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The Best of Sellers

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584:. Graham wrote that rock enthuasists would be "up in arms" after hearing the piece. In an interview ahead of its release, Sellers considered "I'm So Ashamed" the album's only "really commercial track". "Party Political Speech" caricatures what biographer Andrew Norman calls "the typical politician, who is fond of the sound of his own voice, but whose utterances are, in fact, utterly vacuous". Sellers' politician speaks fluently and continuously without ever making a point. The sketch cuts out after the character finally says "in conclusion, let me say just this". 363:. Recognising Sellers' capacity for "a daydreaming form of humour which could be amusing and seductive without requiring the trigger of a live audience", Martin pitched a full album to EMI. The managing director and EMI record division were reluctant, believing no-one would be interested in "a whole half-hour" of studio comedy. A compromise was reached between Martin and the management; the album would be made at a reduced production budget and issued as a 10-inch LP rather than a standard 12-inch. 555: 407: 835: 830: 825: 820: 815: 797: 792: 787: 782: 777: 853:, Ken Graham began his review "if you come across any typing errors in this review you'll have to forgive me as I have been rolling about the floor helpless with laughter". Graham described Sellers as "the end of entertainment" and praised his "first-rate parodies", commenting "the only pity is that 366:
The album was recorded in three sessions in October 1958, each lasting three hours. Musical direction was provided by Ron Goodwin who, with George Martin, "placed Sellers' inventions in a soundscape which meant that you kept playing the record long after any belly laughs had exhausted themselves"
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sword and plunge it into mummy's back with a one, two, three"), father and grandparents before the children are advised to bring "daddy's silly old cash and stocks and shares" to "Auntie Rotter's Home for Orphans, Balls Pond Road, London". The piece has been described as a parody of the
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playing multiple roles. It was released for broadcast in 1981. In 1990, the Triangle Action Group proposed the erection of a statue of Sellers in the centre of Balham due to the sketch's impact on its tourist trade. Upon hearing of this, the writers
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that descends into a brawl. To achieve an appropriate sound effect for this section, Sellers kicked a chair across the studio. The chair hit Martin in the shins and the resulting cry of pain can be heard on the track.
873:, John Mitchell praised Sellers' "startlingly wide talents" and considered his impersonations "uncannily close to life", comparing them favourably against "the old, 'voice of 'em all' school, doing impressions of 888:, Richie Unterberger deemed Sellers' first album "probably his funniest" and praised "The Trumpet Volunteer" and "We Need the Money" as "two of the best rock & roll parodies ever made". Writing in 393:"I've never had the time to do a record like this before. Now I've had a chance to put down all the odd little things that have amused me over the years". He considered the album largely uncommercial. 588:'s Richie Unterberger deemed "Party Political Speech" the best of the album's non-musical sketches, characterising it as "a typically stuffy and meaningless British harangue". In a 1962 lecture at 1247: 527: 356: 724:, was issued in December 1959; Martin considered the second album's commissioning "a kind of accolade, which recognised Parlophone as the label for humorous people". 898:
praised the album as "a five-star record", considering it "an early and robust example" of the productions George Martin referred to as 'sound pictures'. In 2017,
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Sellers was signed to Parlophone as a solo act in 1957, reuniting him with Martin after the success of the producer's first comedy LP, a live recording of
229: 1400: 635:-accented narrator persistently renders the area's name as "Bal-Ham". Sellers first performed "Balham - Gateway to the South" in a 1949 edition of the 2286: 738:
was issued on EMI's budget Starline label in 1973, with the cover stating "re-released by popular demand". It was issued on CD in 1993 as part of the
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label in December 1958, the album has been cited as "the first British comedy LP created in a recording studio". Sellers plays all of the roles,
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as the best example of Sellers' satires of the music business, "I'm So Ashamed" "cruelly but hilariously takes apart the present-day "
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who demonstrates to an American interviewer his various money-making gimmicks, including a rock and roll record ("... they call me
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expressing his shame because - despite all the gimmicks he's tried - he hasn't had a top twenty hit in three weeks. Described by
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in April 1959. The album later re-entered the chart, reaching a new peak at number three in September 1959. Sellers' follow-up,
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with Ron Goodwin, Sellers plays a sadistic children's presenter who issues homicidal instructions for children in what
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stating "for a trifling sum, we would be prepared to go along to the new shopping centre and stand there personally".
