Knowledge (XXG)

Template:Did you know nominations/Ontopoetics

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569:
requirement has been completed. Minor question on sourcing: The very last sentence of the Friedrich Nietzsche section does not appear to be sourced. Could it be combined into something? All of the proposed hooks are interesting and I have no preference. For ALT0, ALT1 and ALT2, I cannot find the phrases "hidden reality", "hidden from science" or "the cosmos can be coaxed to respond using poetic signs" in the article to check citations. ALT3 is interesting and the image works with it, but I cannot find the phrase "hidden reality" in this article. While the hooks seem somewhat implied, it's difficult to see where each is cited. If I have missed something, please advise. Overall, this is an enjoyable read and a promising nomination and I look forward to seeing it on the main page.
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world of new meaning and experience hidden within the world. The article also cites Freya Mathews explaining that ontopoetics involves "unmasking of realities" (Seager). Since there is a word limit to the hook, I just used the term "hidden" instead of explaining about opening a world or a masked reality. Elsewhere, the article also cites Nitzsche's theory that elements of reality are hidden behind a veil produced by institutions and needs (Volker). The same is the case for "hidden from science". Mathews talked about masked realities not familiar to science. Please feel free to suggest a term if you are uncomfortable with the term "hidden" or "reality".
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You are right, regarding the use of "hidden reality" that it is implied or you can say it is a matter of composition/word-use. First, ontopoetics is all about discovering and perceiving reality, hence the use of "reality" in this context. Then, the referenced quote talks about ontopoetics opening a
568:
Article was moved to the mainspace on October 2 and nominated within seven days. Length is adequate. Article appears neutral in tone. No plagiarism issues detected. Both images used in the article are properly licensed on the commons, clear at a low resolution and both could be used with a hook. QPQ
627:
My main concern here is that the words in the hooks are not similar enough to the prose in the article to be able to say where the hooks are cited. Once those words are similar enough, I can approve this by assuming good faith on the book sources. I have no preference as to how you want to word it.
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ALT2 is my attempt to rephrase and make this quote interesting: "the living cosmos responds, in person as it were, to our poetic address". It responds to "poetic address" - in ontopoetics addressing the cosmos does not mean communicating through language but engaging it through poetic
678:
is approved. It is interesting, properly mentioned and cited inline and I will AGF on the source. The citation question above is resolved, and the article now adheres to all other DYK criteria. I have struck all other hooks, but am willing to revisit them if any changes are made.
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Source: "To speak of ontopoetics is to imply not only that the world is psychoactive ... but also that it is responsive to us, that we bring to it - or can bring to it, if we choose - something that calls it forth on a new expressive plane." (Oppy & Trakakis -
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Source: "To speak of ontopoetics is to imply not only that the world is psychoactive ... but also that it is responsive to us, that we bring to it - or can bring to it, if we choose - something that calls it forth on a new expressive plane." (Oppy & Trakakis -
361:); and ""Ontopoetics... draws our attention to the poetic infrastructure of creation... that may be found in the order of an insect, in the structure of seeds, in the composition of bird song..." (Virginia Rutter, Ancient Greece, Modern Psyche) 252:); and ""Ontopoetics... draws our attention to the poetic infrastructure of creation... that may be found in the order of an insect, in the structure of seeds, in the composition of bird song..." (Virginia Rutter, Ancient Greece, Modern Psyche) 181:
Source: "Ontopoetics opens a world of potential new meaning and experience hidden within the world already so familiar to us from science." and "the living cosmos responds, in person as it were, to our poetic address" (William Seager -
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Ontopoetics view of reality is different from its traditional conceptualization. So it is a bit challenging for me to articulate or encapsulate it as explained by the sources into a few sentences or words.
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Source: "Ontopoetics opens a world of potential new meaning and experience hidden within the world"; "the living cosmos responds, in person as it were, to our poetic address" (William Seager -
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Source: "Ontopoetics opens a world of potential new meaning and experience hidden within the world"; "the living cosmos responds, in person as it were, to our poetic address" (William Seager -
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The last sentence of the Nietzsche section is still connected to the previous two sentences, hence draws from the same source. I have added the citation again if that is your preference;
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It is alright if the picture is not included. It is difficult to cite its relevance in such short sentences. But, here is an attempt:
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To make the discussion short, I have added ALT4 with similar wordings to the cited source.
