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477:, defines his identity more in terms of what he is rather than who he is. Although this ultimately defines the character, the technique that Asher employs in his lyrics and Wilson's insistent use of the sigh falloff can give the listener the impression that the character's sense of self-identity is weaker than he might admit.
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for the song, describing them as "labored", and lamented that he had "missed the mark". He said, "This is all a criticism of my lyric-writing, by the way; it's a very interesting series of chord changes. It goes in wonderful places that you don't expect it to. But for some reason, I found it very difficult to write to."
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ballets; moreover, the "uncluttered arrangement (featuring guitar, organ, bass, and percussion) allows each instrument to breathe, making the tune a study in contrast and texture." Mason supports, "The start-stop quality of the tune -- a trick that Brian Wilson used quite a bit during this period of
359:
As the narrator reflects on his past, he begins to understand that his personal development has not reached its full potential ("I went through all kinds of changes, took a look at myself, and said that's not me"). Ultimately, he realizes that he is better living with a lover than pursuing a life of
286:
The lyric illustrates a young man in his path toward self-discovery and independence, ending with the realization that he is better living with a lover than pursuing a life of solitude in service to his dream. Wilson felt that the song revealed "a lot about" himself. Other writers speculate that the
363:
In a 1976 interview, Wilson stated, "I think "That's Not Me" reveals a lot about myself, just the idea that you're going to look at yourself and say, 'Hey, now look, that's not me, kind of square off with yourself and say 'this is me, that's not me'." Asher expressed dissatisfaction with the lyrics
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The track was then mixed down to allow Brian and Carl to overdub a bass guitar and 12-string guitar, respectively. After another reduction mix, they overdubbed another bass and 12-string guitar part. "That's Not Me" is the only track on the album where most of the instrumentation was played by the
356:
successful and great "in the eyes of the world", however, he feels that it may be more meaningful to do it for the sake of "just one girl". His parents notice that he is acting out of character, possibly before he does ("My folks when I wrote and told them what I was up to said 'that's not me'").
355:
The lyric illustrates a young man in his path toward self-discovery and independence ("I had to prove that I could make it alone / but that's not me"). To this end, he decides to leave both his home and his lover ("I once had a dream so I packed up and split for the city"). He contemplates being
360:
solitude in service to his dream ("I soon found out that my lonely life wasn't so pretty"). He then begs his lover for forgiveness after having abandoned her "at the wrong time", although he is grateful that he did, for now he is "that much more sure that we're ready".
624:
with Brian Wilson. Wilson stated in 1996, "He just really nailed it, real powerful voice, very souped-up kind of a sound." When the track was remixed for stereo in 1996, Wilson asked for the "clack" sound in the bridge to be reduced in volume.
550:"That's Not Me" is another example of the way in which the Beach Boys (or more properly, Brian Wilson) use texture to reflect changes of mood. Listen to the way the texture changes for the sections beginning "
617:
band members themselves. It is also the only track on the album where Brian and Carl perform together on instruments, and the only track where more than two members of the group play their own instruments.
223:
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remembered of the vocal arrangement, "That's just an 'ooh and aah' song vocally. That was easy; a gymnastic experience. I'm pretty rangy in my voice. But that was really a song for a lead vocal."
279:, it is distinguished for its sophisticated harmonic structure and its sudden shifts in mood and instrumental textures. Owing to its relatively sparse orchestration, it is the track on
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reviewer
Stewart Mason decreed that "That's Not Me" was "a largely underappreciated gem" that had been "vershadowed by the even-better tracks that surround it on side one of
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502:, "That's Not Me" has a relatively small-scale instrumental arrangement. Critic Stewart Mason considered the track to be "the closest thing to a conventional rocker" on
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1605:
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643:, Norman Jopling described the song as a "quizzical sort of beat ballad self-obsessed sort of lyric which is clever without being in the least appealing ...
