1639:
521:, Alexandra Flood wrote: "It's a rock/disco anthem about obsessive love. Continuous changing movements make it not only good, but also interesting. "Temptation Waits" is in itself a wolf in sheep's clothing. It comes on subdued at first, but opens up into a memorable, downright danceable, single-bound song." Peter Murphy of
29:
514:
wrote, "With its whiplash backbeat and matt black exteriors, sets the tone – like some PVC panther, Shirley Manson establishes the character she maintains throughout the album, taunting, sensual, predatory, desperate, self-loathing, nasty". In a review for
464:
tour set-list, but returned to the band's live set in mid-2002 where it remained a common feature of the band's show until the end of that year. "Temptation Waits" was not performed again until 2012, when it once again became a regular in the setlist.
417:
tour; where it began as a mid-set inclusion before being promoted to open each show. Once established as the setlist opener, "Temptation Waits" was intro-taped by a recording of a section of the 4th
Movement of
1525:
277:; to create a rapprochement between the "high-tech and low-down, the now sound and of golden memories" and wear musical references to the 1960s, 1970s and 1980s: the production of "Temptation" nodded towards
184:
1592:
1673:
1688:
928:
1698:
1693:
1463:
1294:
1094:
320:
responded to complaints about the noise, some of the percussion was later incorporated into "Temptation Waits" (and also found its way into "
317:
574:
214:
506:
journalist
Bradley Bambarger wrote that the song's "slice of predatory swagger opens the album in fine style, with an '80s pop sound a la
1703:
402:
220:
1500:
896:
1683:
1062:
655:
376:, and had hired one for use at the studio. The band couldn't perform the instrument well, and so utilized a sound created by an
1087:
1364:
1224:
1203:
1668:
1210:
1546:
1490:
921:
389:
completed recording, producing and mixing of their second album in mid-February 1998, and the album was given the title
309:
883:, by Fernando Salaverri, published by the Foundation Author of the General Society of Authors and Editores (SGAE), 2002
1287:
377:
255:
and made rough outlines for new songs, of which "Temptation", was one of. When they felt they had made a good start,
175:"Temptation Waits" was not released as an international single, but was released as an airplay-only sixth single in
510:
updated with aplomb" and added that the song showed the band was "burgeoning songwriting prowess". David Stubbs of
393:. "Temptation", which had by now been finalized as "Temptation Waits", was tracklisted as the album's opening song.
1392:
1315:
1154:
325:
718:
1551:
1510:
1399:
1371:
1343:
1069:
244:
1495:
1385:
1147:
1642:
1189:
1055:
1016:
914:
621:
423:
321:
248:
1485:
1329:
1259:
1196:
1182:
428:
196:
1663:
1571:
1561:
1515:
1445:
1406:
293:
recorded all of their work for the second album through a 48-track digital system digitally, direct to
273:
intended their second album to build upon the framework, music style and musical template laid down by
787:
1612:
1413:
1357:
1280:
1273:
1252:
1101:
1023:
545:
502:
456:
1678:
1587:
1168:
341:
1266:
1030:
693:
540:
373:
260:
82:
36:
183:
on the
Spanish album charts and to mark its certification of the European Platinum Award by the
28:
1520:
1336:
1301:
1002:
469:
452:
202:
1617:
1566:
1438:
1322:
1238:
1217:
1048:
821:
808:
773:
536:
511:
507:
481:
433:
405:
in many territories, including United States, Canada, United
Kingdom, Europe and Australia.
73:
901:
1133:
988:
734:
626:
274:
146:
659:
1602:
1505:
1175:
1108:
956:
937:
788:""You at the back! Wipe that grin off your face": Caroline Sullivan wallows in Garbage"
448:
437:
386:
353:
349:
290:
270:
256:
232:
163:
126:
40:
1657:
1623:
1597:
1431:
1350:
1009:
680:
493:
337:
329:
264:
78:
1530:
1480:
1308:
1140:
963:
949:
528:
324:" and "Hammering in My Head"). The guitars would typically be run through either a
313:
304:
Much of the percussion was recorded in a disused candy factory located in
Madison;
282:
252:
208:
121:
839:
401:
went on to equal its predecessor, selling over four million copies and achieving
1245:
995:
532:
380:
357:
294:
278:
168:
93:
49:
1556:
1161:
1126:
441:
333:
240:
134:
267:
and begin fleshing out the ideas and rough sketches over the following year.
