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Tempietto del Bramante

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Given all the transformations of Renaissance and Baroque Rome that were to follow, it is hard now to sense the impact this building had at the beginning of the 16th century. It is almost a piece of sculpture, for it has little architectonic use. The building greatly reflected
173:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 55: 378:) so Tuscan was well suited for St. Peter's. It is meant to mark the traditional exact spot of St. Peter's martyrdom, and is an important precursor to Bramante's rebuilding of St. Peter's. 159: 511: 501: 457: 176:
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248: 496: 184: 80: 506: 37: 206: 102: 335:. Other antique precedents Bramante was able to study in Rome include the circular temple of the banks of the Tiber, 197:
Content in this edit is translated from the existing German Knowledge article at ]; see its history for attribution.
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Content in this edit is translated from the existing Dutch Knowledge article at ]; see its history for attribution.
336: 192: 88: 328: 290: 347:, also in Rome. Bramante would have been aware of these early Christian precedents, and as a result, the 339:, believed at the time to be a temple of Vesta. However, circular churches had already been employed by 313: 213: 109: 398: 383: 358:
is one of the most harmonious buildings of the Renaissance. The temple was constructed from bearing
141: 362:. The circular temple supports a classical entablature, and was framed in the shadowy arch of the 234: 443: 188: 84: 340: 319:
After spending his first years in Milan, Bramante moved to Rome, where he was recognized by
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The Renaissance in Italy: Architecture • Sculpture • Frescoes
386:'s style. Perfectly proportioned, it is composed of slender 289:, possibly built as early as 1502 in the courtyard of 99:{{Translated|nl|Tempietto van San Pietro in Montorio}} 166: 62: 162:
a machine-translated version of the German article.
58:a machine-translated version of the Dutch article. 370:in the Renaissance. The Tuscan is a form of the 191:accompanying your translation by providing an 153:Click for important translation instructions. 140:expand this section with text translated from 87:accompanying your translation by providing an 49:Click for important translation instructions. 36:expand this section with text translated from 8: 374:, well suited for strong male gods (such as 261: 432:. New York: The Viking Press. p. 283. 423: 421: 417: 203:{{Translated|de|Tempietto di Bramante}} 331:was one of the precedents behind the 7: 409:, but this plan was never executed. 366:. It is the earliest example of the 14: 279:) is a small commemorative tomb ( 512:Renaissance architecture in Rome 502:Buildings and structures in Rome 127: 23: 309:is considered a masterpiece of 321:Cardinal Giuliano della Rovere 201:You may also add the template 97:You may also add the template 1: 528: 428:Decker, Heinrich (1969) . 397:modeled after the ancient 165:Machine translation, like 61:Machine translation, like 497:Donato Bramante buildings 337:Temple of Hercules Victor 329:temple of Vesta at Tivoli 142:the corresponding article 38:the corresponding article 507:Rome R. XIII Trastevere 212:For more guidance, see 108:For more guidance, see 303:Ferdinand and Isabella 291:San Pietro in Montorio 253: 231: 473:41.88875°N 12.46641°E 343:for martyriums, like 237: 230: 214:Knowledge:Translation 185:copyright attribution 110:Knowledge:Translation 81:copyright attribution 399:Theatre of Marcellus 314:Italian architecture 469: /  16:Tomb in Rome, Italy 478:41.88875; 12.46641 301:. Commissioned by 254: 232: 193:interlanguage link 89:interlanguage link 444:Sebastiano Serlio 323:, the soon-to-be 225: 224: 154: 150: 121: 120: 50: 46: 519: 484: 483: 481: 480: 479: 474: 470: 467: 466: 465: 462: 450: 440: 434: 433: 425: 341:early Christians 311:High Renaissance 278: 275: 269: 266: 263: 204: 198: 171:Google Translate 152: 148: 131: 130: 123: 100: 94: 67:Google Translate 48: 44: 27: 26: 19: 527: 526: 522: 521: 520: 518: 517: 516: 487: 486: 477: 475: 471: 468: 463: 460: 458: 456: 455: 453: 441: 437: 427: 426: 419: 415: 287:Donato Bramante 276: 270: 267: 264: 252:(woodcut, 1570) 244:Andrea Palladio 221: 220: 219: 202: 196: 155: 132: 128: 117: 116: 115: 98: 92: 51: 28: 24: 17: 12: 11: 5: 525: 523: 515: 514: 509: 504: 499: 489: 488: 452: 451: 435: 416: 414: 411: 388:Tuscan columns 345:Santa Costanza 325:Pope Julius II 305:of Spain, the 285:) designed by 256:The so-called 223: 222: 218: 217: 210: 199: 177: 174: 163: 156: 149:(January 2024) 137: 136: 135: 133: 126: 119: 118: 114: 113: 106: 95: 73: 70: 59: 52: 45:(January 2023) 33: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 524: 513: 510: 508: 505: 503: 500: 498: 495: 494: 492: 485: 482: 449: 445: 442:Engraving in 439: 436: 431: 424: 422: 418: 412: 410: 408: 404: 400: 396: 393: 389: 385: 379: 377: 373: 369: 365: 361: 357: 352: 351:is circular. 350: 346: 342: 338: 334: 330: 326: 322: 317: 315: 312: 308: 304: 300: 296: 292: 288: 284: 283: 274: 259: 251: 250: 249:Quattro Libri 245: 241: 236: 229: 215: 211: 208: 200: 194: 190: 186: 182: 178: 175: 172: 168: 164: 161: 158: 157: 151: 145: 143: 138:You can help 134: 125: 124: 111: 107: 104: 96: 90: 86: 82: 78: 74: 71: 68: 64: 60: 57: 54: 53: 47: 41: 39: 34:You can help 30: 21: 20: 454: 447: 438: 429: 406: 384:Brunelleschi 380: 368:Tuscan order 355: 353: 348: 332: 318: 306: 280: 257: 255: 247: 239: 189:edit summary 180: 147: 139: 85:edit summary 76: 43: 35: 476: / 395:entablature 372:Doric order 491:Categories 464:12°27′59″E 461:41°53′20″N 413:References 403:colonnades 407:Tempietto 356:Tempietto 349:Tempietto 333:Tempietto 307:Tempietto 282:martyrium 258:Tempietto 240:Tempietto 207:talk page 144:in German 103:talk page 448:Book III 376:Hercules 364:cloister 183:provide 79:provide 40:in Dutch 360:masonry 265:  205:to the 187:in the 146:. 101:to the 83:in the 42:. 273:temple 271:small 392:Doric 299:Italy 293:, in 167:DeepL 63:DeepL 390:, a 354:The 295:Rome 262:lit. 238:The 181:must 179:You 160:View 77:must 75:You 56:View 446:'s 246:'s 242:in 169:or 65:or 493:: 420:^ 316:. 297:, 277:' 268:' 260:( 216:. 209:. 112:. 105:.

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Andrea Palladio
Quattro Libri
temple
martyrium
Donato Bramante
San Pietro in Montorio
Rome
Italy
Ferdinand and Isabella
High Renaissance

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