872:
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1077:, which devoted a special feature to the film comprising five articles by various authors; the magazine's collective editorial denouncement of the film was "cast in such strong terms that it undermined, on moral grounds, the legitimacy of any critic or analyst who did not condemn the film, let alone anyone who dared consider it worthy of filmic attention," though ultimately their disapproval exerted little influence upon the broader French media.
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issue," and he said "The
Algerians put no obstacles in our way because they knew that I'd be making a more or less objective film about the subject." In 1970 the film finally received a certificate for distribution in France, but release was further delayed until 1971 because of terroristic threats as well as civil opposition from veterans' groups. The
1192:, who saw the film in 1966, listed it among his top 10 favorite films of all time and mentioned its influence on his work: "It used non-professional actors. It was not over-dramatic. It was low key. It showed the impact of colonialism on daily lives. These techniques had an important influence on my filmmaking." The American actor and filmmaker
845:
Sound – both music and effects – perform important functions in the movie. Indigenous
Algerian drumming, rather than dialogue, is heard during a scene in which female FLN militants prepare for bombings. In addition, Pontecorvo used the sounds of gunfire, helicopters and truck engines to
987:
movements. Most French audiences found its portrayal of the conflict to be nuanced and balanced, and the only disruption occurred in Lyons when an attendant threw ink at the screen. Also, The international version of the film was shortened with torture scenes cut for
British and American theaters.
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Pontecorvo's use of fictional realism enables the movie "to operate along a double-bind as it consciously addresses different audiences." The film makes special use of television in order to link western audiences with images they are constantly faced with that are asserted to express the "truth".
1441:
How to win a battle against terrorism and lose the war of ideas. Children shoot soldiers at point-blank range. Women plant bombs in cafes. Soon the entire Arab population builds to a mad fervor. Sound familiar? The French have a plan. It succeeds tactically, but fails strategically. To understand
1345:
Perhaps he is right, but that is much too simple. The film champions everyone who is deprived of his rights, and encourages him to fight for them. But it is an analogy for many situations: Vietnam, for one. What I would prefer for people to discover is something that is in all my films, a certain
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to theaters that sought to show the film. Pontecorvo also received death threats. Upon its release, reviews in the French press were generally much more favourable. Anti-censorship advocates came to the film's defense, and many critics reevaluated the film in light of the country's recent protest
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for one year, though it did not see release in France for several more years because no private distributor would take the film. Pontecorvo maintained that he had made a politically neutral film, contrary to the reaction of a French government that he described as "very sensitive on the
Algerian
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had only addressed such matters in passing. Its initial festival screenings sparked nearly unanimous backlash among French critics. At the Venice Film
Festival, the delegation of French journalists refused to attend the film's screening and abandoned the festival altogether when it received the
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664:. Yacef wrote the book while he was held as a prisoner of the French, and it served to boost morale for the FLN and other militants. After independence, the French released Yacef, who became a leader in the new government. The Algerian government backed adapting Yacef's memoir as a film.
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Nolan cited Gillo
Pontecorvo's war film as 'a timeless and affecting verité narrative, which forces empathy with its characters in the least theatrical manner imaginable. We care about the people in the film simply because we feel immersed in their reality and the odds they
2055:
Shapiro, Michael J. (1 August 2008). "Slow
Looking: The Ethics and Politics of Aesthetics: Jill Bennett, Empathic Vision: Affect, Trauma, and Contemporary Art (Stanford, CA: Stanford University Press, 2005); Mark Reinhardt, Holly Edwards, and Erina Duganne,
3804:"https://rochester.primo.exlibrisgroup.com/discovery/fulldisplay?context=L&vid=01ROCH_INST:UR01&search_scope=MyInst_and_CI&tab=Everything&docid=alma9925215013405216#:~:text=Santa%20Monica,%20CA%20:-,Rhino%20Home%20Video,-;%20New%20York,%20N"
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According to the
Defense Department official in charge of the screening, "Showing the film offers historical insight into the conduct of French operations in Algeria, and was intended to prompt informative discussion of the challenges faced by the French."
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his '$ 47 million Dogme film' and used hand-held camera, available light, and (ostensibly) improvisational performance in an attempt to present a realistic story about illegal drugs. He prepared by analyzing two political films made in a realist style:
763:, who played Colonel Mathieu; Martin was a French actor who had worked primarily in theatre. Pontecorvo wanted a professional actor, but one who would not be familiar to most audiences, as this could have interfered with the movie's intended realism.
699:. Accused of portraying Mathieu as too elegant and noble, screenwriter Solinas denied that this was his intention. He said in an interview that the Colonel is "elegant and cultured, because Western civilization is neither inelegant nor uncultured".
1005:
called it a "great film" that "may be a deeper film experience than many audiences can withstand: too cynical, too true, too cruel and too heartbreaking. It is about the
Algerian war, but those not interested in Algeria may substitute another war;
990:
In the United States, the response to the film was altogether and immediately more positive than it had been in France. The film achieved a surprising degree of popular success at the
American box office, stoked by anti-war sentiments amid the
1954:
1949:
2864:— both of which have that great feeling of things that are caught, instead of staged, which is what we were after. I just wanted that sensation of chasing the story, this sense that it may outrun us if we don't move quickly enough.'
1144:: "All films are, in a sense, false documentaries. One tries to approach reality as much as possible, only it's not reality. There are people who do very clever things, which have completely fascinated and fooled me. For example,
758:
Pontecorvo chose to cast non-professional Algerians. He chose people whom he met, picking them mainly on appearance and emotional effect (as a result, many of their lines were dubbed). The sole professional actor of the movie was
786:, the working relationship between Martin and Pontecorvo was not always easy. Unsure whether Martin's professional acting style would contrast too much with the non-professionals, Pontecorvo argued about Martin's acting choices.
391:
style: in black and white with documentary-type editing to add to its sense of historical authenticity, with mostly non-professional actors who had lived through the real battle. The film's score was composed by Pontecorvo and
1404:
They showed us that film to prepare us for a kind of war very different from the regular war we had entered the Navy School for. They were preparing us for police missions against the civilian population, who became our new
1389:, archbishop of Buenos Aires from 1959 to 1975, was associated with this as military chaplain. He introduced the movie approvingly and added a religiously oriented commentary to it. ESMA was later known as a center for the
1249:) as the two films "stand unmatched and unexcelled since they were made in the 60s. Both films together constitute a political and aesthetic standard never again equaled." The British-Pakistani writer and activist
4807:
1054:, the film holds an approval rating of 99% based on 93 reviews, with an average rating of 9.10/10; the site's consensus reads: "A powerful, documentary-like examination of the response to an occupying force,
3120:
as one of the films for the crew to watch and from which to gain inspiration before they started filming, with Nolan stating that 'no film has ever captured the chaos and fear of an uprising as vividly as
789:
Saadi Yacef, who plays El-Hadi Jaffar, and Samia Kerbash, who plays Fathia, were both members of the FLN and Pontecorvo is said to have been greatly inspired by their accounts. The actors credited are:
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acquired the distribution rights to re-release the film again in the United Kingdom in December 2003 as well as in the United States and in France on separate dates in 2004. The film was shown in the
1226:, with various cinematic parrallels including a direct parrallel between the Theme of Ali and the song played by the marching band in the series final episode, as they march on a police line.
1065:
By the time of the film's 2004 re-release, French reception was much more positive, with most critics accepting the film's aesthetic merits and historic significance as a given. A review in
992:
467:
4800:
1152:, Kubrick's personal assistant, he stated: "When I started work for Stanley in September 1965 he told me that I couldn't really understand what cinema was capable of without seeing
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went into Algiers. Their actions were met by French paratroopers attempting to regain territory. The highly dramatic film is about the organization of a guerrilla movement and
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926:(Gillo Pontecorvo) in 1968. Other awards include the City of Venice Cinema Prize (1966), the International Critics Award (1966), the City of Imola Prize (1966), the Italian
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2825:(Constantin Costa-Gavras, 1969), both of which he described as having 'that great feeling of things that are caught, instead of staged, which is what we were after.'
