878:, before founding his own label, Teorecords, in 1999. Subsequently, he released over a dozen albums of original compositions, and continued to produce reissues of Miles Davis and other artists for various record companies. However, Macero was outspoken in his opposition to the practice of adding back alternate takes that didn't appear on the original albums, or otherwise altering the original music, on the grounds that it corrupts the intentions of the musicians and the producer at the time the recording was made. "They put all the mistakes back in," said Macero. "Don't destroy the original record."
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sessions and transformed some beautiful, folk-tinged, melody-driven sets into two exquisite, beguiling and otherworldly pieces of music. Using techniques that pre-dated the proliferation of tape loops, cut-ups, edits and sequencing in rock, pop, hip hop and dance music, Miles and Teo took apart the
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It took a force like Teo to splice together a cohesive album out of so many inspired pieces. Not only did Teo have the balls to stand up to Miles on creative decisions, he had the right. And Miles knew it. And while his ego rebelled against any producer messing with his music, Miles knew that
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original recording and reassembled them outside of any traditional or accepted jazz structure or melodic framework. This idea of taking jazz away from its birth, genesis and flowering as a live art and into the studio would soon become standard practice, but in 1969 it was groundbreaking.
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not only became a controversial classic of musical innovation, it also became renowned for its pioneering use of studio technology." Some of the controversy at the time also stemmed from the use of the word
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229:, two of the best-selling and most influential jazz albums of all time. Macero was known for his innovative use of editing and tape manipulation unprecedented in jazz and proving influential on subsequent
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In 1975, Macero left
Columbia and formed his own production company. However, he continued to work with Davis until 1983 and continued to produce records for Columbia throughout his career.
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774:, "I thought he was kidding." The album became the best-selling jazz album of its time, selling 500,000 copies by 1976, when most successful jazz albums sold less than 30,000 copies.
789:. On that album, Ferguson can be heard thanking Macero, noting that Macero "is sitting out in the street in the mobile thing" monitoring the recording. The album includes the piece
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magazine. Eno describes being "fascinated" by Macero's editing techniques and the "spatial" quality he added to the music. "He did something that was extremely modern."
901:, the film features a behind-the-scenes look at the person behind the persona, and includes photos, archival footage, and recordings from Macero's personal collection.
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Some listeners and critics have complained that Macero overproduced Davis' recordings, and cut too much. But after hearing the unedited tapes from the
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328:(DLP-6). While he had contributed compositions to other albums, this was the first full album of his own compositions, and Macero's first album as a
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sessions, jazz critic John Ballon wrote that the original editing and production "attests to the producing genius of Teo Macero." Ballon continues:
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for a variety of artists during his time as a producer at
Columbia, contributing tracks to (and still producing) several albums including Monk's
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297:' Jazz Composers Workshop, and became a major contributor to the New York City avant-garde jazz scene. As a composer, Macero wrote in an
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634:, for "his untiring efforts in producing the best album I have ever made." Beyond jazz, he was an associate producer on a number of
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After his tenure at
Columbia, Macero continued as a player and producer on other projects, working with Brubeck, Tony Bennett,
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On the evening of
February 19, 2008, Macero died in his sleep, having long suffered from pneumonia. He was 82.
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He composed, conducted, and produced numerous television and film soundtracks and scores. He scored the 1970
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incredibly great records were borne out of the conflict and compromise of his relationship with Teo.
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While Macero produced many artists' albums, he had an especially long and prolific relationship with
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Macero's innovative techniques were inspired partially by his association with avant-garde composer
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721:. Taking his cue from Tingen, Nick Southall described the impact of Macero's work on
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671:. He produced or co-produced most of Davis' Columbia catalog including the classics
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in the title. Macero recalls that when Davis told him that he wanted to call it
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In the 1970s and 1980s, Macero released a handful of his own albums, including
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and features Teo Macero's last recording session and extensive interviews.
