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acquired the theatre in 1847 and had it reconstructed in brick with an even larger stage which could accommodate equestrian shows. On the night of 15 February 1863, the theatre caught fire yet again and was completely destroyed. Later, an inn known as the
Locanda Alibert was constructed on the site.
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of 1725 when all Roman theatres were closed for the duration. Antonio D'Alibert went bankrupt and the Roman authorities put the theatre up for auction in 1726. It was bought by a consortium of Roman nobility and renamed the Teatro delle Dame. The theatre's management eventually passed to the
117:, with whom some members of the consortium had close links. The order was to maintain control of the theatre until well into the 19th century. In the mid-1730s, the building underwent extensive renovation and embellishment designed by the architect
44:. In the course of its history it underwent a series of reconstructions and renovations until it was definitively destroyed by a fire in 1863. In their 18th-century heyday, the Teatro delle Dame and its rival, the
93:). According to the Italian theatre historian Saverio Franchi, the architect supervising the construction was probably Matteo Sassi (1646–1723). When it was inaugurated in 1718 with the premiere of
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enlarged and redesigned the interior, reshaping the auditorium into a "phonetic curve" (midway between a rectangle and a horseshoe).
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In the early 2000s the
Locanda Alibert building was completely restructured and turned into a congress and event centre.
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40:(its original name), was a theatre in Rome built in 1718 and located on what is now the corner of Via D'Alibert and
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The Teatro
Alibert (as it was then called) was constructed in wood on a piece of land formerly used for playing
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70:. The Teatro Tordinona was Rome's first public theatre but was demolished in 1697 on the orders of
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101:, the Teatro Alibert was the largest theatre in Rome with seven tiers of 32 boxes each. In 1720
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372:"Riapre il Teatro delle Dame. Il musical «Anastasia» nell' antico spazio a piazza di Spagna"
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The theatre was an artistic success but not a financial one. Matters were not helped by the
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Throughout most of the 18th century, women were forbidden to perform on stage in the
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singing the female roles. Amongst the famous castrato singers to appear there were
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who considered public theatres a corrupting influence on the populace.
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Unless otherwise indicated, sourced from
Casaglio, Gherardo (2005).
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Operas which received their world premieres at the theatre include:
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The theatre was built by
Antonio D'Alibert for the performance of
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By the 19th century, the Teatro delle Dame (like its rival the
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Tosca's Rome: The Play and the Opera in
Historical Perspective
282:, Vol. 2, pp. xxvii; xlviii. Edizioni di Storia e Letteratura
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Il Teatro
Alibert o delle Dame (1717–1863): Nella Roma papale
349:"Dalla pallacorda ai castrati nel teatro di via d' Alibert"
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160:, the first woman to sing at the Teatro delle Dame
28:, which inaugurated the renovated theatre in 1738
451:Photograph of the ruins of the Teatro delle Dame
401:. L'Almanacco di Gherardo Casaglia (in Italian).
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563:Demolished buildings and structures in Rome
548:Buildings and structures demolished in 1863
121:and reopened in 1738 with a performance of
453:following its destruction by fire in 1863
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330:The Operas of Leonardo Vinci, Napoletano
303:, pp. 81–82. University of Chicago Press
553:1718 establishments in the Papal States
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370:Costantini, Emilia (14 December 2005).
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416:3rd Edition, column 355. John Calder.
399:Performances at the Teatro delle Dame
244:, composed by Pasquale Anfossi (1777)
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380:, p. 11. Retrieved 28 December 2014
357:, p. 55. Retrieved 28 December 2014
568:18th-century architecture in Italy
395:Performances at the Teatro Alibert
347:Groppi, Angela (25 January 2004).
315:Italian Opera Houses and Festivals
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297:Nicassio, Susan Vandiver (2002).
188:. From 1798 when Rome came under
81:Floor plan of the theatre in 1761
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333:, pp. 137–138. Pendragon Press
1:
327:Markstrom, Kurt Sven (2007).
558:1718 establishments in Italy
429:De Angelis, Alberto (1951).
410:Loewenberg, Alfred (1978).
312:Lynn, Karyl Charna (2005).
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538:Theatres completed in 1718
479:41.8962584°N 12.4632232°E
413:Annals of Opera 1597–1940
318:, p. 241. Scarecrow Press
276:Franchi, Saverio (1997).
64:Queen Christina of Sweden
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261:References
87:pallacorda
22:Logroscino
205:Artaserse
174:Farinelli
125:'s opera
97:'s opera
24:'s opera
439:13801631
249:Antigono
170:castrati
142:Torlonia
52:History
503:Portal
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