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1336:. Some believe that it is the first film to directly address this subject. Writers have also ofted noted how upon the bomb's detonation in the movie, one of the charcaters states: "Every time one of these things goes off, I feel as if we were helping to write the first chapter of a new Genesis". According to Cynthia Hendershot and Dominic Lennard, the film offers the theory that nuclear testing could result in the dominance of other lifeforms over humanity. Hendershot felt that the
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470:, Professor Elson is killed after his bell is swallowed by the beast, which eventually comes ashore in Manhattan. It devours a police officer shooting at it, totals cars, knocks over buildings, and generally causes a panicking frenzy. A later newspaper report of its rampage lists "180 known dead, 1500 injured, damage estimates $ 300 million".
457:
Thurgood Elson and his young assistant Lee Hunter after one of the surviving fishermen identifies from a collection of drawings the very same dinosaur that
Nesbitt saw. Plotting the sightings of the beast's appearances on a map for skeptical military officers, Elson proposes the dinosaur is returning
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was "lukewarm". The reviewer wrote: "And though the sight of the gigantic monster rampaging through such areas as Wall Street and Coney Island sends the comparatively ant-like humans on the screen scurrying away in an understandable tizzy, none of the customers in the theater seemed to be making for
821:
entrance ramp, ticket booth, loading platform and beach views of the structure. Split-matte, in-camera special effects by
Harryhausen effectively combined the live action of the actors and the roller coaster background footage from the Pike's parking lot with the stop-motion animation of the Beast's
430:
Far north of the Arctic Circle, a nuclear bomb test, dubbed "Operation
Experiment", is conducted. Prophetically, right after the blast, physicist Thomas Nesbitt muses "What the cumulative effects of all these atomic explosions and tests will be, only time will tell". The explosion awakens a 200-foot
494:
roller coaster. Riding the coaster to the top of the tracks to get to eye-level with the beast, he fires the isotope into its open neck wound. It thrashes about in reaction, causing the roller coaster to spark when falling to the ground, setting the amusement park ablaze. With the fire spreading
42:
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with an electrified barricade, then blast a hole with a bazooka in the beast's throat, which drives it back into the sea. Unfortunately, it bleeds all over the streets of New York, unleashing a horrible, virulent prehistoric contagion, which begins to infect the populace, causing even more
796:
According to author A. T. McKenna, at one point, there were plans to have the Beast snort flames, but this idea was dropped before production began due to budget restrictions. The concept was later used for the film's poster and allegedly became an inspiration for
705:. During production, Bradbury visited his friend Harryhausen at the studio and was invited to read the script. When Bradbury pointed out to the producers similarities to his short story, they quickly bought the rights to his story. When Warner Bros. bought
724:'s initial draft. None of them were credited in this position within the film itself. A retrospective source indicated that Lourié had once said that a blacklisted screenwriter also worked on the film. It theorized that Robert Smith was that individual's
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was largely panned by dinosaur experts, who felt that its depiction was unrealistic. These viewers also complained that the filmmakers should have used an actual dinosaur instead of creating a fictional one. Lourié subsequently explained that the
701:, Dietz showed him an illustration of the monster from the Ray Bradbury story published the previous year. This story was about a marine-based prehistoric dinosaur that destroys a lighthouse. A similar sequence appeared in the draft script of
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or even setting it ablaze, lest the contagion spread further. It is decided to shoot a radioactive isotope into the beast's neck wound with hopes of burning it from the inside, while at the same time neutralizing the contagion.
441:
for millions of years. Nesbitt is the only surviving witness to the beast's awakening and later is dismissed out-of-hand as being delirious at the time of his sighting. Despite the skepticism, he persists, knowing what he saw.
1023:'s direction, and the acting of Christian and Kellaway; he also felt the script and cinematography were documentary-like. Hollinger directed criticism towards Raymond's performance citing it as "too still" and "unconvincing".
709:
from Mutual over a year later, they changed the film's title to match the story's title. Bradbury's name was used extensively in their promotional campaign. It also had an on-screen credit that read "Suggested by
867:
in 1933. Unfortunately for
Harryhausen, Steiner had too many commitments, but Buttolph composed one of his more memorable and powerful scores, setting much of the tone for giant monster film music of the 1950s.
764:
Some early pre-production conceptual sketches of the Beast showed that, at one point, it was to have a shelled head and later was to have a beak. Creature effects were assigned to
Harryhausen, a protégé of
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comes ashore and reaches the Coney Island amusement park, military sharpshooter
Corporal Stone takes a rifle grenade loaded with a potent radioactive isotope and along with Nesbitt climbs on board the
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spawned the giant monster film genre of the 1950s. It is considered the first live-action film to feature a giant monster unleashed by an atomic bomb. According to numerous retrospective sources,
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acquired the film for $ 400,000, $ 450,000, or $ 800,000 and launched a large advertising campaign for its June 1953 release. Sources differ on the exact day it was distributed that month, though
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and the official websites of the AFI and Warner Bros suggest it was the 13th. However, many contemporaneous
American newspapers from June 1953 reported the opening date as the 17th.
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and fastest releases of the time, planning to have most of its bookings in its first two months, opening in 1,422 theaters nationwide within the first week. Original prints of
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2009:
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453:, destroying another near Marquette, Canada, wrecking a lighthouse in Maine, and destroying buildings in Massachusetts. Nesbitt eventually gains allies in
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833:, a man whom Harryhausen claimed as an inspiration. The dinosaur skeleton featured in the museum sequence is artificial; it was obtained from
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785:-type prehistoric predator, though quadrupedal in stature. The monster was unlike any real carnivorous dinosaur and more closely resembled a
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were solely credited for screenwriting, many contributed to writing the film, including Dietz, Harryhausen, and Lourié. On an estimated
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Harryhausen's stop-motion and special effects work in particular have continued to receive critical acclaim in retrospective reviews.