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in
Hollywood. The basic track was recorded on February 15, with Brian on organ, Dennis on drums, Carl on lead guitar, and their cousin Steve Korthof joining
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his career -- gives the song a sense of nervous tension that's exacerbated by the beaten-down, anxious quality of Tony Asher's lyrics." As written in the
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guitar. This song has no intro, but notice how unusual harmonic twists give variety to what might otherwise be a rather repetitive verse structure.
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major symbolizes the narrator's journey away from home to gain a new perspective". Fusilli describes the song as "subversive" and an "
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779:(AFM) sheets indicate the presence of Jardine and Johnston, but they did not contribute to the recording of the basic track.
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604:, and he said, "Gosh—this is such a great track, but the timing on the tambourine is off!" I said, "Uh-hum. Terry, that's
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I distinctly remember that Terry
Melcher played tambourine on that song. Not long ago, he and I were listening to
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patterns. Some of the things definitely aren't rock and roll." Starting at 0:17, the pattern engages in extended
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558:". The strong percussive elements drop out to leave a smooth, sustained organ and vocal texture with a heavily
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The Beach Boys performing in
December 1964, just before Brian withdrew from their regular concert appearances.
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songs, its sparse orchestration and uncommon form 'That's Not Me' one of the most appealing on the record."
352:, Asher contended that he himself had contributed musical ideas to several songs, including "Thats Not Me".
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Music historian
Charles Granata compares the music of "That's Not Me" to "the spacious atmosphere" heard in
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Inside the Music of Brian Wilson: The Songs, Sounds, and
Influences of the Beach Boys' Founding Genius
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The
Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern Californian Experience
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Additional percussion and vocals were overdubbed shortly thereafter. The lead vocal was sung by
473:] at the conclusion of each line of the verses. Here, the lead character, this time sung by
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shares lead vocal with Wilson, who plays the track's prominent, buzzing organ. Brian's brothers
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with an ABAB form, with every instance of AB being repeated with development. It starts in the
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The Album: A Guide to Pop Music's Most
Provocative, Influential, and Important Creations
2017:
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Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds
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on tambourine. Bruce
Johnston recounted an anecdote concerning this session:
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1234:
Bruce Cole; Andy
Collyer; David M Howard, Andy Hunt, Damian Murphy (2005).
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Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective
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in February 1966 with the aid of his bandmates alongside percussionist
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or his withdrawal from regular concert appearances in the year prior.
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654:, Charles Granata writes, "While not as popular as some of the other
559:
1607:
When I Grow Up: The Development of the Beach Boys' Sound (1962-1966)
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On May 16, 1966, "That's Not Me" was released as the third track on
1630:
O'Regan, Jadey (2016). "When I Grow Up". In Lambert, Philip (ed.).
864:"Why Does the Beach Boys' 'Pet Sounds' Still Have Its Hold on Us?"
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states that the song was written after Wilson, influenced by
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885:"From The Record Crate: The Beach Boys -"Pet Sounds" (1966)"
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637:. In his self-described "unbiased" review of the album for
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Musicologist James E. Perone observed a melodic "sighing"
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Turn on Your Mind: Four Decades of Great Psychedelic Rock
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that most closely resembles a conventional rock song.
334:"That's Not Me" is among the several songs written by
1503:
Heroes and Villains: The True Story of The Beach Boys
608:" He didn't remember it, but Terry Melcher is on the
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provides much of the sonic texture in "That's Not Me"
588:
Wilson produced "That's Not Me" in February 1966 at
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1183:"Dennis Wilson: We Just Want To Be A Good Group"
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1300:: CS1 maint: others in cite AV media (notes) (
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1240:. Rhinegold Publishing Limited. p. 125.
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1583:(1). Cambridge University Press: 109–133.
1237:Student's Guide to Music Tech. As, A2/Edex
789:List of cover versions of Beach Boys songs
467:includes the Wilson sigh motive [
451:in "That's Not Me" that recurs throughout
287:song may have been inspired by his use of
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1804:Don't Talk (Put Your Head on My Shoulder)
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461:Don't Talk (Put Your Head on My Shoulder)
306:, and the Wilsons' cousin Steve Korthof.
