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182:. It was during his military service duty, according to Germany, where she married him later. With her husband, who performed under the pseudonym Marcel Boissier as a guest emcee, she has performed Russian and Chinese dances. In 1921, she created solo performances in larger houses at home and abroad, where the costumes were usually designed for her, and described as plastic picturesque costumes. Some Jewish women were considered as cabaret leaders during this time period.
170:. She was the daughter of Aizik, a Russian born Jewish butcher, and Genya, who had been born in China. She changed her name to Tsipora. The parents had two daughters named Cilly and Fani. Barbakoff had an older brother, and after the early death of his mother in 1903, her father remarried Haja-Sora Itskovitch, another stepsister in 1912. She attended ballet school up until ten years of age, but had no further dance training as a child.
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where they portrayed her in numerous photos, paintings and sculptures. Barbakoff started more formal ballet training with the French ballerina
Catherine Devilliers in 1927. Also in 1927, she separated from her husband. After an appearance in the hall Chopin Hall in
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In Paris, Julia Tardi-Markus, a co-dancer with
Barbakoff, started the "Tatjana Barbakoff Prize" in 1986 to help to encourage young dancers. Gert Heinrich Wollheim painted a portrait of in 1928 which still hangs in the Israel Museum in Jerusalem.
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Since 1924, it was previously known that she had included
Chinese dances alongside Russian dances and parodies in their program. Because of her attractive charisma, she became a public magnet, and a magnet for many artists including
146:, was a ballet and Chinese style dancer. She became a ballerina in Germany. After her death, Julia Tardi-Markus, in order to honor Barbakoff, initiated the "Tatjana Barbakoff Prize" in 1986 to help to encourage young dancers.
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The DĂĽsseldorf City Museum hosts an exposition to honor
Tatjana Barbakoff. It contains photographs, and some of her stage costumes, and many of her playbills. Some of Barbakoff’s stage costumes were given by
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Anja
Hellhammer: foreign-like as the Far East: Tanja Barbakoff. In: Amelie Soyka (Hg.): Dancing and dance and nothing but dance. p. 105-124
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GĂĽnter
Goebbels: Tatjana Barbakoff. A forgotten dancer in pictures and documents . Circle Kulturbahnhof Eller eV, DĂĽsseldorf 2009
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Rudolf
Heinisch : studies on the dancer Tatyana Barbakoff. Water color, pencil and chalk around 1928, private collection
255:(Pyrénées-Atlantiques), and asked for a food parcel. She had miraculously found her partner Gert Heinrich Wollheim in this
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held their own for a while. After the invasion of France by German troops, she was sent on 10 May 1940 to Camp de Gurs for
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Kasia from
Szadurska : Tatjana Barbakoff. Pencil and chalk to 1929 in the Municipal Wessenberg Gallery Konstanz
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Waldemar Flaig : . Tatjana
Barbakoff oil painting from 1927 in the Franciscan Museum in Villingen-Schwenningen
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Tanzen und tanzen und nichts als tanzen : Tänzerinnen der
Moderne von Josephine Baker bis Mary Wigman
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Hildegard Reinhardt. Tatjana Barbakoff. Dancer and muse, in: World Art, Issue 2 February 2003.
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on May 9, 1933, she was able to leave with all her costumes, and leave Berlin to go to Paris.
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In 1918 she followed a German soldier, Georg Waldmann, who served in the Baltic states during
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in Grenoble. On 20 October 1940 she wrote a desperate letter to her friend Maria My, from
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village after months of internment. Following the withdrawal of Italian troops from the
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307: : Tatjana Barbakoff oil on wood portrait 1928 held in Israel Museum in Jerusalem
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Rudolf Heinisch : . Tatjana Barbakoff oil painting of 1929, private collection
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327:, GĂĽnter Goebbels and Anja Hellhammer, club August Macke Haus Bonn, Bonn of 2003.
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in 1944, where she was found hiding on the CĂ´te d'Azur and was picked up by the
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Tatjana Barbakoff : eine vergessene Tänzerin in Bildern und Dokumentaten
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Tatjana Barbakoff. Dancer and muse, with texts by Klara Drenker-Nagels,
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Tatjana Barbakoff, of Russian-Jewish and Chinese heritage, was a
450:(in German). DĂĽsseldorf: Freundeskreis Kulturbahnhof Eller e.V.
283:, where on 6 February 1944 she was murdered in the gas chamber.
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247:. In June she was released again and moved to Nay, and later to
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568:"Tänzerin Tatjana Barbakoff - Porträt einer vergessenen Frau"
367:"Latvian Jewish Intelligentsia, Victims of the Holocaust"
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widow, Mona Loeb (1908–1997) to Düsseldorf City Museum.
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German people who died in Auschwitz concentration camp
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costumes, legendary beauty, and sharp sense of humor.
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597:(in German). Berlin: Aviva. pp. 105–124.
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685:German Jews who died in the Holocaust
480:. Taylor & Francis. p. 290.
477:Encyclopedia of Modern Jewish Culture
413:Veroli, Patrizia (27 February 2009).
231:who was a painter, she traveled from
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640:People from Courland Governorate
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373:. JewishGen. Archived from
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670:Jewish cabaret performers
574:(in German). 6 March 2015
446:Goebbels, GĂĽnter (2009).
235:to Paris. In France, the
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38:: Tatjana Barbakoff, 1929
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305:Gert Heinrich Wollheim
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325:Hildegard Reinhardt
253:Préchacq-Navarrenx
227:With her partner,
212:Kasia of Szadurska
193:and international
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548:. 6 February 1944
516:"Aviva-Berlin.de"
487:978-1-134-42864-9
457:978-3-931697-21-1
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97:Nazi Germany
87:(1944-02-06)
630:1944 deaths
625:1899 births
522:(in German)
241:Switzerland
237:Netherlands
233:SaarbrĂĽcken
180:World War I
166:, today in
619:Categories
371:Latvia SIG
352:References
312:Literature
245:internment
199:flamboyant
150:Early life
104:Occupation
54:1899-08-15
287:Portraits
281:Auschwitz
156:Hasenpoth
93:Auschwitz
62:Hasenpoth
257:Pyrenees
269:Gestapo
249:Clelles
188:cabaret
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578:4 June
552:4 June
526:4 June
493:4 June
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424:4 June
381:4 June
335:Legacy
273:Drancy
168:Latvia
121:, 1927
74:Latvia
277:Paris
217:Paris
195:dance
72:(now
599:ISBN
580:2016
554:2016
528:2016
495:2016
482:ISBN
452:ISBN
426:2016
383:2016
265:Nice
239:and
210:and
191:icon
174:Life
82:Died
44:Born
36:Yva
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