186:, which many historians have debated to be the first color sound cartoon released in the United States. Premiered in March 1932 at Loew's State, it was originally meant to be the first of a series of thirteen cartoons, which ultimately did not pan out. That said, Eshbaugh's cost-effective color process did lay the foundation for processes of other two-color cartoons throughout the 30s, namely ones using the
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307:. According to reports, the first version of this film was screened by Sentinels who found the original film too grotesquely focused on a caricature of Roosevelt. They fought with the Ohio division of film censorship to tone the caricature down, which succeeded, resulting in a second version of the film,
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After leaving Van Beuren, Eshbaugh set up operations for another independent animation studio, this time in New York, which became the permanent location. One of the first animated productions of this studio was for a political campaign satirizing
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to utilize the three-color process being used for the Oz shorts, which ultimately shut down releases of
Eshbaugh's cartoon series. Only one cartoon was finished out of each of Eshbaugh's proposed Oz and Fantasies cartoon series,
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in western countries, however there are no films surfaced to confirm completion of this series. Eshbaugh still experimented with color film at this point, as in 1939, he produced an animated film commissioned by
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system. When
Eshbaugh perfected the cartoon process, he started an independent studio and employed multiple artists in 1931 to help make cartoons featuring this process, including budding animators
362:. He created a character named Cap'n Cub to star in a proposed series of war-themed cartoon shorts for theatrical release. Copyrights were registered on May 8, 1941, and the first cartoon,
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Other early projects included a proposed series of
Technicolor cartoons featuring an animal character named Peter Panda, inspired by the surge of imports and popularity of
339:, as copyrights had lapsed for those films when Amedee J. Van Beuren died. In 1941, Ted Eshbaugh allegedly failed to comply with the agreed upon labor conditions of the
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novel. These efforts did not pan out either, and the latter turned out to be tumultuous in the long run. Rights were secured for the Wizard of Oz cartoons from
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Later in 1931, Eshbaugh and Booth used the
Multicolor process to try kickstarting a series of cartoons called "Musicolor Fantasies", and collaborated with the
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exhibits. In the early 40s, he repackaged cartoons he directed at the Van Beuren Studio with new animation for advertising companies like
Cushman Son's and
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were taken to
Federal Court, where Baum restrained Eshbaugh and Technicolor from releasing the cartoon, citing reasons as failure to meet deadlines.
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cartoons. Because Disney still had exclusive rights to the three-color
Technicolor process, these cartoons were produced in two-color
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on
February 4, 1906 to Edwin F. and Zada (Kinear) Eshbaugh. Ted's father worked in the farm insurance business and was transferred to
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have been fondly remembered by fans for their lavish animation and color styling. Ultimately, Eshbaugh left the studio in 1935.
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filmmaker, best known as one of the first filmmakers to experiment with color sound cartoons in the early 1930s, which included
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366:, was released at the end of the war in 1945 by Film Classics to 3,000 theaters, with a second cartoon reportedly completed.
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in
America, Eshbaugh's studio geared operations towards cartoons produced for the war effort. He worked on films for the
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145:. The Los Angeles City Directory of 1923 lists Ted as an artist living with his widowed mother.
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throughout the war, including an animated sequence for the training film
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in hopes to produce another series of full-color cartoons based on the
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when Ted was about two years old. Eshbaugh won a scholarship for the
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688:"Sentinels to Push "Free Screen" Issue in Ban on New Deal Satire"
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Doing Their Bit: Wartime
American Animated Short Films, 193-1945
798:. No. 38–10. Archive.org. 25 January 1941. p. 342
865:. No. 163–4. Archive.org. 27 April 1946. p. 46
746:. No. 24. Archive.org. 3 February 1939. p. 273
694:. No. 8. Archive.org. 22 February 1936. p. 754
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experimenting with color cartoons with business tycoon
720:. No. 151. Archive.org. 30 June 1938. p. 743
559:. No. 13. Archive.org. 8 March 1932. p. 70
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The Amateur Fire Brigade: A Parable of the New Deal
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554:"Youthful Producer Gets His Pet Into State, L. A."
