Knowledge (XXG)

The Belle of Bohemia

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up in Dinkelhauser's mansion in Newport. Each of the men pretends to be the husband of the other's wife, which causes confusion. Adding to this, local politician Phelim McDuffy and his 'matinee girl' daughter Geraldine try to cheat Dinkelhauser out of a Swiss chateau he has inherited from his uncle. When all the cast journey to Switzerland all the identities are corrected and Dinkelhauser saves his chateau.
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Adolph Klotz, a Coney Island photographer, is married to Katie, a singer. Klotz bears a striking resemblance to Rudolph Dinkelhauser, a prosperous brewer. When Klotz commits misdeeds while drunk Dinkelhauser is blamed in a case of mistake identity and is thrown in jail. Klotz manages to set himself
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in particular refusing to write a review of the 'private' performance and went to that the next day explaining that "part of the duty of a newspaper in dealing with theatrical entertainments is to record their reception by the public, and this cannot, of course, be done when the ordinary paying
166:. The British premiere on 21 February caused some controversy as it was performed before an invited audience with the first public performance being on the next day - 22 February. This resulted in a small disturbance at the theatre's opening with 98:
found himself in a legal dispute as a result of which four police officers were sent to the Hyperion to ensure the production would not leave New Haven. After some legal maneuvring the production was able to go to New York where it opened at the
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commented that "it is to be regretted that so elegant a building should have opened its doors to the public with an entertainment of such inferior calibre" During the run the show was 'overhauled with manifest advantage' resulting in
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and with lyrics by Harry B. Smith in a plot that borrows heavily from Plautus and Shakespeare. The case of mistaken identity in the New York version was helped by the fact that the two leading actors, Dick and
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were brothers. Despite the fact that "the costumes were distinctly not up to the Casino average" and some of the road signs in the scenes were misspelt, the show was generally well received.
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on 24 September 1900 and closed on 10 November 1900, having a run of 55 performances. Included in the cast were
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Algy Cuffs (A Matinee Idol, leading man at a popular New York Theatre) – Paul F. Nicholson Jr.
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Mamie (Otherwise La Sahara, a Snake Charmer and Fortune Teller) – Sylvia Thorne
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The London Stage 1900-1909: A Calendar of Productions, Performers, and Personnel
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Katie (Wife of Klotz, and a Serio-Comic Singer known as Mlle. Clarisse) –
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Algy Cuffs (A Matinee Idol, leading man at a popular New York Theatre) –
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Dolphin Shark (An Influential Politician and Lawyer) – George A. Schiller
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Incidental and Dance Music in the American Theatre from 1786 to 1923: Volume 3
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Early Broadway Sheet Music: A Comprehensive Listing of Published Music from
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Vaudeville Old & New: an Encyclopedia of Variety Performances in America
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on 22 September 1900, but the day before its scheduled opening its producer
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A History of the New York Stage from the First Performance in 1732 to 1901
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making her Broadway début in the production. The musical was produced by
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Yellowplush (Dinkelhauser's English Valet) – Charles A. Maynard
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IN LONDON; Produced at the New Apollo Theatre -- A Long Run Expected