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Miles Davis & John
Coltrane The Final Tour: The Bootleg Series, Vol. 6
860:
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948:(Dedicated to Teo Macero), written by Pete Jackson, appears on the 1974
332:. Macero plays tenor and alto saxophones on the album, and is joined by
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for
Maynard Ferguson in 1973 as well as Ferguson's next album in 1974,
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2709:
Seven Steps: The
Complete Columbia Recordings of Miles Davis 1963–1964
2702:
Miles Davis & Gil Evans: The
Complete Columbia Studio Recordings
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Ballon, John: "Miles Davis: The
Complete In A Silent Way Sessions",
282:. He studied composition, and graduated from Juilliard in 1953 with
2716:
The
Complete Studio Recordings of The Miles Davis Quintet 1965–1968
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Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol. 5
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Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. 3
523:, the London Ballet Company, the Juilliard Ballet Company, and the
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The Complete Columbia Recordings of Miles Davis with John Coltrane
801:
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Miles Beyond: The Electric Explorations of Miles Davis, 1967-1991
415:, a collection of blues compositions and arrangements by Macero,
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record producer, saxophonist, and composer. He was a producer at
800:, and they continue to impact the way musicians, producers, and
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likened Macero's role in the electric music of Davis to that of
202:
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2751:
In Person Friday and Saturday Nights at the Blackhawk, Complete
1752:
2421:
Live at the Fillmore East, March 7, 1970: It's About That Time
1748:
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2963:
Miles! The Definitive Miles Davis at Montreux DVD Collection
761:, Macero continued to expand his innovative practices, and "
2281:
Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4
809:
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That’s What Happened 1982-1985: The Bootleg Series, Vol. 7
382:
Macero's first projects for Columbia included one side of
515:; and was commissioned by, and composed ballets for, the
356:
in 2006 on Fresh Sounds Records, with additional tracks.
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Macero also composed for, conducted, and performed with
16:
American jazz saxophonist, composer, and record producer
1589:"MILES BEYOND The Making of the Bitches Brew boxed set"
735:
Behind the scenes, Miles and Teo took the tapes of the
628:. Macero is also acknowledged on the 1973 Mingus album
201:(October 30, 1925 – February 19, 2008) was an American
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Chronicle: The Complete Prestige Recordings 1951–1956
2593:
Basic Miles: The Classic Performances of Miles Davis
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2779:
Miles Davis: The Complete Columbia Album Collection
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1981:
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21:
1633:Engelbrecht, Michael: "Interview with Brian Eno",
610:, and Thelonious Monk's first Columbia recording,
622:. He also produced Mingus' first Columbia album,
701:, which were highlighted by Macero's innovative
2811:Panthalassa: The Music of Miles Davis 1969–1974
2414:Live in Europe 1969: The Bootleg Series Vol. 2
2400:Live in Europe 1967: The Bootleg Series Vol. 1
1764:
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808:, a producer who has worked extensively with
386:, an album of original music in the emerging
370:featured two alternative soundtracks, one by
8:
3133:United States Navy personnel of World War II
2758:The Complete Live at the Plugged Nickel 1965
2393:The Complete Live at the Plugged Nickel 1965
709:techniques. In 2001, Miles Davis biographer
535:Macero found greater fame as a producer for
1721:Teorecords official site (no longer active)
1610:
1608:
427:. He contributed a track to (and produced)
348:was originally released in 1954 on Mingus'
2970:That's What Happened: Live in Germany 1987
2435:Black Beauty: Miles Davis at Fillmore West
2337:In Person: At the Blackhawk, San Francisco
1799:
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1749:
1507:The Guinness Encyclopedia of Popular Music
1496:
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29:
18:
3113:Deaths from pneumonia in New York (state)
3138:Military personnel from New York (state)
1694:The Label: The Story of Columbia Records
446:compositions, and he arranged music for
2786:The Legendary Prestige Quintet Sessions
2358:Live at the 1963 Monterey Jazz Festival
1663:"Teo Macero, 82, Record Producer, Dies"
1414:
324:During this time, Macero also recorded
3083:Record producers from New York (state)
1958:Miles Davis and the Modern Jazz Giants
1167:The Jazz Experiments of Charlie Mingus
394:as well as arrangements for the first
270:, United States. After serving in the
2723:The Complete In a Silent Way Sessions
1972:Steamin' with the Miles Davis Quintet
1951:Relaxin' with the Miles Davis Quintet
1701:The Biographical Encyclopedia of Jazz
1651:film information at official website.