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I notice there is an image used on this nomination but it is not explicitly mentioned with
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Source: "the living cosmos responds, in person as it were, to our poetic address" (Seager)
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The following is an archived discussion of the DYK nomination of the article below.
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in any of the hooks. Does the nominator wish to incorporate the photo into a hook?
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uncovers a hidden reality using poetic signs such as cues found in bird songs?
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Subsequent comments should be made on the appropriate discussion page (such as
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uncovers a hidden reality using poetic signs such as cues found in bird songs?
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holds that the world is psychoactive and can respond to us if engaged?
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Image is freely licensed, used in the article, and clear at 100px.
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holds that the cosmos can be coaxed to respond using poetic signs?
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communicates with the world in a plane hidden from science?
148: 498: 381: 108: 303:). Self-nominated at 01:28, 6 October 2020 (UTC). 270:Interreligious Philosophical Dialogues: Volume 1 207:Interreligious Philosophical Dialogues: Volume 1 178:uncovers a hidden reality using poetic signs? 8: 49:No further edits should be made to this page 71: 712:Passed DYK nominations from October 2020 74: 388:Article is new enough and long enough 359:The Routledge Handbook of Panpsychism 250:The Routledge Handbook of Panpsychism 184:The Routledge Handbook of Panpsychism 7: 68:) 22:36, 10 October 2020 (UTC) 24: 164:Species produce cues and signals. 45:Knowledge (XXG) talk:Did you know 18:Template:Did you know nominations 670: 563: 535: 527: 516: 491: 482: 464: 444: 432: 410: 399: 310: 287:Digimon Adventure: Our War Game! 158: 32:Please do not modify this page. 636:) 00:44, 8 October 2020 (UTC) 577:) 17:02, 7 October 2020 (UTC) 1: 687:) 03:00, 8 October 2020 (UTC) 647:) 01:28, 8 October 2020 (UTC) 612:) 00:00, 8 October 2020 (UTC) 371:) 03:52, 7 October 2020 (UTC) 327:) 02:58, 7 October 2020 (UTC) 587:. To address your concerns: 546: 37:this nomination's talk page 728: 119:Find sources (notability) 94:Earwig's Copyvio Detector 41:the article's talk page 109:A Simple Word Counter 89:Reviewer instructions 453:copyright violations 295:Created/expanded by 114:Reviewers' template 461:close paraphrasing 423:Policy compliance: 557: 556: 545: 544: 473:Hook eligibility: 429:Adequate sourcing 420: 419: 362: 304: 273: 253: 228: 210: 187: 132: 131: 719: 674: 567: 547: 539: 538: 534:Clear at 100px: 531: 530: 520: 519: 499: 495: 494: 486: 485: 468: 467: 448: 447: 436: 435: 414: 413: 403: 402: 382: 356: 341: 314: 294: 266: 247: 226: 203: 180: 162: 72: 56:The result was: 34: 727: 726: 722: 721: 720: 718: 717: 716: 702: 701: 700: 536: 528: 524:Used in article 517: 513:Freely licensed 492: 483: 465: 