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Golden Lion. Despite the high international acclaim, the national press and film industry united in opposition to the idea of releasing the film in French cinemas.
570:, to harass Europeans. The security forces resort to killings and indiscriminate violence against the opposition. French paratroops are depicted as routinely using
416:
577:
Pontecorvo and Solinas created several protagonists in their screenplay who are based on historical war figures. The story begins and ends from the perspective of
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1930:, a 1975 Algerian drama historical film directed by Mohammed Lakhdar-Hamina. It depicts the Algerian War of Independence as seen through the eyes of a peasant.
1467:
versions of the movie were available in the United States and elsewhere, but the image quality was degraded. A restored print had been made in Italy in 1999.
2066:
911:
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as an influence to be Christopher Nolan, the man behind the latest films in the Batman franchise. ... Interviews with Nolan and his team on the making of
5021:
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3291:
915:
558:, and the uglier incidents of the war are depicted. Both colonizer and colonized commit atrocities against civilians. The FLN commandeer the Casbah via
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543:(FLN). The paratroopers are depicted as neutralizing the whole of the FLN leadership through either assassination or capture. The film ends with a
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and hand-held cameras are used, whilst "depicting the struggle from a 'safe' distance with French soldiers placed between the crowds and camera."
435:
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1062:, the film has a weighted average score of 96 out of 100—indicating "universal acclaim"—based on 22 reviews collected since its 2004 re-release.
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Prize (director, photography, producer), the Ajace Prize of the Cinema d'Essai (1967), the Italian Golden Asphodel (1966), Diosa de Plata at the
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deemed it the "best film ever made about the Algerian war" because it had been "the most credible and the fairest". A notable dissent came from
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collaborated with him. The solo military drum, which is heard throughout the film, is played by the famous Italian drummer Pierino Munari.
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854:, but because he was classified as a "melodist-composer" in Italy, he was required to work with another composer as well; his good friend
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1042:, writing: "The burning passion of Pontecorvo acts directly on your emotions. He is the most dangerous kind of Marxist: a Marxist poet."
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released the movie, transferred from a restored print, in a three-disc DVD set. The extras include former US counter-terrorism advisors
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and documentary film. The effect was so convincing that American releases carried a notice that "not one foot" of newsreel was used.
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depicting nationalist demonstrations and riots, suggesting that although France won the Battle of Algiers, it lost the Algerian War.
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31:
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admired the film and made it one of the few films designated as required viewing to his film school students. The English filmmaker
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585:), a petty criminal who is politically radicalized while in prison. He is recruited by FLN commander El-hadi Jafar, played by
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called the film "One of the most beautiful I have ever seen" and said it "is just as important for our times as the works of
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1184:) had "that great feeling of things that are caught, instead of staged, which is what we were after." The German filmmaker
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generated considerable political controversy in France. It was one of the first films to directly confront the issue of
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3454:"Apocalypse Now: The Final Cut - 4K Ultra HD Blu-ray (Best Buy Exclusive SteelBook) Ultra HD Review | High Def Digest"
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Lieutenant-Colonel Mathieu, the paratroop commander, is the principal French character. Other characters are the boy
1294:, as well as a rising tide of left-wing radicalism in European nations in which a large minority showed interest in
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ranked the movie 6th in its list of the 100 Best Films of World Cinema. It was selected to enter the list of the "
501:. The Army raids Ali's home and tells him that he is surrounded and the "organization" is finished. The film then
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3135:"How the music of 'Andor' pays homage to 'The Battle of Algiers,' a classic war movie scored by Ennio Morricone"
423:. Algeria succeeded in gaining independence from the French, which Pontecorvo addresses in the film's epilogue.
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442:. A subject of sociopolitical controversy in France, the film was not screened in the country for five years.
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938:(1966), the Riccione Prize (1966), Best Film of 1967 by Cuban critics (in a poll sponsored by Cuban magazine
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535:(ethnic Europeans born in Algeria), in which both sides commit acts of increasing violence, France sends
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Affleck: "I haven't done a movie that I haven't ripped off from another one! This movie, we ripped off
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discussed its influence on film. Another documentary in the set includes interviews with FLN commanders
1381:(ESMA) started receiving counter-insurgency classes. In one of their courses, they were shown the movie
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uses composite characters and changes the names of certain persons. For example, Colonel Mathieu is a
474:, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
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s readers' poll listing the 40 greatest foreign films of all time. In 2024, the film ranked 11th on
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also features thousands of Algerian extras. Pontecorvo intended to have them portray the "Casbah-as-
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The film has also received praise from political commentators. The Palestinian-American academic
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against the Algerian War. Martin was a veteran; he had served in a paratroop regiment during the
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filmed in black and white and experimented with various techniques to give the film the look of
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kind of tenderness for man, an affection which grows from the fragility of the human condition.
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2878:"Steven Soderbergh on Quitting Hollywood, Getting the Best Out of J.Lo, and His Love of Girls"
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It was thus with a degree of surprise and interest that I found the latest director to cite
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has named the film as one of his favorites and has credited it as an influence on his films
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1156:. He was still enthusing about it prior to his death." The Greek-French political filmmaker
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850:, wailing and chanting symbolize the Algerian methods. Gillo Pontecorvo wrote the music for
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ranked it first place on its list of the 100 most significant political films of all time.
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2182:"Cinquantenaire de l'insurrection algérienne La Bataille d'Alger, une leçon de l'histoire"
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782:. His portrayal had autobiographical depth. According to an interview with screenwriter
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Anibal Acosta, one of the ESMA cadets interviewed 35 years later by French journalist
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Lyrical Contact Zones: Cinematic Representation and the Transformation of the Exotic.
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gained a reputation for inspiring political violence; in particular, the tactics of
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Arun Kapil, "Selected Biographies of Participants in the French-Algerian War", in
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groups and state authorities have considered it to be an important commentary on
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List of Italian submissions for the Academy Award for Best Foreign Language Film
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The film seems to be filmed through the point of view of a western reporter, as
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The Battle of the Casbah: Terrorism and Counter-Terrorism in Algeria, 1955–1957
668:, an FLN leader who had been exiled by the French, approached Italian director
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2060:(Chicago, IL: University of Chicago Press, 2007); Gillo Pontecorvo, director,
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List of submissions to the 39th Academy Awards for Best Foreign Language Film
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523:. The narrative begins with the organization of revolutionary cells in the
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regarded it as useful for commanders and troops facing similar issues in
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cited the film as an influence on his filmmaking. The American filmmaker
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The film was met with international acclaim, and it is considered to be
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as a guerrilla warfare training film on American television, replied:
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of Algerian criminals and suspected French collaborators; they commit
1422:) offered a screening of the movie on August 27. The Directorate for
1138:
praised the film's artistry in an interview with the French magazine
539:
paratroopers to the city to fight against and capture members of the
2856:
The filmmaker said, 'For this film, I spent a lot of time analysing
2762:"Costa-Gavras à propos de "La Bataille d'Alger" de Gillo Pontecorvo"
2403:
Caillé, Patricia (16 October 2007). "The Illegitimate Legitimacy of
2246:
Peter Matthews, "The Battle of Algiers: Bombs and Boomerangs", p. 8.
3054:"Christopher Nolan Reveals How 11 Classic Films Inspired 'Dunkirk'"
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4123:
2319:"Film Director Gillo Pontecorvo; 'Battle of Algiers' Broke Ground"
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among other awards and nominations. It also was nominated for the
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booklet accompanying the Criterion Collection DVD release, p. 32.
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booklet accompanying the Criterion Collection DVD release, p. 50.
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booklet accompanying the Criterion Collection DVD release, p. 14.
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magazine's list of the 500 greatest movies of all time. In 2010,
4131:
3868:"LaserDisc Database - Battle of Algiers, The [ID6786AX]"
3316:"Breaking the silence: the Catholic Church and the "dirty war" "
3254:
booklet accompanying the Criterion Collection DVD release, p. 9.
