Knowledge (XXG)

Huiyen Lallong

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spear was considered particularly courageous. The duel itself was not necessarily to the death and usually ended once first blood has been drawn. However, the victor was expected to behead the loser. Either before the duel or before the beheading, the fighters would share the meals and wine prepared by their wives. If it had been so requested beforehand, the loser's body may be cremated. Heads were taken as trophies, as was custom among the headhunters of northeast India. Taboos existed such as not killing an opponent who runs, begs or cries out of fear, or anyone who pleads for protection.
36: 554: 1262: 153: 117: 364:, paving the way for the conqueror kings of the 15th century. The warrior queen Linthoingambi successfully defeated raiding Tangkhul tribesmen while the king was absent. Her husband Meidingu Ningthou Khomba took advantage of his highly trained warriors and expanded the kingdom's territory. Their son Meidingu 402:
In recent years huyen langlon has been promoted as a sport all over India and as a self-defence tactical subject. Competitions are held yearly at school, district, state and national level. The promotion of huyen langlon as a sport helped in the cause of its promotion and spread from Manipur to the
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in particular have practiced headhunting in living memory. Nevertheless, modernization and adoption of Christianity killed off much of the native culture, particularly after the second World War. The meditative practices of huyen langlon were nearly lost before India achieved independence. Today it
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system, making it the duty of every male above 16 to serve the state for 10 in 40 days. Therefore each person served the state some 90 days in a year, with martial arts as part of their training. Thus Manipur had no true standing army and relied on its individual warriors for protection. Pamheiba's
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All that can be gleaned of huyen langlon's ancient history comes from hymns and legends. Folklore links the creation of huyen langlon and its related dances with the native animist gods. Manipur was a valley protected from neighbouring Hindu, Burmese and Chinese kingdoms by hills. The valley people
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details the ethics of duelling. The fights took place under strict rules of conduct and to violate them was shameful and sinful. When a fighter is challenged, the day for the bout is fixed to allow for time to prepare the weapons. Allowing the opponent the first chance to fire an arrow or hurl a
430:, training begins with stepping patterns and then basic sword strikes. The main sword stance is the lion posture, in which the body leans forward with one leg stretched back and the other bent forward. The feet are about shoulder-width apart and form a 45-degree angle. This stance emphasises 259:
can be practiced in three ways: ritual, demonstration, and combat. The first way is related to tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These routines can be converted into actual fighting
766: 386:. Conflict with the Burmese continued through the 18th and 19th centuries, culminating in the Chahi-Taret Khuntakpa or Seven Years Devastation. As muskets were not widely available, swords and spears remained the primary weapons of both the Burmese and Meitei armies. 524:(shield) measuring one feet in diameter. One match consists of two three-minute rounds with one minute of rest in between. One central referee, six scorers, one time keeper and either one or two chief judges are assigned for one match. The other form of sparring, 389:
From 1891 to 1947 British colonists prohibited martial arts, the possession of weapons, duels to the death, and other violent customs among India's indigenous populations. The ban was somewhat difficult to enforce due to the region's isolation. The neighbouring
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The earliest written record of huyen langlon come from the Puya or written records handed down to posterity by the forefathers of the Meiteis, which record the history of the Manipur royalty in archaic Meitei script. The
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or a coil, enabling a springing action. At higher levels, exponents slice pieces of watermelons on a person's body without causing any injury. This is eventually done blindfolded.
