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Teresa Burga

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236:(1972). Subsequently, Burga worked for the Government of Peru in developing information systems that laid down the foundations for creating one of the first computer systems for a government entity in Peru. Interestingly enough, the politics of some of those computerized systems were already present in Burga’s artistic explorations associated with representation and control mechanisms through the organization and management of personal information. Burga worked for the Government of Peru in developing information systems that laid down the foundations for creating one of the first computer systems for a government entity in Peru. Interestingly enough, the politics of some of those computerized systems were already present in Burga’s artistic explorations associated with representation and control mechanisms through the organization and management of personal information. 228:(Profile of the Peruvian Woman), created with psychologist Marie-France Cathelat during 1980–1981. This multidisciplinary investigation sought to analyze the status of women in Peru taking into account their affective, psychological, sexual, social, educational, cultural, linguistic, religious, professional, economic, political, and legal characteristics and circumstances, and is an example of the second-wave feminism in Latin America. The project was originally presented in 1981 during the I Coloquio de Arte No-Objetual y Arte Urbano (1st Symposium of Non-Objectual and Urban Art) at the Museo de Arte Moderno in 33: 232:, Colombia; months later it was shown in an exhibition at the Banco Continental in Lima, Peru; by the end of that same year, the full investigation came together as a published book. Burga has resorted to technology based on organizing information into complex mind maps and structures. In her works, Burga anticipated the massive use of information processing and analysis tools for studying personal data, such as 205:. Under the populist policies of the regime, Burga's experimental proposals were deemed as not possessing enough "Peruvian character," and the artist's exhibition possibilities—severely limited. Nonetheless, she realized two ambitious, large-scale multimedia installations at the gallery of Instituto Cultural Peruano Norte-americano in Lima: 151:
in Lima, from which she graduated in 1965. After the graduation, she joined the group Arte Nuevo (1966-8) with Arias Vera, Gloria Gómez-Sánchez and Jaime Dávila. It was a catalyst that made the redefinition of art practices accelerate in Peru in the late 1960s. As a
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in Lima, at the gallery Cultura y Libertad in 1965, and in Buenos Aires, at the gallery Siglo XXI in 1966. When Burga returned to Peru after her studies in Chicago, the country was under the military government of general
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LĂłpez, Miguel A. (2013). "Cosmopolitan F(r)ictions. Aesthetic and political redefinitions of a concept of avant-garde in the 1960s". In Lerner, Sharon (ed.).
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Cathelat, Marie-France, and Teresa Burga. 1981. Perfil de la mujer peruana, 1980-1981. : Investigaciones Sociales ArtĂ­sticas.
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Arca, Elisa; Mariátegui, José-Carlos (23 November 2020). "Double-bind Information Systems in the Work of Teresa Burga".
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Burga died 11 February 2021, in Lima from COVID-19. Her death was announced by the Peruvian Minister of Culture.
515: 196:. During this time, she exhibited in Peru and Argentina, including two solo shows of her series of prints 124:
works during the late 1960s and 1970s position her as a precursor of media art, technology-based art, and
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According to the Mexican curator Tatiana Cuevas, Burga's most iconic work is the project
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between 1968 and 1970. She was awarded an MFA degree in 1970.
466:"Double-bind Information Systems in the Work of Teresa Burga" 362:""As near as possible to fate" A dialogue with Teresa Burga" 464:
Arca, Elisa; Mariátegui, José-Carlos (23 November 2020),
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Teresa Burga. Informes, esquemas, intervalos 17.9.10
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Arte contemporáneo – Colección Museo de Arte de Lima