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was released throughout the United States in June 1953, to widespread critical praise for its special effects. The film grossed over
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stars as Thomas
Nesbitt, the foremost surviving witness of the creature before it causes havoc while traveling toward New York.
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683:, one of 16 titles the newly formed Mutual Films Corporation were readying for production. This appeared exactly a week after
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863:, under contract at the time with Warner Bros., would write the film score. Steiner had written the landmark score for RKO's
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has been assessed as one of the greatest monster, science fiction, and horror films of the 1950s. It was also nominated for
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697:, which was later anthologized under the title "The Fog Horn". During preproduction, in the spring of 1952, according to
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2005:
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1127:'s existence. Authors Steve Ryfle and Ed Godziszewski noted how Japanese critics compared the two films but felt that
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450:
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release of monster movies in Japan, and these distributions presumably influenced productions of the first films of
1901:
1009:
described the film as a "fantastic horror-melodrama", adding that it is a "highly exciting thriller of its type".
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1203:
1150:
728:, and this is why Smith was only credited in the script. However, a screenwriter with that name is listed in the
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was met with a mixed critical reception, but garnered unanimous praise for its special effects. In July 1953,
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is a metaphor for the fears of the destruction of New York that the
American public had during the 1950s.
1131:
lacks direct resemblance to it. During his late life, Harryhausen expressed his belief that the original
1119:, and the original story by Shigeru Kayama featuring Godzilla destroying a lighthouse. However, producer
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1296:
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1213:
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419:
353:
340:
3165:
Cheap Tricks and Class Acts: Special
Effects, Makeup and Stunts from the Films of the Fantastic Fifties
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1207:
depicted the titular monster that was awoken by a nuclear explosion in the Arctic and later destroys a
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3001:
The Eternal Future of the 1950s: Essays on the Lasting Influence of the Decade's Science Fiction Films
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was created because the crew agreed that a regular dinosaur would not frighten modern-day audiences.
617:
545:
533:
491:
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2734:
1100:(1954) was heavily inspired by the film and this concept. Its initial proposal was allegedly titled
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at the North American box office and more than $ 5 million worldwide. It is believed to have been a
41:
3631:
3363:
2325:
2088:
1947:
733:
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1747:
Keep Watching the Skies!: American Science Fiction Movies of the Fifties, The 21st Century Edition
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717:
659:
291:
55:
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1952:
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390:. It pioneered the "atomic monster" genre and is credited with launching the giant monster and
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163:
1928:"A Certain Kind of Magic: How a passion for dinosaurs bound Ray Harryhausen and Ray Bradbury"
17:
3267:
Keep Watching the Skies! American Science Fiction Films of the Fifties: 21st Century Edition
3115:
2982:
2942:
2701:
1586:
1240:(2008), which also involves a giant monster terrorizing New York City, inserts a frame from
880:
839:
360:. Harryhausen and Willis Cook created the special effects over roughly six months. In 1953,
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arranged the production of a monster movie in response to the successful 1952 re-release of
284:
2605:
1178:(1958) was a Birtish-American co-production panned by critics for its close resemblance to
445:
The dinosaur begins making its way down the east coast of North America, sinking a fishing
312:, a giant dinosaur is released from its frozen state in the Arctic by an atomic bomb test.
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71:
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720:, Harryhausen, and Robert Smith contributed to the screenplay, adapting it from producer
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1172:. Likewise, Lourié later directed two productions featuring fictitious giant dinosaurs.
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has been analyzed as reflecting distress of the outcome of nuclear testing during the
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2132:
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539:
527:
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325:
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140:
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3028:
Dinosaurs Ever Evolving: The Changing Face of Prehistoric Animals in Popular Culture
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Harryhausen continued to gain popularity for his efforts on monster movies such as
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2496:
Eiji Tsuburaya: Master of Monsters: Defending the Earth with Ultraman and Godzilla
2175:
495:
rapidly, Nesbitt and Stone climb down as the park becomes engulfed in flames. The
402:(1954) is often cited as having taken inspiration from the film. In recent years,
638:
had a production budget of around $ 200,000. Lourié asserted that the budget was
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1965:
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3219:
Monsters in America: Our Historical Obsession with the Hideous and the Haunting
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destroys a lighthouse in the film. This entire sequence is directly based upon
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331:
104:
3347:
1801:
Showman of the Screen: Joseph E. Levine and His Revolutions in Film Promotion
1319:, 91% of 22 critics' reviews are positive, with an average rating of 6.7/10.
1033:
the hills. On sober second thought, however, this might have been sensible".
766:
725:
593:
3372:
2272:
1154:(1957). He eventually decided to venture into other genres, accepting that
2519:
855:, but when Warner Bros. purchased the film, it had a new score written by
3337:
2863:
2581:"From The Archives: Richard's Interview With Film Legend Ray Harryhausen"
1223:
1218:
818:
814:
798:
473:
Meanwhile, military troops led by Colonel Jack Evans attempt to stop the
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Head of the Rhedosaurus model, which was later reused for the dragon in
3331:
1688:
1668:
1211:. Before this, Daiei Film distributed the re-released edition of RKO's
499:
collapses and eventually dies from the isotope's radiation poisoning.
1197:
997:
analyzed that contemporary critical reviews were generally positive.
2437:"Attack of the B Movies! 50 of the Best Schlocky Titles of All Time"
1864:"David Buttolph - Biography, Movie Highlights and Photos - AllMovie"
1162:
movies were making the giant monster genre "tiresome". In 1958, the
837:' prop storage where it had been constructed for its classic comedy
302:'s 1951 short story of the same name, which was later reprinted as "
1684:"Harryhausen & Bradbury: An Unfathomable Friendship Featurette"
2062:
1613:
Ray Harryhausen - Master of the Majicks Vol. 2: The American Films
1252:
1086:
The film's financially successful release and RKO's re-release of
1071:
875:
789:. A drawing of the creature was published along with the story in
658:
446:
392:
1994:
with Paul Christan and Paula Raymond. June 20, 1953. p. 100.