105:(February 5, 1906 – July 4, 1969) was an American
642:. No. 8. Archive.org. 8 May 1935. p. 57
190:process which Multicolor ultimately folded into.
158:Eshbaugh had spent the late 20s and early 30s in
859:"Eshbaugh Cites Fifteen Years of Color Cartoons"
327:, proposed as the first of its kind. This film,
240:was hired from Disney to upgrade the product of
343:, which put his studio on their "unfair" list.
824:. No. 6–1. Archive.org. 1944. p. 304
792:"Nine New York Studios on SAG's "Unfair" List"
714:"Eshbaugh Planning 12 Cartoons in Technicolor"
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141:at age 7, and later on he won another at the
8:
252:, Eshbaugh was recruited to help direct the
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772:. No. 7. Archive.org. 1941. p. 22
668:. No. 8. Archive.org. 1943. p. 26
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636:"Baum Slaps Suit on 'Wizard of Oz' Tinter"
501:"Claim Victory in Efforts to Color Movies"
170:, a color film processor evolved from the
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843:Eftir Michael S. Shull, David E. Wilt,
613:. No. 50. Archive.org. p. 515
507:. No. 245. Archive.org. p. 22
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358:, as well as animated promotions like
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580:"At Last - Movie Cartoons in Color"
499:Shaffer, George (12 October 1932).
472:Otto Nobetter and the Railroad Gang
920:. You can help Knowledge (XXG) by
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430:Wonder Bakers at the World's Fair
224:. Issues about the production of
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662:"Eshbaugh Joins Sutton-Malkames"
321:Planters Nut & Chocolate Co.
605:Wilk, Ralph (29 August 1933).
578:Bowles, James (January 1932).
526:Yowp, Don (November 2, 2013).
466:The Pied Piper of Chiclet Town
436:Mr. Peanut and His Family Tree
329:Mr. Peanut and His Family Tree
268:. The shorts premiered at the
1:
912:This article relating to an
205:, son of the novel's author
770:Business and Home TV Screen
766:"Cushman Son's New Cartoon"
666:Business and Home TV Screen
72:Museum of Fine Arts, Boston
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740:"Kodachrome Color Cartoon"
305:1936 presidential election
818:"To the Navy's Producers"
364:Cap'n Cub Blasts the Japs
331:, was shown at Planters'
182:. The result of this was
822:Business Screen Magazine
75:Art Institute of Chicago
418:A Fable of the New Deal
309:A Fable of the New Deal
195:Technicolor Corporation
607:"A Little from "Lots""
863:Motion Picture Herald
692:Motion Picture Herald
505:Chicago Daily Tribune
293:Franklin D. Roosevelt
270:Radio City Music Hall
139:Chicago Art Institute
129:Eshbaugh was born in
528:"The Sunshine Maker"
370:Selected filmography
346:At the beginning of
242:the cartoon division
405:The Sunshine Makers
398:Pastry Town Wedding
341:Screen Actors Guild
279:The Sunshine Makers
274:Pastry Town Wedding
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977:Van Beuren Studios
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154:Los Angeles Studio
61:New York, New York
16:American filmmaker
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867:. Retrieved
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847:. McFarland.
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82:Notable work
55:(1969-07-04)
53:July 4, 1969
23:Ted Eshbaugh
972:1969 deaths
967:1906 births
384:The Snowman
222:The Snowman
211:Walt Disney
180:Jack Zander
160:Los Angeles
961:Categories
534:. Blogspot
479:References
377:Goofy Goat
266:Goofy Goat
184:Goofy Goat
168:Multicolor
164:J.R. Booth
135:Sioux City
125:Early life
112:Goofy Goat
87:Goofy Goat
35:1906-02-05
796:Boxoffice
448:Cap'n Cub
299:, titled
262:Cinecolor
188:Cinecolor
107:animation
68:Education
914:animator
538:June 10,
337:Borden's
297:New Deal
250:New York
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532:Tralfaz
511:12 July
352:US Navy
244:of the
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380:(1931)
149:Career
916:is a
918:stub
892:IMDb
871:2023
830:2023
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752:2023
726:2023
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648:2023
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513:2023
276:and
220:and
178:and
115:and
50:Died
29:Born
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