7:
3143:20th-century American male musicians
3118:Jazz musicians from New York (state)
2765:The Complete Miles Davis at Montreux
2295:Miles Davis Quintet at Peacock Alley
1965:Workin' with the Miles Davis Quintet
1937:Cookin' with the Miles Davis Quintet
1706:Weidenbaum, Marc: "Higher Sources",
650:. And he produced the soundtrack to
467:, and produced soundtrack music for
2744:The Complete On the Corner Sessions
2526:Miles & Quincy Live at Montreux
1080:(Columbia, 1971) – recorded in 1970
998:Gold, Platinum, and Multi-platinum
932:to Macero: Davis in the 1961 album
662:the Clancy Brothers and Tommy Makem
638:original cast recordings including
3123:20th-century American saxophonists
2737:The Complete Jack Johnson Sessions
2730:The Complete Bitches Brew Sessions
1916:Miles: The New Miles Davis Quintet
1270:As Producer (Selected Discography)
955:M.F. Horn 4&5: Live At Jimmy's
908:, was filmed by producer/director
786:M.F. Horn 4&5: Live At Jimmy's
266:Teo Macero was born and raised in
209:for twenty years. Macero produced
14:
3108:People from Glens Falls, New York
2407:1969 Miles – Festiva De Juan Pins
1661:Ratliff, Ben (22 February 2008).
3016:
3015:
1703:, Oxford University Press, 2007.
1699:Feather, L and Gitler, I (eds):
1541:Billboard Books, New York, 2001.
1132:Michel Legrand Meets Miles Davis
985:for composition in 1957 and 1958
401:Macero continued to compose and
1888:Miles Davis All Stars, Volume 2
1881:Miles Davis All Stars, Volume 1
1727: (archived March 18, 2006).
1552:"Miles Davis - In A Silent Way"
1459:The History of Music Production
1456:Burgess, Richard James (2014).
989:National Endowment for the Arts
886:A Teo Macero documentary film,
1874:Miles Davis with Sonny Rollins
1696:, Thunder's Mouth Press, 2007.
1047:Impressions of Thelonious Monk
978:Student Composer Award in 1953
336:on accordion, both Mingus and
1:
2772:The Cellar Door Sessions 1970
2456:The Cellar Door Sessions 1970
1624:with Macero by Bobby Jackson.
1035:Impressions of Charles Mingus
872:Impressions of Charles Mingus
501:London Philharmonic Orchestra
413:Something New, Something Blue
3068:American male jazz composers
2642:The Columbia Years 1955–1985
2344:Miles Davis at Carnegie Hall
600:Macero produced the seminal
590:And God Created Great Whales
122:Composer, musician, producer
3128:20th-century jazz composers
2519:Merci Miles! Live at Vienne
2316:Miles & Monk at Newport
2039:Someday My Prince Will Come
1860:Miles Davis All Star Sextet
1832:The Compositions of Al Cohn
1293:Someday My Prince Will Come
935:Someday My Prince Will Come
680:Someday My Prince Will Come
521:Anna Sokolow Ballet Company
390:genre that was shared with
293:In 1953, Macero co-founded
3159:
3078:American male saxophonists
3073:American jazz saxophonists
2586:Miles Davis' Greatest Hits
804:work in the studio today.
631:Let My Children Hear Music
305:, a synthesis of jazz and
3103:Palo Alto Records artists
3058:American ballet composers
3010:
2663:The Essential Miles Davis
2222:Ascenseur pour l'échafaud
1786:
1219:Saturday Night Jazz Fever
938:, Monk in the 1964 album
698:A Tribute to Jack Johnson
531:Columbia Records producer
280:Juilliard School of Music
28:
2992:A Different Kind of Blue
2956:Miles: The Autobiography
2818:Panthalassa: The Remixes
2323:Jazz at the Plaza Vol. I
1689:, Billboard Books, 2001.
928:dedicated a song titled
583:, Andre Kostelanetz and
3098:Juilliard School alumni
3063:American jazz composers
2825:Evolution of the Groove
2442:Miles Davis at Fillmore
1464:Oxford University Press
1155:Jazz Composers Workshop
1109:Desire Develops an Edge
757:On Davis' 1970 release
525:American Ballet Theatre
318:Jazz Composers Workshop
3053:Third stream musicians
1253:Brandeis Jazz Festival
1112:(American Clave, 1983)
1104:(American Clave, 1981)
983:Guggenheim Fellowships
958:, produced by Macero.