752: 863:... Guru G. Gourakishor Sharma was recently conferred the coveted Padamshree award for 2008-2009 to honour his lifetime contribution to Manipuri Martial Art, Thang-Ta ... 455:
emulating the expanse of the ground. Generally speaking, the spear demands more of the lower body while the sword uses more of the upper body. Bare-handed techniques (
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Until this point, most of the fighters were commoners who also served as warriors. Loiyamba Shinyen (1074-1122 AD) introduced an armed force or
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whole of India, particularly Jammu and Kashmir. Manipur and Jammu & Kashmir are the strongest contenders at the national level. In 2009
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dance. The sword movements in dance are meant to either symbolize protection or to ward off evil spirits. As a result, it is part of the
915: 807: 530:, is identical with the exception that kicks are allowed and there are no shields. These forms of sparring in which cudgels or 716: 1284: 908: 404: 653: 418:
The biggest training school is the Huyen Langlon Thang-Ta Academy which holds demonstrations at cultural shows.
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martial arts, practiced by men and women. It is most often seen through demonstrations in cultural programs.
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Spear technique is considered more difficult and is taught after the sword. The spear emphasizes
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Meidingu Pamheiba (1709-1748 AD) is regarded as one of Manipur's greatest kings. He upgraded the
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Thang-Ta shares a connection with certain war-dances, often blurring the line between dance and
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Sparring matches are conducted in a 30-foot circular arena. There are two methods of sparring:
1148: 977: 342:, these clans each ruled separate principalities over which they fought amongst each other. 135: 1118: 1103: 885: 811: 740: 685: 179: 890: 804: 1153: 1123: 1113: 164: 360:, while King Punshiba (1404-1432 AD) created a permanent military department known as 1278: 1163: 1098: 1083: 1032: 987: 972: 633: 618: 598: 396: 368:, an expert with the spear, eventually went on to conquer the Shan kingdom of Kyang. 365: 339: 43: 593: 1249: 1193: 1168: 1068: 1047: 1022: 1012: 1002: 967: 944: 623: 319: 1178: 1108: 1007: 992: 648: 578: 391: 167: 152: 1234: 583: 549: 408: 331: 1173: 1073: 895: 568: 1239: 1037: 1027: 997: 957: 952: 734:
https://www.esamskriti.com/essays/pdf/14-dec-manipuri-dance-a-journey.pdf
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for his contributions to the preservation and advancement of the art.
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and the Burmese kingdom of Awa, expanding Meitei rule as far as
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development of the military paid off. His warriors fought
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practices. The third way is the true combat application.
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http://themanipurpage.tripod.com/culture/thangta.html
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Before their integration into a single unified 298:were divided into seven related clans, known as 512:, competitors wield a two-foot leather-encased 916: 443:, an opening out of the body with two forms: 8: 57: 923: 909: 901: 825:"Manipur martial art guru gets Padmashri" 671: 449:to simulate the expanse of the sky and 56: 891:THE MARTIAL ARTS TRADITION OF MANIPUR 7: 536:simulate swords are referred to as 27:Traditional Meitei martial art form 715:Chowdhurie, Tapati (13 May 2016). 702:"Thang Ta: Martial Art of Manipur" 25: 831:, 28 January 2009, archived from 1260: 679:Thang Ta - the martial art dance 552: 200:can mean net, knowledge or art. 115: 52:, you may see errors in display. 