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That Lady in Ermine

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557:, which complements the trappings and costumes, it is a luxurious something to walk into on a damp and oppressive August day. For Mr. Lubitsch was nothing if not thoroughly indulgent of the tastes of the workaday moviegoers for elegance, amplitude and splash. And he also was nothing if not generous—as far as his writers would be—with the twists and turns and conniptions of an aggressively impudent wit. Fortunately, both of these penchants have been amply supported in this film." 321:, Mario returns to the castle but runs off when soldiers come to investigate. When he is captured, Teglash, unaware of his identity but impressed by his musical ability, decides to spare Mario's life and make him his personal gypsy. When he realizes he is Angelina's husband, he offers to free him if she dines with him that night, but she fails to rendezvous with him. 314:, we see her, barefoot and in ermine, present herself to the duke and accompany him into his tent. After a period of time, Francesca departs, leaving the duke, with a dagger in his back, lying dead on his bed. Luigi tells the colonel that, according to rumor, she killed the duke because she feared she was falling in love with him. 328:
The following morning, Teglash awakens to find the knife still in the pig and the clock ticking. Angelina arrives, and Teglash tells her he is freeing her husband and then describes his dream, touching her with his obvious deep feelings for her. When Mario arrives, she assures him she had nothing to
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Time passes, but Teglash still mourns the loss of Angelina. One night, while he is asleep, she arrives and falls asleep in a chair near his bed. Teglash revisits his prior dream, but this time the knife falls from the clock and Angelina stabs him with it. He awakens with a start and finds Angelina,
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Francesca visits Teglash while he is asleep, prompting a dream in which Angelina joins him for dinner and demands a kiss. While she embraces him, she removes a knife from a roast pig and throws it at the clock, effectively stopping time. The two acknowledge their love and, as the gallery portraits
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Angelina greets Teglash, who flirts with her when he learns her bridegroom has escaped, but she makes it clear she respects her marriage vows and is concerned about her husband's safety. Angelina's servant Luigi, seeing how smitten the colonel is with his mistress, tells Teglash how three hundred
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gallery come to life, and their subjects ask Francesca, Angelina's great-great-great-great-grandmother who looks exactly like Countess Angelina, to save the castle just as she did in the 16th century. Through a spyglass, Francesca observes Teglash leading the advancing army and finds herself
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suggested Angelina be portrayed as anxious to preserve her marriage and Mario be the one to instigate the dissolution of their union. His recommendations were incorporated into the script, and the final draft of the screenplay was approved. During pre-production, the film's title was
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rated it 2½ out of four stars, noting it "is definitely not a Lubitsch film" and adding, "Though the production was lavish, the film has no life and remains an exercise in trite and contrived plotting."
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Douglas Fairbanks Jr. thought that Otto Preminger "ruined everything. No sense of humour, no fun, everything light in the... script was squeezed out... It just wrecked my momentum, just wrecked it."
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when Lubitsch was forced to withdraw due to illness in 1944, took over the reins. He stipulated sole screen credit should go to Lubitsch "as a mark of respect and admiration for the departed master."
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deemed an early draft of the screenplay "unacceptable" because "adultery and suspicion of adultery treated for comedy without any compensating moral values." PCA Director
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who tells him Mario has left her and proposes they wed. That night at midnight, the portraits come to life once again to celebrate their union with song and dance.
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Although Lubitsch received sole credit as director, he died after only eight days of filming, and the project was completed by
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called the film "a bright and beguiling swatch of nonsense cut straight from the rich, gold-braided cloth of best-grade
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and Virginia Campbell, but an error on the promotional poster (pictured above) mistakenly credits "Virginia Gardiner."
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when principal photography began. By the time the film was released, its title had been changed yet again.
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years earlier, Francesca retained control of the castle when a tyrannical duke attempted to seize it. Via
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in 1934. It proved to be his last film. Eight days after principal photography began, he died of a
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attracted to him. When he sees her portrait, Teglash is puzzled by the fact she is wearing an
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On September 25, 2006, the film was released on DVD with Ernst Lubitsch's 1946 film
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would star in the dual roles of Angelina and Francesca, and a few months later,
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Conversations with Classic Film Stars: Interviews from Hollywood's Golden Era
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romance and done in a nimble, playful style." He added, "Wrapped up in
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was announced as her co-star, but nothing came of the project.
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The film was Lubitsch's first musical project since directing
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Friedrich Hollaender and Leo Robin were nominated for the
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composed the five musical numbers performed in the film.
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When Ernst Lubitsch became involved, he initially wanted
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in North Italy near the Swiss border, marries Mario (
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At the time, the studio announced 606:for Best Written American Musical. 297:At midnight, the paintings in the 14: 1392:Films directed by Ernst Lubitsch 788:. University Press of Kentucky. 622:Hollywood Highlights 1 - Comedy 1432:English-language musical films 604:Writers Guild of America Award 477:Production Code Administration 1: 1407:Films scored by Alfred Newman 1422:1940s English-language films 1026:Romeo and Juliet in the Snow 853:AFI Catalog of Feature Films 620:as part of the two-disc set 378:Virginia Campbell as Theresa 271:In 1861, Countess Angelina ( 351:as Colonel Teglash/The Duke 1453: 1266:The Shop Around the Corner 369:as Major Horvath/Benvenuto 215:$ 1.5 million (US rentals) 930:Ich Möchte Kein Mann Sein 642:"Variety (February 1948)" 163:August 24, 1948 26: 1412:Films based on operettas 1333:I Don't Want to Be a Man 662:"Top Grossers of 1948", 290:led by Colonel Teglash ( 1250:Bluebeard's Eighth Wife 994:My Wife, the Movie Star 488:, which was changed to 384:as Orlando (uncredited) 53:but completed the film) 1402:Films set in the 1860s 1387:American musical films 1382:20th Century Fox films 1274:That Uncertain Feeling 1194:The Smiling Lieutenant 1042:Kohlhiesel's Daughters 922:Die Augen der Mumie Ma 573:Awards and nominations 1352:(segment "The Clerk") 1138:The Honeymoon Express 1122:Lady Windermere's Fan 938:The Toboggan Cavalier 914:When Four Do the Same 762:"That Lady In Ermine" 433:Bride of the Regiment 349:Douglas Fairbanks Jr. 345:as Francesca/Angelina 329:do with the colonel. 292:Douglas Fairbanks Jr. 241:is based on the 1919 105:Douglas Fairbanks Jr. 1427:1940s American films 1341:The Housing Shortage 1189:(co-director) (1930) 1066:The Loves of Pharaoh 519:Friedrich Hollaender 399:Die Frau im Hermelin 246:Die Frau im Hermelin 237:. 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Index


Ernst Lubitsch
Otto Preminger
Samson Raphaelson
Ernst Welisch
Rudolph Schanzer
Betty Grable
Douglas Fairbanks Jr.
Cesar Romero
Leon Shamroy
Dorothy Spencer
Alfred Newman
20th Century Fox
Technicolor
musical film
Ernst Lubitsch
Samson Raphaelson
operetta
Rudolph Schanzer
Ernst Welisch
Otto Preminger
Betty Grable
Bergamo
Cesar Romero
Hungarian
hussars
Douglas Fairbanks Jr.
ancestral
ermine
flashback

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