755:
742:
517:Joffrey Ballet Company
352:, and was reissued on
278:in 1948 to attend the
41:Background information
3088:Jazz record producers
2944:Miles Dewey Davis Jr.
2920:Seven Steps to Heaven
2544:Miles Davis and Horns
2512:Live Around the World
2351:Miles Davis in Europe
2137:The Man with the Horn
2095:Filles de Kilimanjaro
2046:Seven Steps to Heaven
1990:'Round About Midnight
1846:Miles Davis, Volume 3
1839:Miles Davis, Volume 2
1818:Young Man with a Horn
1301:Seven Steps to Heaven
1041:Acoustical Suspension
876:Acoustical Suspension
750:
733:
497:New York Philharmonic
378:Composer and arranger
372:Louis and Bebe Barron
301:style, as well as in
268:Glens Falls, New York
69:Glens Falls, New York
51:Attilio Joseph Macero
2579:Miles Davis Volume 2
2572:Miles Davis Volume 1
2498:Miles! Miles! Miles!
2288:Miles & Coltrane
1895:The Musings of Miles
1428:(27 February 2008).
602:Dave Brubeck Quartet
585:Les and Larry Elgart
513:the Juilliard School
509:Kansas City Symphony
2950:Miles Davis Quintet
2621:Circle in the Round
2158:You're Under Arrest
1867:Miles Davis Quintet
1853:Miles Davis Quartet
1692:Marmorstein, Gary:
1512:Guinness Publishing
1393:Straight, No Chaser
1148:The Moods of Mingus
1043:(Doctor Jazz, 1985)
793:in Macero's honor.
664:in the late 1960s.
658:Simon and Garfunkel
464:a.k.a. Cassius Clay
374:and one by Macero.
86:Riverhead, New York
2995:(2004 documentary)
2892:Freddie Freeloader
2365:My Funny Valentine
1668:The New York Times
1620:2007-06-16 at the
1557:2015-07-10 at the
1510:(First ed.).
1309:My Funny Valentine
899:Fortunato Procopio
892:Orlando DiGirolamo
505:Salt Lake Symphony
433:Gunther Schuller's
334:Orlando DiGirolamo
272:United States Navy
3030:
3029:
2885:Flamenco Sketches
2558:Birth of the Cool
2428:Bitches Brew Live
2302:Amsterdam Concert
2259:
2258:
2236:Music from Siesta
2032:Sketches of Spain
1930:Collectors' Items
1565:, September 2003.
1285:Sketches of Spain
1239:The Twilight Zone
1037:(Palo Alto, 1983)
674:Sketches of Spain
616:, as well as his
493:Leonard Bernstein
481:Martin Scorsese's
476:Finding Forrester
452:André Kostelanetz
361:experimental film
235:experimental rock
185:
184:
79:February 19, 2008
3150:
3019:
3018:
2985:Miles from India
2937:Related articles
2175:Warner Bros. era
2088:Miles in the Sky
1800:
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1652:
1644:
1638:
1637:, November 1996.
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1600:
1599:
1593:Miles-beyond.com
1585:
1579:
1572:
1566:
1550:Southall, Nick:
1548:
1542:
1532:
1526:
1525:
1514:. p. 1562.
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1447:
1446:
1444:
1442:
1422:
1265:(Columbia, 1961)
1259:Charles Thompson
1255:(CBS/Sony, 1977)
1245:Gunther Schuller
1241:(Columbia, 1961)
1211:(CBS/Sony, 1978)
1201:(Columbia, 1966)
1191:(Columbia, 1995)
1128:(Columbia, 1958)
1088:(Columbia, 1972)
1072:(Columbia, 1969)
1031:(Prestige, 1957)
1025:(Columbia, 1956)
950:Maynard Ferguson
849:Shirley MacLaine
777:Macero produced
577:Maynard Ferguson
537:Columbia Records
436:Orchestra U.S.A.