2839:"Steven Soderbergh's 10 best films ranked in order of greatness"
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Palmer, R. Barton; Sanders, Steven M., eds. (January 28, 2011).
2681:"The 100 Best Films of World Cinema: 6. The Battle of Algiers",
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1478:, rue Cujas in Paris, from November 15, 2006, to March 6, 2007.
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3756:"LaserDisc Database - Battle Of Algiers, The [EE 1043]"
3732:"LaserDisc Database - Battle Of Algiers, The [EE 1043]"
3708:"LaserDisc Database - Battle Of Algiers, The [EE 1043]"
3684:"LaserDisc Database - Battle Of Algiers, The [EE 1043]"
3040:/Costa-Gavras soup of movies, that we used for the rest of it."
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has influenced numerous filmmakers. The American film director
463:, it ranked 45th on the critics' list and 22nd with directors.
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628:", communicating with chanting, wailing, and physical effect.
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1922:, a commercial film on the same topic released the same year.
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and torture and abuse of insurgents and innocent civilians.
2697:"As chosen by you...the greatest foreign films of all time"
2117:"Ecco i cento film italiani da salvare Corriere della Sera"
846:
symbolize the French methods of battle, while bomb blasts,
2201:
Pier Nico Solinas, "An Interview with Franco Solinas", in
1084:" series in 2004. The film occupied the 48th place on the
660:, an FLN military commander's account of the campaign, by
2255:
PierNico Solinas, "An Interview with Franco Solinas", in
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and terrorism in the movie supposedly were copied by the
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Martin had been dismissed several years earlier from the
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of several French counterinsurgency officers, especially
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Beautiful Suffering: Photography and the Traffic in Pain
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depiction of terrorism and guerrilla warfare. Directors
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At the time of the 2003 Pentagon screening, legal and "
379:
in North Africa, the most prominent being the eponymous
371:. It is based on action undertaken by rebels during the
3940:"The Battle of Algiers Details :: Criterion Forum"
1914:, a commercial film on the same topic released in 1958.
882:
with his wife Picci and Algerian actor and co-producer
383:, the capital of Algeria. It was shot on location in a
3216:"The 100 Most Significant Political Films of All Time"
1010:
has a universal frame of reference." Robert Sitton at
691:. Saadi Yacef has said that Mathieu was based more on
403:
The film concentrates mainly on revolutionary fighter
5590:
3368:
3366:
2291:"The 39th Academy Awards (1967) Nominees and Winners"
3159:"Edward Said Documentary on 'The Battle of Algiers'"
3024:, for the CIA stuff, a John Cassavetes movie called
2455:
Revolution! The Explosion of World Cinema in the 60s
942:), and the United Churches of America Prize (1967).
519:
between November 1954 and December 1957, during the
358:
5547:
5336:
5123:
4922:
4831:
4580:
4377:
4182:
2935:September 16, 20102:16 AM ET (September 16, 2010).
2259:booklet accompanying the Criterion Collection DVD,
1164:took inspiration from the film while directing the
318:
310:
300:
290:
265:
215:
204:
188:
176:
162:
152:
134:
124:
109:
99:
89:
79:
43:
910:(in non-consecutive years, a unique achievement):
2312:
2310:
1058:hasn't aged a bit since its release in 1966." On
4693:A Pigeon Sat on a Branch Reflecting on Existence
2977:"Ken Loach's top 10 favourite films of all time"
2358:
2356:
2354:
2352:
2350:
2348:
2346:
2145:, Presses Universitaires du Mirail, 2005, p. 20.
2064:(Criterion: Special Three-Disc Edition, 2004)".
2035:"The Battle of Algiers (1967) - Box Office Mojo"
993:movement against military involvement in Vietnam
945:Given national divisions over the Algerian War,
695:, although the character is also reminiscent of
3004:"Ben Affleck on Why He Got to Look Hot in Argo"
2937:"From Werner Herzog, 3 DVDs Worth A Close Look"
1439:
1343:
3265:Andreas Baaders, Das Leben eines Staatsfeindes
2398:
2396:
2394:
2392:
2010:
2008:
2006:
4801:
4160:
4071:
3499:"The Battle of Algiers (Dual Format Edition)"
2465:
2463:
2050:
2048:
407:during the years between 1954 and 1957, when
30:For the battle this film is named after, see
8:
3311:
3309:
2067:Millennium: Journal of International Studies
1148:. It's very impressive." Also, according to
982:(OAS), a far-right paramilitary group, made
440:Academy Award for Best Foreign Language Film
4046:The Battle of Algiers: Bombs and Boomerangs
3282:"Pontecorvo: 'We Trust the Face of Brando'"
2960:: CS1 maint: numeric names: authors list (
1099:2012 poll of the greatest films of all time
497:) compatriots reveals Ali's hideout to the
461:2022 poll of the greatest films of all time
5022:Investigation of a Citizen Above Suspicion
4808:
4794:
4786:
4167:
4153:
4145:
4078:
4064:
4056:
4032:
2093:
2091:
2089:
49:
40:
2923:, which I admire because of the acting...
2905:Werner Herzog - A Guide for the Perplexed
2099:"Gillo Pontecorvo: The Battle of Algiers"
2017:"Gillo Pontecorvo: The Battle of Algiers"
1442:why, come to a rare showing of this film.
1356:Screenings for counterinsurgency agencies
1115:". In 2007, the film was ranked fifth in
419:, such as torture, used by the French to
1492:
1333:Pontecorvo, hearing that the journalist
737:
531:warfare between the Algerian locals and
513:events that occurred in the capital city
5842:English-language historical drama films
5597:
4474:Rosencrantz & Guildenstern Are Dead
2363:Bignardi, Irene (2000). "The Making of
2002:
1206:(2012). The British-American filmmaker
566:, including actions like the real-life
3831:
3830:
3819:
3002:Jennifer Vineyard (October 10, 2012).
2953:
2876:Mary Kaye Schilling (August 8, 2014).
2837:Swapnil Dhruv Bose (14 January 2021).
1985:(Milan, Mimesis International, 2019).
1490:is summarized in the following table.
1257:in his top 10 films list for the 2012
466:In 2008, the film was included on the
3916:"Battle of Algiers (1965) on Capstan"
3892:"Battle of Algiers (1965) on Capstan"
3424:
3422:
3420:
3418:
2656:"The 500 Greatest Movies Of All Time"
2331:from the original on 25 November 2015
1414:During 2003, the press reported that
1243:(along with Pontecorvo's other film,
1046:Retrospective appraisal and influence
485:opens in 1957 in the capital city of
468:Italian Ministry of Cultural Heritage
428:one of the greatest films of all time
7:
4367:Artists Under the Big Top: Perplexed
3479:The Battle of Algiers DVD (DigiPack)
3133:Baker-Whitelaw, Gavia (2022-11-24).
3083:Jonathan Lewis (December 20, 2012).
4040:Official website at Rialto Pictures
3373:Michael T. Kaufman's "Film Studies"
2790:The Philosophy of Steven Soderbergh
2457:, Faber and Faber, 2004, pp. 172–73
2317:Bernstein, Adam (16 October 2006).
2272:, p. 13. Indiana University Press.
1416:United States Department of Defense
1316:Palestinian Liberation Organization
1080:Roger Ebert added the film to his "
589:, who was a veteran FLN commander.
348:
73:
5767:Films directed by Gillo Pontecorvo
4049:an essay by Peter Matthews at the
3263:Klaus Stern & Jörg Herrmann, "
2737:Wrigley, Nick (February 8, 2018).
2527:from the original on 10 March 2014
1486:The home media release history of
620:who carry out a terrorist attack.
36:Battle of Algiers (disambiguation)
25:
3808:rochester.primo.exlibrisgroup.com
3784:rochester.primo.exlibrisgroup.com
3294:from the original on 26 June 2013
3228:from the original on 22 June 2023
2487:from the original on 16 June 2013
1312:Provisional Irish Republican Army
886:posing beside some guests at the
714:, Pontecorvo and cinematographer
550:The tactics of the FLN guerrilla
5624:
5612:
5600:
5032:The Garden of the Finzi-Continis
4757:All the Beauty and the Bloodshed
4176:Venice Film Festival Golden Lion
2793:. University Press of Kentucky.