1607:
1378:
970:
864:
523:
316:, utilising the acoustics of the dilapidated building. Forced to stop after
305:
298:
235:
began writing their second album, which would go under the working title of
98:
86:
432:. During the last leg of the tour in 1999, it was replaced as opener by "
444:
365:
361:
473:
419:
397:
was released worldwide on May 11 of that year; despite a slow start,
369:
527:
compared the song's "claustrophobic meshes of flesh and technology"
870:, by Peter Murphy, published August 30, 2001. Retrieved 2010-01-30
345:
286:
176:
1526:
Garbage & Noel
Gallagher's High Flying Birds: Live in Concert
658:. Billboard magazine (reproduced on Cafemomo.com). Archived from
910:
656:"Almo/Mushroom's Garbage Puts Cyber Spin on Classic Pop Spirit"
617:
517:
492:"Temptation Waits" received a mostly positive reception from
413:"Temptation Waits" was performed at almost every show on the
906:
312:
set up a drum kit within the factory and recorded various
194:
In North
America, "Temptation Waits" was licensed to TV's
436:" and moved back into the mid-set, and led into by a
426:", famously used in the climax scene of the 1971 movie
697:
468:
A live version of "Temptation Waits" recorded at the
185:
International
Federation of the Phonographic Industry
259:
took the work they made in
Washington back to their
1580:
1539:
1473:
1455:
1423:
1118:
1079:
1040:
980:
592:Release history and formats for "Temptation Waits"
460:. "Temptation Waits" was initially absent from the
144:
132:
120:
104:
92:
72:
64:
56:
46:
35:
21:
922:
763:", by Greg Rule, published August 1999 issue.
166:and is featured in their second studio album
8:
476:in June 1998 was included on the repackaged
650:
648:
646:
644:
929:
915:
907:
590:
556:
27:
18:
558:Chart performance for "Temptation Waits"
239:, in March 1997 in the band's label-head
829:review, June 1998. Retrieved 2010-01-30
752:
750:
640:
218:, and was included on the 1999 tie-in
162:" is a 1999 song performed by the band
45:
34:
902:"Temptation Waits" release discography
846:. MTV Online (archived at Garbage.net)
1674:Song recordings produced by Butch Vig
1464:This Is the Noise That Keeps Me Awake
1095:This Is the Noise That Keeps Me Awake
811:" mail-out card. Retrieved 2010-01-29
7:
777:press release. Retrieved 2010-01-29
221:Buffy the Vampire Slayer: The Album
179:to mark the year-long chart run of
1501:Not Your Kind of People World Tour
14:
1063:Version 2.0: The Official Remixes
881:Sólo éxitos. Año a año. 1959-2002
1638:
1637:
478:Version 2.0 Special Live Edition
1689:Songs written by Shirley Manson
364:. The band had wanted to use a
360:on "Temptation", mixed in with
1365:Even Though Our Love Is Doomed
1204:The Trick Is to Keep Breathing
790:. London: Guardian. 1999-01-23
1:
1699:Songs written by Steve Marker
1694:Songs written by Duke Erikson
759:, "Case Study: The Making of
696:. Garbage.com. Archived from
1491:Beautiful Garbage World Tour
579:
573:Spain Top 40 Airplay Chart (
308:, Marker and sound engineer
251:, vacation house. The group
368:to create the whistle-like
1720:
1704:Songs written by Butch Vig
1393:The Men Who Rule the World
1316:Automatic Systematic Habit
1633:
1511:Strange Little Birds Tour
1246:Cherry Lips (Go Baby Go!)