445: 433: 411: 400: 379: 335: 167: 166: 165: 155: 153: 149:Article history 137: 128: 104:Character count 69: 30: 22: 21: 20: 12: 11: 5: 725: 723: 715: 714: 704: 703: 699: 698: 697: 696: 695: 694: 693: 692: 691: 690: 689: 688: 657: 656: 655: 654: 653: 652: 651: 650: 649: 648: 618: 617: 616: 615: 614: 613: 600: 599: 595: 591: 555: 554: 543: 542: 541: 540: 532: 521: 507: 506: 497: 496: 488: 470: 469: 449: 438: 418: 417: 416: 415: 404: 390: 389: 377: 376: 375: 374: 373: 372: 329: 328: 292: 291: 290: 289: 277: 276: 275: 274: 272:; also Seager) 254: 229: 211: 209:; also Seager) 163: 157: 156: 152: 151: 146: 144:Back to T:TDYK 140: 138: 136: 133: 130: 129: 127: 126: 121: 116: 111: 106: 101: 96: 91: 86: 80: 77: 76: 54: 53: 25: 23: 15: 14: 13: 10: 9: 6: 4: 3: 2: 724: 713: 710: 709: 707: 686: 682: 677: 673: 669: 668: 667: 666: 665: 664: 663: 662: 661: 660: 659: 658: 646: 642: 638: 637: 635: 631: 626: 625: 624: 623: 622: 621: 620: 619: 611: 607: 602: 601: 596: 592: 589: 588: 586: 582: 581: 580: 579: 578: 576: 572: 566: 561: 552: 549: 548: 533: 525: 522: 514: 511: 510: 509: 508: 504: 501: 500: 490:Interesting: 489: 480: 477: 476: 475: 474: 462: 458: 454: 450: 442: 439: 430: 427: 426: 425: 424: 408: 405: 397: 394: 393: 392: 391: 387: 384: 383: 380: 370: 366: 360: 355: 351: 350: 345: 339: 333: 332: 331: 330: 326: 322: 318: 313: 309: 308: 307: 306: 305: 302: 298: 288: 284: 281: 280: 279: 278: 271: 264: 263: 258: 255: 251: 246: 243: 241: 240: 233: 230: 225: 223: 222: 215: 212: 208: 202: 200: 199: 192: 189: 188: 185: 179: 177: 176: 169: 168: 161: 150: 147: 145: 142: 141: 134: 125: 122: 120: 117: 115: 112: 110: 107: 105: 102: 100: 97: 95: 92: 90: 87: 85: 82: 81: 79: 78: 73: 70: 67: 63: 59: 52: 50: 46: 42: 38: 33: 27: 26: 19: 675: 559: 558: 550: 502: 472: 471: 422: 421: 385: 378: 358: 353: 347: 343: 316: 293: 282: 269: 260: 256: 249: 244: 237: 235: 231: 219: 217: 213: 206: 196: 194: 190: 183: 173: 171: 57: 55: 48: 31: 28: 407:Long enough 349:ontopoetics 262:ontopoetics 239:ontopoetics 221:ontopoetics 198:ontopoetics 175:ontopoetics 135:Ontopoetics 124:Hook length 75:DYK toolbox 681:Flibirigit 641:Darwin Naz 630:Flibirigit 606:Darwin Naz 585:Flibirigit 571:Flibirigit 457:plagiarism 396:New enough 365:Darwin Naz 354:(pictured) 346::... that 338:Flibirigit 321:Flibirigit 317:(pictured) 297:Darwin Naz 259::... that 245:(pictured) 363:Regards, 99:QPQ check 84:DYK check 706:Category 628:Cheers. 598:signals. 553:: Done. 487:- ? 451:Free of 437:- ? 386:General: 283:Reviewed 58:promoted 560:Overall 441:Neutral 503:Image: 459:, and 479:Cited 236:that 234::... 218:that 216::... 195:that 193::... 172:that 16:< 685:talk 676:ALT4 645:talk 634:talk 610:talk 583:Hi, 575:talk 369:talk 344:ALT3 325:talk 301:talk 257:ALT4 232:ALT3 214:ALT2 191:ALT1 170:... 66:talk 62:SL93 551:QPQ 334:Hi 60:by 43:or 708:: 562:: 526:: 515:: 481:: 463:: 455:, 443:: 431:: 409:: 398:: 285:: 139:( 39:, 683:( 643:( 632:( 608:( 573:( 367:( 340:: 336:@ 323:( 299:( 186:) 154:) 64:( 51:.

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Species produce cues and signals.
ontopoetics
ontopoetics
ontopoetics
ontopoetics
ontopoetics
Digimon Adventure: Our War Game!
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Flibirigit

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