2606:from the original on 17 May 2023
2567:from the original on 21 May 2023
2270:Film Guide to The Battle Algiers
1970:(New York, Enigma Books, 2010).
1437:A flyer for the screening said:
1200:was a key influence on his film
658:Souvenirs de la Bataille d'Alger
114:Souvenirs de la Bataille d'Alger
5797:Films about terrorism in Africa
5772:Films scored by Ennio Morricone
5143:The Night of the Shooting Stars
4825:Best International Feature Film
3026:The Killing of a Chinese Bookie
2475:"The cinematic fortunes of war"
2142:Les Mots de la Guerre d'Algérie
2015:Malcolm, Derek (20 July 2000).
1451:2003–2004 theatrical re-release
1298:. Beginning in the late 1960s,
1128:"300 Best Movies of All Time."
975:banned by the French government
489:. After being tortured, one of
5827:Colonialism in popular culture
5682:Italian historical drama films
5672:Algerian black-and-white films
5205:The Legend of the Holy Drinker
4458:The Legend of the Holy Drinker
2975:Calum Russell (17 June 2021).
2919:I also recommend Pontecorvo's
2903:Paul Cronin (August 5, 2014).
1927:Chronicle of the Years of Fire
1320:Jammu Kashmir Liberation Front
1050:On review aggregation website
960:; earlier films like Godard's
815:Tommaso Neri as Captain Dubois
656:was inspired by the 1962 book
396:. It is often associated with
55:U.S. theatrical release poster
27:1966 Italian-Algerian war film
1:
5832:Battle of Algiers (1956–1957)
5677:Italian black-and-white films
4962:Yesterday, Today and Tomorrow
3329:, 28 July 2005, extract from
2821:(Gillo Pontecorvo, 1966) and
2760:LaCinetek (16 January 2019).
2717:"300 Best Movies Of All Time"
2216:Terrorism, Media, Liberation.
1942:'s Libyan resistance against
1361:1960s screenings in Argentina
1174:, noting that it (along with
1113:100 Italian films to be saved
890:, in which the movie won the
862:Release, reception and legacy
778:and he had taken part in the
679:To meet the demands of film,
472:100 Italian films to be saved
363:) is a 1966 Italian-Algerian
32:Battle of Algiers (1956–1957)
5702:1960s English-language films
5657:1960s historical drama films
3996:AFI Catalog of Feature Films
3250:: Bombs and Boomerangs", in
3060:. Penske Business Media, LLC
2739:"Stanley Kubrick, cinephile"
1101:, as well as 120th place on
906:and was nominated for three
574:, intimidation, and murder.
521:Algerian War of Independence
250:September 27, 1966
18:The Battle of Algiers (film)
5837:French-language drama films
5812:Algerian multilingual films
5777:1960s political drama films
5697:1960s French-language films
5692:1960s Arabic-language films
3780:"The battle of Algiers VHS"
3052:Zack Sharf (May 25, 2017).
1966:Aussaresses, General Paul.
1222:. The film also influenced
797:as Colonel Philippe Mathieu
367:co-written and directed by
359:
239:September 9, 1966
5858:
5817:Italian multilingual films
4891:Big Deal on Madonna Street
3579:"The Criterion Collection"
3116:indicate that Nolan chose
1849:2004 Criterion DVD edition
1551:
980:Organisation Armée Secrète
912:Best Foreign Language Film
768:Théâtre National Populaire
282:(Cut version for theaters)
29:
5802:Guerrilla warfare in film
5792:Film censorship in France
5436:The First Beautiful Thing
4094:
3458:ultrahd.highdefdigest.com
3412:. Retrieved 6 March 2007.
3085:"Good guys and bad guys:
2425:10.1080/13698010701618604
2407:in French Film Culture".
1787:
1761:
1756:
1753:
1746:
1681:
1678:
1675:
1670:
1652:The Criterion Collection
1638:
1633:
1615:
1611:The Criterion Collection
1599:
1577:
1564:
1559:
1548:
1545:
1542:
1400:, described the session:
1377:. By 1963, cadets at the
888:27th Venice Film Festival
830:Franco Moruzzi as Mahmoud
649:, where the film was shot
600:who is an FLN messenger;
541:National Liberation Front
436:27th Venice Film Festival
224:August 31, 1966
60:
48:
5807:1960s multilingual films
5002:The Girl with the Pistol
3434:The Criterion Collection
3191:. British Film Institute
2235:Cornell University Press
2219:Rutgers University Press
2080:10.1177/0305829808093770
1938:, a similar movie about
1855:The Criterion Collection
1537:The Criterion Collection
1292:national liberation wars
821:Ugo Paletti as a Captain
375:(1954–1962) against the
5712:Italian docudrama films
5687:Italian war drama films
4942:The Four Days of Naples
4426:A Year of the Quiet Sun
3920:Pre-Certification Video
3896:Pre-Certification Video
3596:"The Battle of Algiers"
3523:"The Battle of Algiers"
3430:"The Battle of Algiers"
3022:All the President's Men
1695:Palisades Tartan Video
1410:2003 Pentagon screening
1375:Higher Military College
1304:urban guerrilla warfare
1278:and guerrilla movements
1036:championed the film in
818:Samia Kerbash as Fathia
448:urban guerrilla warfare
4972:Marriage Italian Style
4303:Last Year at Marienbad
3559:10.1037/e569732013-001
3547:"The Score, Jul, 2012"
3333:transl. in English by
1444:
1428:Low-Intensity Conflict
1407:
1348:
1086:Critics' Top 250 Films
995:. In a review for the
932:Acapulco Film Festival
918:(Gillo Pontecorvo and
895:
833:Mohamed Ben Kassen as
755:
650:
340:La battaglia di Algeri
338:
66:La battaglia di Algeri
65:
34:. For other uses, see
5727:Films shot in Algeria
5717:Films about terrorism
5662:1960s war drama films
5376:The Keys to the House
5153:And the Ship Sails On
4982:The Battle of Algiers
4861:The Walls of Malapaga
4597:The Magdalene Sisters
4450:Au revoir les enfants
4351:The Battle of Algiers
4116:The Battle of Algiers
4025:The Battle of Algiers
4014:The Battle of Algiers
4003:The Battle of Algiers
3990:The Battle of Algiers
3979:The Battle of Algiers
3968:The Battle of Algiers
3349:The Battle of Algiers
3252:The Battle of Algiers
3248:The Battle of Algiers
3118:The Battle of Algiers
3114:The Dark Knight Rises
3110:The Battle of Algiers
3091:The Dark Knight Rises
3087:The Battle of Algiers
2921:The Battle of Algiers
2907:. Faber & Faber.
2589:The Battle of Algiers
2549:The Battle of Algiers
2513:The Battle of Algiers
2405:The Battle of Algiers
2365:The Battle of Algiers
2268:Mellen, Joan (1973).
2257:The Battle of Algiers
2203:The Battle of Algiers
2169:The Battle of Algiers
2156:The Battle of Algiers
2062:The Battle of Algiers
2039:www.boxofficemojo.com
1983:The Battle of Algiers
1867:The Battle of Algiers
1853:On October 12, 2004,
1713:Encore Entertainment
1668:Madman Entertainment
1402:
1383:The Battle of Algiers
1379:Navy Mechanics School
1339:The Battle of Algiers
1324:The Battle of Algiers
1300:The Battle of Algiers
1284:The Battle of Algiers
1276:The Battle of Algiers
1255:The Battle of Algiers
1241:The Battle of Algiers
1233:(famous for his work
1213:The Dark Knight Rises
1198:The Battle of Algiers
1154:The Battle of Algiers
1146:The Battle of Algiers
1132:The Battle of Algiers
1056:The Battle of Algiers
1008:The Battle of Algiers
971:The Battle of Algiers
947:The Battle of Algiers
874:
852:The Battle of Algiers
741:
681:The Battle of Algiers
654:The Battle of Algiers
644:
622:The Battle of Algiers
568:Milk Bar Café bombing
509:The Battle of Algiers
483:The Battle of Algiers
330:The Battle of Algiers
44:The Battle of Algiers
5752:Films set in Algiers
5707:Existentialist films
4402:Marianne and Juliane
4279:General Della Rovere
4051:Criterion Collection
2515:movie review (1968)"
2417:Taylor & Francis
2184:. Rfi.fr. 2004-10-29
1911:Jamila, the Algerian
1772:Foothill Home Video
1330:'s favourite movie.
