why the 'Eternal Embrace' Photograph From Bangladesh Haunts Its Photographer the Most"
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magazine's "Top 10 Photos of 2013" for "Final
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Third prize for single photos in the "Spot News" category,
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