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1204:. The Coldstream Guards adopted the march under the title "Milanollo" and the official arrangement was authorised in 1882. From 1907 to 1936 it was known as "The Coldstream March", and republished under that title in 1925. The current arrangement was written by one of the Coldstream Guards' former Directors of Music, John Mackenzie Rogan, and it is known today as "The Coldstream March – Milanollo". Other regiments that adopted it include the
882:("plucking of strings, striking with the fingernails, glissandos, harmonic sounds and melodies interlaced on double and triple strings. It's an enchantment to hear, whether alternately or simultaneously, sighing, moaning, murmuring then laughing, notes plaintive, strident, growling, langourous, ironic or passionate, echoes of a thousand voices which cross, interrupt each other, disconcert, tackle and mingle in the confusion.")
436:... when the gifted prodigy, Teresa Milanollo, was a sensation of the hour in the forties. Maria Milanollo, her younger sister, played duets in public with her. But although Maria was a gifted player, Teresa was a genius. She played in all styles with insight and fervour, and those who frequently heard her declare her technique to have been equal to that of the greatest men players of the day.
1733:
19:
809:("Certainly, Maria Milanollo is a musical phenomenon; but it is nothing more than a delicious toy, a forgery, a gentle imitation which proceeds from Teresa Milanollo, already a great artist; and nevertheless, Maria, with her large, regular build, with her big blue eyes and their assured look, seems even more sure of the future than her sister.")
506:, which sealed the 14-year-old Teresa's reputation, and proved to be a turning point in her career. "In the opinion of all the critics of that time, and notably of Berlioz, her success was immense, and it was this appearance that definitely crowned her reputation." Apparently, Habeneck "made her play his Grand Polonaise in C".
513:(25 April 1841). He attributed the enormous success of the performance not to Teresa's precociousness but to her exquisite musical qualities, such as tonal precision and cleanliness, rhythmic liveliness and regularity, and felicitous placement of the most difficult high notes. Her interpretative skills were also praised.
184:
is consistent with
Giuseppe's making for Teresa a little violin of white wood and giving her basic harmony lessons. This was in response to her persistent demands for a violin of her own after first displaying musical interest at the age of four. On leaving a church after a funeral ceremony in honour
783:
Maria
Milanollo was born in Savigliano, close to Turin, on 19 July 1832. Until her untimely death in Paris (21 October 1848), she played in concerts with her sister Teresa, who was almost five years her senior (born in Savigliano 29 August 1827). They enjoyed brilliant success in concerts in France,
877:
de pincements de cordes, de coups d'ongle, de glissés, de sons harmoniques et de chants entrelacés sur double et triple corde. C'est un enchantement que d'entendre tour à tour, puis à la fois, soupirer, geindre, murmurer puis rire de notes plaintives, stridentes, grondeuses, langoureuses, ironiques
932:
Marriage signalled Teresa's retirement from a concert career. The couple took a house in Paris and lived there until
October 1859, when they followed General Niel to Toulouse. From 1857 to 1878 she, as a soldier’s wife, "followed the fortunes of her husband", sporadically performing for charity in
839:
In 1852 she resumed touring in France, Switzerland, Germany, and
Austria. Apparently her "improved performance" excited even more interest than before, and from 1853-6 she was in the "zenith of her powers". Once, her skirt caught fire when she walked too close to the footlights during a concert in
804:
Certainement Maria
Milanollo est un phénomène musical; mais ce n'est qu'un délicieux joujou, une contrefaçon, une gentille imitation qui procède de Teresa Milanollo déjà grande artiste; et cependant Maria avec sa figure large, régulière, avec son grand œil bleu an regard assuré, semble encore plus
787:
From the beginning Teresa was Maria's violin teacher, but, says Piero
Faustini, Maria must certainly have derived benefit from the teaching of Teresa's many virtuoso instructors. Her official debut was on her sixth birthday in Paris in a concert where Teresa took the lead, but within a couple of
834:
in nearly all the chief cities of France. Part of the receipts of these concerts was used for the benefit of the poor. Her plan was to follow up the first concert with a second, at which the audience consisted of poor school-children and their parents, to whom she played in her most fascinating
401:
After the eleven-year-old Teresa returned to France in mid-1838 she began teaching violin to her little sister Maria, then aged six. By 19 June 1838, they performed their first official performance together. The unprecedented appearance of two female violinists "constituted a new feature of the
813:
However, Maria's technique, according to Piero
Faustini, despite lacking a truly individual style, often equalled Teresa's. In specific aspects, like articulating staccato notes, or executing clusters of notes in quick time, and in general expressions of brilliance or lightheartedness, she was
906:
Teresa is said to have given her last commercial public concert in Nancy on 16 April 1857 at the age of twenty-nine, and "later that day, married a military engineer and amateur musician named
Theodore Parmentier" at the church of Saint Martin, Malzéville. Their reception, attended by
957:
the gallant
General who is “Grand Officier de la Légion d’Honneur”, and his gifted and famous wife, have resided quietly in Paris; but, generous and accessible as ever, Madame Parmentier is still to be met by a fortunate few in select musical and social circles of the French
648:, receiving audience sponsorship of more than 50,000 guilders. The nicknames given them by the public reflect their contrasting personalities: Teresa, more sombre and serious, was dubbed "Mademoiselle Adagio", and Maria, more cheery and outgoing, "Mademoiselle Staccato".