904:Venice Film Festival
772:manifesto of the 121
632:Production and style
322:$ 879,794 (domestic)
5822:1960s Italian films
5762:Golden Lion winners
5245:The Stolen Children
4817:Italian submissions
4506:Three Colours: Blue
4490:The Story of Qiu Ju
4410:The State of Things
4327:Hands over the City
4295:Tomorrow Is My Turn
3652:"February releases"
3620:"February releases"
3398:La Bataille d'Alger
3386:, 7 September 2003.
2473:(10 October 2004).
2324:The Washington Post
1494:
1398:Marie-Monique Robin
1391:Argentine Dirty War
1371:Radical Civic Union
1286:coincided with the
1261:poll. In 2023, the
1013:The Washington Post
880:(second from right)
417:the illegal methods
360:Maʿrakat al-Jazāʾir
74:Maʿrakat al-Jazāʾir
5782:Films about racism
5667:Algerian War films
5112:A Leap in the Dark
4773:The Room Next Door
4717:The Shape of Water
4709:The Woman Who Left
4621:Brokeback Mountain
4554:The Way We Laughed
4418:First Name: Carmen
4100:The Wide Blue Road
4086:Films directed by
3984:TCM Movie Database
3944:criterionforum.org
3408:2010-01-11 at the
3384:The New York Times
3378:2007-02-17 at the
3360:, January 1, 2004.
3354:Diplomatic License
3321:2006-11-22 at the
3165:. 25 December 2016
2983:. Far Out Magazine
2812:Soderbergh called
2626:"Critics' top 100"
1944:Italian occupation
1935:Lion of the Desert
1863:Michael A. Sheehan
1692:February 19, 2001
1493:
1424:Special Operations
1337:had characterized
1265:American magazine
1032:were for theirs."
951:French imperialism
896:
824:Fusia El Kader as
756:
676:with the project.
651:
616:, three FLN women
556:counter insurgency
398:Italian neorealist
385:Roberto Rossellini
276:(Original version)
5747:Films set in 1960
5742:Films set in 1957
5737:Films set in 1956
5732:Films set in 1954
5722:Films about Islam
5588:
5587:
5406:The Unknown Woman
5325:One Hundred Steps
5315:Not of this World
5305:Life Is Beautiful
5255:The Great Pumpkin
5012:Fellini Satyricon
4881:Nights of Cabiria
4783:
4782:
4466:A City of Sadness
4142:
4141:
3853:Filmfax 19 (1990)
3829:External link in
3581:. August 9, 2011.
3551:PsycEXTRA Dataset
3327:Horacio Verbitsky
3280:(13 April 1969).
3246:Peter Matthews, "
3030:Battle of Algiers
2914:978-0-571-25978-6
2858:Battle of Algiers
2819:Battle of Algiers
2800:978-0-8131-3989-0
2636:on 19 August 2012
2278:978-0-253-29316-9
2214:J. David Slocum,
1991:978-88-6977-079-1
1976:978-1-929631-30-8
1886:Steven Soderbergh
1859:Richard A. Clarke
1841:
1840:
1649:October 12, 2004
1546:2018 restoration
1533:October 19, 2021
1488:Battle of Algiers
1208:Christopher Nolan
1162:Steven Soderbergh
1074:Cahiers du Cinéma
998:Chicago Sun-Times
953:that reached the
898:The film won the
875:Italian director
867:Initial reception
780:French Resistance
712:Battle of Algiers
672:and screenwriter
560:summary execution
511:reconstructs the
381:Battle of Algiers
377:French government
357:
326:
325:
16:(Redirected from
5849:
5787:1966 drama films
5629:
5628:
5627:
5617:
5616:
5615:
5605:
5604:
5603:
5596:
5581:
5571:
5561:
5540:
5530:
5520:
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5500:
5490:
5480:
5470:
5466:The Great Beauty
5460:
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5410:
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5390:
5380:
5370:
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5219:
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5167:
5157:
5147:
5137:
5116:
5106:
5102:To Forget Venice
5096:
5086:
5076:
5066:
5062:Scent of a Woman
5056:
5046:
5036:
5026:
5016:
5006:
4996:
4986:
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4895:
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4803:
4796:
4787:
4319:Ivan's Childhood
4247:Romeo and Juliet
4169:
4162:
4155:
4146:
4088:Gillo Pontecorvo
4080:
4073:
4066:
4057:
4036:
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3881:
3879:
3878:
3864:
3858:
3857:
3850:Filmfax (1990).
3847:
3841:
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3827:
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3817:
3815:
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3402:Horaires à Paris
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3233:
3221:The New Republic
3214:(22 June 2023).
3207:
3201:
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2873:
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2687:
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2671:
2669:
2667:
2652:
2646:
2645:
2643:
2641:
2632:. Archived from
2622:
2616:
2615:
2613:
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2583:
2577:
2576:
2574:
2572:
2543:
2537:
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2043:
2042:
2031:
2025:
2024:
2012:
1871:
1844:Special Editions
1769:January 9, 1990
1743:Rhino Home Video
1626:August 30, 2009
1495:
1387:Antonio Caggiano
1351:Later Screenings
1268:The New Republic
1126:Rotten Tomatoes'
1123:
1096:
1030:Luchino Visconti
1022:Leni Riefenstahl
881:
877:Gillo Pontecorvo
803:as El-Hadi Jafar
770:for signing the
728:telephoto lenses
670:Gillo Pontecorvo
618:urban guerrillas
602:Larbi Ben M'hidi
458:
411:fighters of the
369:Gillo Pontecorvo
362:
352:
350:
283:
277:
257:
255:
246:
244:
231:
229:
184:Gillo Pontecorvo
105:Gillo Pontecorvo
84:Gillo Pontecorvo
75:
53:
41:
21:
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5635:
5625:
5623:
5613:
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5599:
5591:
5589:
5584:
5574:
5564:
5557:The Hand of God
5554:
5543:
5533:
5523:
5513:
5503:
5493:
5483:
5473:
5463:
5456:Caesar Must Die
5453:
5443:
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5332:
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5252:
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5232:
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5215:Cinema Paradiso
5212:
5202:
5192:
5182:
5170:
5163:Where's Picone?
5160:
5150:
5140:
5130:
5119:
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4888:
4878:
4868:
4858:
4851:Bicycle Thieves
4848:
4838:
4827:
4814:
4784:
4779:
4589:Monsoon Wedding
4576:
4538:Michael Collins
4514:Before the Rain
4373:
4239:Forbidden Games
4223:Justice Is Done
4178:
4173:
4143:
4138:
4090:
4084:
4019:Rotten Tomatoes
3963:
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3428:
3427:
3416:
3410:Wayback Machine
3394:
3390:
3380:Wayback Machine
3371:
3364:
3347:"Re-release of
3345:
3341:
3323:Wayback Machine
3314:
3307:
3297:
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2721:Rotten Tomatoes
2715:
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2585:
2584:
2580:
2570:
2568:
2556:Rotten Tomatoes
2545:
2544:
2540:
2530:
2528:
2509:(30 May 1968).
2505:
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2121:www.corriere.it
2115:
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2054:
2053:
2046:
2033:
2032:
2028:
2014:
2013:
2004:
1999:
1981:O’Leary, Alan.
