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brutal murders of too many of her friends, and the violence that will be necessary to win this kind of fight goes against her gentle nature. This is a masculine quality that goes beyond her ability to "pass," so Jo dons a dress once again in a feeble effort to step back into a more traditionally feminine role. Tinman argues that it will be impossible for her to go back being the society woman, urging her to keep the homestead, and stand against the cattlemen in the upcoming election. Jo is not swayed, and meets with the representative from the cattle company, Henry Grey to tell him she will sell.
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393:. He is furious at being made a fool of by a woman and "a whore at that," referring to the mention of her son in the letter. He attacks and tries to rape Jo, but she draws her gun and subdues him. Largely ostracized by the town's people since the incident with the prostitute, Percy promises Jo he will not share her secret if she finances his journey out of the territory. She agrees, though swears to him she will find him and kill him if he breaks his silence.
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Tinman recovers, and on election day, Badger and Jo ride to Ruby City but are met by several of Grey's masked gunmen. Badger shoots one of the gunmen, but is wounded, so it is up to Jo to finish the fight. She kills the two remaining men, but the pain of the act of killing is clearly indicated on her
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As a single woman traveling alone, Josephine is viewed with suspicion, or as sexual prey for any man. She assists a traveling salesman who subsequently tries to sell her services as a whore. Seeing it as her only protection, Josephine scars her face, and begins to dress as a man – thus becoming "Jo."
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Badger is furious at the betrayal by his friend, and because Jo "made a fool out of me." He goes back to her homestead, and as he tears the place apart in anger, comes across the letter from her sister, and a picture of her as she lived as a woman. In town, the people tie Jo's dead body to her horse
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The plot jumps to many years later, after Tinman Wong has died. Jo collapses while fetching water, and Badger finds her in bed, near death. He takes her in his wagon to the Ruby City doctor, but she is dead before they arrive. As Badger buys rounds of drinks at the saloon in memory of Little Jo, the
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gave the film 3 out of 4 stars and stated, "The writer and director, Maggie
Greenwald, wisely avoids an old-fashioned plot, and concerns herself more with the daily texture of life in the West." Ebert also noted that "it is rather rough and crude, but it's in the spirit of the film, in which men of
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described the film as "a severely de-romanticized view of the Old West and the women who labored—in more ways than one—on its frontiers." Rainer also wrote, "The film ends as more of a dirge than a ballad. But occasionally it casts a forlorn spell. The meaning of Jo
Monaghan's life may not really
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Tinman accompanies Jo to the homestead, and takes on the duties of cook and housekeeper. Though he seems slow-witted, Jo is not happy at having company forced upon her. She keeps as much distance as possible. But Tinman easily discovers the truth about Jo, and in doing so, reveals he is far more
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stated, "Greenwald is so committed to a feminist agenda that her treatment leaves out a good deal of the humor and suspense inherent in the story. Fortunately, Greenwald's casting and direction of the actors are more successful." Levy highlighted Amis' portrayal of Jo, opining that "what makes
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Tinman falls ill, and Jo summons Badger's wife, who practices folk medicine, to tend him. Badger comes along, and is furious when Grey arrives with his wife so that Jo can sign the final papers for the sale of the homestead. Feeling betrayed by Jo for helping the cattle company to "squeeze me,"
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A feud begins to brew between the sheep herders and cattlemen who are moving into the territory. The
Western Cattle Company wants to buy up all the land in the area, and they kill anyone who does not comply. One by one, the herders give in, or are murdered by masked gunmen. Jo has witnessed the
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as an allegorical critique of sex and power and men's-club values in
America. In its disdain for those values, the film is as focused and cool-headed as the remarkable character whose story it tells." Holden also praised Amis' portrayal of Jo, noting that "the film is illuminated by Ms. Amis's
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For five years she works as a shepherd, braving the deadly winters alone to the worry of her employer, Frank Badger (Hopkins), who has taken a liking to the "young man" he nicknames "Little Jo." When Jo has enough money saved, she quits Badger, and buys her own homestead.
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As Grey prepares the papers inside, Jo watches his wife who, through the warped glass, is visually reminiscent of Jo when she was a woman of society. In an instant, Jo changes her mind and refuses to sell to Grey, who leaves in disgust issuing less than veiled threats.
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Jo no longer feels safe with Percy, so she accepts a job herding sheep, and heads for the mountains. After returning in the spring, Percy gives Jo a letter for her that he received months earlier. The letter is from Jo's sister, and Percy having opened it, now knows
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is a young woman who is seduced by her family's portrait photographer and bears an illegitimate child. She is expelled from her family and home in disgrace, and with no other resources, she leaves her newborn son under the care of her sister and heads West.
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undertaker rushes in with his shocking discovery—Little Jo was a woman. The town elders rush back to the undertaker's to inspect. All stand around the preparation table in shock, all except Mrs. Addie (Cathy Haase), the saloon owner, who laughs and laughs.
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While frequently viewed as "peculiar", Jo is clearly educated, and earns the respect of the people in Ruby City and the surrounding territory. A local girl, Mary, has her eye on Jo. Blind to the truth, most hope the two will
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At a mining camp in Ruby City, she meets Percy who takes her under his wing. Percy recommends Jo for a job at the stable, and teaches her about how to survive in the frontier. But Percy nurses
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intelligent than he has pretended to be—he, too, has been masquerading for his own safety. Jo drops her guard and the two begin a love affair.
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288:. It received positive reviews from critics, but performed poorly at the box office. For their performances, Amis and Chung earned
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Chiung Hwang, Chen (1996). "Feminization of Asian (American) Men in the U.S. Mass Media: An
Analysis of The Ballad of Little Jo".