1497:
The Sci-Fi Movie Guide: The Universe of Film from Alien to Zardoz
1279:(both 1956). It was also released on standalone DVD and Blu-ray.
1182:; Lourié accused himself of plagiarizing from it when scripting.
3376:
2704:
Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967
2134:
Open Wide: How Hollywood Box Office Became a National Obsession
732:
catalog with credits dating back to 1945, two years before the
679:
The film was first announced in the trades on July 30, 1951 as
356:
occurred in New York from July to August 1952, under the title
3212:. Lansing, Michigan. June 21, 1953 – via Newspapers.com.
1256:) into the hand-held camera footage used throughout the film.
949:
3203:"Monster, Mystery and Action Films Showing at Local Theaters"
2823:"AFI names top 10 films in 10 genres: Did they get it right?"
1166:
model was reused by Harryhausen to portray the dragon in the
829:, Professor Tom Nesbitt rifles through dinosaur drawings by
859:. Ray Harryhausen had been hoping that his film music hero
779:-type creature of the short story. It is instead a kind of
1003:
described the initial critical response as "respectable".
910:
stated was its New York premiere. The film had one of the
2918:"10 B-Movies From The '50s That Are Actually Pretty Good"
2520:"本多猪四郎と戦争・ゴジラ・原水爆 「101年目の本多猪四郎」特別編（上） | 映画監督 本多猪四郎公式サイト"
1261:
TCM Greatest Classic Films Collection: Sci-Fi Adventures
2998:
Cutchins, Dennis R.; Perry, Dennis R. (July 17, 2023).
2391:
2389:
2387:
966:
3167:. Jefferson, North Carolina: McFarland & Company.
1637:"The Motion Picture Herald 1951-06-30: Vol 183 Iss 13"
1534:
1532:
1530:
1528:
437:, thawing it out of the ice where it had been held in
2667:
From Gamera to Daimajin: all of Daiei tokusatsu films
2407:
3550:
3411:
3058:
Paranoia, the Bomb, and 1950s Science Fiction Films
2859:"Best Movies Based on Ray Bradbury Stories, Ranked"
2301:"Godzilla 40th Anniversary Special Book – MyKaiju®"
1771:"Concept art from 'The Beast from 20,000 Fathoms'."
1102:
The Giant Monster from 20,000 Leagues Under the Sea
478:fatalities. The infection precludes blowing up the
265:
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247:
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205:
195:
179:
169:
159:
149:
118:
97:
80:
61:
51:
34:
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3201:
2357:
2207:
2131:
2984:Leonard Maltin's 2015 Movie Guide: The Modern Era
2248:"Ray Harryhausen Talks About His Cinematic Magic"
2162:
1664:"Ray Harryhausen - the Beast from 20,000 Fathoms"
431:(61 m) long carnivorous dinosaur known as a
904:The 1954 Film Daily Year Book of Motion Pictures
822:destroying a shooting miniature of the coaster.
1112:
2735:"15 Best Sci-Fi Monster Movies From The 1950s"
2184:. Vol. 193. January 13, 1954. p. 10.
1188:(1961) is considered the British edition of a
1106:
813:live-action scenes were filmed on location at
740:, the uncredited blacklisted screenwriter was
396:movie trend that ensured its initial release.
3757:English-language science fiction horror films
3388:
2468:Takashi Shimura: Chameleon of Japanese Cinema
1466:. Biblo & Tannen Publishers. p. 55.
1326:cited Harryhausen's effects in the last act.
902:listed the film's distribution date as 27th.
8:
3702:Films based on science fiction short stories
817:in Long Beach, California, and featured the
2113:The Film Daily Year Book of Motion Pictures
458:to the Hudson River area, where fossils of
3395:
3381:
3373:
3356:
3340:
3324:
2968:
773:. The film monster looks nothing like the
40:
31:
2326:"Review: 'The Beast from 20,000 Fathoms'"
2008:) CS1 maint: location missing publisher (
1837:Harryhausen, Ray and Dalton, Tony (2010)
3609:The Story of The Tortoise & the Hare
3221:. Waco, Texas: Baylor University Press.
2252:The American Society of Cinematographers
1606:
1604:
1577:
1575:
1573:
1571:
1562:
851:An original music score was composed by
756:(1961) under the pen name Daniel Hyatt.
614:as a radio announcer (voice; uncredited)
2892:"10 Best B-Movies of the 1950s, Ranked"
2733:Sargeant, Rebecca (February 11, 2024).
2194:
2097:. June 17, 1953. p. 5 – via
1639:. Quigley Publishing Co. June 30, 1951.
1374:
1354:
1293:AFI's Top 10 Science Fiction Films list
410:and has been listed among the greatest
2835:from the original on September 3, 2024
2395:
1997:
1881:
1879:
1877:
1550:
1494:Barsanti, Chris (September 22, 2014).
1455:
1453:
1451:
1449:
1447:
1445:
1443:
1441:
1439:
1402:
1400:
1398:
1217:in Japan in 1952, making it the first
1114:Kaitei ni man-mairu kara kita Daikaijū
825:In a scene attempting to identify the
3752:American science fiction horror films
3082:Lennard, Dominic (November 1, 2019).
3050:
3048:
2852:
2850:
2757:
2755:
2695:
2693:
2653:
2641:
2629:
2571:
2569:
2489:
2487:
2430:
2428:
2234:
2083:
2081:
2052:
2050:
1977:
1975:
1926:Pace, Terry (January–February 2014).
1921:
1919:
1850:
1798:McKenna, A. T. (September 16, 2016).