1963:
1961:Further reading
1940:Omar al-Mukhtar
1906:
1882:Julian Schnabel
1869:
1851:
1846:
1662:#9322225034198
1608:August 9, 2011
1484:
1469:Rialto Pictures
1453:
1412:
1367:Arturo Frondizi
1363:
1358:
1353:
1326:was apparently
1282:The release of
1280:
1259:Sight and Sound
1136:Stanley Kubrick
1121:
1094:
1091:Sight and Sound
1052:Rotten Tomatoes
1048:
963:Le petit soldat
916:Best Screenplay
879:
869:
864:
856:Ennio Morricone
843:
841:Sound and music
736:
705:
697:Roger Trinquier
639:
634:
554:and the French
480:
456:
453:Sight and Sound
394:Ennio Morricone
305:
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171:Mario Serandrei
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5779:
5774:
5769:
5764:
5759:
5757:Censored films
5754:
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5709:
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5652:1966 war films
5649:
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5411:
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5391:
5381:
5371:
5366:I'm Not Scared
5361:
5351:
5346:The Son's Room
5340:
5338:
5334:
5333:
5331:
5330:
5320:
5310:
5300:
5290:
5280:
5275:The Star Maker
5270:
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5133:Three Brothers
5127:
5125:
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5120:
5118:
5117:
5107:
5097:
5092:I nuovi mostri
5087:
5077:
5072:Seven Beauties
5067:
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5027:
5017:
5007:
4997:
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4191:The Southerner
4186:
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4021:
4010:
3999:
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3986:
3975:
3962:
3961:External links
3959:
3956:
3955:
3931:
3907:
3883:
3859:
3842:
3795:
3771:
3747:
3723:
3699:
3675:
3658:. 2001-01-19.
3643:
3626:. 2001-01-19.
3611:
3584:
3570:
3538:
3514:
3490:
3469:
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3414:
3388:
3362:
3339:
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3287:RogerEbert.com
3269:
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2726:
2708:
2705:. 11 May 2007.
2688:
2673:
2647:
2617:
2578:
2561:Fandango Media
2538:
2520:RogerEbert.com
2498:
2480:RogerEbert.com
2459:
2453:Cowie, Peter,
2446:
2388:
2342:
2306:
2282:
2261:
2248:
2239:
2237:, 1999, p 158.
2223:
2221:, 2005, p. 25.
2207:
2194:
2173:
2160:
2154:"The Source".
2147:
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1827:Capstan Video
1825:
1824:October, 1983
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1328:Andreas Baader
1308:Black Panthers
1296:armed struggle
1288:decolonization
1279:
1273:
1150:Anthony Frewin
1047:
1044:
1039:The New Yorker
920:Franco Solinas
908:Academy Awards
868:
865:
863:
860:
842:
839:
838:
837:
831:
828:
822:
819:
816:
813:
807:Brahim Haggiag
804:
798:
784:Franco Solinas
754:in the hideout
735:
732:
716:Marcello Gatti
704:
701:
693:Marcel Bigeard
674:Franco Solinas
638:
635:
633:
630:
583:Brahim Haggiag
517:French Algeria
495:Brahim Haggiag
487:French Algeria
479:
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209:Allied Artists
206:
205:Distributed by
202:
201:
196:
194:
189:
186:
185:
178:
174:
173:
164:
160:
159:
157:Marcello Gatti
154:
153:Cinematography
150:
149:
145:Brahim Haggiag
136:
132:
131:
126:
122:
121:
111:
107:
106:
103:Franco Solinas
101:
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94:Franco Solinas
91:
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81:
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58:
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54:
46:
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2:
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5508:
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5487:
5482:
5478:
5477:
5476:Human Capital
5472:
5468:
5467:
5462:
5458:
5457:
5452:
5448:
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5285:My Generation
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5082:A Special Day
5078:
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5024:
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5018:
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5003:
4998:
4994:
4993:
4992:China Is Near
4988:
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4912:
4907:
4903:
4902:
4901:The Great War
4897:
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4821:Academy Award
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4482:Close to Eden
4479:
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4459:
4455:
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4451:
4447:
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4442:The Green Ray
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4415:
4412:
4411:
4407:
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4386:Atlantic City
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4364:
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4359:Belle de Jour
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4287:The Great War
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3210:Epp, Julian;
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3139:The Daily Dot
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3098:
3097:openDemocracy
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2723:. 2024-04-29.
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2409:Interventions
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2027:
2022:
2018:
2011:
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1992:
1988:
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1980:
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1973:
1969:
1965:
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1956:
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1603:
1597:
1595:July 9, 2012
1594:
1591:
1590:
1587:
1583:
1580:
1574:
1572:Dual Edition
1571:
1570:
1567:
1562:
1557:
1554:
1540:
1538:
1535:
1532:
1529:
1528:
1524:
1521:
1518:
1516:Commentaries
1515:
1512:
1509:
1507:Aspect Ratio
1506:
1503:
1500:
1497:
1496:
1491:
1489:
1481:
1479:
1477:
1476:
1470:
1466:
1462:
1458:
1450:
1448:
1443:
1438:
1435:
1433:
1432:occupied Iraq
1429:
1425:
1421:
1417:
1409:
1406:
1401:
1399:
1394:
1392:
1388:
1384:
1380:
1376:
1372:
1368:
1360:
1355:
1350:
1347:
1342:
1340:
1336:
1335:Jimmy Breslin
1331:
1329:
1325:
1321:
1317:
1313:
1309:
1305:
1301:
1297:
1293:
1289:
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1221:
1220:
1215:
1214:
1209:
1205:
1204:
1199:
1195:
1191:
1187:
1186:Werner Herzog
1183:
1182:
1177:
1173:
1172:
1167:
1163:
1159:
1155:
1151:
1147:
1143:
1142:
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1133:
1129:
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1120:
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1027:
1023:
1019:
1015:
1014:
1009:
1004:
1000:
999:
994:
988:
985:
981:
976:
973:was formally
972:
968:
965:
964:
959:
958:
952:
948:
943:
941:
937:
936:Golden Grolla
933:
929:
928:Silver Ribbon
925:
924:Best Director
921:
917:
914:in 1966, and
913:
909:
905:
901:
893:
889:
885:
878:
873:
866:
861:
859:
857:
853:
849:
840:
836:
832:
829:
827:
823:
820:
817:
814:
812:
811:Ali La Pointe
808:
805:
802:
799:
796:
793:
792:
791:
787:
785:
781:
777:
776:Indochina War
773:
769:
764:
762:
753:
752:Ali La Pointe
749:
745:
740:
733:
731:
729:
723:
721:
717:
713:
710:
702:
700:
698:
694:
690:
689:Jacques Massu
686:
682:
677:
675:
671:
667:
663:
659:
655:
648:
643:
636:
631:
629:
627:
623:
619:
615:
611:
607:
603:
599:
598:street urchin
595:
590:
588:
584:
580:
579:Ali la Pointe
575:
573:
569:
565:
561:
557:
553:
548:
546:
542:
538:
534:
530:
527:. Because of
526:
522:
518:
514:
510:
506:
504:
500:
496:
492:
491:Ali la Pointe
488:
484:
477:
475:
473:
469:
464:
462:
455:
454:
449:
445:
441:
437:
433:
430:. It won the
429:
424:
422:
418:
414:
410:
406:
405:Ali La Pointe
401:
399:
395:
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386:
382:
378:
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349:معركة الجزائر
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217:Release dates
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37:
33:
19:
5575:
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5548:2021–present
5534:
5524:
5514:
5504:
5494:
5486:Don't Be Bad
5484:
5474:
5464:
5454:
5444:
5434:
5424:
5414:
5404:
5394:
5384:
5374:
5364:
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5323:
5313:
5303:
5295:The Best Man
5293:
5283:
5273:
5263:
5253:
5243:
5235:Mediterraneo
5233:
5223:
5213:
5203:
5193:
5185:Summer Night
5183:
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4659:
4651:
4645:The Wrestler
4643:
4635:
4627:
4619:
4611:
4603:
4595:
4587:
4581:2001–present
4568:
4562:Not One Less
4560:
4552:
4544:
4536:
4528:
4522:Vive L'Amour
4520:
4512:
4504:
4496:
4488:
4480:
4472:
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4456:
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4400:
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4384:
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4341:
4333:
4325:
4317:
4311:Family Diary
4309:
4301:
4293:
4285:
4277:
4271:Rickshaw Man
4269:
4261:
4253:
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4237:
4229:
4221:
4213:
4205:
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4130:
4122:
4115:
4114:
4106:
4098:
4045:
4023:
4013:
4002:
3989:
3978:
3967:
3947:. Retrieved
3943:
3934:
3923:. Retrieved
3919:
3910:
3899:. Retrieved
3895:
3886:
3875:. Retrieved
3872:www.lddb.com
3871:
3862:
3852:
3845:
3832:|title=
3811:. Retrieved
3807:
3798:
3787:. Retrieved
3783:
3774:
3763:. Retrieved
3760:www.lddb.com
3759:
3750:
3739:. Retrieved
3736:www.lddb.com
3735:
3726:
3715:. Retrieved
3712:www.lddb.com
3711:
3702:
3691:. Retrieved
3688:www.lddb.com
3687:
3678:
3667:. Retrieved
3656:The Guardian
3655:
3646:
3635:. Retrieved
3624:The Guardian
3623:
3614:
3603:. Retrieved
3599:
3573:
3562:. Retrieved
3550:
3541:
3530:. Retrieved
3526:
3517:
3506:. Retrieved
3502:
3493:
3483:, retrieved
3478:
3472:
3461:. Retrieved
3457:
3448:
3437:. Retrieved
3433:
3401:
3397:
3391:
3383:
3353:
3348:
3342:
3330:
3296:. Retrieved
3285:
3278:Ebert, Roger
3272:
3264:
3259:
3251:
3247:
3242:
3230:. Retrieved
3219:
3212:Hoberman, J.
