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Terry Fugate-Wilcox

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617: 757: 653: 518:. This mural (formerly the site of a megabillboard now gone because the whole building was demolished in November 2015) at first appeared all white until, over time, it became ever more colorful as layers of water-soluble paint weathered away by rain revealed the artist's pigmented underlayers. The artist's intention was to use paints that were incompatible with each other, so that as the work weathered, different colors would emerge. The first layer was red epoxy paint; the second layer, yellow latex; the third layer was blue oil-based alkyd; the fourth layer was green-pigmented shellac, and the fifth (final) layer was 721: 693: 709: 633: 677: 741: 756: 616: 488:" philosophy, Fugate-Wilcox's abstract paintings often include in their creation, certain natural processes like weathering, rainfall evidence, or oxidation over time; sometimes the natural processes will (on purpose) cause additional colors to appear upon a once-monochromatic surface. 652: 300:). At age sixteen, Raymond was formally adopted by his stepfather, Dale Wilcox, becoming Raymond Terry Fugate-Wilcox. He attended military schools and some college. His autobiography also says that he married in 1963 to Valerie Monroe Shakespeare who convinced him to drop 546:", in 1970 Fugate-Wilcox and wife picked a nonexistent address on 57th Street (then the center of the New York art world) and created the fictitious Jean Freeman Gallery. Like other significant galleries, the (secretly non-existent) Jean Freeman Gallery advertised in " 632: 601:
At one point, Fugate-Wilcox and his wife, Valerie, found a lawyer willing to help them file for a "Conceptual Divorce" in which Mrs. Fugate-Wilcox would reclaim her maiden name to become Valerie Shakespeare; thereafter, couple would continue as before.
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that will continue to move past each other in opposite directions. The artist's intent would be to use "the Earth itself, as a tool to make the movement of massive continents visible on a scale that can be understood in human terms".
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outdoor sculpture in New York City was meant to feature the changing colors brought about by chemical reactions over time; however, Smithsonian photos show that in fact the surface was usually just covered-over by unauthorized
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concept that time and natural process should be able to change art's appearance, the most recognizable Fugate-Wilcox pieces involve same-sized flat rectangular slabs of chemically sensitive metals which are physically
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together—with the intent that, over time (an estimated year indicated in the piece's title) the slabs would chemically bond together through diffusion or other means into one solid mass. Such pieces include the
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Also in 1971, Tery and his wife, Valerie submitted nude passport photos. Although the photos were taken from the shoulders up, the couple was refused passports and sparked an investigation by the
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announced that the magazine would "donate" the costs of the unpaid advertising bills, and then discussed on-air the non-gallery as a conceptual artwork with Fugate-Wilcox and the show host.
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article by Grace Glueck called "The Non Gallery of No Art" announced in public the story of Jean Freeman Gallery. In a televised appearance with Fugate-Wilcox on the "
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which would gradually fan-out slightly from their original rigidly compact vertical formation due to the swelling and warping effects of humidity. According to a 1983
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shapes so often favored by minimalist artists. Fugate-Wilcox peppers the exposed surfaces of the still-wet concrete with metallic powder or other substances likely to
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took advantage of variations in humidity to flex and "flower out" when dry, and then "close back up" when the environment became more humid.
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Mp3 audio of a WGXC radio two-hour talk with the artist recalling the old SoHo art scene (intro "music" plays until 5:15 into the piece)
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A future sculptural design for which the artist acquired land and started a nonprofit organization to raise funds is his
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Some Fugate-Wilcox flat steel creations have involved changes created by blast effects from explosives. The warping and
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showing the one-acre slab as it might look after having been (purposefully) cracked into two offset halves by
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resulting from contact with detonating explosives is used for artistic effect. Fugate-Wilcox also designs
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or otherwise chemically change with the passage of time, thus changing the surface colors. The artist's
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National Gallery of Australia photo/info page of a larger Fugate-Wilcox piece in their collection.
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National Gallery of Australia photo/info page of a small Fugate-Wilcox piece in their collection.
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NYC Bridge and Tunnel Club's photo page for J. Hood Wright Park with two recent color photos of
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Fugate-Wilcox concrete sculptures typically consist of flat slabs of concrete in the elemental
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slabs will join themselves into one continuous alloy block around the year 3000. (The
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motorists (during the decade or so it was installed) was the outdoor mural titled
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Detail view showing the extent at one time of the graffiti vandalism.
