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The Alcestiad

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886: 193:. It was the first full-length opera by an American woman staged at a major European opera house. The first performance was not critically acclaimed, but nevertheless covered by the international press, including 156:
by Euripides. It was Wilder's idea to set the plot to music and approach Talma. She delivered sketches already in 1955, which Wilder approved. Talma composed the work in three acts and used
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wrote that, while the music was skillfully crafted, the libretto was "too strong" for music. The music was described as influenced by
168: 916: 921: 207: 701: 175:(peace prize of the German book trade) in 1957, was well received in Germany. The opera premiered on 1 March 1962 at the 926: 876: 126:
on 1 March 1962. It was the first full-length opera by an American woman staged at a major European opera house.
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wrote based on his 1955 play of the same name. It premiered in German as
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Ich komm vom Theater nicht los ... / Erinnerungen und Einsichten
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The opera remained Talma's only composition for the stage.
665:"Composer Louise Talma / A Conversation with Bruce Duffie" 874: 854: 803: 785: 730: 171:in the world premiere. Wilder, who was awarded the 76: 68: 51: 41: 23: 394: 392: 390: 388: 386: 384: 382: 702: 8: 180: 116: 185:by Herberth Herlischka. It was directed by 148:The Alcestiad: Or, a Life in the Sun (1955) 709: 695: 687: 650:University of North Carolina at Greensboro 20: 478: 476: 474: 472: 470: 441: 439: 437: 435: 239: 881: 583:10.1093/gmo/9781561592630.article.27425 559:Cohn, Arthur; Holcomb, Dorothy Regina; 378: 173:Friedenspreis des Deutschen Buchhandels 7: 538:(in German). BoD. pp. 103–105. 496:Louise Talma / A Life in Composition 932:Operas based on works by Euripides 14: 242:Roles, voice types, premiere cast 884: 638:10.5325/thorntonwilderj.2.1.0098 937:Works based on Alcestis (play) 613:Dorsey, Sarah B. (July 2021). 412:Operas in German: A Dictionary 1: 158:serial composition techniques 106:is an opera in three acts by 667:(pictured), discussing i.a. 256:Premiere cast, 1 March 1962 169:Städtische BĂĽhnen Frankfurt 163:Wilder managed to interest 150:which was in turn based on 16:Opera by Louise Talma, 1962 953: 455:(in German). 14 March 1962 567:(2001). "Talma, Louise". 30: 416:Rowman & Littlefield 626:Thornton Wilder Journal 598:(subscription required) 575:Oxford University Press 484:Leonard, Kendra Preston 291:Admettos (her husband) 146:based on his 1955 play 917:German-language operas 682:Google Knowledge Graph 671:, bruceduffie.com 1986 563:; Davidson, Virginia; 400:Ross Griffel, Margaret 202:Salzburger Nachrichten 181: 179:, in a German version 134:The American composer 117: 81:1 March 1962 922:Operas based on plays 306:Epimenes (their son) 276:Aglaia (her servant) 502:. pp. 155–180. 927:Serial compositions 863:Alcmaeon in Psophis 244: 205:. Critics from the 189:, and conducted by 110:to a libretto that 839:(Schweitzer, 1773) 794:The Cocktail Party 570:Grove Music Online 338:Leonardo Wolovsky 240: 196:The New York Times 142:, who created the 138:collaborated with 872: 871: 592:978-1-56159-263-0 545:978-3-83-113660-5 509:978-1-47-241643-8 425:978-1-44-224797-0 370: 369: 214:Los Angeles Times 99: 98: 944: 889: 888: 880: 711: 704: 697: 688: 653: 623: 600: 599: 596: 573:(8th ed.). 556: 550: 549: 520: 514: 513: 480: 465: 464: 462: 460: 443: 430: 429: 396: 245: 243: 191:Wolfgang Rennert 184: 120: 88: 86: 21: 952: 951: 947: 946: 945: 943: 942: 941: 897: 896: 895: 883: 875: 873: 868: 850: 799: 781: 726: 715: 660: 621: 612: 609: 607:Further reading 604: 603: 597: 593: 558: 557: 553: 546: 522: 521: 517: 510: 482: 481: 468: 458: 456: 445: 444: 433: 426: 398: 397: 380: 375: 241: 238: 140:Thornton Wilder 132: 112:Thornton Wilder 95: 94: 89: 84: 82: 64: 46:Thornton Wilder 25: 17: 12: 11: 5: 950: 948: 940: 939: 934: 929: 924: 919: 914: 909: 899: 898: 894: 893: 870: 869: 867: 866: 858: 856: 852: 851: 849: 848: 840: 832: 824: 823:(Handel, 1727) 816: 807: 805: 801: 800: 798: 797: 789: 787: 783: 782: 780: 779: 774: 769: 764: 759: 754: 749: 740: 734: 732: 728: 727: 716: 714: 713: 706: 699: 691: 685: 684: 672: 663:Bruce Duffie: 659: 658:External links 656: 655: 654: 608: 605: 602: 601: 591: 551: 544: 530:Die Alkestiade 515: 508: 466: 447:"Lieber nicht" 431: 424: 418:. p. 17. 