2339:Song recordings produced by Brian Wilson
1997:(The Reverberation Appreciation Society)
1981:Sgt. Petsound's Lonely Hearts Club Band
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2056:Pet Sounds 50th Anniversary World Tour
1370:"The Beach Boys: Pet Sounds (Capitol)"
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726:, overdubbed twelve-string lead guitar
2038:Brian Wilson Presents Pet Sounds Live
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498:In comparison to the other tracks on
438:piece of pop music" partly for these
396:"That's Not Me" is the only track on
7:
1960:Do It Again: A Tribute to Pet Sounds
1001:Fornatale, Pete (November 3, 1976).
752:Steve Korthof – tambourine (shaking)
18:That's Not Me (Beach Boys song)
294:Wilson produced "That's Not Me" at
2214:Carl and the Passions – "So Tough"
1967:MOJO Presents Pet Sounds Revisited
1864:I Just Wasn't Made for These Times
801:MOJO Presents Pet Sounds Revisited
25:
2151:Summer Days (And Summer Nights!!)
978:Elliott, Brad (August 31, 1999).
455:, including the preceding track "
215:
1636:. University of Michigan Press.
1367:Jopling, Norman (July 2, 1966).
777:American Federation of Musicians
749:or some other wooden instrument"
459:" and the track which follows, "
2324:American psychedelic rock songs
2137:The Beach Boys' Christmas Album
862:Castro, Danilo (May 16, 2016).
428:felt that "the move from A to F
1569:Lambert, Philip (March 2008).
883:Montes, Kevin (May 16, 2016).
514:album, you'll hear me playing
414:, ascends up a minor third to
1:
2329:Songs written by Brian Wilson
2291:That's Why God Made the Radio
1974:Pet Sounds: In the Key of Dee
1604:O'Regan, Jade Simone (2014).
1316:"Interview with Brian Wilson"
1003:"Interview with Brian Wilson"
544:Student's Guide to Music Tech
72:
1718:That's Not Me (instrumental)
1522:Granata, Charles L. (2003).
1276:"Comments by Bruce Johnston"
257:" is a song by the American
2334:Songs written by Tony Asher
1921:The Little Girl I Once Knew
1572:"Brian Wilson's Pet Sounds"
1507:. New York: Da Capo Press.
1434:. Hal Leonard Corporation.
1180:Delehant, Jim (June 1967).
27:1966 song by the Beach Boys
2360:
1707:That's Not Me (stereo mix)
1161:. Endless Summer Quarterly
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342:for the Beach Boys' album
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1651:Perone, James E. (2012).
1615:Queensland Conservatorium
1589:10.1017/S1478572208000625
1554:. Bloomsbury Publishing.
1481:. Bloomsbury Publishing.
1396:"Pet Sounds Session List"
247:
216:
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2284:Stars and Stripes Vol. 1
2256:Keepin' the Summer Alive
2031:Brian Wilson is a genius
1850:I Know There's an Answer
1818:Let's Go Away for Awhile
1394:Waspensky, Russ (1997).
980:"Pet Sounds Track Notes"
76: February 15, 1966
2235:The Beach Boys Love You
2062:The Pet Sounds Sessions
1995:A Tribute to Pet Sounds
1811:I'm Waiting for the Day
1790:You Still Believe in Me
1577:Twentieth-Century Music
1458:Oxford University Press
1454:The Foundations of Rock
1400:The Pet Sounds Sessions
1320:The Pet Sounds Sessions
1280:The Pet Sounds Sessions
1032:The Pet Sounds Sessions
813:A Tribute to Pet Sounds
758:– tambourine (slapping)
650:In his 2003 book about
552:I'm a little bit scared
457:You Still Believe in Me
381:regular touring line-up
1914:How Deep Is the Ocean?
1478:Beach Boys' Pet Sounds
982:. beachboysfanclub.com
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265:from their 1966 album
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2144:The Beach Boys Today!
1475:Fusilli, Jim (2005).