1785:
1538:
1396:
1394:
1392:
1390:
1388:
1386:
1384:
1382:
1380:
1378:
1283:Retrospective assessment and analysis
620:as the lighthouse keeper (uncredited)
7:
3677:Films based on works by Ray Bradbury
3184:The Illustrated Dinosaur Movie Guide
2130:Hayes, Dade; Bing, Jonathan (2004).
1826:Ray Harryhausen-Master of the Majiks
3584:The Story of Little Red Riding Hood
2916:Summers, Megan (November 2, 2020).
2545:Shaw, William (November 20, 2005).
2447:from the original on March 11, 2015
1611:Hankin, Mike (September 14, 2008).
560:as Jacob (or Captain Georges LeMay)
3657:1950s science fiction horror films
3148:. United States: Billboard Books.
3114:Berry, Mark F. (August 16, 2005).
2890:Urquhart, Jeremy (June 14, 2024).
2435:Shanley, Patrick (March 5, 2015).
2089:"Play Fast Playoff For WB 'Beast'"
1424:from the original on June 28, 2024
1361:Attributed to multiple references:
1201:franchise. The original 1965 film
578:Alvin Greenman as a radar operator
328:are featured in supporting roles.
27:1953 monster film by Eugène Lourié
25:
3742:Films using stop-motion animation
3146:Ray Harryhausen: An Animated Life
3085:Brute Force: Animal Horror Movies
3025:Debus, Allen A. (June 21, 2016).
2871:from the original on June 2, 2022
2795:"The 35 Best 1950s Horror Movies"
1839:Ray Harryhausen: An Animated Life
1123:claimed to have been ignorant of
608:as a radio announcer (uncredited)
2526:(in Japanese). November 17, 2016
1804:. University Press of Kentucky.
1062:Aftermath and cultural influence
953:
707:The Monster from Beneath the Sea
703:The Monster from Beneath the Sea
681:The Monster from Beneath the Sea
602:as a radar operator (uncredited)
386:worldwide, making it one of the
358:The Monster from Beneath the Sea
294:, with stop motion animation by
3707:Films directed by Eugène Lourié
3532:Sinbad and the Eye of the Tiger
2821:Carbone, Gina (June 17, 2008).
2498:. Chronicle Books. p. 34.
1956:. September 16, 1953. p. 3
563:Ray Hyke as Sergeant Willistead
3712:Films scored by David Buttolph
3662:American black-and-white films
3596:The Story of Hansel and Gretel
2857:Perry, Lauren (June 2, 2022).
2687:. Retrieved: January 30, 2015.
2665:Hisayuki Ui, January 1, 1994,
1776:. Retrieved: January 30, 2015.
1019:lauded Harryhausen's effects,
937:in Japan on October 17, 1954.
388:highest-grossing films of 1953
344:(1933). While Lou Morheim and
1:
3672:American natural horror films
3428:The Beast from 20,000 Fathoms
3366:The Beast from 20,000 Fathoms
3349:The Beast from 20,000 Fathoms
3333:The Beast from 20,000 Fathoms
3316:The Beast from 20,000 Fathoms
3061:. Popular Press. p. 77.
2945:The Beast from 20,000 Fathoms
2765:The Beast from 20,000 Fathoms
2163:Harryhausen & Dalton 2003
2026:The Beast from 20,000 Fathoms
1992:The Beast from 20,000 Fathoms
1890:The Beast from 20,000 Fathoms
1410:The Beast from 20,000 Fathoms
1330:The Beast from 20,000 Fathoms
1289:The Beast from 20,000 Fathoms
1259:The film was featured in the
1242:The Beast from 20,000 Fathoms
689:The Beast from 20,000 Fathoms
636:The Beast from 20,000 Fathoms
404:The Beast from 20,000 Fathoms
380:The Beast from 20,000 Fathoms
280:The Beast from 20,000 Fathoms
35:The Beast from 20,000 Fathoms
18:The Beast From 20,000 Fathoms
3717:Films set in amusement parks
3687:1950s English-language films
3452:Earth vs. the Flying Saucers
3436:It Came from Beneath the Sea
3292:. Las Vegas: Pioneer Books.
3243:The Encyclopedia of Monsters
3055:Hendershot, Cynthia (1999).
2682:"Easter egg monster images."
2466:Nollen, Scott Allen (2019).
1651:The Golden Apples of the Sun
1295:, and listed among the best
1145:It Came from Beneath the Sea
933:The film was distributed by
3732:Films shot in New York City
3652:1950s science fiction films
3524:The Golden Voyage of Sinbad
3290:Hot Blooded Dinosaur Movies
3247:. New York: Facts on File.
3163:Johnson, John J.J. (1995).
2606:"Ray Harryhausen interview"
2547:"The origin of the species"
1936:. No. 271. p. 56.
1933:Famous Monsters of Filmland
1113:
1000:Famous Monsters of Filmland
760:Creature design and effects
596:as Major Evans (uncredited)
554:as Professor George Ritchie
524:as Professor Thurgood Elson
3773:
3722:Films set in New York City
3031:. McFarland. p. 113.
2138:. Miramax Books. pp.
1948:"Brains-For-Dollars at WB"
1192:movie or rip-off thereof.
1065:
922:. The film earned roughly
3737:Films shot in Los Angeles
3460:20 Million Miles to Earth
3217:Poole, W. Scott. (2011).
3004:. McFarland. p. 81.
2470:. McFarland. p. 83.
2361:Beast From 20,000 Fathoms
1984:Harrison's Reports (1953)
1814:– via Google Books.
1595:Harcourt Brace Jovanovich
1204:Gamera, the Giant Monster
1151:20 Million Miles to Earth
1107:
1026:TCM said the review from
791:The Saturday Evening Post
744:, who worked on Lourié's
736:. According to historian
712:The Saturday Evening Post
694:The Saturday Evening Post
368:, retitled it, and hired
46:Theatrical release poster
39:
3476:The 3 Worlds of Gulliver
3468:The 7th Voyage of Sinbad
3288:Van Hise, James (1993).