104:. Their nicknames, "Mademoiselle Staccato" (Maria) and "Mademoiselle Adagio" (Teresa) reflected their contrasting personalities; the more solemn Teresa was acknowledged as the genius of the two. After Maria Milanollo's untimely death in 1848, Teresa continued performing
68:
Taught violin in infancy by
Ferrero, Caldera, and Morra, Teresa made her concert debut in her native Savigliano aged nine. In 1836 she moved to Paris with her family. She toured Britain, France, the Netherlands and Belgium, sometimes with her virtuoso tutors,
1522:
168:,. Born on 18 August 1827. Teresa was almost five years older than Maria (born 18 June 1832). Although Giuseppe Milanollo's profession is usually given as a "manufacturer of silk-spinning machines", he was identified by a contemporary musical critic as a "
739:. Winter 1844 was spent concertising throughout Belgium, and New Year 1845 saw 17 performances in Amsterdam. Then, after briefly touring Northern France, the Milanollos performed in Britain in summer 1845, including in the presence of
969:
Teresa Milanollo donated many of the keepsakes and documents of her and her sister’s artistic career to the native town Savigliano. Nowadays these objects are displayed in the city museum "Antonino Olmo", in a dedicated room.
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in August, and then regained their native Piedmont, from which they had been absent for six years. They played a benefit concert in Turin, but also in Savigliano and other places, and finally performed at the royal castle of
347:, at the time taking refuge in London to avoid prosecution for fraud and forgery, volunteered his services as manager to Teresa. Unfortunately, he pocketed the earnings due to Teresa and her family from the September–October
424:, where, at that time, the first biography of the two gifted sisters was printed. They were now aged thirteen and eight. Writing in 1897, Alice Diehl identifies Teresa as the inspirational pioneer among female violinists:
204:
on 17 April 1836 and then other cities in Piedmont to great admiration. To support Teresa's blossoming career, the Milanollo family departed later in 1836 for France, travelling on foot and by mule, to play in the
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A second Stradivarius was sold to Giuseppe Milanollo in 1841 and used by Teresa for more than five years, being resold by her father in 1851. It is known as "Milanollo-Hembert", and played today by Matteo Fedeli.
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was rejected by the committee of the Imperial Theatre of St Petersburg on account, among other reasons, of the discontent of Giovanni Ferrero, a double-bassist and a member of the committee." Nicholas Slonimsky,
1462:
has this as "F Mori", of whom there is no trace. Given that the Milanollos were in London and that Nicolas Mori was active there until his death in 1839, it is likely that he was Teresa's teacher during this
451:), and first violin in the orchestra and conductor of the Opera. Between October and December 1840, the young sisters performed with great success in 12 concerts in Bordeaux, and a further eight concerts in
374:. The theatrical chronicler Simon Henry Gage described a "large room completely filled and the gallery exhibited a bright phalanx of beauty", and hailed the performance of "that wonderful girl, Milanollo".
941:(Op. 2) was given at Mulhouse, by a choir of 800 male voices. The charitable motive became more urgent after Teresa's mother Antonia died in 1869, with the aggravated needs of the poor during the 1870
830:
After a period of mourning for Maria, during the next few years Teresa played only for charity. She established a series of concerts known as the "Concerts aux Pauvres". This was carried out
84:
From 1838 to 1848, the Milanollo sisters toured throughout France, the Netherlands, Belgium, Germany, the Austro-Hungarian Empire, and England, charming royal courts and such composers as
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The small Ruggieri violin, the "Milanollo" violin, had formerly belonged to her sister Maria. The interior of the upper part of the instrument is inscribed with Maria's initials, "M.M."
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years Maria became a virtually inseparable partner. Most of her life was taken up with long European tours, interrupted by the fatal deterioration in her health after a concert in
1193:
for the Italian violinist virtuoso sisters and child prodigies, Teresa and Maria Milanollo. They introduced it to England in 1845 in the course of their extensive European tours.