1159:beachboysarchives.com
674:Per Craig Slowinski.
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383:after December 1964.
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322:Background and lyrics
226:
2319:The Beach Boys songs
1530:. A Cappella Books.
1028:"Song by Song Notes"
463:". Perone explains,
418:, and ends back in F
1928:Stella by Starlight
1907:Hang On to Your Ego
1783:Wouldn't It Be Nice
1456:. Oxford, England:
1336:cite AV media notes
1296:cite AV media notes
1079:, pp. 115–116.
968:, pp. 240–241.
2277:Summer in Paradise
2249:L.A. (Light Album)
2158:Beach Boys' Party!
2123:Shut Down Volume 2
2116:Little Deuce Coupe
1623:10.25904/1912/2556
1153:Slowinski, Craig.
737:Additional players
722:– backing vocals,
629:Critical reception
586:
556:I once had a dream
496:
392:Harmonic structure
332:
302:, record producer
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2344:Chamber pop songs
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2068:Pet Sounds Studio
1887:
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1664:978-0-313-37907-9
1643:978-0-472-11995-0
1561:978-1-4411-0748-0
1488:978-1-4411-1266-8
1467:978-0-19-531023-8
1441:978-0-634-05548-5
1247:978-1-904226-75-8
1209:, pp. 15–16.
706:Hammond B-3 organ
373:psychedelic drugs
289:psychedelic drugs
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2006:Related articles
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1673:White, Timothy
1669:
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1497:Gaines, Steven
1493:
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1426:DeRogatis, Jim
1421:
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1404:The Beach Boys
1386:
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1357:, p. 223.
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1053:DeRogatis 2003
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1036:The Beach Boys
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783:Cover versions
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590:Western Studio
574:
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567:Bruce Johnston
483:
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426:Philip Lambert
393:
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756:Terry Melcher
754:
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748:
747:temple blocks
744:
741:
740:
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731:
730:Dennis Wilson
728:
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708:, overdubbed
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532:Billy the Kid
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527:Aaron Copland
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374:
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369:Jim DeRogatis
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304:Terry Melcher
301:
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274:
271:. Written by
270:
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255:That's Not Me
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155:Songwriter(s)
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2242:M.I.U. Album
2240:
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2172:Smiley Smile
2170:
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1988:Smiling Pets
1986:
1979:
1972:
1965:
1958:
1878:Caroline, No
1825:Sloop John B
1796:
1758:
1678:
1657:. ABC-CLIO.
1653:
1632:
1606:
1580:
1576:
1550:
1525:
1502:
1477:
1453:
1430:
1418:Bibliography
1399:
1389:
1379:– via
1374:
1362:
1355:Granata 2003
1350:
1319:
1310:
1279:
1270:
1236:
1229:
1222:Granata 2003
1207:Everett 2009
1202:
1192:– via
1187:
1175:
1163:. Retrieved
1158:
1123:
1116:Fusilli 2005
1101:Lambert 2008
1096:
1089:Granata 2003
1084:
1077:Lambert 2008
1072:
1060:
1048:
1031:
1018:
1009:
996:
984:. Retrieved
973:
966:Lambert 2007
961:
954:O'Regan 2016
949:
942:O'Regan 2014
927:Granata 2003
899:
888:
878:
867:
857:
846:
811:
799:
774:
762:
761:
736:
735:
702:Brian Wilson
677:
676:
673:
663:
655:
651:
649:
638:
634:
632:
619:
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609:
605:
601:
599:
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555:
551:
549:
543:
536:
530:
524:
511:
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499:
497:
468:
466:
452:
446:
444:
397:
395:
366:
362:
358:
354:
349:
343:
336:Brian Wilson
333:
293:
285:
280:
273:Brian Wilson
266:
254:
252:
212:Audio sample
185:Brian Wilson
164:Brian Wilson
64:May 16, 1966
52:
29:
2228:15 Big Ones
2109:Surfer Girl
2044:Chamber pop
2023:discography
1402:(Booklet).
1322:(Booklet).