3118:The Dinosaur Filmography
2066:. BookinGuide. p. 3
2058:"Boxoffice-July.11.1953"
2004:: CS1 maint: location (
1653:, Doubleday, March 1953.
1463:Screen World Vol. 5 1954
1244:(along with frames from
1195:Daiei later yielded the
1169:The 7th Voyage of Sinbad
1079:The 7th Voyage of Sinbad
883:advertisement from 1953.
714:story by Ray Bradbury".
512:as Professor Tom Nesbitt
298:. It is partly based on
3667:American monster movies
3602:The Story of King Midas
3492:Jason and the Argonauts
3271:McFarland & Company
3186:. London: Titan Books.
3182:Jones, Stephen (1995).
3144:; Dalton, Tony (2003).
3124:McFarland & Company
2710:McFarland & Company
2494:Ragone, August (2007).
1886:John M. Miller (2018).
1702:Glut, Donald F. (1982)
1417:American Film Institute
1263:DVD box set along with
656:was spent on the film.
536:as Captain Phil Jackson
466:search of the undersea
462:were first found. In a
3508:One Million Years B.C.
2441:The Hollywood Reporter
2176:"Top Grossers of 1953"
1828:, Archive Editions LLC
1704:The Dinosaur Scrapbook
1297:B-movies of its decade
1135:film was a rip-off of
1083:
906:cited the 24th, which
884:
676:
642:; Chester said it was
569:as Nesbitt's secretary
3727:Films set in Brooklyn
3692:Films about dinosaurs
3590:The Story of Rapunzel
3558:How to Bridge a Gorge
3500:First Men in the Moon
3209:Lansing State Journal
2828:The Portsmouth Herald
2409:Lansing State Journal
2216:. London. May 2, 2012
1897:Turner Classic Movies
1460:Blum, Daniel (1969).
1075:
987:Turner Classic Movies
879:
687:had his short story "
662:
530:as Colonel Jack Evans
420:B movies of the 1950s
354:principal photography
3647:1950s monster movies
3637:1950s American films
3578:Mother Goose Stories
3516:The Valley of Gwangi
3447:(1956) (documentary)
2700:Bogue, Mike (2017).
2656:, pp. 125, 127.
2119:. 1954. p. 317.
1904:on February 12, 2020
1824:Hankin, Mike (2008)
1774:theseventhvoyage.com
1744:(January 12, 2017).
1615:. Archive Editions.
1276:Satellite in the Sky
1068:Godzilla (franchise)
492:Coney Island Cyclone
364:bought the film for
306:". In the film, the
222: (United States)
3697:Giant monster films
3642:1950s fantasy films
3540:Clash of the Titans
2610:The Flashback Files
2422:Poole 2011, p. 124.
1287:Since its release,
1158:and other Japanese
734:Hollywood blacklist
590:as Doctor Ingersoll
468:Hudson River Canyon
439:suspended animation
376:'s original score.
283:is a 1953 American
3747:Warner Bros. films
3612:(2002, begun 1953)
3354:TCM Movie Database
2369:The New York Times
1892:(1953) - Articles"
1841:, Aurum Press Ltd.
1175:The Giant Behemoth
1084:
1029:The New York Times
1007:Harrison's Reports
965:. You can help by
893:Harrison's Reports
885:
801:'s atomic breath.
747:The Giant Behemoth
677:
548:as Sergeant Loomis
188:Mutual Productions
3619:
3618:
3565:Tulips Shall Grow
3484:Mysterious Island
3228:978-1-60258-314-6
3095:978-1-4384-7661-2
3068:978-0-87972-799-4
3038:978-0-7864-9951-9
3011:978-1-4766-8785-8
2719:978-1-4766-2900-1
2685:Cloverfield News
2505:978-0-8118-6078-9
2324:(June 17, 1953).
1757:978-1-4766-2505-8
1672:. March 11, 2013.
1511:978-1-57859-533-4
1502:Visible Ink Press
1473:978-0-8196-0260-2
1313:review aggregator
1270:World Without End
1037:Reception of the
983:
982:
946:Critical response
831:Charles R. Knight
542:as Corporal Stone
366:$ 400,000–800,000
350:$ 210,000–285,000
276:
275:
260:$ 210,000–285,000
164:Bernard W. Burton
16:(Redirected from
3764:
3444:The Animal World
3420:Mighty Joe Young
3397:
3390:
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3344:
3328:
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3142:Harryhausen, Ray
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2209:"Hal E. Chester"
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2186:
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2160:
2154:
2153:
2137:
2127:
2121:
2120:
2115:. Vol. 36.
2109:
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2102:
2085:
2076:
2075:
2073:
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2054:
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2044:
2042:
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2020:
2014:
2013:
2003:
1995:
1989:
1979:
1970:
1969:
1963:
1961:
1944:
1938:
1937:
1923:
1914:
1913:
1911:
1909:
1900:. Archived from
1883:
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1694:
1693:
1692:. June 30, 2022.
1680:
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1660:
1654:
1647:
1641:
1640:
1633:
1627:
1626:
1608:
1599:
1598:
1592:
1589:My Work in Films
1579:
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978:
975:
957:
950:
925:
840:Bringing Up Baby
655:
645:
641:
584:as Doctor Morton
385:
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3405:Ray Harryhausen
3401:
3364:Rerecording of
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3287:
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3255:
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3096:
3088:. p. 118.
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2952:Rotten Tomatoes
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2805:
2803:
2800:Rotten Tomatoes
2793:
2792:
2788:
2778:
2776:
2772:Our Culture Mag
2761:
2760:
2753:
2743:
2741:
2732:
2731:
2727:
2720:
2712:. p. 116.