463:
During these years, aged fourteen and nine in 1841, the Milanollo sisters performed not only for the crowned heads of Europe, but also for – and sometimes with – the composers
751:
From early 1845 until 1847, the young sisters continued touring, visiting Rhine provinces, Bavaria, and principal cities in Switzerland and in Central France. They reached
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In 2016, the CD "musica immortale" by violinist Valentina Busso and pianist Eliana Grasso, containing 7 of Milanollo's compositions was released by Musica Viva records.
911:" (many officers in gold-trimmed uniforms), was held in the garden of a house in the street of Chanoine Boulanger. At the time of their marriage, Captain Parmentier was
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131:
small violin (the "Milanollo") the property of her younger sister Maria, auctionied by Tarisio in April 2010, and a 1703 Stradivarius (the "Milanollo-Hembert").
570:" and faultless intonation. (Many years later, under her married name of Parmentier, Teresa credited de Bériot with having “completed her artistic education".)
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499:. That concert was approached with a mixture of "scorn and boredom" by the critic Henri Blanchard, who pronounced it a "splendidly happy" occasion afterwards.
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1977:
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construction features a façade with statues portraying Comedy and Tragedy and a group with the Genius of Glory crowning Music and Poetry. There are floral
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Their father Giuseppe, always soliciting optimal learning and artistic opportunities for the girls, placed Teresa during summer 1840 under the tutelage of
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until April 1842, then again in Northern France in the summer. At that time, Teresa performed frequently with the young Belgian pianist Édouard Gregoir.
216:"There is little doubt," wrote Henry Lahee, "that the success of Teresa Milanollo gave the first great impulse toward the study of the violin by women."
428:
Although the popularity of the violin as a playing instrument among amateurs, notably of the gentler sex, seems at first sign to be of very recent date
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had written in his will: "I bequeath this violin, which was played by Paganini, to Teresa Milanollo." Teresa's "Dragonetti-Milanollo" violin has been
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manner, and, at the conclusion of her performance, money, food, and clothing, purchased with the receipts of the previous concerts, were distributed.
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2019:
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Designed by Maurizio Eula, the theatre was originally proposed in 1834 and completed in 1836. It was inaugurated with a performance of the opera
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The sisters were by now inseparable. The younger sister, Maria, had been studying with Teresa since 1838, who was her first and only teacher.
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The Latin inscription reads: ANIMIS. CIVIUM. EXPOLIENDIS. EXILARANDIS. MELPOMENI. ET. THALIAE.SOCIETAS. AMICORUM.AERE.COLLATO.ANNO MDCCCXXXV.
22:
Teresa and Maria Milanollo, the 19th-century Italian child prodigies whose violin-playing took Europe by storm and inspired the name of the
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1996:
872:" ("Language so perfect, so simple that all understand it, because it goes straight to the heart.") Another, H. Paraf, admired her mastery
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The auditorium, decorated with stuccoes and gold, houses 350 spectators in three circles – stalls, gallery and "gods". The painting of
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alongside her young colleague and contemporary, the German A. Moeser. (The King's Theatre, the second on this site, eventually became
1615:
1421:
I find no reference to Giovanni Ferrero as a violinist, but this give a possible identity as a double-bassist: "The first version of
41:
who toured Europe extensively to great acclaim in the 1840s. After Maria died at age 16, Teresa, who was also a composer, had a long
2234:
2229:
625:, during December, where they performed 13 concerts, another younger brother Joseph, was born; the Milanollo sisters then toured to
420:
From early 1840 Teresa, increasingly accompanied by Maria, performed in other places in France. There were six concerts in April in
108:, establishing a system of "Concerts aux Pauvres" (charitable concerts). She retired in 1857 on marriage and died in Paris in 1904.
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58:
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Following the death of her father, Giuseppe Milanollo, on 27 February 1878, according to a contemporary account written in 1899,
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ou passionnées, échos de mille voix qui se croisent, s'interrompent, déconcertent, s'attaquent et se confondent dans le pêle.
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1339:
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Giuseppe placed Teresa under the tuition of Giovanni Ferrero, based locally in Savigliano. Aged eight, Teresa was taken to
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1939:
1906:
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Although Teresa Milanollo was a pioneer among women violinists, her own musical compositions are now largely forgotten.
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Teresa and Maria Milanollo toured Europe as a duo from 1838 to 1848. Teresa was Maria's first and only violin teacher.
393:
366:. The glittering dinner, which raised ÂŁ1,000, was also the occasion to announce, "to loud and general cheering", that
1718:
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The Milanollo sisters, were a pair of violin-playing prodigies who toured Europe to great acclaim during the 1840s.
