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69:. These studio ceramics were different from the pieces he produced at the Sèvres factory, which often had small heads or figures in a Renaissance style, placed on fields relying on glaze effects for interest. He now replaced the typical classical subjects: garlands, gods, and drapery with new forms derived from the
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96:, making a limited number of shapes in molds, rather than being hand-thrown, with the examples differing greatly in terms of their individual glazing. However, he also taught his old pâte-sur-pâte style there, and some fine examples were produced by his students. He had a considerable influence on
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92:. Doat brought with him a collection of 172 examples of his work, which by this time was mostly in his vegetal style. He continued to work in this style in
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that influenced French art pottery in the 1890s. He also began producing organic forms based on gourds, and employing new, grand feu glazes he invented.
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was published in 1905 and helped spread his discoveries internationally. His influence is apparent in the types of
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27:(1851–1939) was a French potter who is primarily known for his experimentation with high-fired porcelain (
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In 1909, Doat was one of the three international leaders of ceramics hired as a professor, along with
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232:(far left), and others at the Art Academy of People's University (now the Lewis Center) in
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style. Starting in 1895, Doat began working in a house at 47 rue
Brancas in the village of
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from 1877 to 1905, and was one of the artists who introduced the
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Dish with cameo head, porcelain and stoneware, 1890
168:Dish with classical head, 1905, Sèvres porcelain
372:University City Ceramics: Art Pottery of the
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124:Bottle with figures, 1895, Sèvres porcelain
37:technique. His book on these techniques
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474:French emigrants to the United States
156:cameo inserts, 1901, Sèvres porcelain
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413:, 1989, Metropolitan Museum of Art,
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180:Back of previous dish, with marks
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103:The founder of University City,
86:Art Academy and Porcelain Works,
88:founded in a St. Louis suburb,
59:Manufacture nationale de Sèvres
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435:Works by or about Taxile Doat
411:American Porcelain, 1770-1920
409:Frelinghuysen, Alice Cooney,
248:In his studio, published 1912
140:cameo inserts, 1900, Sèvres
20:Taxile Doat, published 1912
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327:Metropolitan Museum of Art
49:in the twentieth century.
31:) and stoneware using the
234:University City, Missouri
90:University City, Missouri
374:American Woman's League
82:AdelaĂŻde Alsop Robineau
45:and approaches used in
379:Saint Louis Art Museum
230:Frederick Hurten Rhead
78:Frederick Hurten Rhead
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479:Art Nouveau designers
358:Jason Jacques gallery
304:www.ceramique1900.com
228:Doat (at far right),
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260:Exhibition on Doat,
105:Edward Gardner Lewis
98:American art pottery
57:Doat worked at the
25:Taxile Maximin Doat
401:Frelinghuysen, 290
392:Frelinghuysen, 288
39:Grand Feu Ceramics
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421:, 9780870995408,
192:Dish with figures
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464:American potters
439:Internet Archive
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345:. Archived from
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349:on 2011-07-13
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34:pâte-sur-pâte
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351:. Retrieved
347:the original
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307:. Retrieved
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152:Plaque with
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484:Art pottery
459:1939 deaths
454:1851 births
323:Plate, 1905
63:Art Nouveau
448:Categories
419:0870995405
353:2010-06-30
309:2019-09-06
286:References
266:DĂĽsseldorf
136:Dish with
84:, at the
71:Japonisme
53:Biography
29:grand feu
94:Missouri
437:at the
381:, 2004
111:Gallery
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268:, 2014
67:Sèvres
43:glazes
415:ISBN
80:and
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363:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