406:Die Alkestiade 377: 376: 374: 371: 368: 367: 362: 359: 355: 354: 349: 344: 340: 339: 336: 333: 329: 328: 323: 318: 314: 313: 312:Hans Wilbrink 310: 307: 303: 302: 300:Ernst Gutstein 297: 292: 288: 287: 282: 277: 273: 272: 267: 262: 258: 257: 254: 249: 237: 234: 187:Harry Buckwitz 182:Die Alkestiade 177:Oper Frankfurt 165:Harry Buckwitz 131: 128: 124:Oper Frankfurt 118:Die Alkestiade 97: 96: 92:Oper Frankfurt 90: 80: 78: 74: 73: 70: 66: 65: 63: 62: 59: 55: 53: 49: 48: 43: 39: 38: 28: 27: 26:Die Alkestiade 15: 13: 10: 9: 6: 4: 3: 2: 949: 938: 935: 933: 930: 928: 925: 923: 920: 918: 915: 913: 910: 908: 905: 904: 902: 892: 887: 882: 878: 865: 864: 860: 859: 857: 853: 847:(Talma, 1962) 846: 845: 844:The Alcestiad 841: 838: 837: 833: 831:(Gluck, 1767) 830: 829: 825: 822: 821: 817: 815:(Lully, 1674) 814: 813: 809: 808: 806: 802: 796: 795: 791: 790: 788: 784: 778: 775: 773: 770: 768: 765: 763: 760: 758: 755: 753: 750: 748: 744: 741: 739: 736: 735: 733: 729: 725: 721: 720: 712: 707: 705: 700: 698: 693: 692: 689: 683: 679: 678: 677:The Alcestiad 675:Louise Talma 673: 670: 669:The Alcestiad 666: 662: 661: 657: 651: 647: 643: 639: 635: 632:(1): 98–118. 631: 627: 620: 618: 617:The Alcestiad 611: 610: 606: 594: 588: 584: 580: 576: 572: 571: 566: 562: 555: 552: 547: 541: 537: 533: 531: 525: 519: 516: 511: 505: 501: 497: 493: 491: 490:The Alcestiad 485: 479: 477: 475: 473: 471: 467: 454: 453: 448: 442: 440: 438: 436: 432: 427: 421: 417: 413: 409: 407: 401: 395: 393: 391: 389: 387: 385: 383: 379: 372: 366: 363: 360: 357: 356: 353: 350: 348: 345: 342: 341: 337: 334: 331: 330: 327: 324: 322: 319: 316: 315: 311: 308: 305: 304: 301: 298: 296: 293: 290: 289: 286: 283: 281: 280:mezzo-soprano 278: 275: 274: 271: 268: 266: 263: 260: 259: 255: 253: 250: 247: 246: 235: 233: 230: 228: 224: 220: 216: 215: 210: 209: 204: 203: 198: 197: 192: 188: 183: 178: 174: 170: 166: 161: 159: 155: 154: 149: 145: 141: 137: 129: 127: 125: 121: 119: 113: 109: 105: 104: 103:The Alcestiad 93: 79: 75: 72:Wilder's play 71: 67: 60: 57: 56: 54: 50: 47: 44: 40: 37: 33: 29: 24:The Alcestiad 22: 19: 861: 843: 842: 834: 826: 818: 810: 792: 717: 676: 668: 648:– via 629: 625: 616: 568: 565:Smith, Gregg 554: 535: 529: 518: 495: 489: 457:. Retrieved 450: 411: 405: 365:Richard Holm 352:Peter Lagger 231: 212: 206: 200: 194: 162: 151: 147: 136:Louise Talma 133: 115: 108:Louise Talma 102: 101: 100: 36:Louise Talma 18: 912:1962 operas 752:Maidservant 561:Jobin, Sara 524:Borkh, Inge 452:Der Spiegel 901:Categories 731:Characters 373:References 326:Max Lorenz 270:Inge Borkh 252:Voice type 227:Stravinsky 219:Schoenberg 85:1962-03-01 42:Librettist 724:Euripides 646:2688-1985 500:Routledge 459:5 January 335:baritone 332:Herkules 317:Tiresias 309:baritone 285:Rosl Zapf 261:Alkestis 772:Heracles 757:Alcestis 743:Thanatos 719:Alcestis 526:(2002). 486:(2014). 402:(2018). 295:baritone 223:Honegger 211:and the 199:and the 153:Alcestis 144:libretto 77:Premiere 69:Based on 52:Language 855:Related 836:Alceste 828:Alceste 812:Alceste 767:Eumelus 762:Admetus 358:Apollo 265:soprano 167:of the 130:History 122:at the 83: ( 58:English 907:Operas 877:Portal 820:Admeto 804:Operas 777:Pheres 738:Apollo 644:  589:  542:  506:  422:  361:tenor 61:German 891:Opera 786:Plays 747:Death 622:(PDF) 343:Agis 321:tenor 248:Role 236:Roles 32:Opera 642:ISSN 587:ISBN 540:ISBN 504:ISBN 461:2020 420:ISBN 347:bass 225:and 722:by 634:doi 579:doi 208:FAZ 34:by 903:: 745:/ 680:, 640:. 628:. 624:. 585:. 577:. 534:. 498:. 494:. 469:^ 449:. 434:^ 414:. 410:. 381:^ 221:, 160:. 879:: 710:e 703:t 696:v 652:. 636:: 630:2 619:" 595:. 581:: 548:. 532:" 528:" 512:. 492:" 488:" 463:. 428:. 408:" 404:" 87:)

Index

Opera
Louise Talma
Thornton Wilder
Oper Frankfurt
Louise Talma
Thornton Wilder
Oper Frankfurt
Louise Talma
Thornton Wilder
libretto
Alcestis
serial composition techniques
Harry Buckwitz
Städtische Bühnen Frankfurt
Friedenspreis des Deutschen Buchhandels
Oper Frankfurt
Harry Buckwitz
Wolfgang Rennert
The New York Times
Salzburger Nachrichten
FAZ
Los Angeles Times
Schoenberg
Honegger
Stravinsky
Voice type
soprano
Inge Borkh
mezzo-soprano
Rosl Zapf

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