176:
160:
314:
329:(and love "copyplagaphrasing"). ALT1 was far more interesting but since it's been nixed, the OP is also basically fine. The source being used—the painting's page at Liverpool Museum—was obviously written by someone who has no idea what they're talking about. How they could even imagine a 12th century monk would name a poem "Nirvana" is beyond me: even cursory googling would've shown them
267:
270:
Interesting topic, on good sources. I am afraid I like the complete image better than the crop. It should be pictured! In the description, does everybody know "in limbo"? "the inclusion of withered trees symbolises" - can you include who says so? I like the original hook, giving a feeling for time
340:
The painting's in the public domain and has its license more or less in order. (It's dubious that this image was published in the US before 1923, but the artist died over 100 years ago so it's clear regardless.) I'll leave it up to the admin setting up the list whether the image shows up well
326:
237:
93:
271:
and taste. Can you get a bit more of "The mysterious atmosphere set by the painting is in line with the painter's metaphysical views about the connection between human and natural life." in the article?
159:
322:
373:
245:: The image is a bit pathetic at DYK size, don't you think? But it really needs some image unless we go with the second hook, so I've given a mysterious cropped detail.
88:
337:. That said, it's the museum's own page and they are a decent (if original) source on the subject of why they previously renamed the painting. Added some links.
36:
175:
287:
345:
or is even necessary. It's a pretty ugly painting and is probably more intriguing if people aren't sure what it's going to look like.
17:
44:
40:
143:
317:
Ms Arendt doesn't seem to have actually reviewed the article w/r/t DYK criteria, so just to take care of that:
83:
275:
302:
283:
224:
197:
113:
321:
at time of submission; presently long enough (~3350 elig. char.); no overt bias and well-enough sourced;
118:
65:
349:
206:
191:
187:
298:
279:
103:
323:
earwig finds a 98% chance of copyvio... because of a repost project that copied Belle's work
61:
257:
367:
98:
29:
The following is an archived discussion of the DYK nomination of the article below.
330:
335:
The original phrasing ("provocative") is also a little different from "offensive"
313:
35:
Subsequent comments should be made on the appropriate discussion page (such as
334:
266:
253:
123:
47:), unless there is consensus to re-open the discussion at this page.
238:
List of accolades received by Blue Is the
Warmest Colour
318:
148:
260:). Self-nominated at 13:39, 25 September 2015 (UTC).
108:
297:Thanks for cleaning up after me, Mandarax, --
8:
49:No further edits should be made to this page
374:Passed DYK nominations from September 2015
71:
74:
7:
207:avoid offending the Victorian public
24:
45:Knowledge (XXG) talk:Did you know
18:Template:Did you know nominations
312:
265:
174:
158:
333:was a 19th century librettist.
228:is to float around in the Alps?
32:Please do not modify this page.
305:) 09:10, 11 October 2015 (UTC)
290:) 10:34, 07 October 2015 (UTC)
68:) 09:46, 5 November 2015 (UTC)
1:
357:19:42, 3 November 2015 (UTC)
37:this nomination's talk page
390:
119:Find sources (notability)
94:Earwig's Copyvio Detector
41:the article's talk page
225:The Punishment of Lust
198:The Punishment of Lust
165:The Punishment of Lust
135:The Punishment of Lust
109:A Simple Word Counter
89:Reviewer instructions
190:changed the name of
114:Reviewers' template
192:Giovanni Segantini
188:Walker Art Gallery
348:G2G. —
292:
278:comment added by
274:— Preceding
261:
132:
131:
381:
355:
354:
316:
291:
272:
269:
251:
178:
162:
72:
56:The result was:
34:
389:
388:
384:
383:
382:
380:
379:
378:
364:
363:
362:
352:
350:
347:
346:
339:
338:
273:
183:
182:
181:
180:
179:
169:
168:
155:
153:
149:Article history
137:
128:
104:Character count
69:
30:
22:
21:
20:
12:
11:
5:
387:
385:
377:
376:
366:
365:
361:
360:
359:
358:
307:
306:
294:
293:
249:
248:
247:
246:
240:
231:
211:
210:
173:
172:
171:
170:
163:
157:
156:
152:
151:
146:
144:Back to T:TDYK
140:
138:
136:
133:
130:
129:
127:
126:
121:
116:
111:
106:
101:
96:
91:
86:
80:
77:
76:
54:
53:
25:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
386:
375:
372:
371:
369:
356:
344:
336:
332:
328:
324:
320:
315:
311:
310:
309:
308:
304:
300:
296:
295:
289:
285:
281:
277:
268:
264:
263:
262:
259:
255:
244:
241:
239:
235:
232:
230:
229:
227:
226:
218:
215:
214:
213:
212:
208:
204:
201:
200:
199:
193:
189:
186:... that the
185:
184:
177:
166:
161:
150:
147:
145:
142:
141:
134:
125:
122:
120:
117:
115:
112:
110:
107:
105:
102:
100:
97:
95:
92:
90:
87:
85:
82:
81:
79:
78:
73:
70:
67:
63:
59:
52:
50:
46:
42:
38:
33:
27:
26:
19:
342:
331:Luigi Illica
299:Gerda Arendt
280:Gerda Arendt
250:
242:
233:
223:
222:
220:
216:
202:
196:
195:
194:'s painting
164:
57:
55:
48:
31:
28:
252:Created by
124:Hook length
75:DYK toolbox
62:Victuallers
319:new enough
203:(pictured)
221:... that
99:QPQ check
84:DYK check
368:Category
351:Llywelyn
327:QPQ done
288:contribs
276:unsigned
234:Reviewed
58:promoted
243:Comment
343:enough
167:, 1891
254:Belle
16:<
303:talk
284:talk
258:talk
217:ALT1
66:talk
205:to
60:by
43:or
370::
353:II
325:;
286:•
236::
139:(
39:,
301:(
282:(
256:(
219::
209:?
154:)
64:(
51:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