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2589:
2587:
2577:Crouse, Richard
2575:
2574:
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2544:
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2539:
2529:
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2524:IshiroHonda.com
2518:
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2373:
2372:. June 25, 1953
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1721:catalog.afi.com
1715:
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1706:, Citadel Press
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1317:Rotten Tomatoes
1285:
1121:Tomoyuki Tanaka
1104:
1070:
1064:
1059:
1042:
979:
973:
970:
963:needs expansion
948:
943:
923:
874:
853:Michel Michelet
849:
807:
762:
699:Ray Harryhausen
691:" published in
653:
643:
639:
633:
628:
623:
575:as an ER doctor
505:
428:
412:science fiction
406:has acquired a
383:
374:Michel Michelet
365:
349:
346:Fred Freiberger
296:Ray Harryhausen
270:
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154:John L. Russell
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3309:External links
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2987:. p. 100.
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1621:
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1597:. p. 241.
1583:Lourié, Eugène
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924:$ 2.25 million
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857:David Buttolph
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811:roller coaster
809:The climactic
806:
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336:Hal E. Chester
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3193:1-85286-487-7
3189:
3185:
3180:
3176:
3174:0-7864-0093-5
3170:
3166:
3161:
3157:
3151:
3147:
3143:
3139:
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3129:
3125:
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2919:
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2865:
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2853:
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2847:
2834:
2830:
2829:
2824:
2817:
2814:
2802:
2801:
2796:
2790:
2787:
2775:. May 2, 2017
2774:
2773:
2768:
2766:
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2756:
2752:
2740:
2736:
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2726:
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2711:
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2696:
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2686:
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2678:
2675:
2672:
2671:Kindaieigasha
2668:
2662:
2659:
2655:
2650:
2647:
2643:
2638:
2635:
2632:, p. 36.
2631:
2626:
2623:
2615:September 29,
2611:
2607:
2601:
2598:
2590:September 29,
2586:
2582:
2578:
2572:
2570:
2566:
2554:
2553:
2548:
2541:
2538:
2530:September 30,
2525:
2521:
2515:
2512:
2507:
2501:
2497:
2490:
2488:
2484:
2479:
2473:
2469:
2462:
2459:
2446:
2442:
2438:
2431:
2429:
2425:
2419:
2416:
2413:, p. 49.
2412:
2410:
2404:
2401:
2398:, p. 76.
2397:
2392:
2390:
2388:
2384:
2371:
2370:
2364:
2363:Invades City"
2362:
2353:
2350:
2345:
2333:
2332:
2327:
2323:
2322:Hollinger, Hy
2317:
2314:
2302:
2296:
2293:
2281:(in Japanese)
2280:
2279:
2274:
2268:
2265:
2253:
2249:
2243:
2240:
2237:, p. 34.
2236:
2231:
2228:
2215:
2210:
2203:
2200:
2196:
2191:
2188:
2183:
2182:
2177:
2171:
2168:
2164:
2159:
2156:
2151:
2145:
2141:
2136:
2135:
2126:
2123:
2118:
2114:
2108:
2105:
2100:
2096:
2095:
2090:
2084:
2082:
2078:
2065:
2064:
2059:
2053:
2051:
2047:
2035:
2034:
2029:
2027:
2019:
2016:
2011:
2007:
2001:
1993:
1986:
1985:
1978:
1976:
1972:
1967:
1955:
1954:
1949:
1943:
1940:
1935:
1934:
1929:
1922:
1920:
1916:
1903:
1899:
1898:
1893:
1891:
1882:
1880:
1878:
1874:
1869:
1865:
1859:
1856:
1853:, p. 31.
1852:
1847:
1844:
1840:
1834:
1831:
1827:
1821:
1818:
1813:
1811:9780813168739
1807:
1803:
1802:
1794:
1791:
1787:
1782:
1779:
1775:
1772:
1767:
1764:
1759:
1753:
1750:. McFarland.
1749:
1748:
1743:
1737:
1734:
1722:
1718:
1712:
1709:
1705:
1699:
1696:
1691:
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1607:
1605:
1601:
1596:
1591:
1590:
1584:
1578:
1576:
1574:
1572:
1568:
1564:
1563:Van Hise 1993
1559:
1556:
1552:
1547:
1544:
1540:
1535:
1533:
1531:
1529:
1525:
1517:September 24,
1513:
1507:
1503:
1499:
1498:
1490:
1487:
1479:September 24,
1475:
1469:
1465:
1464:
1456:
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1452:
1450:
1448:
1446:
1444:
1442:
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1030:
1024:
1022:
1018:
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1012:
1008:
1004:
1002:
1001:
996:
992:
988:
985:According to
977:
968:
964:
961:This section