34: 518:(cudgel) paired with a leather 255: 238: 206:consists of two main subforms: 202: 242:is closely related to Burmese 1: 879:Thang-Ta from ManipurPage.com 538: 532: 526: 520: 514: 508: 502: 496: 487: 481: 475: 469: 463: 457: 451: 445: 439: 405:Gurumayum Gourakishor Sharma 373: 356: 281: 275: 269: 196: 190: 184: 1316: 654:World Silambam Association 485:), and the sacred dances ( 1258: 473:), traditional medicine ( 362:Shingchep Meira Haijouroi 884:30 November 2022 at the 771:www.thesangaiexpress.com 287:Manipuri classical dance 810:7 November 2007 at the 395:is the most popular of 253:The Thang-Ta aspect of 170:form. It is one of the 132:Nongda Lairen Pakhangba 157: 42:This article contains 896:Martial Arts in India 739:26 April 2022 at the 155: 835:on 28 September 2011 690:India-north-east.com 684:22 June 2013 at the 1285:Indian martial arts 1266:Martial arts portal 932:Indian martial arts 560:Martial arts portal 542:(clash of cheibi). 428:Indian martial arts 336:Sarang Leishangthem 210:(armed combat) and 174:, originating from 172:Indian martial arts 59: 44:the Meitei alphabet 791:History of Manipur 717:"Gem of a journey" 273:(sword dance) and 165:traditional Meitei 158: 1272: 1271: 861:, 24 April 2009, 413:Indian Government 310:. These were the 150: 149: 111:Country of origin 50:rendering support 16:(Redirected from 1307: 1264: 1149:Malappuram Kathi 978:Inbuan wrestling 925: 918: 911: 902: 866: 865: 854: 848: 847: 842: 840: 821: 815: 802: 793: 788: 782: 781: 779: 777: 763: 757: 756: 749: 743: 731: 725: 724: 712: 706: 705: 698: 692: 676: 562: 557: 556: 555: 541: 535: 529: 527:phunaba anishuba 523: 517: 511: 505: 503:phunaba anishuba 499: 490: 484: 478: 472: 466: 460: 454: 448: 442: 376: 359: 340:Meitei community 284: 278: 272: 258: 257: 241: 240: 205: 204: 199: 193: 188:means war while 187: 136:Meitei tradition 120: 119: 60: 38: 37: 21: 1315: 1314: 1310: 1309: 1308: 1306: 1305: 1304: 1275: 1274: 1273: 1268: 1254: 1213: 1119:Kayamkulam vaal 1052: 943: 934: 929: 886:Wayback Machine 875: 870: 869: 856: 855: 851: 838: 836: 823: 822: 818: 812:Wayback Machine 803: 796: 789: 785: 775: 773: 765: 764: 760: 751: 750: 746: 741:Wayback Machine 732: 728: 714: 713: 709: 700: 699: 695: 686:Wayback Machine 677: 673: 668: 663: 558: 553: 551: 548: 539:cheibi chainaba 479:), meditation ( 470:ningsha kanglon 424: 411:award from the 295: 180:Meitei language 114: 83:Huiyen Langlong 55: 54: 53: 48:Without proper 39: 35: 28: 23: 22: 15: 12: 11: 5: 1313: 1311: 1303: 1302: 1297: 1295:Manipuri dance 1292: 1290:Meitei culture 1287: 1277: 1276: 1270: 1269: 1259: 1256: 1255: 1253: 1252: 1247: 1242: 1237: 1232: 1227: 1221: 1219: 1215: 1214: 1212: 1211: 1206: 1201: 1196: 1191: 1186: 1181: 1176: 1171: 1166: 1161: 1156: 1151: 1146: 1141: 1136: 1131: 1126: 1121: 1116: 1111: 1106: 1101: 1096: 1091: 1086: 1081: 1076: 1071: 1066: 1060: 1058: 1054: 1053: 1051: 1050: 1045: 1040: 1035: 1030: 1025: 1020: 1015: 1010: 1005: 1000: 995: 990: 985: 980: 975: 970: 965: 960: 955: 949: 947: 936: 935: 930: 928: 927: 920: 913: 905: 899: 898: 893: 888: 874: 873:External links 871: 868: 867: 859:AndhraNews.net 849: 816: 794: 783: 758: 744: 726: 707: 693: 670: 669: 667: 664: 662: 661: 656: 651: 646: 641: 636: 631: 626: 621: 616: 611: 606: 601: 596: 591: 586: 581: 576: 571: 565: 564: 563: 547: 544: 476:layeng kanglon 423: 420: 348:Chainarol-Puya 294: 291: 228:). 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In the 1240:Chekavar 1038:Silambam 1028:Pehlwani 998:Malakhra 958:Aki Kiti 953:Adimurai 882:Archived 808:Archived 737:Archived 682:Archived 644:Thang-ta 629:Silambam 609:Kenjutsu 546:See also 446:nongphan 422:Training 208:Thang-Ta 156:Thang-ta 18:Thang-ta 1199:Shuckra 1184:Saintie 1104:Firangi 1089:Chakram 1079:Bichuwa 1057:Weapons 983:Kabaddi 839:24 July 594:Jūkendō 584:Bōjutsu 574:Banshay 521:chungoi 452:leiphal 380:Tripura 328:Moirang 312:Mangang 293:History 282:Thenkou 248:banshay 234:Myanmar 230:Manipur 197:Lanlong 191:Lallong 176:Manipur 128:Creator 1245:Kalari 1225:Akhara 1204:Talwar 1189:Savuku 1159:Mudgar 1154:Moplah 1144:Maduvu 1134:Kirpan 1124:Khanda 1094:Chentu 1064:Aruval 639:Tahtib 533:cheibi 515:cheibi 440:phanba 432:phidup 397:Meitei 384:Cachar 374:lallup 357:lallup 320:Khuman 316:Luwang 185:Huiyen 1230:Ankam 1209:Urumi 1139:Kukri 1114:Katar 1018:Mukna 963:Gatka 659:Bando 604:Kendo 589:Gatka 506:. 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Index

Thang-ta
the Meitei alphabet
rendering support
India
India
Nongda Lairen Pakhangba
Meitei tradition

traditional Meitei
martial art
Indian martial arts
Manipur
Meitei language
Mukna
Manipur
Myanmar
bando
banshay
combat forms
Manipuri classical dance
Mangang
Luwang
Khuman
Angom
Moirang
Khaba-Nganba
Sarang Leishangthem
Meitei community
Senbi Kiyamba
Tripura

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