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Yellowplush (Dinkelhauser's English Valet) – Frederick Solomon
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in the title that were popular on both sides of the Atlantic in the
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The Apollo Theatre, Shaftesbury Avenue, London - ThisIsTheatre.com
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Paquita (Formerly Spanish Dancer, Wife of Dinkelhauser) –
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in London on its opening night on 21 February 1901 and starred
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and Harry Truman MacConnell and lyrics and musical book by
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Dr. Pilsbury (A Veterinary Surgeon) – James A. Furey
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Adolph Klotz (A Wandering Photographer) – D. L. Don
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Chick Riley (The Pride of the Bowery) – John Hyams
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Sheet music cover for 'What Eve Said to Adam' - sung by
693:, Rowman & Littlefield (2014) - Google Books pg. 47 613:, Oxford University Press (2001) - Google Books pg. 196 577:, Oxford University Press (2008) - Google Books pg. 422 316:', love songs and a wide range of other musical types. 402:
Sylvia Thorne as Mamie in the London production (1901)
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managing a run of 72 performances until 10 May 1900.
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Frank Cullen, Florence Hackman and Donald McNeilly,
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Mulligan (Two of the Finest) – Joseph Sullivan
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Rudolph Dinkelhauser (A Brewer) – Dick Bernard
425:Ludwig Dollar (Solo Cornetist) – Sol Solomon 407:Rudolph Dinkelhauser (A Brewer) – Dave Lewis 562:, Vol. I, Routledge (20060 - Google Books pg. 416 331:as Adolph Klotz in the New York production (1900) 150:was the first production to be staged at the new 59:in 1901. It was one of a series of musicals with 339:Adolph Klotz (A Wandering Photographer) – 428:Holligan (Two of the Finest) – Fred Titus 585: 583: 82:as Algy Cuffs in the London production (1901) 8: 574:The Oxford Companion to the American Musical 544:Harry B. Smith: Dean of American Librettists 478:Carrie Van Courtlandt – Lou Middleton 199:as Paquita in the London production (1901) 302:He Was a Married Man' – Adolph Klotz 808:Musicals set in art museums and galleries 745:'The Gilbert and Sullivan Archive' (2002) 603: 601: 487:Hattie Van Tiviller – Lulu Shepherd 641: 639: 637: 452:Angelica Shark (A Matinee Girl) – 394:as Katie in the London production (1901) 234:Scene I – Dinkelhauser's Villa at 595:, BearManor Media (2018) - Google Books 537: 535: 533: 531: 529: 527: 503: 493:Myrtle Claremont – Mildred Devere 461:Chloe (Nurse to Dinkelhauser) – 90:would open at the Hyperion Theatre in 610:American Musical Theater: A Chronicle 481:Daisy Manhattan – Cecilia Rohda 472:Sadie Stuyvesant – Vashti Earle 308:She Never Loved a Man as Much as That 7: 484:Laura Astergill – Jessie Banks 217:with its case of mistaken identity. 490:Nettie Rubygold – Don Kersley 296:What Eve Said to Adam – Katie 115:as Adolph Klotz, and also featured 55:in 1900 before having a run on the 475:Mamie Livingstone – Ruby Jay 14: 547:, Routledge (2003) - Google Books 312:The score consisted of waltzes, ' 243:Scene III: Chateau in Switzerland 372:Phelim McDuffy – D. L. Don 173:public are not admitted." While 240:Scene II – Garden of Same 803:Musicals set in country houses 1: 798:Musicals set in New York City 369:Camembert – Otto Heilig 813:Musicals by Ludwig Engländer 793:Musicals set in Rhode Island 646:Opening night programme for 788:Musicals set in Switzerland 354:Holligan – Fred Titus 834: 818:Musicals by Harry B. Smith 630:Internet Broadway Database 375:Geraldine McDuffy – 281:The Girl Who Is Up to Date 264:in the American production 86:It had been intended that 43:in two acts with music by 26:in New York during run of 351:Arris – Sol Solomon 51:. The musical opened on 41:Edwardian musical comedy 719:, - Google Books pg. 19 713:Donald J. Stubblebine, 674:(subscription required) 269:The Amateur Entertainer 133:Harry Truman MacConnell 728:Thomas Allston Brown, 403: 395: 332: 265: 221:Act I – Klotz's 200: 92:New Haven, Connecticut 83: 31: 401: 390: 357:Mrs. Muggins – 327: 259: 236:Newport, Rhode Island 195: 78: 21: 648:The Belle of Bohemia 624:The Belle of Bohemia 512:The