959:
956:
952:
951:
945:
940:
938:
936:
931:
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869:
866:
862:
858:
854:
846:
844:
842:
841:
836:
832:
828:
823:
820:
819:Cyclone Racer
816:
812:
804:
802:
800:
794:
792:
788:
784:
783:
782:Tyrannosaurus
778:
777:
772:
768:
759:
757:
755:
754:
749:
748:
743:
739:
735:
731:
727:
723:
719:
718:Eugène Lourié
715:
713:
708:
704:
700:
696:
695:
690:
686:
682:
674:
670:
666:
661:
657:
651:
650:
637:
630:
625:
619:
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586:
583:
580:
577:
574:
571:
568:
565:
562:
559:
556:
553:
550:
547:
544:
541:
540:Lee Van Cleef
538:
535:
532:
529:
528:Kenneth Tobey
526:
523:
520:
518:as Lee Hunter
517:
516:Paula Raymond
514:
511:
508:
507:
502:
500:
498:
493:
489:
484:
481:
476:
471:
469:
465:
461:
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448:
443:
440:
436:
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423:
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400:
395:
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389:
381:
377:
375:
371:
363:
359:
355:
347:
343:
342:
337:
333:
329:
327:
326:Kenneth Tobey
323:
319:
318:Paula Raymond
315:
311:
310:
305:
301:
297:
293:
292:Eugène Lourié
289:
286:
282:
281:
268:
264:
258:
254:
250:
246:
243:United States
242:
238:
234:
228:
213:
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204:
201:
198:
194:
186:
178:
175:
172:
168:
165:
162:
158:
155:
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148:
142:
141:Kenneth Tobey
139:
137:
134:
132:
131:Paula Raymond
129:
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117:
111:
108:
106:
103:
102:
100:
96:
93:
87:
83:
79:
73:
70:
67:
66:
64:
62:Screenplay by
60:
57:
56:Eugène Lourié
54:
50:
43:
38:
33:
30:
19:
3607:
3601:
3595:
3589:
3583:
3577:
3571:
3563:
3557:
3538:
3530:
3522:
3514:
3506:
3498:
3490:
3482:
3474:
3466:
3458:
3450:
3442:
3434:
3427:
3426:
3418:
3365:
3348:
3332:
3315:
3289:
3266:
3263:Warren, Bill
3242:
3218:
3207:
3183:
3164:
3145:
3117:
3084:
3077:
3057:
3027:
3020:
3000:
2993:
2983:
2977:
2960:. Retrieved
2950:
2944:
2937:
2927:September 8,
2925:. Retrieved
2921:
2911:
2901:September 8,
2899:. Retrieved
2895:
2885:
2875:September 3,
2873:. Retrieved
2862:
2839:September 3,
2837:. Retrieved
2826:
2816:
2806:September 8,
2804:. Retrieved
2798:
2789:
2777:. Retrieved
2770:
2764:
2744:September 8,
2742:. Retrieved
2738:
2728:
2703:
2684:
2677:
2666:
2661:
2649:
2637:
2625:
2613:. Retrieved
2609:
2600:
2588:. Retrieved
2584:
2558:September 8,
2556:. Retrieved
2552:The Guardian
2550:
2540:
2528:. Retrieved
2523:
2514:
2495:
2467:
2461:
2451:September 8,
2449:. Retrieved
2440:
2418:
2408:
2403:
2376:September 4,
2374:. Retrieved
2367:
2360:
2352:
2342:– via
2336:. Retrieved
2329:
2316:
2306:September 3,
2304:. Retrieved
2295:
2285:September 3,
2283:. Retrieved
2278:Kinema Junpo
2276:
2267:
2257:September 8,
2255:. Retrieved
2251:
2242:
2230:
2220:September 4,
2218:. Retrieved
2213:
2202:
2197:, p. 61
2195:Johnson 1995
2190:
2179:
2170:
2165:, p. 58
2158:
2133:
2125:
2112:
2107:
2092:
2070:September 2,
2068:. Retrieved
2061:
2039:September 3,
2033:Warner Bros.
2031:
2025:
2018:
1991:
1983:
1964:– via
1958:. Retrieved
1951:
1942:
1931:
1908:September 3,
1906:. Retrieved
1902:the original
1895:
1889:
1867:
1858:
1846:
1838:
1833:
1825:
1820:
1800:
1793:
1788:, p. 22
1781:
1773:
1766:
1746:
1742:Warren, Bill
1736:
1726:September 3,
1724:. Retrieved
1720:
1711:
1703:
1698:
1687:
1678:
1667:
1658:
1650:
1645:
1631:
1612:
1588:
1558:
1546:
1515:. Retrieved
1496:
1489:
1477:. Retrieved
1462:
1428:September 2,
1426:. Retrieved
1415:
1409:
1357:
1337:
1329:
1328:
1321:
1306:
1301:
1288:
1286:
1274:
1268:
1264:
1260:
1258:
1251:
1245:
1241:
1235:
1233:
1231:franchises.
1228:
1222:
1212:
1202:
1196:
1194:
1189:
1183:
1179:
1173:
1167:
1163:
1159:
1155:
1149:
1143:
1141:
1136:
1132:
1128:
1124:
1108:海底二万哩から来た大海獣
1101:
1095:
1092:Ishirō Honda
1087:
1085:
1077:
1050:
1045:
1043:
1038:
1027:
1025:
1014:
1011:Hy Hollinger
1006:
1005:
999:
994:
990:
984:
971:
967:adding to it
962:
932:
915:
907:
903:
898:
891:
888:Warner Bros.
886:
864:
850:
838:
835:RKO Pictures
826:
824:
808:
795:
790:
780:
776:Brontosaurus
774:
763:
751:
745:
742:Daniel James
716:
711:
706:
702:
692:
685:Ray Bradbury
680:
678:
673:The Fog Horn
669:Ray Bradbury
647:
635:
634:
618:Edward Clark
612:Merv Griffin
606:Bill Woodson
588:King Donovan
558:Jack Pennick
552:Ross Elliott
546:Steve Brodie
534:Donald Woods
496:
487:
485:
479:
474:
472:
459:
444:
432:
429:
403:
397:
391:
379:
378:
362:Warner Bros.
357:
339:
330:
307:
304:The Fog Horn
300:Ray Bradbury
290:directed by
288:monster film
279:
278:
277:
231:Running time
207:Release date
200:Warner Bros.