944:
897:"Temptation Waits" lyrics
610:
605:
602:
599:
596:
572:
565:
562:
344:effect. Instead of using
26:
1684:Mushroom Records singles
1496:Bleed Like Me World Tour
1148:Only Happy When It Rains
228:Recording and Production
215:Buffy the Vampire Slayer
1225:The World Is Not Enough
1056:The Absolute Collection
1017:Not Your Kind of People
868:, "The Heart of Garbage
187:for 1 million sales of
1593:Awards and nominations
1486:Version 2.0 World Tour
1295:Tell Me Where It Hurts
683:. Retrieved 2010-01-29
403:platinum-certification
1562:Justin Meldal-Johnsen
1516:Rage and Rapture Tour
1446:One Mile High... Live
336:off a sixteenth-note
318:local police officers
172:as the opening song.
1669:Garbage (band) songs
1613:Goodbye Mr Mackenzie
1540:Additional personnel
1414:Witness to Your Love
1281:Sex Is Not the Enemy
1253:Breaking Up the Girl
1190:I Think I'm Paranoid
1102:Witness to Your Love
1024:Strange Little Birds
694:"Garbage Fast Facts"
484:the following year.
457:Bad Girls Go to Hell
322:I Think I'm Paranoid
237:Sad Alcoholic Clowns
16:1999 song by Garbage
679:"Temptation Waits"
593:
559:
496:around the time of
275:their first release
127:Mushroom Records UK
1400:No Gods No Masters
1267:Why Do You Love Me
1088:Special Collection
1041:Compilation albums
1031:No Gods No Masters
591:
557:
488:Critical reception
297:utilizing a 24bit
261:Madison, Wisconsin
37:Promotional single
22:"Temptation Waits"
1651:
1650:
1521:20 Years Paranoid
1386:Destroying Angels
1337:Because the Night
1302:Blood for Poppies
1003:Beautiful Garbage
632:
631:
584:
583:
470:Roskilde Festival
453:exploitation film
409:Live performances
156:
155:
1711:
1641:
1640:
1581:Related articles
1567:Matt Chamberlain
1439:Absolute Garbage
1323:Big Bright World
1232:Temptation Waits
1218:You Look So Fine
1049:Absolute Garbage
931:
924:
917:
908:
884:
878:
872:
861:
855:
854:
852:
851:
836:
830:
818:
812:
809:You Look So Fine
805:
799:
798:
796:
795:
784:
778:
774:Beautifulgarbage
770:
764:
754:
745:
744:
742:
741:
715:
709:
708:
706:
705:
690:
684:
677:
671:
670:
668:
667:
652:
594:
560:
537:Shinya Tsukamoto
508:Psychedelic Furs
482:Mushroom Records
462:BeautifulGarbage
160:Temptation Waits
149:
137:
116:
115:
111:
31:
19:
1719:
1718:
1714:
1713:
1712:
1710:
1709:
1708:
1654:
1653:
1652:
1647:
1629:
1576:
1535:
1469:
1451:
1419:
1260:Shut Your Mouth
1114:
1075:
1036:
976:
940:
935:
893:
888:
887:
879:
875:
862:
858:
849:
847:
838:
837:
833:
819:
815:
806:
802:
793:
791:
786:
785:
781:
771:
767:
755:
748:
739:
737:
735:Home Box Office
717:
716:
712:
703:
701:
692:
691:
687:
678:
674:
665:
663:
654:
653:
642:
637:
589:
587:Release history
567:
555:
490:
429:Death in Venice
411:
378:analog modeling
230:
191:across Europe.