3205:
3193:. Retrieved
3188:
3179:
3167:. Retrieved
3162:
3153:
3142:. Retrieved
3138:
3128:
3117:
3113:
3109:
3107:
3102:15 September
3100:. Retrieved
3096:
3090:
3086:
3078:
3069:
3064:15 September
3062:. Retrieved
3057:
3047:
3037:
3033:
3029:
3025:
3021:
3019:
3012:. Retrieved
3007:
2997:
2985:. Retrieved
2980:
2970:
2946:24 September
2944:. Retrieved
2940:
2930:
2920:
2918:
2904:
2898:
2886:. Retrieved
2881:
2871:
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2855:
2848:. Retrieved
2842:
2832:
2822:
2818:
2813:
2811:
2804:. Retrieved
2789:
2782:
2770:. Retrieved
2765:
2755:
2743:. Retrieved
2720:
2711:
2702:The Guardian
2700:
2691:
2682:
2676:
2664:. Retrieved
2662:. 2015-10-02
2659:
2650:
2638:. Retrieved
2634:the original
2629:
2620:
2608:. Retrieved
2601:Fandom, Inc.
2594:
2588:
2581:
2569:. Retrieved
2554:
2548:
2541:
2529:. Retrieved
2518:
2512:
2507:Ebert, Roger
2501:
2489:. Retrieved
2478:
2471:Ebert, Roger
2454:
2449:
2412:
2408:
2404:
2377:(2): 14–22.
2374:
2368:
2364:
2333:. Retrieved
2322:
2298:. Retrieved
2294:
2285:
2269:
2264:
2256:
2251:
2242:
2231:
2226:
2215:
2210:
2202:
2197:
2186:. Retrieved
2176:
2168:
2163:
2155:
2150:
2141:
2135:
2124:. Retrieved
2120:
2111:
2103:The Guardian
2102:
2071:
2065:
2061:
2057:
2038:
2029:
2021:The Guardian
2020:
1982:
1967:
1933:
1925:
1919:Lost Command
1917:
1909:
1890:Oliver Stone
1866:
1852:
1575:May 2, 2018
1539:
1487:
1485:
1472:
1454:
1445:
1440:
1436:
1420:the Pentagon
1413:
1403:
1395:
1382:
1364:
1344:
1338:
1332:
1323:
1299:
1283:
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1275:
1266:
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1254:
1244:
1240:
1234:
1228:
1217:
1211:
1201:
1197:
1179:
1176:Costa-Gavras
1169:
1158:Costa-Gavras
1153:
1145:
1139:
1131:
1130:
1125:
1118:The Guardian
1116:
1108:
1102:
1089:
1085:
1082:Great Movies
1079:
1072:
1066:
1064:
1055:
1049:
1037:
1034:Pauline Kael
1011:
1007:
996:
989:
984:bomb threats
970:
969:
961:
956:
946:
944:
939:
934:(1966), the
897:
851:
844:
788:
765:
757:
724:
711:
708:
706:
703:Visual style
680:
678:
666:Salash Baazi
657:
653:
652:
621:
591:
576:
549:
508:
507:
503:flashes back
482:
481:
465:
451:
425:
402:
373:Algerian War
339:
329:
328:
327:
280:120 minutes
274:136 minutes
267:Running time
247: (Italy)
148:Tommaso Neri
128:Antonio Musu
113:
5577:Io capitano
5526:The Traitor
5496:Fire at Sea
5396:Golden Door
4765:Poor Things
3331:El Silencio
3185:"Tariq Ali"
2768:. LaCinetek
2419:: 371–388.
2074:: 181–197.
1894:Saadi Yacef
1865:discussing
1788:Axon Video
1629:Cult Films
1578:Cult Films
1519:Resolution
1290:period and
1263:progressive
1236:Orientalism
1231:Edward Said
1216:(2012) and
1194:Ben Affleck
1026:Carl Dreyer
1003:Roger Ebert
900:Golden Lion
892:Golden Lion
884:Saadi Yacef
835:Little Omar
801:Saadi Yacef
795:Jean Martin
761:Jean Martin
748:Little Omar
662:Saadi Yacef
587:Saadi Yacef
537:French Army
533:pieds-noirs
499:French Army
432:Golden Lion
199:Casbah Film
167:Mario Morra
142:Saadi Yacef
139:Jean Martin
130:Saadi Yacef
125:Produced by
119:Saadi Yacef
80:Directed by
5647:1966 films
5641:Categories
5446:Terraferma
5386:Don't Tell
5225:Open Doors
5195:The Family
4629:Still Life
4613:Vera Drake
4605:The Return
4570:The Circle
4498:Short Cuts
4335:Red Desert
4199:The Strike
4030:Metacritic
3949:2023-10-27
3925:2024-01-19
3901:2024-01-19
3877:2024-01-19
3813:2024-01-19
3789:2024-01-19
3765:2024-01-19
3741:2024-01-19
3717:2024-01-19
3693:2024-01-19
3669:2024-01-23
3637:2024-01-19
3605:2024-01-19
3600:hive.co.uk
3564:2024-01-19
3532:2024-01-19
3527:hive.co.uk
3508:2024-01-19
3485:2024-01-19
3463:2024-01-09
3439:2020-05-15
3267:", p. 104.
3195:18 October
3144:2024-08-20
2630:bfi.org.uk
2596:Metacritic
2300:2011-11-09
2295:oscars.org
2188:2010-03-07
2126:2021-03-11
1997:References
1898:Zohra Drif
1834:240 lines
1782:AVC #0208
1754:240 lines
1736:RNVD 2108
1679:576 lines
1504:Publisher
1482:Home media
1365:President
1239:) praised
1068:Libération
1060:Metacritic
637:Screenplay
594:Petit Omar
552:insurgency
387:-inspired
319:Box office
254:1966-09-27
243:1966-09-09
228:1966-08-31
190:Production
90:Written by
5567:Nostalgia
5506:A Ciambra
5356:Pinocchio
5337:2001–2020
5124:1981–2000
4923:1961–1980
4871:La Strada
4841:Shoeshine
4832:1947–1960
4749:Happening
4741:Nomadland
4701:From Afar
4685:Sacro GRA
4661:Somewhere
4378:1980–2000
4263:Aparajito
4183:1946–1968
3664:0261-3077
3632:0261-3077
3058:IndieWire
2745:August 8,
2441:162359222
2433:1469-929X
1878:Mira Nair
1874:Spike Lee
1815:LaserDisc
1810:425 lines
1730:LaserDisc
1725:425 lines
1689:TVT 1085
1501:Released
1475:Accattone
1251:Tariq Ali
1190:Ken Loach
957:Métropole
848:ululation
742:Mahmoud,
685:composite
564:terrorism
505:to 1954.