2239:
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1974:
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771:. They took refuge at Malzéville, but after a few months Maria became ill and died in Paris on 21 October 1848 of
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189:, Giuseppe had asked her if she had prayed. "No, father," she replied, "I did nothing but listen to the violin."
186:
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On Wednesday, 11 April 1838, Teresa Milanollo entertained the 22nd Anniversary of the Theatrical Fund of the
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417:) and Normandy, lasting until the beginning of 1839. She played a further seven concerts in Rouen in April.
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1958:
860:" ("When Colmar welcomed the violinist Teresa Milanollo") describes the raptures of the critics of the
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370:, recently crowned, had agreed to be Patroness of the Fund. It took place at the Freemasons' Tavern on
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La tomba delle sorelle Milanollo a Père Lachaise – Rimembranze provinciali a Parigi (by Luigi Botta)
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Aix-la-Chapelle. She calmly set down her violin, extinguished the flames, and continued performing.
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in Vienna, and followed it with 24 more. They "took Vienna by storm" under the patronage of Empress
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no. 28 (11 April 1841), p. 222, reviewing the Milanollo sisters' concert in Paris of 5 April 1841.
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Teresa Milanollo died on 25 October 1904, aged seventy-seven. The two sisters were buried at the
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1993:
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1344:(New York: Charles Scribner's Sons, 1906), pp 169-70. (Chapter 62). Accessed 26 December 2011.
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724:, they gave twelve concerts in March and April and played at the king's court, accompanied by
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23:
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and "Song of the Lark" article give 6 and 15 April for the concert and marriage respectively.
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W. G. Baltzell. Published in Boston by Oliver Ditson Company, 1911. Retrieved 4 January 2011.
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Teresa was generally conceded to be the more gifted. The critic Henri Blanchard wrote in the
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However, it was the Bordeaux Conservatory concert of 18 April 1841, attended by the composer
402:
concert-room" and "created a sensation" which led to the sisters' eventual "worldwide fame".
389:
1838–1840: Return to France, first performances and tours with Maria, and study with Habeneck
1538:
1243:, 2nd ed, Vol. 6 (Paris: Librairie de Firmin Didot Frères, Fils et Cie., 1864), pp. 139-141)
1209:
1164:
1141:
1026:
963:
652:, the celebrated composer and orchestra conductor, compared them to "angels of the violin".
381:, in whose concerts she performed from May 1838 onwards. She played in London's prestigious
249:
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1837–38: London — study with Mori, a mismanaged UK tour, and concerts for Strauss the Elder
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to study with Giovanni Morra and Mauro Caldera. Shortly following her concert debut in the
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1981:
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856:, on 16 January 1851. A second one was organised for the 23rd. Gabriel Bräuner's article "
38:
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on "The Regency World of author Lesley-Anne McLeod" website]. Accessed 5 December 2013.
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945:. Excluding charity concerts, Teresa's very last public concert was in Paris, in 1872.
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Following the Netherlands tour, nine-year-old Teresa moved in 1837 with her family to
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In the 1880s it was officially authorised, along with all regimental marches, by the
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447:, the Director of the Société des Concerts du Conservatoire (the main orchestra in
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A group of friends, having collected the money, (erected) in 1835 this theatre to
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langage si parfait, si simple que tous comprennent, parce qu'il va jusqu'au coeur.
898:" ("a living soul"). She could barely carry the bouquets which fell at her feet.
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1145:
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broke out, scuppering the Milanollos sisters' engagement for 15 concerts at the
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483:
Bordeaux Conservatory concert, 18 April 1841 — the making of Teresa's reputation
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93:
42:
2185:
Extensive biography in an encyclopedia of the Sophie Drinker Institut (Germany)
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1936:
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1880:
1840:
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reprint on Song of the Lark website of "Women Violinists of the Victorian Era,"
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The success of the Milanollos induced other gifted young girls to emulate them.
2148:(Friends of the Père-Lachaise cemetery), with a print of the Milanollo sisters
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1149:
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728:. They then held many concerts in several other German cities, ten of them in
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1844–45: In Austria-Hungary, to Belgium and the Netherlands, and Britain again
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On 24 April the Milanollo sisters gave their first concert in the Saal der
1975:
Tarisio Auctions blog about the Ruggieri violin before the April 2010 sale
1128:
The Milanollo Theatre has been described as “a delicate miniature" of the
248:, who now became her teacher. In Paris she performed some concerts at the
1817:
1762:
1691:
Gabriel Bräuner, "Quand Colmar accueillit la violiniste Teresa Milanollo"
1658:
The Italian Dictionary of Biography has this erroneously as "Knufferath".