145:
133:
113:
109:
108:
47:from the album
17:
12:
11:
5:
1717:
1715:
1707:
1706:
1701:
1696:
1691:
1686:
1681:
1676:
1671:
1666:
1656:
1655:
1649:
1648:
1646:
1645:
1634:
1631:
1630:
1628:
1627:
1620:
1615:
1610:
1605:
1600:
1595:
1590:
1584:
1582:
1578:
1577:
1575:
1574:
1569:
1564:
1559:
1554:
1552:Daniel Shulman
1549:
1543:
1541:
1537:
1536:
1534:
1533:
1528:
1523:
1518:
1513:
1508:
1506:20 Years Queer
1503:
1498:
1493:
1488:
1483:
1477:
1475:
1471:
1470:
1468:
1467:
1459:
1457:
1453:
1452:
1450:
1449:
1442:
1435:
1427:
1425:
1421:
1420:
1418:
1417:
1410:
1403:
1396:
1389:
1382:
1375:
1368:
1361:
1354:
1347:
1340:
1333:
1326:
1319:
1312:
1305:
1298:
1291:
1284:
1277:
1270:
1263:
1256:
1249:
1242:
1235:
1228:
1221:
1214:
1211:When I Grow Up
1207:
1200:
1193:
1186:
1179:
1172:
1165:
1158:
1151:
1144:
1137:
1130:
1122:
1120:
1116:
1115:
1113:
1112:
1105:
1098:
1091:
1083:
1081:
1080:Extended plays
1077:
1076:
1074:
1073:
1066:
1059:
1052:
1044:
1042:
1038:
1037:
1035:
1034:
1027:
1020:
1013:
1006:
999:
992:
984:
982:
978:
977:
975:
974:
967:
960:
957:Shirley Manson
953:
945:
942:
941:
936:
934:
933:
926:
919:
911:
905:
904:
899:
892:
891:External links
889:
886:
885:
873:
856:
831:
813:
800:
779:
765:
746:
710:
685:
672:
639:
638:
636:
633:
630:
629:
624:
615:
614:June 20, 1999
612:
608:
607:
604:
601:
598:
588:
585:
582:
581:
578:
570:
569:
564:
554:
551:
489:
486:
480:, released by
424:Symphony No. 5
410:
407:
354:Daniel Shulman
229:
226:
203:Dawson's Creek
154:
153:
150:
142:
141:
138:
130:
129:
124:
118:
117:
106:
102:
101:
96:
90:
89:
76:
70:
69:
66:
62:
61:
58:
54:
53:
44:
43:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1716:
1705:
1702:
1700:
1697:
1695:
1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1661:
1659:
1644:
1636:
1635:
1632:
1625:
1624:Korean Bodega
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1604:
1601:
1599:
1598:Smart Studios
1596:
1594:
1591:
1589:
1586:
1585:
1583:
1579:
1573:
1570:
1568:
1565:
1563:
1560:
1558:
1555:
1553:
1550:
1548:
1545:
1544:
1542:
1538:
1532:
1529:
1527:
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1497:
1494:
1492:
1489:
1487:
1484:
1482:
1479:
1478:
1476:
1474:Concert tours
1472:
1466:
1465:
1461:
1460:
1458:
1454:
1448:
1447:
1443:
1441:
1440:
1436:
1434:
1433:
1432:Garbage Video
1429:
1428:
1426:
1422:
1415:
1411:
1408:
1404:
1401:
1397:
1394:
1390:
1387:
1383:
1380:
1376:
1373:
1369:
1366:
1362:
1359:
1355:
1352:
1351:The Chemicals
1348:
1345:
1341:
1338:
1334:
1331:
1327:
1324:
1320:
1317:
1313:
1310:
1306:
1303:
1299:
1296:
1292:
1289:
1285:
1282:
1278:
1275:
1274:Bleed Like Me
1271:
1268:
1264:
1261:
1257:
1254:
1250:
1247:
1243:
1240:
1236:
1233:
1229:
1226:
1222:
1219:
1215:
1212:
1208:
1205:
1201:
1198:
1194:
1191:
1187:
1184:
1180:
1177:
1173:
1170:
1166:
1163:
1159:
1156:
1152:
1149:
1145:
1142:
1138:
1135:
1131:
1128:
1124:
1123:
1121:
1117:
1111:
1110:
1106:
1104:
1103:
1099:
1097:
1096:
1092:
1090:
1089:
1085:
1084:
1082:
1078:
1072:
1071:
1067:
1065:
1064:
1060:
1058:
1057:
1053:
1051:
1050:
1046:
1045:
1043:
1039:
1033:
1032:
1028:
1026:
1025:
1021:
1019:
1018:
1014:
1012:
1011:
1010:Bleed Like Me
1007:
1005:
1004:
1000:
998:
997:
993:
991:
990:
986:
985:
983:
981:Studio albums
979:
973:
972:
968:
966:
965:
961:
959:
958:
954:
952:
951:
947:
946:
943:
939:
932:
927:
925:
920:
918:
913:
912:
909:
903:
900:
898:
895:
894:
890:
882:
877:
874:
871:
867:
866:
860:
857:
845:
843:
835:
832:
828:
824:
823:
817:
814:
810:
804:
801:
789:
783:
780:
776:
775:
769:
766:
762:
758:
753:
751:
747:
736:
732:
730:
729:Music Credits
726:
722:
714:
711:
700:on 2000-04-08
699:
695:
689:
686:
682:
681:press release
676:
673:
662:on 2001-11-22
661:
657:
651:
649:
647:
645:
641:
634:
628:
625:
623:
619:
616:
613:
609:
603:Record label
600:Release date
595:
586:
576:
571:
563:Chart (1999)
561:
552:
550:
548:
547:
542:
538:
534:
530:
526:
525:
520:
519:
513:
509:
505:
504:
499:
495:
494:music critics
487:
485:
483:
479:
475:
471:
466:
463:
459:
458:
454:
450:
446:
443:
439:
435:
431:
430:
425:
421:
416:
408:
406:
404:
400:
396:
392:
388:
384:
382:
379:
375:
371:
367:
363:
359:
358:electric bass
355:
351:
347:
343:
342:keyboard-like
339:
335:
331:
330:wah wah pedal
327:
323:
319:
315:
311:
307:
302:
300:
296:
292:
288:
284:
280:
276:
272:
268:
266:
265:Smart Studios
262:
258:
254:
250:
246:
245:Friday Harbor
242:
238:
234:
227:
225:
223:
222:
217:
216:
211:
210:
205:
204:
199:
198:
192:
190:
186:
182:
178:
173:
171:
170:
165:
161:
151:
148:
143:
139:
136:
135:Songwriter(s)
131:
128:
125:
123:
119:
107:
103:
100:
97:
95:
91:
88:
84:
80:
79:Smart Studios
77:
75:
71:
67:
63:
60:June 20, 1999
59:
55:
52:
51:
42:
38:
30:
25:
20:
1664:1999 singles
1531:Garbage 2024
1481:Garbage tour
1462:
1444:
1437:
1430:
1309:Battle in Me
1288:Run Baby Run
1231:
1107:
1100:
1093:
1086:
1068:
1061:
1054:
1047:
1029:
1022:
1015:
1008:
1001:
994:
987:
969:
964:Steve Marker
962:
955:
950:Duke Erikson
948:
880:
876:
869:
863:
859:
848:. Retrieved
841:
834:
826:
820:
816:
803:
792:. Retrieved
782:
772:
768:
760:
756:
738:. Retrieved
728:
724:
723:The Sopranos
720:
713:
702:. Retrieved
698:the original
688:
675:
664:. Retrieved
660:the original
544:
522:
516:
501:
497:
491:
477:
467:
461:
455:
451:to the 1965
427:
414:
412:
398:
394:
390:
385:
370:melodic line
340:to create a
303:
283:Donna Summer
269:
236:
231:
219:
213:
209:The Sopranos
207:
201:
195:
193:
188:
180:
174:
167:
159:
157:
48:
1588:Discography
1572:Matt Walker
1155:Stupid Girl
996:Version 2.0
842:Version 2.0
827:Version 2.0
761:Version 2.0
622:BMG Espagna
533:protagonist
500:s release.