364:Bridges-Go-Round
288:Master's degrees
207:Columbia Records
137:
82:
66:October 30, 1925
65:
63:
48:
33:
19:
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2531:
2386:Miles in Berlin
2372:Four & More
2309:At Newport 1958
2265:
2255:
2209:
2170:
2102:In a Silent Way
1977:
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1782:
1777:
1725:Wayback Machine
1717:
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1632:
1628:
1622:Wayback Machine
1613:
1606:
1597:
1595:
1587:
1586:
1582:
1578:, October 2003.
1573:
1569:
1559:Wayback Machine
1549:
1545:
1534:Tingen, Paul:
1533:
1529:
1522:
1500:
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1474:
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1454:
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1424:
1423:
1416:
1411:
1353:Thelonious Monk
1272:
1231:(Cadence, 1957)
1189:Jazz Collection
1134:(Philips, 1970)
1069:In a Silent Way
1056:
1013:
1008:
972:
964:
926:Thelonious Monk
918:
910:Daragh McCarthy
896:cinematographer
884:
868:Time Plus Seven
829:
746:In a Silent Way
737:In a Silent Way
728:Stylus Magazine
723:In a Silent Way
686:In a Silent Way
553:Thelonious Monk
549:Ella Fitzgerald
533:
380:
359:The 1958 short
340:on basses, and
307:classical music
264:
259:
188:
181:
172:Thelonious Monk
135:
109:orchestral jazz
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2977:Live in Munich
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2607:Get Up with It
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2014:
2011:Porgy and Bess
2007:
2000:
1993:
1985:
1983:
1979:
1978:
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1968:
1961:
1954:
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1811:The New Sounds
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1715:External links
1713:
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1711:
1710:, August 2001.
1704:
1697:
1690:
1685:Tingen, Paul:
1681:
1678:
1675:
1674:
1671:. p. C10.
1653:
1648:Play That, Teo
1639:
1626:
1604:
1580:
1576:All About Jazz
1567:
1543:
1527:
1520:
1504:, ed. (1992).
1486:
1473:978-0199357185
1472:
1466:. p. 92.
1448:
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1327:Charles Mingus
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1305:
1297:
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1268:
1267:
1266:
1263:Rockin' Rhythm
1256:
1249:George Russell
1242:
1232:
1225:Kenyon Hopkins
1222:
1221:(Laurie, 1978)
1215:Lionel Hampton
1212:
1202:
1192:
1176:
1175:
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1151:
1141:Charles Mingus
1136:
1135:
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1119:Michel Legrand
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914:
904:A short film,
888:Play That, Teo
883:
880:
841:Michel Legrand
833:Herbie Hancock
828:
825:
647:Bye Bye Birdie
595:Alan Hovhaness
545:Duke Ellington
541:Charles Mingus
532:
529:
448:easy listening
442:, an album of
379:
376:
368:Shirley Clarke
342:Ed Shaughnessy
315:(in 1954) and
312:Jazzical Moods
295:Charles Mingus
274:, he moved to
263:
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191:Attilio Joseph
187:Musical artist
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83:(aged 82)
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35:Macero in 1996
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2505:We Want Miles
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2130:On the Corner
2127:
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1796:Studio albums
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1539:Miles Beyond,
1536:
1531:
1528:
1523:
1521:0-85112-939-0
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1513:
1509:
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1503:
1497:
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1426:Fordham, John
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1235:Marty Manning
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1182:
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1173:
1169:
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1152:
1150:(Savoy, 1955)
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1120:
1111:
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1100:
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1098:
1097:
1096:
1087:
1086:
1085:On the Corner
1082:
1079:
1078:
1074:
1071:
1070:
1066:
1065:
1064:
1063:
1062:
1053:
1048:
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1019:(Debut, 1953)
1018:
1015:
1014:
1010:
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997:
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991:grant in 1974
990:
987:
984:
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869:
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858:
857:Robert Palmer
854:
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845:Wallace Roney
842:
838:
834:
826:
824:
821:
819:
815:
814:Talking Heads
811:
807:
803:
799:
798:Edgard Varèse
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773:
769:
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729:
724:
720:
716:
715:George Martin
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682:
681:
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641:A Chorus Line
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557:Johnny Mathis
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522:
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494:
489:
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486:
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478:
477:
472:
471:
466:
465:
461:documentary,
460:
455:
453:
449:
445:
441:
437:
434:
430:
426:
422:
418:
417:Teddy Charles
414:
410:
409:
404:
399:
397:
396:Johnny Mathis
393:
389:
385:
377:
375:
373:
369:
366:by filmmaker
365:
362:
357:
355:
351:
350:Debut Records
347:
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331:
327:
322:
320:
319:
314:
313:
308:
304:
300:
296:
291:
289:
285:
281:
277:
276:New York City
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261:
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129:
125:
121:
119:Occupation(s)
117:
114:
110:
106:
102:
98:
95:
91:
87:
78:
74:
70:
58:
54:
50:
44:
39:
32:
27:
20:
3014:
3003:(2015 movie)
2998:
2990:
2983:
2975:
2968:
2961:
2954:
2835:Compositions
2823:
2816:
2809:
2803:Remix albums
2791:
2784:
2777:
2770:
2763:
2756:
2749:
2742:
2735:
2728:
2721:
2714:
2707:
2700:
2693:
2675:
2668:
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2647:
2640:
2633:
2626:
2619:
2614:Water Babies
2612:
2605:
2598:
2591:
2584:
2577:
2570:
2563:
2556:
2549:
2542:
2536:Compilations
2524:
2517:
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2335:
2328:
2321:
2314:
2307:
2300:
2293:
2286:
2279:
2272:
2248:
2243:The Hot Spot
2241:
2234:
2229:Jack Johnson
2227:
2220:
2202:
2195:
2188:
2181:
2163:
2156:
2149:
2142:
2135:
2128:
2121:
2116:Jack Johnson
2114:
2109:Bitches Brew
2107:
2100:
2093:
2086:
2079:
2072:
2067:Miles Smiles
2065:
2058:
2053:Quiet Nights
2051:
2044:
2037:
2030:
2023:
2018:Kind of Blue
2016:
2009:
2002:
1995:
1988:
1982:Columbia era
1970:
1963:
1956:
1949:
1944:Bags' Groove
1942:
1935:
1928:
1921:
1914:
1907:
1900:
1893:
1886:
1879:
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1865:
1858:
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1803:Prestige era
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1596:. Retrieved
1592:
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1538:
1530:
1505:
1502:Colin Larkin
1477:. Retrieved
1458:
1451:
1439:. Retrieved
1435:The Guardian
1433:
1430:"Teo Macero"
1401:Monk's Blues
1399:
1391:
1383:
1375:
1367:
1361:Monk's Dream
1359:
1350:
1349:
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1335:Mingus Ah Um
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1188:
1185:Dave Brubeck
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1138:
1137:
1131:
1126:Legrand Jazz
1125:
1116:
1115:
1107:
1102:Coup de Tete
1101:
1095:Kip Hanrahan
1092:
1091:
1083:
1077:Jack Johnson
1075:
1067:
1058:
1057:
1046:
1040:
1034:
1028:
1022:
1017:Explorations
1016:
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759:Bitches Brew
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684:
678:
672:
666:
653:The Graduate
651:
645:
639:
629:
625:Mingus Ah Um
623:
617:
613:Monk's Dream
611:
605:
599:
588:
573:Charlie Byrd
569:Tony Bennett
565:Dave Brubeck
534:
490:
483:
474:
470:True Romance
468:
462:
459:Muhammad Ali
456:
444:third stream
439:
412:
408:Monk's Blues
406:
400:
388:Third Stream
383:
381:
363:
358:
346:Explorations
345:
326:Explorations
325:
323:
316:
310:
303:third stream
292:
265:
224:
221:Dave Brubeck
216:Bitches Brew
214:
198:
194:
190:
189:
177:Dave Brubeck
136:Years active
105:third stream
81:(2008-02-19)
3093:Miles Davis
3048:2008 deaths
3043:1925 births
3000:Miles Ahead
2214:Soundtracks
2144:Star People
1997:Miles Ahead
1825:Blue Period
1789:Discography
1780:Miles Davis
1479:January 28,
1385:Underground
1369:Criss-Cross
1277:Miles Davis
1209:Mixed Roots
1179:With others
1061:Miles Davis
1049:(Teo, 2003)
1023:What's New?