444:Insurgent
409:guerrilla
354:romanized
314:$ 806,735
301:Languages
291:Countries
197:Igor Film
192:companies
163:Edited by
5536:Notturno
5416:Gomorrah
5265:Lamerica
5173:Macaroni
5052:Amarcord
4932:La Notte
4434:Vagabond
4231:Rashomon
4008:AllMovie
3822:cite web
3553:. 2012.
3406:Archived
3376:Archived
3319:Archived
3292:Archived
3226:Archived
3014:11 April
2956:cite web
2772:11 April
2666:14 March
2640:14 March
2604:Archived
2591:Reviews"
2565:Archived
2525:Archived
2485:Archived
2383:41689226
2370:Cinéaste
2329:Archived
1904:See also
1821:CVL1002
1798:ID6786X
1623:AGTD011
1592:CULT501
1513:Runtime
1318:and the
1166:drug war
1018:Griffith
720:newsreel
529:partisan
400:cinema.
389:newsreel
365:war film
177:Music by
135:Starring
110:Based on
100:Story by
5593:Portals
4884:(1957)
4854:(1949)
4844:(1947)
4653:Lebanon
4546:Hana-bi
3993:at the
3982:at the
3298:22 June
3232:22 June
3169:11 June
3038:Missing
3008:Vulture
2987:29 June
2981:Far Out
2888:12 July
2882:Vulture
2850:12 July
2844:Far Out
2814:Traffic
2806:12 July
2766:YouTube
2610:22 June
2571:22 June
2531:22 June
2491:22 June
2335:22 June
1806:2h 02m
1777:2h 01m
1747:1.33:1
1716:1.66:1
1707:EE1043
1676:1h 57m
1671:1.33:1
1657:2h 01m
1566:Blu-ray
1549:2h 02m
1543:1.85:1
1525:Medium
1522:Master
1473:Espace
1253:placed
1219:Dunkirk
1171:Traffic
1141:Positif
955:French
902:at the
614:Hassiba
606:Djamila
572:torture
478:Subject
434:at the
421:stop it
356::
335:Italian
296:Algeria
252: (
241: (
226: (
62:Italian
5580:(2023)
5570:(2022)
5560:(2021)
5539:(2020)
5529:(2019)
5519:(2018)
5516:Dogman
5509:(2017)
5499:(2016)
5489:(2015)
5479:(2014)
5469:(2013)
5459:(2012)
5449:(2011)
5439:(2010)
5429:(2009)
5426:Baarìa
5419:(2008)
5409:(2007)
5399:(2006)
5389:(2005)
5379:(2004)
5369:(2003)
5359:(2002)
5349:(2001)
5328:(2000)
5318:(1999)
5308:(1998)
5298:(1997)
5288:(1996)
5278:(1995)
5268:(1994)
5258:(1993)
5248:(1992)
5238:(1991)
5228:(1990)
5218:(1989)
5208:(1988)
5198:(1987)
5188:(1986)
5176:(1985)
5166:(1984)
5156:(1983)
5146:(1982)
5136:(1981)
5115:(1980)
5105:(1979)
5095:(1978)
5085:(1977)
5075:(1976)
5065:(1975)
5055:(1974)
5045:(1972)
5035:(1971)
5025:(1970)
5015:(1969)
5005:(1968)
4995:(1967)
4985:(1966)
4975:(1965)
4965:(1964)
4955:(1963)
4945:(1962)
4935:(1961)
4914:(1960)
4904:(1959)
4894:(1958)
4874:(1956)
4864:(1950)
4776:(2024)
4768:(2023)
4760:(2022)
4752:(2021)
4744:(2020)
4736:(2019)
4728:(2018)
4720:(2017)
4712:(2016)
4704:(2015)
4696:(2014)
4688:(2013)
4680:(2012)
4672:(2011)
4664:(2010)
4656:(2009)
4648:(2008)
4640:(2007)
4632:(2006)
4624:(2005)
4616:(2004)
4608:(2003)
4600:(2002)
4592:(2001)
4573:(2000)
4565:(1999)
4557:(1998)
4549:(1997)
4541:(1996)
4533:(1995)
4525:(1994)
4517:(1994)
4509:(1993)
4501:(1993)
4493:(1992)
4485:(1991)
4477:(1990)
4469:(1989)
4461:(1988)
4453:(1987)
4445:(1986)
4437:(1985)
4429:(1984)
4421:(1983)
4413:(1982)
4405:(1981)
4397:(1980)
4394:Gloria
4389:(1980)
4370:(1968)
4362:(1967)
4354:(1966)
4346:(1965)
4343:Sandra
4338:(1964)
4330:(1963)
4322:(1962)
4314:(1962)
4306:(1961)
4298:(1960)
4290:(1959)
4282:(1959)
4274:(1958)
4266:(1957)
4258:(1955)
4250:(1954)
4242:(1952)
4234:(1951)
4226:(1950)
4218:(1949)
4210:(1948)
4207:Hamlet
4202:(1947)
4194:(1946)
4135:(1979)
4127:(1969)
4119:(1966)
4111:(1960)
4103:(1957)
3662:
3630:
3071:face.'
2911:
2797:
2683:Empire
2660:Empire
2439:
2431:
2381:
2276:
1989:
1974:
1888:, and
1793:2h 5m
1721:2h 0m
1600:1080i
1498:Title
1457:pirate
1405:enemy.
1314:, the
1310:, the
1168:drama
1109:Empire
1104:Empire
922:) and
826:Halima
750:, and
744:Halima
647:Casbah
626:chorus
612:, and
525:Casbah
345:Arabic
311:Budget
306:French
304:Arabic
234:Venice
232: (
70:Arabic
5619:1960s
5607:Italy
4733:Joker
4677:Pietà
4669:Faust
4530:Cyclo
4255:Ordet
4215:Manon
4124:Burn!
3163:Vimeo
2741:. BFI
2437:S2CID
2415:(3).
2379:JSTOR
1870:'
1801:1985
1785:1988
1739:1993
1710:1993
1665:2004
1646:#249
1605:#249
1586:2160p
1582:1080i
1556:2160p
1552:none
1530:#249
1246:Burn!
1224:Andor
1196:said
1122:'
1095:'
610:Zohra
457:'
450:. In
294:Italy
211:(USA)
5631:Film
5042:Roma
4911:Kapo
4823:for
4819:for
4725:Roma
4132:Ogro
4108:Kapo
3973:IMDb
3837:help
3660:ISSN
3628:ISSN
3395:See
3300:2023
3234:2023
3197:2020
3171:2021
3104:2021
3089:and
3066:2021
3016:2023
2989:2021
2962:link
2948:2021
2909:ISBN
2890:2021
2860:and
2852:2021
2808:2021
2795:ISBN
2774:2023
2747:2018
2668:2016
2642:2016
2612:2023
2573:2023
2533:2023
2493:2023
2429:ISSN
2337:2023
2274:ISBN
1987:ISBN
1972:ISBN
1896:and
1861:and
1837:VHS
1762:VHS
1758:NTSC
1635:480i
1510:Cut
1463:and
1426:and
1203:Argo
1028:and
940:Cine
734:Cast
707:For
645:The
596:, a
545:coda
493:'s (
4028:at
4017:at
4006:at
3971:at
3555:doi
3358:CNN
3189:BFI
2941:NPR
2421:doi
2367:".
2076:doi
1701:VHS
1683:PAL
1640:DVD
1465:DVD
1461:VHS
1178:'s
1088:of
809:as
709:The
515:of
470:'s
413:FLN
117:by
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