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81:. She eventually became her sister Maria's first and only violin coach.
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The tune of "Milanollo" was written by the 19th-century German composer
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Now Teresa embarked on a triumphant tour of Northern France, including
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18:
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To close the concert, Teresa played her own composition, a fantasy on
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The Dictionary of Italian Biography erroneously calls him "Y Gregoir"
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1124:, with the aim of embellishing and enhancing the souls of the people.
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263:. They performed together in a benefit concert on 10 December in the
33:(full name Domenica Maria Teresa)(1827–1904) and her younger sister,
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1842–43: Germany, Austria-Hungary, and back to their native Piedmont
546:
1841–42: Tuition with de Bériot; touring Northern France and Belgium
495:
On 5 April, the two sisters appeared together in the recently built
303:, where her brother Augustus was born. There she took lessons with
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cities where her husband was stationed, even travelling as far as
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invited the sisters to play for the royal family in his castle at
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1836–37: Marseilles, Paris and touring the Netherlands with Lafont
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Embarking with Maria on another long tour of northern France, in
271:, from where she was summoned to entertain at the royal court in
1473:"Her Majesty's Theatre," from the Music Hall and History website
1174:
In 1899, the theatre was re-dedicated to the Milanollo sisters.
760:
225:
1025:, which had belonged to Paganini. It was sold in April 2010 by
995:(1853; written in memory of her sister and co-violinist, Maria)
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A return to Brussels gave Teresa the opportunity to study with
377:
Teresa 's father succeeded in bringing her to the attention of
275:. During March and April she played concerts in, among others,
61:, written in their honour by their contemporary J.V. Hamm. The
315:
in a series of concerts which she gave from 30 May onwards at
267:. From 18–30 January 1837, Teresa starred in five concerts in
562:. De BĂ©riot taught her "the masterly bowing of the school of
2170:
photo of the interior of the Milanollo Theatre in Savigliano
1955:
978:
Teresa Milanollo's works, largely forgotten today, include:
672:. Between 6–30 November the sisters completed 8 concerts in
509:
Shortly afterwards, Berlioz himself reviewed the concert in
1408:
author unknown, from the February or March 1899 edition of
1401:
author unknown, from the February or March 1899 edition of
2041:"Theatre Milanollo" entry in "Brief history of Savigliano"
1528:
London: C. Harris, p. 38 of 50. Accessed 25 December 2012.
244:
with a letter of introduction to the celebrated violinist
1447:
Henry C Lahee, "Famous Violinists of Today and Yesterday"
45:
career. The name "Milanollo" has been perpetuated by the
26:
regimental march and a theatre in their native Savigliano
1140:
and round inserts containing portraits of the tragedian
2003:
from Matteo Fedeli's website. Accessed 26 December 2012
1876:
Sotheby's Important Musical Instruments Auction Catalog
1526:(Volume 1838 v.1 no.5003-5104:(Jan 1,1838-Apr 30,1838))
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Milanollo Theatre, Savigliano (Civico Teatro Milanollo)
1004:
Transcriptions and variations for violin and pianoforte
609:
the sisters had the honour of performing together with
255:
At the end of 1836, she went with Lafont for a tour of
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Teresa Milanollo's training in Turin and first concerts
160:, to Giuseppe Antonio Milanollo and his wife Antonina (
858:
Quand Colmar acceuillit la violiniste Teresa Milanollo
65:
in their native Savigliano was named for the sisters.
1613:"Chopin Biography" from the Fryderyk Chopin Institute
1524:
The Theatrical Observer and, Daily bills of the Play,
755:
in July 1847 and settled there, buying a property in
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a print of the Milanollo sisters on the Tarisio blog
1818:"Teresa Milanollo (b1827; d1904), French, Violinist"
1642:
1640:
1603:(London: Richard Bentley & Son, 1897), pp 256-7.
1434:" (London and New York: Routledge, 2004), pp. 74-75.
1412:
London: Hutchinson, 1899. Accessed 26 December 2011.
1159:
on the curtain is by Angelo Moja. On the ceiling, a
747:
Last tours, settling in Malzéville and Maria's death
175:
1108:expressing the building's dedication to two of the
1031:
Antonius and Hieronymus Amati, Die 'Maria Milanollo
708:From January 1844, the two violinists performed in
573:The Milanollo sisters played throughout Belgium in
351:tour of forty concerts he organized, which took in
240:. From there, the Milanollo family travelled on to
2117:"Milanollo – Quick March of the Coldstream Guards"
2175:sheet music of the "Milanollo" march by J.V. Hamm
2020:Teatro Milanollo, on Piedmont information website
1879:. Sotheby's, London. 17 July 1975. Archived from
1029:. A book about Teresa's Ruggieri violin entitled
848:Teresa was 23 when she gave a sellout concert in
814:unanimously considered superior, even to Teresa.