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Six Years: The Dematerialization of the Art Object from 1966 to 1972
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In-process photos of the application of various paint-layers on the
463:(20 ft deep (6.1 m)) meant to straddle both sides of the 945:- citing How to Succeed (By Really Trying), Paul Gardner, ARTnews 932:
Fine Art Publicity: The Complete Guide for Galleries and Artists
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Various archive photos and artist conception composite images
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lobby until 1998, and the permanently installed 36-foot-tall
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of metal powders embedded in the sculpture's cement surface.
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y Fugate-Wilcox before the 1980s when he "donated a surplus
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Smithsonian archive photo shows the unintended reality of
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Some sculptures have used bundles of vertically installed
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In 1971, Terry Fugate-Wilcox donated a "surplus letter
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Artist's conception of the Prudential lobby fountain,
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economic effects arising from the September 11 attacks
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Smithsonian archive photo of the artist's monumental
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Another Smithsonian archive photo of Fugate-Wilcox's
288:, he was born with the name Raymond Terry Fugate in 448:article, a Fugate-Wilcox warping wood piece called 264:until both sites closed in 2002 in part due to the 232:-laureate with creations in the collections of the 137: 103: 85: 77: 48: 21: 571:" from his first name during a fundraiser for the 363:New York City's prominent 1974 outdoor sculpture, 1039:(Content note: has nudity and vulgar language ). 918:, "Ripping Off the Art Magazines", Nancy Foote, 732:New York City Department of Parks and Recreation 642:showing color changes caused by weather-induced 325:Consistent with the artist's enthusiasm for the 459:: a proposed 1-acre (4,000 m) monolith of 367:is such a work: in theory, the piece's various 812:National Gallery of Australia, Canberra 2010. 905: 903: 8: 542:" called "the conceptual artwork that ended 416:repeatedly fought to challenge in court the 833:: CS1 maint: numeric names: authors list ( 522:of white water-soluble casein paint. (The 514:directly in view of vehicles entering the 29: 18: 814:"FUGATE-WILCOX, Tery 2500AD (Cu &Zn)" 123: 784: 702:covered with graffiti in New York City. 609: 292:, and he never met his father (who was 826: 596:House Un-American Activities Committee 491:A notable example seen by millions of 246:House Un-American Activities Committee 202:(dismantled circa 1989), the 3-storey 250:New York City Department of Buildings 7: 304:from his name; changing his name to 284:According to his own autobiography, 262:SoHo Branch of the Guggenheim Museum 186:and natural-process postminimalist ( 1020:Three Thousand A.D. Diffusion Piece 762:Artist's conception of the planned 530:mural are: 40.724455, -74.006305.) 457:San Andreas Fault Sculpture Project 467:so that over time the Earth's own 308:. Fugate-Wilcox and wife moved to 14: 853:Smithsonian (ref# IAS 87870227), 638:Artist's conception image of the 755: 739: 719: 707: 691: 675: 651: 631: 615: 591:" in support of the same cause. 