498:Version 2.0
415:Version 2.0
399:Version 2.0
395:Version 2.0
391:Version 2.0
381:synthesizer
332:, and then
295:hard drives
279:Isaac Hayes
189:Version 2.0
181:Version 2.0
169:Version 2.0
147:Producer(s)
50:Version 2.0
1679:1998 songs
1658:Categories
1557:Eric Avery
1547:Billy Bush
1424:Home video
1372:Magnetized
1344:Girls Talk
1162:Supervixen
850:2010-01-29
794:2010-01-29
740:2010-01-29
725:S 1 EP 12
704:2007-05-21
666:2010-01-29
635:References
606:Format(s)
597:Territory
518:MTV Online
442:voice-over
310:Billy Bush
249:Washington
241:Jerry Moss
1618:Angelfish
1608:Fire Town
1379:No Horses
1239:Androgyny
1109:Lie to Me
1070:Anthology
971:Butch Vig
865:Hot Press
568:position
541:cyberpunk
524:Hot Press
503:Billboard
447:from the
383:instead.
306:Butch Vig
299:Pro Tools
87:Wisconsin
68:1997–1998
1643:Category
1176:#1 Crush
1134:Subhuman
757:Keyboard
727:Isabella
539:’s 1989
529:thematic
445:dialogue
434:#1 Crush
366:theremin
362:sub-bass
356:perform
289:period;
263:base at
65:Recorded
57:Released
1603:Spooner
1330:Control
1197:Special
1183:Push It
1119:Singles
989:Garbage
938:Garbage
844:review"
840:"MTV's
627:Airplay
531:to the
474:Denmark
449:trailer
387:Garbage
372:on the
350:Garbage
291:Garbage
271:Garbage
257:Garbage
233:Garbage
164:Garbage
152:Garbage
140:Garbage
83:Madison
41:Garbage
1407:Wolves
611:Spain
553:Charts
546:Tetsuo
438:sample
420:Mahler
348:bass,
326:filter
253:demoed
105:Length
74:Studio
1456:Books
1358:Empty
1141:Queer
822:Uncut
721:HBO:
575:AFYVE
543:film
512:Uncut
374:outro
346:synth
338:pulse
334:gated
328:or a
314:fills
301:rig.
287:disco
197:Angel
177:Spain
122:Label
94:Genre
1169:Milk
566:Peak
422:'s "
352:had
281:and
212:and
1127:Vow
618:RCA
580:39
535:of
440:of
285:'s
243:'s
99:Pop
39:by
1660::
825:,
749:^
733:.
643:^
577:)
549:.
472:,
247:,
224:.
206:,
200:,
114:37
85:,
81:,
1626:"
1622:"
1416:"
1412:"
1409:"
1405:"
1402:"
1398:"
1395:"
1391:"
1388:"
1384:"
1381:"
1377:"
1374:"
1370:"
1367:"
1363:"
1360:"
1356:"
1353:"
1349:"
1346:"
1342:"
1339:"
1335:"
1332:"
1328:"
1325:"
1321:"
1318:"
1314:"
1311:"
1307:"
1304:"
1300:"
1297:"
1293:"
1290:"
1286:"
1283:"
1279:"
1276:"
1272:"
1269:"
1265:"
1262:"
1258:"
1255:"
1251:"
1248:"
1244:"
1241:"
1237:"
1234:"
1230:"
1227:"
1223:"
1220:"
1216:"
1213:"
1209:"
1206:"
1202:"
1199:"
1195:"
1192:"
1188:"
1185:"
1181:"
1178:"
1174:"
1171:"
1167:"
1164:"
1160:"
1157:"
1153:"
1150:"
1146:"
1143:"
1139:"
1136:"
1132:"
1129:"
1125:"
930:e
923:t
916:v
853:.
807:"
797:.
743:.
731:"
719:"
707:.
669:.
620:/
158:"
112::
110:4
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.