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was chosen as the initial production of its 25th anniversary season. However, the show was not terribly well received by critics.
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began training with a body builder and movement and vocal coaches, while taking sheepherding, shooting, and horse riding lessons.
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The final shot is of the newspaper story with the before-and-after photographs, and the headline, "Rancher Jo Was a Woman."
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completed the screenplay in early 1991, after learning about the life of
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worthy is Amis' full-bodied performance in what may be her most challenging role to date."
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a
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entertainingly upends genre formula while simultaneously highlighting its strengths."
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Badger hits Jo, proclaiming, "By God, boy! I thought you'd amount to something."
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poor breeding lived and worked together in desperate poverty of mind and body."
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The film was theatrically released in the United States on August 20, 1993, by
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1102:"MOVIE REVIEW: 'Ballad of Little Jo': A Revisionist Western"
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by removing unnecessary details and making it more concise.
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1069:"Review/Film; A Feminist Cross-Dresser in the Old West"
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834:"FILM; When Men Were Men (and Women Were Too)"
674:emerge in this film but its mystery lingers."
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1245:from the original on August 11, 2022
1100:Rainer, Peter (September 10, 1993).
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589:. A production office was set up in
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1576:PolyGram Filmed Entertainment films
1128:Ebert, Roger (September 10, 1993).
1067:Holden, Stephen (August 20, 1993).
1015:from the original on March 24, 2023
544:David Ruben Plowman as Nick (age 9)
1581:English-language independent films
1541:Films directed by Maggie Greenwald
1521:Drama films based on actual events
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941:. Nash Information Services, LLC.
865:Span, Paula (September 20, 1993).
811:The first musical by Steppenwolf,
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1264:Weber, Bruce (December 5, 2000).
1039:Levy, Emanuel (August 17, 1993).
526:Peadair S. Addie Sr. as Mr. Addie
1571:Cross-dressing in American films
1164:Journal of Communication Inquiry
968:"THE BALLAD OF LITTLE JO (1993)"
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1561:Films set in mining communities
1546:Films scored by David Mansfield
1531:Films about interracial romance
1501:American historical drama films
585:began on September 22, 1992 in
562:Robert Erickson as Jack Wilkins
1511:American Western (genre) films
832:Lee, Linda (August 15, 1993).
659:wrote, "It's not hard to view
538:Michael Ruud as Russian Father
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1536:Films about sexual harassment
1506:American romantic drama films
734:9th Independent Spirit Awards
553:Vince O'Neil as Amos Monaghan
550:Jenny Lynch as Helen Monaghan
541:Sasha Pasmur as Nick (age 14)
249:film written and directed by
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16:1993 film by Maggie Greenwald
1481:1990s historical drama films
1471:1990s English-language films
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601:. Several actors and animal
321:This article's plot summary
786:Steppenwolf Theatre Company
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1491:American independent films
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1177:10.1177/019685999602000204
460:as Josephine "Jo" Monaghan
1456:1993 romantic drama films
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375:a deep suspicion of women
179:August 20, 1993
35:Theatrical release poster
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290:Independent Spirit Award
1496:American feminist films
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24:The Ballad of Little Jo
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595:Custer National Forest
520:Jeffrey Andrews as Sam
1566:Films shot in Montana
593:, on the edge of the
583:Principal photography
490:as Streight Hollander
281:in supporting roles.
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1466:1990s American films
756:Best Supporting Male
667:Peter Rainer of the
298:Best Supporting Male
1391:What Makes a Family
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242:is a 1993 American
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1074:The New York Times
839:The New York Times
656:The New York Times
591:Red Lodge, Montana
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286:Fine Line Features
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1367:The Kill-Off
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195:Running time
172:Release date
130:Keith Reamer
121:Declan Quinn
93:Ian McKellen
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1383:Songcatcher
938:The Numbers
790:Tina Landau
761:David Chung
685:Controversy
678:Roger Ebert
512:Sam Robards
506:Melissa Leo
476:David Chung
340:August 2016
271:David Chung
223:$ 4 million
199:121 minutes
98:David Chung
65:Fred Berner
59:Produced by
41:Directed by
1446:1993 films
1440:Categories
1399:Get a Clue
819:References
802:Jose Llana
798:Rondi Reed
765:Nominated
748:Nominated
717:Recipient
568:Production
464:Bo Hopkins
263:Bo Hopkins
228:Box office
183:1993-08-20
146:Production
88:Bo Hopkins
51:Written by
1185:220732802
794:Judy Kuhn
782:Mike Reid
744:Suzy Amis
714:Category
701:Accolades
693:image of
691:feminized
609:Reception
603:wranglers
577:Suzy Amis
458:Suzy Amis
259:Suzy Amis
231:$ 543,091
127:Edited by
83:Suzy Amis
1318:AllMovie
1276:Archived
1243:Archived
1238:Playbill
1210:Archived
1140:Archived
1079:Archived
1013:Archived
943:Archived
844:Archived
622:website
414:chinaman
379:oral sex
212:Language
135:Music by
76:Starring
1046:Variety
792:, with
720:Result
639:Variety
618:On the
587:Montana
330:Please
323:may be
244:Western
215:English
204:Country
181: (
148:company
1426:(2016)
1418:(2013)
1410:(2003)
1402:(2002)
1394:(2001)
1386:(2000)
1378:(1993)
1370:(1989)
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711:Award
599:hangar
436:face.
277:, and
220:Budget
1181:S2CID
730:1994
708:Year
410:lynch
403:court
389:is a
247:drama
1307:IMDb
1284:2023
1251:2023
1218:2023
1148:2023
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1021:2024
981:2023
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908:IMDb
880:2023
852:2023
724:Ref.
451:Cast
304:Plot
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