1354:
1352:
1350:
1539:Freemasons' Tavern, on London Remembers website
826:Violinist and composer Teresa Milanollo in 1862
426:
228:, Teresa concertised for a few evenings in the
148:Birth, parentage, and their father's profession
1841:The "Milanollo violin", from the Cozio website
759:. In December 1847 they were again invited to
516:On 15 May Teresa performed in the presence of
2064:Notes on the music for "Beau Brummell," from
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1507:(Cambridge: Cambridge University Press, 1948)
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200:of a convent of Savigliano, she performed in
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1908:Les deux Stradivarius de Domenico Dragonetti
1812:
1810:
1575:vol. 5 (Toronto: University of Toronto Press
1267:
1265:
1263:
1261:
1259:
1257:
1255:
1253:
1251:
1249:
937:. On 15 July 1860 a performance of Teresa's
2099:World Book of Military Music and Musicians.
2093:
2091:
2089:
2087:
2015:
2013:
2011:
2009:
1666:
1664:
1017:Teresa Milanollo's violins included a 1728
2079:"History of Military Music," by Colin Dean
1566:
1564:
1498:
1496:
1494:
844:Concerts in Colmar, 16 and 23 January 1851
593:That September, they began a long tour of
172:", i.e., a maker of stringed instruments.
152:They were among thirteen children born in
1686:
1684:
1682:
1632:Music dictionary entry on Édouard Gregoir
1330:
1328:
1326:
1324:
1322:
1320:
818:Teresa Milanollo's subsequent solo career
655:After performances in many cities in the
37:(1832–1848), were Italian violin-playing
2153:Photo of the Dragonetti-Milanollo violin
1756:
1754:
1394:
1392:
1390:
1388:
1079:Teatro Milanollo in Savigliano, Piedmont
432:... the movement was initiated long ago,
385:with young pianist Ellen May on 9 June.
322:On 30 June 1837, Teresa appeared at the
1702:Biographers disagree on the dates. The
1517:
1515:
1442:
1440:
1386:
1384:
1382:
1380:
1378:
1376:
1374:
1372:
1370:
1368:
1341:Celebrated Violinists, Past and Present
1235:
1233:
1231:
1229:
1225:
784:Germany, the Netherlands, and England.
531:Following these acclaimed performances
459:1841–1845: Success and glittering tours
119:(the "Milanollo-Dragonetti") played by
2062:. Accessed 26 December 2011. See also
909:quantité «d’uniformes engalonnés d’or»
817:
763:, where they played ten concerts. The
696:in December, on their way back to the
355:and many venues in the South West and
2280:19th-century deaths from tuberculosis
929:. Parmentier later became a general.
670:Maria Theresa of Habsburg and Tuscany
511:La Revue et Gazette Musicale de Paris
7:
1647:"Amis et Passionés" du Père Lachaise
1310:Dizionario Biografico degli Italiani
1241:Biographie Universelle des Musiciens
1040:Of the 1728 Stradivarius, its owner
680:, and in December 1843 performed in
2180:Picture of Teresa Milanollo's grave
2146:Amis et Passionnés du Père-Lachaise
1911:. La Chaux-de-Fonds. Archived from
1764:Biographical Dictionary of Fiddlers
894:claimed that her violin possessed "
340:has enjoyed a long run in London.)
2270:Italian women classical violinists
1505:Adalbert Stifter: A Critical Study
1360:Revue de Gazette Musicale de Paris
1178:The Coldstream march — "Milanollo"
902:Marriage and retirement, 1857–1878
797:Revue de Gazette Musicale de Paris
558:, who took her on as a student in
135:Biography of the Milanollo sisters
14:
2260:19th-century classical violinists
2250:Burials at Père Lachaise Cemetery
2245:People from the Province of Cuneo
2200:Italian women classical composers
868:. One known as G.F. praised her "
2255:19th-century classical composers
2127:a print of the Milanollo sisters
1649:cemetery, accessed 26 June 2011.
1430:vol. I, "Early articles for the
1308:Piero Faustini, "Milanollo," in
921:, with whom he took part in the
692:. They also played a concert in
2265:19th-century Italian violinists
1460:Italian Dictionary of Biography
615:Frederick William IV of Prussia
2060:Governor General's Foot Guards
1214:Governor General's Foot Guards
1200:as a regimental march for the
1033:was published by Albert Berr,
993:Fantaisie Ă©legiaque for violin
637:throughout the spring of 1843
59:Governor General's Foot Guards
1:
2285:Tuberculosis deaths in France
1994:"Uno Stradivari per la Gente"
1791:. NaxosDirect. Archived from
805:sûre de l'avenir que sa sœur.