107: 99: 89: 75: 64: 39: 23: 209:(Self-portrait. Structure-report) in 1972, and 168:In the 1960s, Burga was a member of the group 601:School of the Art Institute of Chicago alumni 596:Pontifical Catholic University of Peru alumni 8: 246:Teresa Burga: September 5 – October 12, 2019 184:tendencies in the Peruvian context, such as 520:Leonardo/ISASTwith Arizona State University 388:"Profile of the Peruvian Woman (1980-1981)" 234:Self-portrait. Structure. Report. 9.6.1972 31: 20: 621:Deaths from the COVID-19 pandemic in Peru 278: 276: 516:"In Memoriam: Teresa Burga (1935-2021)" 272: 207:Autorretrato. Estructura-Informe 9.6.72 158:School of the Art Institute of Chicago 149:Pontifical Catholic University of Peru 84:School of the Art Institute of Chicago 80:Pontifical Catholic University of Peru 7: 555:Ludel, Wallace (12 February 2021). 248:. Alexander Gray Associates, 2021. 14: 244:Teresa Burga; Jassan, Alejandro. 472:, De Gruyter, pp. 213–227, 418:. De Gruyter. pp. 213–227. 470:Retracing Political Dimensions 415:Retracing Political Dimensions 304:. 2 April 2015. Archived from 147:Burga studied painting at the 1: 240:Publications and bibliography 290:. Ministerio Cultura, Peru. 16:Peruvian artist (1935–2021) 637: 616:21st-century women artists 611:20th-century women artists 542:"Teresa Burga (1935–2021)" 226:Perfil de la mujer peruana 478:10.1515/9783110670981-013 424:10.1515/9783110670981-013 366:Alexander Gray Associates 30: 172:(1966–1968), along with 132:Early life and education 561:www.theartnewspaper.com 331:. MALI. pp. 16–45. 302:"Galerie Barbara Thumm" 118:MarĂ­a Teresa Burga Ruiz 25:MarĂ­a Teresa Burga Ruiz 591:Peruvian women artists 392:www.saps-latallera.org 203:Juan Velasco Alvarado 349:. 2011. p. 163. 284:"Ministerio Cultura" 178:Gloria GĂłmez-Sánchez 606:People from Iquitos 544:. 17 February 2021. 253:Aleatory Structures 156:, she attended the 136:Burga was born in 433:978-3-11-067098-1 386:Cuevas, Tatiana. 360:LĂłpez, Miguel A. 255:. Ringier, 2018. 115: 114: 100:Years active 94:Multimedia artist 628: 565: 564: 552: 546: 545: 538: 532: 531: 529: 527: 512: 506: 505: 504: 502: 461: 455: 452: 446: 445: 409: 403: 402: 400: 398: 383: 377: 376: 374: 372: 357: 351: 350: 339: 333: 332: 324: 318: 317: 315: 313: 298: 292: 291: 280: 154:Fulbright Fellow 126:installation art 70: 69:11 February 2021 50: 48: 35: 21: 636: 635: 631: 630: 629: 627: 626: 625: 571: 570: 569: 568: 554: 553: 549: 540: 539: 535: 525: 523: 522:. 12 April 2021 514: 513: 509: 500: 498: 488: 463: 462: 458: 453: 449: 434: 411: 410: 406: 396: 394: 385: 384: 380: 370: 368: 359: 358: 354: 341: 340: 336: 326: 325: 321: 311: 309: 308:on 2 April 2015 300: 299: 295: 282: 281: 274: 269: 261: 251:Burga, Teresa. 242: 222: 214:(Four messages) 212:Cuatro mensajes 174:Luis Arias Vera 166: 134: 82: 60: 51: 46: 44: 26: 17: 12: 11: 5: 634: 632: 624: 623: 618: 613: 608: 603: 598: 593: 588: 583: 573: 572: 567: 566: 547: 533: 507: 486: 456: 447: 432: 404: 378: 352: 334: 319: 293: 271: 270: 268: 265: 260: 257: 241: 238: 221: 218: 198:Lima imaginada 165: 162: 133: 130: 122:conceptual art 113: 112: 109: 108:Known for 105: 104: 101: 97: 96: 91: 87: 86: 77: 73: 72: 71:(aged 86) 66: 62: 61: 52: 41: 37: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 633: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 578: 576: 562: 558: 551: 548: 543: 537: 534: 521: 517: 511: 508: 497: 493: 489: 487:9783110670981 483: 479: 475: 471: 467: 460: 457: 451: 448: 443: 439: 435: 429: 425: 421: 417: 416: 408: 405: 393: 389: 382: 379: 367: 363: 356: 353: 348: 344: 338: 335: 330: 323: 320: 307: 303: 297: 294: 289: 285: 279: 277: 273: 266: 264: 258: 256: 254: 249: 247: 239: 237: 235: 231: 227: 219: 217: 215: 213: 208: 204: 199: 195: 191: 187: 183: 179: 175: 171: 163: 161: 159: 155: 150: 145: 143: 139: 131: 129: 127: 123: 119: 110: 106: 102: 98: 95: 92: 88: 85: 81: 78: 74: 67: 63: 59: 55: 42: 38: 34: 29: 22: 19: 560: 550: 536: 524:. Retrieved 519: 510: 499:, retrieved 469: 459: 450: 414: 407: 395:. Retrieved 391: 381: 369:. Retrieved 365: 355: 342: 337: 328: 322: 310:. Retrieved 306:the original 296: 287: 262: 252: 250: 245: 243: 233: 225: 223: 211: 206: 197: 167: 146: 135: 117: 116: 18: 586:2021 deaths 581:1935 births 288:twitter.com 220:Major works 216:, in 1974. 182:avant-garde 575:Categories 267:References 194:happenings 170:Arte Nuevo 111:Arte Nuevo 103:1960s–2021 90:Occupation 496:240500167 442:240500167 144:in 1935. 128:in Peru. 76:Education 397:15 March 371:14 March 345:. Lima: 230:MedellĂ­n 312:4 March 186:Pop art 138:Iquitos 54:Iquitos 45: ( 526:1 June 501:1 June 494:  484:  440:  430:  192:, and 190:Op art 164:Career 492:S2CID 438:S2CID 347:ICPNA 259:Death 528:2022 503:2022 482:ISBN 428:ISBN 399:2021 373:2021 314:2021 142:Peru 65:Died 58:Peru 47:1935 43:1935 40:Born 474:doi 420:doi 577:: 559:. 518:. 490:, 480:, 468:, 436:. 426:. 390:. 364:. 286:. 275:^ 188:, 176:, 140:, 56:, 563:. 530:. 476:: 444:. 422:: 401:. 375:. 316:. 49:)

Index


Iquitos
Peru
Pontifical Catholic University of Peru
School of the Art Institute of Chicago
Multimedia artist
conceptual art
installation art
Iquitos
Peru
Pontifical Catholic University of Peru
Fulbright Fellow
School of the Art Institute of Chicago
Arte Nuevo
Luis Arias Vera
Gloria Gómez-Sánchez
avant-garde
Pop art
Op art
happenings
Juan Velasco Alvarado
Cuatro mensajes (Four messages)
MedellĂ­n


"Ministerio Cultura"
"Galerie Barbara Thumm"
the original
ICPNA
""As near as possible to fate" A dialogue with Teresa Burga"

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