94:
136:"The leading authority on Becker--musicologist and pianist Don Gillepsie--reminds us that 'Becker was the first person to promulgate the theory of the "Ives group," or "The American Five," as it is often called today.' This included Ives, Ruggles, Riegger, and Cowell, along with Becker, as a 'center of the experimental movement of the day." Gilbert Chase (1992).
113:"During the early 1930s, the five composers most 'conspicuously concerned with innovation' were Ives, Ruggles, Cowell, Becker, and Wallingford Riegger. Gillespie has called them 'the American Five.'" Stuart Feder (1992).
302:
This template treats composition movements as based on common technique and collaboration and composition schools as based on common location, collaboration, and/or education.
153:"Becker began insisting that he was one of the 'American Five' great modern composers, placing himself alongside Ives, Ruggles, Cowell, and Riegger." Stephen Budiansky (2014).
172:
had the notion of organizing the 1980 Cabrillo Music
Festival around my thesis-idea of 'The American Five' (Ives-Ruggles-Riegger-Cowell-Becker)." Peter Garland, ed. (1987).
841:
37:
497:
857:
442:
286:
713:
680:
192:
162:
145:
130:
122:
757:
409:
782:
508:
552:
771:
618:
464:
420:
345:
309:
530:
806:
585:
563:
207:
519:
486:
357:
30:
795:
651:
640:
629:
475:
431:
735:
453:
574:
541:
662:
321:
691:
607:
398:
746:
702:
169:
369:
183:" were grouped with Ives, Ruggles, and Cowell as the 'American Five,'". Elliott Antokoletz (2014).
72:
596:
387:
332:
188:
158:
141:
126:
118:
724:
211:
103:
57:
851:
221:
46:
175:
77:
67:
62:
88:
249:
will show the template collapsed, i.e. hidden apart from its title bar.
214:), it is hidden apart from its title bar; if not, it is fully visible.
185:
A History of
Twentieth-Century Music in a Theoretic-Analytical Context
106:
in 1962, the year following Becker's death." Don C. Gillespie (1977).
102:"The first use of the phrase seems to have been made by the composer
206:, meaning that if there is another collapsible item on the page (a
293:
15:
19:
115:
Charles Ives, "my Father's Song": A Psychoanalytic
Biography
834:
826:
822:
294:
273:
will show the template expanded, i.e. fully visible.
252:
228:
819:Editors can experiment in this template's sandbox
217:To change this template's initial visibility, the
138:America's Music, from the Pilgrims to the Present
671:{{Cologne School (music)}}
31:
8:
155:Mad Music: Charles Ives, the Nostalgic Rebel
38:
24:
16:
378:{{Notre Dame school}}
201:initial visibility currently defaults to
108:John Becker: Midwestern Musical Crusader
218:
7:
212:table with the collapsible attribute
14:
140:, p.462. University of Illinois.
92:
1:
858:Composition school templates
443:Canadian League of Composers
287:Composition school templates
498:Grupo de renovación musical
874:
818:
842:Subpages of this template
714:Second New England School
681:New York School composers
168:"Then, some years later,
53:
758:Venetian School (music)
410:Bologna School of music
783:Second Viennese School
509:Group of Eight (music)
97:Template documentation
772:First Viennese School
619:Music of the Trecento
465:Franco-Flemish School
421:Boston School (music)
346:Neoclassicism (music)
310:Composition movements
170:Dennis Russell Davies
807:Young Poland (music)
586:The Five (composers)
564:New Music Manchester
187:, p.166. Routledge.
487:Grupo de los cuatro
358:Composition schools
157:, p.231. ForeEdge.
73:Wallingford Riegger
531:Khrennikov's Seven
180:, p.94. Soundings.
796:West Coast School
652:New Jewish School
641:New German School
630:Neapolitan School
476:Ears Open Society
432:Burgundian School
86:
85:
865:
838:
830:
811:
805:
800:
794:
787:
781:
776:
770:
762:
756:
751:
745:
740:
736:Sonic Arts Union
734:
729:
723:
718:
712:
707:
701:
696:
690:
685:
679:
672:
667:
661:
656:
650:
645:
639:
634:
628:
623:
617:
612:
606:
601:
595:
590:
584:
579:
573:
568:
562:
557:
553:L'École de Paris
551:
546:
540:
535:
529:
524:
520:Grupo renovación
518:
513:
507:
502:
496:
491:
485:
480:
474:
469:
463:
458:
454:Darmstadt School
452:
447:
441:
436:
430:
425:
419:
414:
408:
403:
397:
392:
386:
379:
374:
368:
362:
356:
350:
344:
337:
331:
326:
320:
314:
308:
297:
291:
285:
272:
271:
267:
264:
261:
258:
255:
248:
247:
243:
240:
237:
234:
231:
220:
219:|state=
204:
199:This template's
98:
96:
95:
40:
33:
26:
17:
873:
872:
868:
867:
866:
864:
863:
862:
848:
847:
846:
845:
840:
832:
820:
817:
816:
815:
814:
809:
803:
798:
792:
785:
779:
774:
768:
760:
754:
749:
743:
738:
732:
727:
721:
716:
710:
705:
699:
694:
688:
683:
677:
670:
665:
659:
654:
648:
643:
637:
632:
626:
621:
615:
610:
604:
599:
593:
588:
582:
577:
575:Mannheim school
571:
566:
560:
555:
549:
544:
542:La jeune France
538:
533:
527:
522:
516:
511:
505:
500:
494:
489:
483:
478:
472:
467:
461:
456:
450:
445:
439:
434:
428:
423:
417:
412:
406:
401:
395:
390:
384:
377:
372:
366:
360:
354:
348:
342:
335:
329:
324:
318:
312:
306:
299:
289:
283:
280:
269:
265:
262:
259:
256:
253:
245:
241:
238:
235:
232:
229:
208:navbox, sidebar
202:
125:. Also Feder's
117:, p.346. Yale.