775:. She was sixteen years old.
642:Gesellschaft fĂĽr Musikfreunde
629:, and other cities including
619:William II of the Netherlands
311:. Mori duetted with her on a
2275:19th-century women composers
2220:Italian classical violinists
2081:. Accessed 26 December 2011.
2069:. Accessed 26 December 2011.
1984:. Accessed 26 December 2012.
1965:. Accessed 26 December 2012.
1850:. Accessed 25 December 2012.
1599:A.M. (Alice Mangold) Diehl,
1541:. Accessed 25 December 2012.
1484:see Knowledge (XXG) article
123:and bequeathed to Teresa by
2215:Italian classical composers
1622:. Accessed 26 December 2011
1588:Biography of Amédée Méreaux
1577:. Accessed 26 December 2012
1314:. Accessed 26 December 2011
765:February revolution of 1848
668:, in the presence of Queen
2301:
2210:Italian Romantic composers
2050:. Accessed 9 January 2013.
2022:. Accessed 9 January 2013.
1946:. Accessed 5 January 2013.
1746:Museo civico Antonino Olmo
1736:. Retrieved 5 January 2011
1724:. Accessed 5 January 2013.
1693:. Accessed 5 January 2013.
1590:. Accessed 5 January 2013.
1334:A Ehrlich, trans. and ed.
482:
147:
2225:Child classical musicians
1761:Clarke, Mason A. (1895).
1432:Boston Evening Transcript
445:François-Antoine Habeneck
187:Charles Felix of Sardinia
2235:British military marches
2230:Italian military marches
1916:(Quoted by Cozio online)
1673:Dictionary of Musicians.
1509:Accessed 5 January 2013.
1475:. Accessed 26 June 2011.
1449:. Accessed 26 June 2011.
1163:by Pietro Ayres depicts
1100:forming the base of the
1096:Outside, on the elegant
890:. Another critic in the
491:Teresa Milanollo in 1841
379:Johann Strauss the Elder
265:HĂ´tel de Ville, Brussels
86:Johann Strauss the Elder
2102:Accessed 10 April 2013.
1999:30 October 2013 at the
1961:2 February 2014 at the
1884:(Cited by Cozio online)
1552:"Hanover-square Rooms:
1134:Neoclassically-inspired
988:Chorus for male quartet
698:Austro-Hungarian Empire
657:Austro-Hungarian Empire
533:King Louis Philippe III
497:Salle des Concerts Herz
246:Charles Philippe Lafont
1956:Corey Cerovsek website
1905:Lebet, Claude (1991).
1748:Retrieved 28 July 2016
1734:Père Lachaise cemetery
1722:no. 13, September 2010
1720:Malzéville Votre Ville
1486:Nicolas-Charles Bochsa
1126:
1080:
960:
949:Later years, 1878–1904
884:
864:, who compared her to
837:
827:
811:
492:
441:
398:
345:Nicolas-Charles Bochsa
115:survive today, a 1728
27:
1704:Dizionario Biografico
1573:The History of Music,
1114:
1078:
1013:The Milanollo violins
955:
874:
832:
825:
801:
746:
526:Friedrich Kalkbrenner
490:
396:
364:Covent Garden Theatre
332:Her Majesty's Theatre
317:Covent Garden Theatre
21:
2205:Composers for violin
2158:4 April 2012 at the
2137:9 April 2013 at the
2046:4 March 2016 at the
1980:6 April 2013 at the
1942:4 April 2012 at the
1671:entry in Baltzell's
1618:2 March 2018 at the
1184:Johann Valentin Hamm
935:Constantine, Algeria
862:Glaneur du Haut-Rhin
601:. A month later, in
383:Hanover Square Rooms
337:Phantom of the Opera
313:sinfonia concertante
113:Three of her violins
1886:on 22 February 2014
1086:The Exile from Rome
1042:Domenico Dragonetti
943:Franco-Prussian War
923:Siege of Sebastopol
659:, the tour reached
646:Maria Anna of Savoy
455:in February, 1841.
413:(in a concert with
125:Domenico Dragonetti
2066:Film Score Monthly
1846:2014-02-22 at the
1789:"MUSICA IMMORTALE"
1556:place for concerts
1521:Simon Henry Gage,
1503:Eric A. Blackall,
1428:Writings on Music,
1081:
1052:, and formerly by
828:
684:after concerts in
493:
399:
343:A French harpist,
180:The profession of
28:
2240:Theatres in Italy
1795:on 29 August 2018
1601:Musical Memories,
1410:The Lady’s Realm.