Belle of Bohemia 275:Beer, Beautiful Beer 205:The Belle of Bohemia 182:The Belle of Bohemia 148:The Belle of Bohemia 88:The Belle of Bohemia 36:The Belle of Bohemia 28:The Belle of Bohemia 589:John Franceschina, 571:Thomas S. Hischak, 541:John Franceschina, 293:My Lady in the Moon 278:The Fairies Lullaby 669:The New York Times 404: 396: 333: 266: 201: 84: 57:West End of London 32: 783:Original musicals 778:Broadway musicals 763:1900 compositions 672:22 February 1901 825: 773:British musicals 747: 741: 735: 726: 720: 711: 705: 700: 694: 682: 676: 675: 662:BELLE OF BOHEMIA 658: 652: 643: 632: 620: 614: 607:Gerald Bordman, 605: 596: 587: 578: 569: 563: 554: 548: 539: 522: 508: 284:The Matinee Girl 223:Tin-Type Gallery 129:Ludwig Engländer 121:Marguerite Clark 45:Ludwig Engländer 833: 832: 828: 827: 826: 824: 823: 822: 753: 752: 751: 750: 742: 738: 727: 723: 712: 708: 701: 697: 683: 679: 673: 659: 655: 644: 635: 621: 617: 606: 599: 588: 581: 570: 566: 555: 551: 540: 525: 509: 505: 500: 468:Matinee Girls: 463:Trixie Friganza 385: 359:Trixie Friganza 322: 299:The Wishing Cap 254: 252:Musical numbers 190: 117:Trixie Friganza 73: 12: 11: 5: 831: 829: 821: 820: 815: 810: 805: 800: 795: 790: 785: 780: 775: 770: 765: 755: 754: 749: 748: 736: 721: 706: 695: 677: 653: 633: 615: 597: 579: 564: 549: 523: 502: 501: 499: 496: 495: 494: 491: 488: 485: 482: 479: 476: 473: 466: 465: 459: 456: 450: 444: 438: 432: 429: 426: 423: 420: 417: 414: 411: 408: 384: 381: 380: 379: 373: 370: 367: 365:Virginia Earle 363:Katie – 361: 355: 352: 349: 346: 343: 337: 321: 318: 310: 309: 306: 303: 300: 297: 294: 291: 290:Only in Dreams 288: 285: 282: 279: 276: 273: 270: 262:Virginia Earle 253: 250: 245: 244: 241: 238: 232: 229: 189: 186: 152:Apollo Theatre 137:Harry B. Smith 127:with music by 125:George Lederer 109:Virginia Earle 101:Casino Theatre 96:George Lederer 72: 69: 49:Harry B. Smith 24:Casino Theatre 13: 10: 9: 6: 4: 3: 2: 830: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 769: 768:1900 musicals 766: 764: 761: 760: 758: 746: 743:David Stone, 740: 737: 733: 732: 725: 722: 718: 717: 710: 707: 704: 699: 696: 692: 691: 686: 685:J. P. Wearing 681: 678: 671: 670: 665: 663: 657: 654: 651: 649: 642: 640: 638: 634: 631: 627: 625: 619: 616: 612: 611: 604: 602: 598: 594: 593: 586: 584: 580: 576: 575: 568: 565: 561: 560: 553: 550: 546: 545: 538: 536: 534: 532: 530: 528: 524: 521: 520: 515: 513: 507: 504: 497: 492: 489: 486: 483: 480: 477: 474: 471: 470: 469: 464: 460: 457: 455: 454:Anna Laughlin 451: 449: 448:Marie Dainton 445: 443: 439: 437: 436:Richard Carle 433: 430: 427: 424: 421: 418: 415: 412: 409: 406: 405: 400: 393: 389: 382: 378: 377:Irene Bentley 374: 371: 368: 366: 362: 360: 356: 353: 350: 347: 344: 342: 338: 335: 334: 330: 326: 320:New York cast 319: 317: 315: 307: 305:My Mobile Gal 304: 301: 298: 295: 292: 289: 286: 283: 280: 277: 274: 271: 268: 267: 263: 258: 251: 249: 242: 239: 237: 233: 230: 228: 224: 220: 219: 218: 216: 215: 210: 206: 198: 197:Marie Dainton 194: 187: 185: 183: 178: 177: 171: 170: 165: 164:Marie Dainton 161: 160:Richard Carle 157: 153: 149: 145: 143: 138: 135:to a book by 134: 130: 126: 122: 118: 114: 110: 106: 102: 97: 93: 89: 81: 80:Richard Carle 77: 70: 68: 66: 65:Edwardian era 62: 58: 54: 50: 46: 42: 38: 37: 29: 25: 20: 16: 739: 730: 724: 715: 709: 698: 689: 680: 667: 661: 656: 647: 623: 618: 609: 591: 573: 567: 558: 552: 543: 517: 511: 506: 467: 442:Marie George 392:Marie George 311: 246: 227:Coney Island 212: 204: 203:Smith based 202: 181: 176:The Guardian 174: 167: 156:Marie George 147: 146: 87: 85: 60: 35: 34: 33: 27: 15: 383:London cast 341:Sam Bernard 329:Sam Bernard 287:Never Again 142:Sam Bernard 113:Sam Bernard 105:Lotta Faust 757:Categories 498:References 314:coon songs 71:Production 272:Be Clever 214:Menaechmi 169:The Times 519:Playbill 188:Synopsis 53:Broadway 231:Act II: 209:Plautus 30:in 1900 626:(1900) 514:(1900) 39:is an 61:Belle 162:and 131:and 22:The 225:at 211:'s 207:on 759:: 687:, 666:- 636:^ 628:- 600:^ 582:^ 526:^ 516:, 158:, 111:, 107:, 67:.

Index


Casino Theatre
Edwardian musical comedy
Ludwig Engländer
Harry B. Smith
Broadway
West End of London
Edwardian era

Richard Carle
New Haven, Connecticut
George Lederer
Casino Theatre
Lotta Faust
Virginia Earle
Sam Bernard
Trixie Friganza
Marguerite Clark
George Lederer
Ludwig Engländer
Harry Truman MacConnell
Harry B. Smith
Sam Bernard
Apollo Theatre
Marie George
Richard Carle
Marie Dainton
The Times
The Guardian

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