361:Blue steel & brass (2500 ad) 156:Lower Manhattan Cultural Council 1098:21st-century American sculptors 1078:People from Kalamazoo, Michigan 1073:20th-century American sculptors 816:. National Gallery of Australia 119: 1093:20th-century American painters 1068:21st-century American painters 1035:at Fvlcrvm Gallery explaining 484:Consistent with the artist's " 471:will crack the block into two 286:It's the Artists' Life for Me! 256:". He was co-organizer of the 174:(born 1944) (also known as Ter 1: 916:Ripping off the Art Magazines 420:s erection without permits.) 337:National Gallery of Australia 238:National Gallery of Australia 144:National Gallery of Australia 126:; died 2011) 1088:American performance artists 1018:Smithsonian archive info on 194:and surrounding region: the 560:" show, "Art in America"'s 383:are: 40.847283,-73.94205.) 1114: 748:Self-watering Tetrahedrons 726:The same sculpture, after 526:of the former site of the 321:Diffusing metal sculptures 204:Self-Watering Tetrahedrons 109:Valerie Monroe Shakespeare 1028:TFM clip of Fugate-Wilcox 1001:3000 A.D. Diffusion Piece 700:3000 A.D. Diffusion Piece 381:3000 A.D. Diffusion Piece 365:3000 A.D. Diffusion Piece 216:3000 A.D. Diffusion Piece 165: 133: 37:3000 A.D. Diffusion Piece 28: 225:George Washington Bridge 575:cause, thus going from 538:In an art prank which " 501:national parish church 234:Smithsonian Institution 43:' J. Hood Wright Park. 587:changed his name to " 469:plate-tectonic forces 433:gun buyback programs 206:fountain located in 53:Raymond Terry Fugate 684:Weathering Triangle 660:Weathering Triangle 640:Weathering Triangle 624:Holland Tunnel Wall 528:Holland Tunnel Wall 503:Our Lady of Vilnius 497:Holland Tunnel Wall 401:Weathering Triangle 379:of the site of the 306:Terry Fugate-Wilcox 290:Kalamazoo, Michigan 220:J. Hood Wright Park 200:Holland Tunnel Wall 182:to charity"), is a 96:painter, sculptor; 70:Kalamazoo, Michigan 1083:Minimalist artists 728:graffiti abatement 573:Irish independence 312:in December 1968. 172:Tery Fugate-Wilcox 23:Tery Fugate-Wilcox 767:Sculpture Project 765:San Andreas Fault 664:Greenwich Village 626:weathering mural. 473:golden rectangles 465:San Andreas Fault 169: 168: 63:November 20, 1944 1105: 1029: 986: 980: 974: 968: 952: 946: 929: 923: 913: 907: 898: 892: 886: 880: 874: 868: 862: 851: 845: 839: 838: 832: 824: 822: 821: 809: 803: 792: 759: 743: 730:care. (Photo by 723: 711: 695: 679: 662:as installed in 655: 635: 619: 252:, and magazine " 222:overlooking the 140: 127: 125: 121: 66: 62: 60: 33: 19: 16:American painter 1113: 1112: 1108: 1107: 1106: 1104: 1103: 1102: 1048: 1047: 1027: 995: 990: 989: 983: 977: 971: 953: 949: 930: 926: 914: 910: 901: 895: 889: 883: 877: 871: 865: 852: 848: 842: 825: 819: 817: 811: 810: 806: 793: 786: 781: 774: 760: 751: 744: 735: 724: 715: 712: 703: 696: 687: 680: 671: 656: 647: 636: 627: 620: 608: 589:Patrick Ireland 585:Brian O'Doherty 562:Brian O'Doherty 536: 534:Performance art 524:geo-coordinates 482: 450:Weathering Wood 389: 387:Other sculpture 377:geo-coordinates 323: 318: 282: 258:Fulcrum Gallery 148:Public Art Fund 138: 129: 117: 113: 110: 98:Performance art 73: 67: 64: 58: 56: 55: 54: 44: 35:1972 sculpture 24: 17: 12: 11: 5: 1111: 1109: 1101: 1100: 1095: 1090: 1085: 1080: 1075: 1070: 1065: 1060: 1050: 1049: 1046: 1045: 1040: 1024: 1015: 1010: 1005: 994: 993:External links 991: 988: 987: 981: 975: 969: 947: 924: 920:Art in America 908: 899: 893: 887: 881: 875: 869: 863: 846: 840: 804: 783: 782: 780: 777: 776: 775: 761: 754: 752: 745: 738: 736: 725: 718: 716: 713: 706: 704: 697: 690: 688: 681: 674: 672: 657: 650: 648: 637: 630: 628: 621: 614: 612: 607: 604: 553:New York Times 548:Art in America 544:conceptual art 540:Art in America 535: 532: 516:Holland Tunnel 481: 478: 445:New York Times 388: 385: 322: 319: 317: 314: 281: 278: 254:Art in America 167: 166: 163: 162: 141: 135: 134: 131: 130: 115: 111: 108: 107: 105: 101: 100: 87: 86:Known for 83: 82: 79: 75: 74: 68: 52: 50: 46: 45: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1110: 