1358:Henri Blanchard,
1202:Coldstream Guards
1144:and the poet and
1130:Palazzo Carignano
792:on 22 July 1848.
726:Giacomo Meyerbeer
309:Auguste Tolbecque
236:, then on to the
77:and later still,
55:Coldstream Guards
24:Coldstream Guards
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1312:, vol. 74 (2010)
1305:
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1192:
1142:Vittorio Alfieri
1027:Tarisio Auctions
435:
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224:After a stop in
63:Teatro Milanollo
47:regimental march
31:Teresa Milanollo
2300:
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2144:website of the
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896:une âme vivante
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1019:Stradivarius
1016:
1008:
1003:
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998:
992:
987:
982:
977:
974:Compositions
968:
961:
956:
952:
938:
931:
919:General Niel
914:aide-de-camp
912:
908:
905:
895:
891:
885:
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869:
861:
857:
847:
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833:
829:
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803:
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796:
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786:
782:
750:
737:HF Kufferath
734:
707:
654:
650:Otto Nicolai
639:
613:before King
592:
572:
549:
541:
530:
515:
510:
508:
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442:
427:
419:
409:(November),
404:
400:
376:
372:Queen Street
361:
342:
335:
321:
305:Nicolas Mori
298:
254:
223:
215:
209:concerts in
191:
179:
161:
151:
138:
127:, a c. 1680
117:Stradivarius
110:
83:
67:
34:
30:
29:
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1239:F.J. FĂ©tis,
1206:Life Guards
1187: [
1148:librettist
1146:opera seria
1138:bas-reliefs
1104:is a Latin
1037:, in 1950.
1035:Bad Wiessee
927:Crimean War
925:during the
888:Marlborough
773:consumption
621:. While in
611:Franz Liszt
554:Teresa met
522:George Sand
261:Netherlands
143:Early years
51:Life Guards
2194:Categories
1861:"Property"
1220:References
1212:, and the
1198:War Office
1150:Metastasio
966:cemetery.
757:Malzéville
627:DĂĽsseldorf
539:(3 June).
234:Marseilles
211:Marseilles
164:Rizzo) of
154:Savigliano
1799:28 August
1586:See also
1118:Melpomene
1091:Donizetti
983:Ave Maria
939:Ave Maria
635:Karlsruhe
631:Stuttgart
623:Frankfurt
605:, in the
556:de BĂ©riot
477:Meyerbeer
353:Liverpool
328:Haymarket
289:Amsterdam
285:Rotterdam
273:The Hague
269:Amsterdam
102:Meyerbeer
79:de BĂ©riot
2156:Archived
2135:Archived
2044:Archived
1997:Archived
1978:Archived
1959:Archived
1940:Archived
1844:Archived
1616:Archived
1106:epigraph
1054:Paganini
1023:Ruggieri
958:capital.
866:Paganini
674:La Scala
583:Brussels
560:Brussels
552:Boulogne
449:Bordeaux
334:, where
259:and the
185:of King
158:Piedmont
129:Ruggieri
121:Paganini
75:Habeneck
2122:YouTube
1098:cornice
892:Glaneur
732:alone.
730:Hamburg
718:Dresden
714:Leipzig
694:Trieste
661:Trieste
603:Cologne
595:Germany
575:Antwerp
537:Neuilly
504:Berlioz
465:Berlioz
453:Orléans
326:in the
291:again.
277:Utrecht
257:Belgium
202:Mondovì
198:oratory
182:luthier
170:luthier
166:Mondovì
90:Berlioz
49:of the
1463:period
1208:, the
1169:Apollo
1165:Psyche
1161:fresco
1058:Viotti
1046:played
854:Alsace
850:Colmar
722:Berlin
710:Prague
686:Verona
682:Venice
666:Govone
599:Aachen
564:Viotti
475:, and
469:Chopin
434:
430:
422:Nantes
301:London
207:Musard
98:Chopin
71:Lafont
1191:]
1122:Talia
1110:Muses
1102:attic
1089:, by
852:, in
790:Arlon
769:Opéra
753:Nancy
720:. In
690:Padua
678:Milan
579:Liege
473:Liszt
411:Rouen
407:Lille
357:Wales
281:Delft
242:Paris
194:Turin
94:Liszt
1924:2010
1892:2010
1825:2010
1801:2018
1775:2010
1550:See
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1167:and
1120:and
761:Lyon
716:and
688:and
633:and
617:and
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2120:on
1554:The
917:to
597:in
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