190:(uncredited)
92:Ray Bradbury
86:The Fog Horn
29:
3682:Kaiju films
3572:Guadalcanal
3237:Rovin, Jeff
3107:Works cited
2962:December 1,
2396:Hankin 2008
2344:Archive.org
2338:October 18,
2334:. p. 6
2099:Archive.org
1966:Archive.org
1551:Hankin 2008
1338:Rhedosaurus
1308:Screen Rant
1237:Cloverfield
1164:Rhedosaurus
1148:(1955) and
1051:Rhedosaurus
1046:Rhedosaurus
1039:Rhedosaurus
928:sleeper hit
920:sepia toned
861:Max Steiner
827:Rhedosaurus
787:rauisuchian
769:co-creator
750:(1959) and
738:Bill Warren
644:US$ 240,000
631:Development
573:Michael Fox
497:Rhedosaurus
488:Rhedosaurus
480:Rhedosaurus
475:Rhedosaurus
464:diving bell
460:Rhedosaurus
451:Grand Banks
434:Rhedosaurus
384:$ 5 million
372:to replace
309:Rhedosaurus
285:independent
271:$ 5 million
98:Produced by
68:Lou Morheim
52:Directed by
3632:1953 films
3626:Categories
3368:soundtrack
2922:ScreenRant
2739:ScreenRant
2654:Berry 2005
2642:Berry 2005
2630:Berry 2005
2235:Berry 2005
2149:1401352006
2037:Retrieved
1960:October 6,
1851:Berry 2005
1786:Rovin 1989
1539:Bogue 2017
1344:References
1334:Atomic Age
1209:lighthouse
1066:See also:
974:April 2017
935:Daiei Film
722:Jack Dietz
626:Production
600:James Best
332:Jack Dietz
266:Box office
235:80 minutes
181:Production
105:Jack Dietz
3403:Films of
2763:"Review:
2273:"原子怪獣現わる"
2214:The Times
2000:cite book
1369:Citations
1349:Footnotes
1311:. On the
1247:King Kong
1234:The film
1214:King Kong
1180:The Beast
1137:The Beast
1125:The Beast
1088:King Kong
995:Boxoffice
991:The Beast
941:Reception
899:Boxoffice
865:King Kong
767:King Kong
726:pseudonym
654:$ 285,000
652:reported
640:$ 210,000
594:Roy Engel
567:Mary Hill
486:When the
341:King Kong
183:companies
160:Edited by
3412:Features
3338:AllMovie
3265:(2009).
3239:(1989).
2896:Collider
2869:Archived
2864:MovieWeb
2833:Archived
2669:, p.63,
2445:Archived
1868:AllMovie
1585:(1985).
1422:Archived
1315:website
1302:Collider
1224:Godzilla
1219:post-war
1190:Godzilla
1156:Godzilla
1133:Godzilla
1129:Godzilla
1097:Godzilla
881:Drive-in
843:(1938).
815:the Pike
799:Godzilla
449:off the
399:Godzilla
352:budget,
248:Language
170:Music by
119:Starring
81:Based on
3352:at the
2767:(1953)"
2331:Variety
2181:Variety
2094:Variety
1953:Variety
1689:YouTube
1669:YouTube
1016:Variety
989:(TCM),
908:Variety
872:Release
805:Filming
649:Variety
251:English
240:Country
218:1953-06
216: (
3604:(1953)
3598:(1951)
3592:(1951)
3586:(1949)
3580:(1946)
3574:(1943)
3568:(1942)
3560:(1942)
3551:Shorts
3543:(1981)
3535:(1977)
3527:(1973)
3519:(1969)
3511:(1966)
3503:(1964)
3495:(1963)
3487:(1961)
3479:(1960)
3471:(1958)
3463:(1957)
3455:(1956)
3439:(1955)
3431:(1953)
3423:(1949)
3323:
3296:
3277:
3251:
3225:
3190:
3171:
3152:
3130:
3092:
3065:
3035:
3008:
2779:May 4,
2716:
2502:
2474:
2146:
2142:-150.
1808:
1754:
1619:
1508:
1470:
1273:, and
1229:Gamera
1198:Gamera
1082:(1958)
1057:Legacy
1021:Lourié
912:widest
646:; and
418:, and
416:horror
324:, and
256:Budget
2063:Yumpu
1988:(PDF)
1265:Them!
1253:Them!
1185:Gorgo
1160:kaiju
918:were
916:Beast
847:Music
753:Gorgo
665:Beast
447:ketch
393:kaiju
3321:IMDb
3294:ISBN
3275:ISBN
3249:ISBN
3223:ISBN
3188:ISBN
3169:ISBN
3150:ISBN
3128:ISBN
3090:ISBN
3063:ISBN
3033:ISBN
3006:ISBN
2964:2022
2929:2024
2903:2024
2877:2024
2841:2024
2808:2024
2781:2017
2746:2024
2714:ISBN
2617:2024
2592:2024
2560:2024
2532:2024
2500:ISBN
2472:ISBN
2453:2024
2411:1953
2378:2024
2340:2020
2308:2024
2287:2024
2259:2024
2222:2018
2144:ISBN
2072:2024
2041:2024
2010:link
2006:link
1962:2019
1910:2024
1806:ISBN
1752:ISBN
1728:2024
1617:ISBN
1519:2024
1506:ISBN
1481:2024
1468:ISBN
1430:2024
1305:and
1250:and
1227:and
1044:The
671:'s "
663:The
503:Cast
426:Plot
334:and
269:>
3336:at
3319:at
2140:145
1299:by
1094:'s
1013:of
969:.
730:AFI
90:by
3628::
3273:.
3269:.
3206:.
3126:.
3122:.
3047:^
2955:.
2949:.
2920:.
2894:.
2867:.
2861:.
2849:^
2831:.
2825:.
2797:.
2769:.
2754:^
2737:.
2708:.
2692:^
2608:.
2583:.
2579:.
2568:^
2549:.
2522:.
2486:^
2443:.
2439:.
2427:^
2386:^
2366:.
2328:.
2275:.
2250:.
2212:.
2178:.
2091:.
2080:^
2060:.
2049:^
2030:.
2002:}}
1998:{{
1990:.
1974:^
1950:.
1930:.
1918:^
1894:.
1876:^
1866:.
1719:.
1686:.
1666:.
1603:^
1593:.
1570:^
1527:^
1500:.
1438:^
1420:.
1414:.
1377:^
1267:,
1139:.
1111:,
930:.
793:.
422:.
414:,
320:,
3396:e
3389:t
3382:v
3302:.
3283:.
3257:.
3231:.
3196:.
3177:.
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