1006:Discography
944:. The song
922:Miles Davis
853:Vernon Reid
837:Asha Puthli
780:M.F. Horn 3
719:the Beatles
711:Paul Tingen
669:Miles Davis
619:Underground
561:Count Basie
421:Manny Albam
384:What's New?
338:Lou Labella
321:(in 1955).
239:electronica
211:Miles Davis
162:Miles Davis
155:Formerly of
3037:Categories
2906:Milestones
2656:Super Hits
2649:Love Songs
2635:Directions
2628:1958 Miles
2477:Dark Magus
2470:In Concert
2266:recordings
2204:Rubberband
2025:Jazz Track
2004:Milestones
1902:Blue Moods
1740:Teo Macero
1731:Teo Macero
1680:References
1635:Jazzthetik
1598:2023-03-25
1054:As sideman
894:. Shot by
827:Other work
818:jazzthetik
725:in a 2003
440:Sonorities
429:John Lewis
425:Bill Russo
392:Bob Prince
344:on drums.
284:Bachelor's
262:Early work
127:Instrument
62:1925-10-30
47:Birth name
23:Teo Macero
2871:Donna Lee
2857:Boplicity
2843:All Blues
2551:Blue Haze
2463:Live-Evil
2123:Live-Evil
2081:Nefertiti
1615:Interview
1205:Al Foster
1172:Bethlehem
1011:As leader
806:Brian Eno
581:Stan Getz
485:The Blues
450:pioneer,
257:Biography
251:acid jazz
243:post-punk
140:1953–2008
130:Saxophone
101:classical
3021:Category
2946:(father)
2687:Box sets
2074:Sorcerer
1735:AllMusic
1618:Archived
1555:Archived
1199:Byrdland
994:Over 20
916:Tributes
861:DJ Logic
802:remixers
731:article:
636:Broadway
607:Time Out
495:and the
226:Time Out
149:Columbia
2927:So What
2600:Big Fun
2565:Walkin'
2491:Pangaea
2484:Agharta
2197:Doo-Bop
2190:Amandla
1723:at the
1174:, 1957)
1162:, 1956)
946:Teonova
791:Teonova
768:bitches
707:editing
438:album,
403:arrange
398:album.
247:no wave
2980:(1988)
2913:Nardis
2899:Joshua
2060:E.S.P.
1708:Pulse!
1563:Stylus
1518:
1470:
1441:6 July
1404:(1968)
1396:(1967)
1388:(1967)
1380:(1964)
1372:(1963)
1364:(1963)
1346:(1960)
1338:(1959)
1320:(1970)
1312:(1965)
1304:(1963)
1296:(1961)
1288:(1960)
1247:&
970:Awards
952:album
874:, and
859:, and
703:mixing
695:, and
604:album
519:, the
511:, and
507:, the
503:, the
499:, the
479:, and
423:, and
411:, and
330:leader
299:atonal
249:, and
231:fusion
199:Macero
145:Labels
113:fusion
93:Genres
88:, U.S.
71:, U.S.
2250:Dingo
2151:Decoy
1409:Notes
1229:Rooms
1160:Savoy
1139:With
1117:With
1093:With
1059:With
962:Death
920:Both
882:Films
717:with
656:, by
2878:Four
2264:Live
2183:Tutu
2165:Aura
1744:IMDb
1516:ISBN
1481:2015
1468:ISBN
1443:2018
1377:Monk
1351:For
1325:For
1275:For
996:RIAA
981:Two
941:Monk
924:and
812:and
705:and
677:and
644:and
431:and
286:and
219:and
203:jazz
97:Jazz
76:Died
56:Born
2864:Dig
1909:Dig
1742:at
1733:at
1029:Teo
976:BMI
930:Teo
906:Teo
593:by
223:'s
195:Teo
3039::
1665:.
1607:^
1591:.
1561:,
1537:,
1489:^
1462:.
1432:.
1417:^
1261:,
1251:,
1237:,
1227:,
1217:,
1207:,
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870:,
863:.
855:,
851:,
847:,
843:,
839:,
835:,
810:U2
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579:,
575:,
571:,
567:,
563:,
559:,
555:,
551:,
547:,
543:,
527:.
488:.
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454:.
419:,
354:CD
290:.
253:.
245:,
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
