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and boxes. When the Fenice was destroyed in a fire in
January 1996, the Malibran was placed in the limelight because it had become even more indispensable. Thus, the decision was taken to respect the entire original architectural structure rather than radically change the installations and increase the set machinery so that the project would be approved more rapidly and with innovative procedures. During restoration the orchestra pit was also enlarged and an enormous underground basin was made to collect the water from Venice's occasional flooding that could have filled the entire theatre with water.
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The
Malibran became the temporary home to the Fenice orchestra and, after a decade of work, the 900-seat Malibran was re-opened on 23 May 2001 by President Carlo Azeglio Ciampi, with a gala concert which included excerpts of operas by Verdi (the centennial of his death), by Bellini (the centennial of
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When the Venice City
Council bought the Malibran, it marked a new phase for the theatre: the restoration of the roof was meant to be the starting point of an extremely detailed project by Antonio Foscari to completely restore the building and modify the structures, in particular to extend the gallery
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The interior decorations of the
Malibran were also restored, paying particular attention to the colours sought by Donghi, previously hidden by various layers of plaster. By supporting the conservative restoration of the magnificent curtain by Giuseppe Cherubini in tempera on canvas with golden and
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silver yarn, the
Associazione Amici della Fenice (Friends of the Fenice Association) made an important contribution to the re-opening of one of Venice's most important historical theatres that seats 900 people and is now once again an active part of the city's life.
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A true kingdom of marvels....that with the vastness of its magnificent dimension can be rightly compared to the splendours of ancient Rome and that with the grandeur of its more than regal dramatic performances has now conquered the applause and esteem of the whole
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Richly decorated, the theatre consisted of five levels of thirty boxes and a large stalls area. However, as an opera house, its success was short-lived and from 1751 to 1800, opera was rarely performed there. Taken over by the municipality in 1797, it became the
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Gallo's son took over in 1852; it was auctioned in 1886 then radically redecorated in the
Egyptian style; it was closed for six years after a single operatic season in 1913 due to security problems, but it re-opened to present
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was placed in charge of the
Venetian stage, prose works began to be performed (many of these his own comedies). Subsequently, because of its considerable size, the Grimani family decided to open a smaller theater in 1755, the
232:, in honor of the famous singer Spanish mezzo-soprano Maria Malibran. In 1849 the return of the Austrians to Venice provoked the closure of all the major theatres of Venice as protest, but the Malibran was the exception.
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on 8 April 1835, she was clearly appalled at the condition of the theatre since Lynn reports that "she refused her fee, telling the impresario to 'use it for the theatre' " At that point the opera house became the
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During the 1730s, the San
Giovanni Grisostomo began a slow and inexorable decline, although managing to keep its position at the head of Venetian theatres until the middle of the eighteenth century. In 1737, when
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in
December 1919 plus much of the popular Italian repertory after that. The Malibran was active in the presentation of operas, operettas, and even showed films for the first half of the 20th century.
83:. But deterioration continued, the partnership broke up, and the remaining partner, Giovanni Gallo, continued with additional refurbishment, giving it the new name of the
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family. It became the biggest, most luxurious and extravagant stage in Venice, known for its sumptuous productions and high quality singers such as
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In 1992 the municipality of Venice purchased the theatre, and the action which they took—especially that following the destruction of the
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until purchased by a partnership and restored in 1819. It re-opened again, this time in private hands, with
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premiered on 26 December 1709 were active at the theatre. Another composer's work which was presented was
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in the singer's honour and it is the name by which the theatre has been known ever since.
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In 1819 it was sold to Gallo, who restored it in 1834; in 1837 he changed the name to
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Internal view of the Teatro
Grimani a San Giovanni Grisostomo of 1709. Engraving by
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Lynn, Karyl Charna (2005), "Teatro La Fenice and Teatro Malibran, Venice",
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and the French occupation, the theatre was among the few not to be closed.
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which was inaugurated in 1678 with a production of the premiere of
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in January 1996—is recounted on the Commune de Venezia's website:
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between 1709 and 1712. During its golden age, composers such as
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Plantamura, Carol (1996), "Italy: The Birthplace of Opera",
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Built upon the place where the well-known traveller
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312:References
144:Marco Polo
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307:worldwide
185:Agrippina
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