1099: 1096: 1094: 1091: 1089: 1086: 1084: 1081: 1079: 1076: 1074: 1071: 1069: 1066: 1064: 1063:Living people 1061: 1059: 1056: 1055: 1053: 1044: 1041: 1038: 1034: 1030: 1025: 1023: 1021: 1016: 1014: 1011: 1009: 1006: 1004: 1002: 997: 996: 992: 985: 982: 979: 976: 973: 970: 967: 964: 963:0-520-21013-1 960: 956: 951: 948: 944: 941: 940:1-58115-401-1 937: 933: 928: 925: 922:, March, 1972 921: 917: 912: 909: 906: 904: 900: 897: 894: 891: 888: 885: 882: 879: 876: 873: 870: 867: 864: 860: 859: 855: 850: 847: 844: 841: 836: 830: 815: 808: 805: 801: 800: 796: 791: 789: 785: 778: 772: 768: 766: 758: 753: 749: 742: 737: 733: 729: 722: 717: 710: 705: 701: 694: 689: 685: 678: 673: 669: 665: 661: 654: 649: 645: 641: 634: 629: 625: 618: 613: 610: 605: 603: 599: 597: 592: 590: 586: 582: 578: 574: 570: 565: 563: 559: 555: 554: 549: 545: 541: 533: 531: 529: 525: 521: 517: 513: 509: 505: 504: 498: 494: 493:New York City 489: 487: 479: 477: 474: 470: 466: 462: 458: 453: 451: 447: 446: 441: 440:2 by 4 lumber 436: 434: 430: 426: 421: 419: 415: 411: 407: 406:event posters 402: 398: 394: 386: 384: 382: 378: 374: 370: 366: 362: 358: 356: 350: 348: 344: 338: 333: 328: 320: 315: 313: 311: 310:New York City 307: 303: 299: 295: 291: 287: 279: 277: 275: 271: 267: 263: 259: 255: 251: 247: 243: 239: 235: 231: 227: 226: 221: 217: 213: 209: 205: 201: 197: 193: 192:New York City 189: 185: 181: 177: 173: 164: 161: 157: 153: 149: 145: 142: 136: 132: 106: 102: 99: 95: 91: 88: 84: 80: 76: 71: 65:(age 79) 51: 47: 42: 38: 32: 27: 20: 1019: 1000: 984: 978: 972: 966:Google Books 954: 950: 943:Google Books 931: 927: 919: 915: 911: 896: 890: 884: 878: 872: 866: 856: 849: 843: 818:. Retrieved 807: 797: 763: 747: 699: 683: 659: 639: 623: 600: 593: 580: 576: 568: 566: 551: 537: 527: 502: 496: 490: 483: 456: 454: 449: 443: 437: 422: 417: 414:NY Buildings 400: 390: 380: 364: 360: 352: 341:2,500 A.D. ( 340: 324: 305: 301: 298:World War II 285: 283: 223: 215: 211: 203: 199: 179: 175: 171: 170: 36: 1058:1946 births 858:Smithsonian 794:NYC Parks, 359:, and also 198:-sponsored 78:Nationality 1052:Categories 1037:Actual Art 820:2014-09-12 779:References 486:Actual Art 327:Actual Art 280:Early life 208:Prudential 188:Actual Art 184:minimalist 152:Prudential 94:Actual Art 90:Minimalist 59:1944-11-20 799:NYC Parks 644:oxidation 520:whitewash 480:Paintings 429:lightning 418:Triangle' 393:polygonal 373:magnesium 357:(3500 ad) 353:Cu & 242:NYC Parks 212:Gateway 4 160:NYC Parks 139:Patron(s) 41:NYC Parks 829:cite web 771:tectonic 461:concrete 425:spalling 410:graffiti 369:aluminum 81:American 1033:YouTube 773:forces. 606:Gallery 397:oxidize 302:Raymond 296:during 274:TriBeCa 128:​ 116:​ 112:​ 961:  938:  512:Broome 508:Varick 351:, and 345:& 332:bolted 248:, the 236:, the 122:  104:Spouse 72:, U.S. 577:Terry 558:Today 118:( 114: 959:ISBN 936:ISBN 835:link 668:tags 581:Tery 510:and 408:and 371:and 316:Work 272:and 270:SoHo 196:LMCC 124:1963 92:and 49:Born 1031:on 579:to 339:'s 294:KIA 268:on 230:NEA 218:in 210:'s 39:in 1054:: 902:^ 831:}} 827:{{ 787:^ 435:. 347:Zn 343:Cu 276:. 240:, 158:, 154:, 150:, 146:, 120:m. 61:) 1022:. 1003:. 861:. 837:) 823:. 802:. 750:. 734:) 686:. 670:. 569:R 355:C 349:) 180:r 176:r 57:(

Index


NYC Parks
Kalamazoo, Michigan
Minimalist
Actual Art
Performance art
National Gallery of Australia
Public Art Fund
Prudential
Lower Manhattan Cultural Council
NYC Parks
minimalist
Actual Art
New York City
LMCC
Prudential
J. Hood Wright Park
George Washington Bridge
NEA
Smithsonian Institution
National Gallery of Australia
NYC Parks
House Un-American Activities Committee
New York City Department of Buildings
Art in America
Fulcrum Gallery
SoHo Branch of the Guggenheim Museum
economic effects arising from the September 11 attacks
SoHo
TriBeCa

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