1282:(Booklet).
1189:Hit Parader
1128:Perone 2012
1034:(Booklet).
1024:Leaf, David
904:Gaines 1986
769:Chuck Britz
724:lead guitar
720:Carl Wilson
710:bass guitar
647:at times."
482:Arrangement
436:avant-garde
387:Composition
180:Producer(s)
109:chamber pop
90:, Hollywood
2314:1966 songs
2308:Categories
2179:Wild Honey
2165:Pet Sounds
2013:Tony Asher
1871:Pet Sounds
1857:Here Today
1760:Pet Sounds
1690:0333649370
1613:(Thesis).
1514:0306806479
1065:White 1996
869:PopMatters
820:References
787:See also:
771:– engineer
743:Hal Blaine
714:Danelectro
684:Al Jardine
664:Pet Sounds
656:Pet Sounds
652:Pet Sounds
645:Spectorish
635:Pet Sounds
610:Pet Sounds
602:Pet Sounds
512:Pet Sounds
504:Pet Sounds
500:Pet Sounds
453:Pet Sounds
398:Pet Sounds
350:Pet Sounds
345:Pet Sounds
340:Tony Asher
300:Hal Blaine
281:Pet Sounds
277:Tony Asher
268:Pet Sounds
169:Tony Asher
54:Pet Sounds
2207:Surf's Up
2200:Sunflower
1597:162871617
1256:cite book
808:Holy Wave
696:Mike Love
670:Personnel
622:Mike Love
582:Mike Love
573:Recording
475:Mike Love
308:Mike Love
1892:Outtakes
1835:Side two
1775:Side one
1675:(1996).
1548:(2007).
1499:(1986).
1452:(2009).
1428:(2003).
1165:April 5,
1026:(1997).
986:March 3,
848:AllMusic
660:AllMusic
560:reverbed
520:tom drum
431:♯
421:♯
409:♯
69:Recorded
61:Released
2221:Holland
2186:Friends
1723:YouTube
1712:YouTube
1330:. 1997.
1290:. 1997.
806:2016 –
794:2012 –
732:– drums
554:" and "
416:A major
206:YouTube
147:Capitol
88:Western
1687:
1661:
1640:
1595:
1558:
1534:
1511:
1485:
1464:
1438:
1244:
612:album.
316:Dennis
125:Length
83:Studio
2193:20/20
2079:Smile
1768:Songs
1611:(PDF)
1593:S2CID
1006:(MP3)
538:Rodeo
448:motif
412:major
261:band
142:Label
96:Genre
1685:ISBN
1659:ISBN
1638:ISBN
1556:ISBN
1532:ISBN
1509:ISBN
1483:ISBN
1462:ISBN
1436:ISBN
1342:link
1302:link
1262:link
1242:ISBN
1167:2021
988:2009
775:The
716:bass
712:and
606:you!
535:and
516:jazz
338:and
314:and
312:Carl
275:and
259:rock
239:help
234:file
104:Rock
41:Song
1721:on
1710:on
1619:doi
1585:doi
745:– "
666:".
529:'s
470:sic
404:of
402:key
204:on
43:by
2310::
1617:.
1591:.
1579:.
1575:.
1460:.
1406:.
1398:.
1373:.
1338:}}
1334:{{
1326:.
1318:.
1298:}}
1294:{{
1286:.
1278:.
1258:}}
1254:{{
1214:^
1186:.
1157:.
1135:^
1108:^
1038:.
1030:.
1008:.
934:^
911:^
887:.
866:.
845:.
827:^
810:,
798:,
546:,
506:.
490:A
442:.
134:31
73:c.
2033:"
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1799:"
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1788:"
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1781:"
1751:e
1744:t
1737:v
1693:.
1667:.
1646:.
1625:.
1621::
1599:.
1587::
1581:5
1564:.
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1410:.
1383:.
1344:)
1304:)
1264:)
1250:.
1196:.
1169:.
1042:.
990:.
893:.
872:.
851:.
406:F
253:"
132::
130:2
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.