99:
93:
91:
87:
82:
49:
44:
12:
11:
5:
871:
869:
861:
860:
850:
849:
831:and testcases
813:
812:
801:
790:
789:
788:
777:
763:
752:
741:
730:
719:
708:
697:
686:
675:
674:
673:
663:New Simplicity
657:
646:
635:
624:
613:
602:
591:
580:
569:
558:
547:
536:
525:
514:
503:
492:
481:
470:
459:
448:
437:
426:
415:
404:
393:
382:
381:
380:
352:
351:
340:
339:
338:
322:Downtown music
304:
300:
282:
281:
279:
276:
275:
274:
250:
197:
196:
181:
166:
151:
150:
149:
134:
90:
89:
84:
83:
81:
80:
75:
70:
65:
60:
58:John J. Becker
54:
51:
50:
45:
43:
42:
35:
28:
20:
13:
10:
9:
6:
4:
3:
2:
870:
859:
856:
855:
853:
843:
836:
828:
824:
808:
802:
797:
791:
784:
778:
773:
767:
766:
764:
759:
753:
748:
742:
737:
731:
726:
720:
715:
709:
704:
698:
693:
692:Oeldorf Group
687:
682:
676:
669:
668:
664:
658:
653:
647:
642:
636:
631:
625:
620:
614:
609:
608:Minimal music
603:
598:
592:
587:
581:
576:
570:
565:
559:
554:
548:
543:
537:
532:
526:
521:
515:
510:
504:
499:
493:
488:
482:
477:
471:
466:
460:
455:
449:
444:
438:
433:
427:
422:
416:
411:
405:
400:
399:Ars subtilior
394:
389:
383:
376:
375:
371:
365:
364:
363:
359:
347:
341:
334:
328:
327:
323:
317:
316:
315:
311:
303:
296:
288:
277:
257:American Five
251:
233:American Five
227:
226:
225:
224:may be used:
223:
215:
213:
209:
205:
194:
193:9781135037307
190:
186:
182:
179:
177:
171:
167:
164:
163:9781611683998
160:
156:
152:
147:
146:9780252062759
143:
139:
135:
132:
131:9780521599313
128:
124:
123:9780300054811
120:
116:
112:
111:
109:
105:
101:
100:
79:
76:
74:
71:
69:
66:
64:
61:
59:
56:
55:
52:
48:
47:American Five
41:
36:
34:
29:
27:
22:
21:
18:
810:}}
804:{{
799:}}
793:{{
786:}}
780:{{
775:}}
769:{{
761:}}
755:{{
750:}}
747:Turkish Five
744:{{
739:}}
733:{{
728:}}
722:{{
717:}}
711:{{
706:}}
703:Roman School
700:{{
695:}}
689:{{
684:}}
678:{{
666:}}
660:{{
655:}}
649:{{
644:}}
638:{{
633:}}
627:{{
622:}}
616:{{
611:}}
605:{{
600:}}
594:{{
589:}}
583:{{
578:}}
572:{{
567:}}
561:{{
556:}}
550:{{
545:}}
539:{{
534:}}
528:{{
523:}}
517:{{
512:}}
506:{{
501:}}
495:{{
490:}}
484:{{
479:}}
473:{{
468:}}
462:{{
457:}}
451:{{
446:}}
440:{{
435:}}
429:{{
424:}}
418:{{
413:}}
407:{{
402:}}
396:{{
391:}}
385:{{
373:}}
367:{{
361:}}
355:{{
353:
349:}}
343:{{
336:}}
330:{{
325:}}
319:{{
313:}}
307:{{
305:
301:
290:}}
284:{{
216:
203:autocollapse
200:
198:
184:
176:Lou Harrison
173:
154:
137:
114:
107:
78:Carl Ruggles
68:Charles Ives
63:Henry Cowell
23:
370:Ars antiqua
104:John Downey
765:Viennese
244:collapsed
222:parameter
110:, p.iii.
852:Category
597:The Five
388:Ars nova
333:Totalism
278:See also
268:expanded
825:|
725:Les Six
839:pages.
835:create
827:mirror
823:create
191:
178:Reader
161:
144:
129:
121:
263:state
239:state
210:, or
295:edit
189:ISBN
159:ISBN
142:ISBN
127:ISBN
119:ISBN
854::
270:}}
254:{{
246:}}
230:{{
174:A
844:.
837:)
833:(
829:)
821:(
298:)
292:(
266:=
260:|
242:=
236:|
195:.
165:.
148:.
133:.
39:e
32:t
25:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.