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have not yet reached the market, and, therefore, we have to do without Mr. Sellers in person". Mike Nevard of the
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ultimately considered the project a "complete disaster", he was impressed by Sellers' impersonations including
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was the first British comedy LP created in a recording studio. Ahead of the album's release, Sellers told the
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The album followed the single release of "I'm So Ashamed" backed with "A Drop of the Hard Stuff", the
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Poetry of Significant Nonsense: An Inaugural Lecture [delivered in Cambridge on 9 May 1962]
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backing, Sellers' Auntie Rotter guides the listener in murdering their mother ("Out with your
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section from "Suddenly It's Folk Song". Issued in November 1958, the single failed to chart.
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The Art of Speeches and Presentations: The Secrets of Making People Remember What You Say
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Adult Responses to Popular Music and Intergenerational Relations in Britain, C. 19551975
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pub, the second an example of "the Scottish mouth music" performed on a busy street in
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Maximum Volume: The Life of Beatles Producer George Martin, The Early Years, 1926–1966
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on the BBC radio programme, describing its lyric as "an eternal truth in pop music".
918:" entered common usage as a phrase in the United Kingdom. It has been invoked in the 899: 895: 878: 711: 659: 651: 575: 571: 522: 503: 465: 447: 433: 380: 317: 297: 265: 256: 225: 201: 197: 177: 132: 125: 41: 1746: 566:"I'm So Ashamed" has Sellers in the guise of an eight-year-old singing an inane pop 1149: 956: 939: 935: 679: 639: 624: 616: 457: 429: 410: 372: 305: 274: 240: 221: 108: 2217: 2114: 1976: 1896: 1862: 1714: 1641: 1568: 1467: 1366: 1325: 906:
wrote that album consists of "one sidesplitting comic confection after another".
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was a major success, receiving critical acclaim and reaching number three in the
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praised Sellers' "vicious satire" and predicted that the record would be 1958's
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work). Pop music spoofs became a hallmark of Sellers' records; his second album
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and the sketch was "quickly a national favourite" after its inclusion on
585: 1830:"Rock fans will roar with rage but Sellers has me helpless on the floor" 943: 683: 531: 418: 348: 628: 567: 270: 189: 85: 81: 371:. The album was a breakthrough for Martin, who had been inspired by 204:. Despite initial concerns about its commercial viability from EMI, 176:
is the first studio album by the English actor, comedian and singer
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Sellers first appeared on record in 1953 when he lent his voice to
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was released as a 10-inch LP in December 1958. The album title, a
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The New Partridge Dictionary of Slang and Unconventional English
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Turned Out Nice Again: The Story of British Light Entertainment
1401:"How George Martin Changed The Finances Of The Record Business" 714:; it proved apt when the album became a number five hit on the 707: 486: 339:. For Sellers' first single, the two created a version of the 237: 181: 1429:"George Martin: "I arrogantly called it The Best of Sellers"" 312:". However, the cover was blocked from release by the song's 464:, respectively. In "Auntie Rotter", written by the comedian 292:
play for children written by lyricist Ken Hare and composer
1770:. New York City: Oxford University Press. pp. 15–17. 1680:
A Great, Silly Grin: The British Satire Boom Of The 1960s
686:. The third recording is of a performance in a pub by an 678:. The first of these is a bawdy singalong in an English 1101: 1090: 1001: 990: 847:received critical acclaim upon release. Writing in 269:. Sellers found acclaim for his impersonations and 131: 119: 107: 91: 75: 64: 56: 48: 35: 21: 1327:The Beatles – All These Years, Volume One: Tune In 891:The Beatles: All These Years: Volume One – Tune In 1201:Martin went uncredited as producer on the album. 476:way of talking to tiny tots". With accompanying 1531:A Fabulous Creation: How the LP Saved Our Lives 1423: 1421: 1246:: CS1 maint: others in cite AV media (notes) ( 946:directed a short film based on the sketch with 1719:. Fairleigh Dickinson University Press. 2022. 1192:poster "Gateway to the Continent" by T D Kerr. 926:in regards to tourism spending in 2011 and by 774: 1823: 1821: 1819: 1817: 1768:The Jazz Standards: A Guide to the Repertoire 914:In the years following the album's release, " 8: 1672: 1670: 812: 316:, leading the Goons to leave Parlophone for 1609: 1607: 1605: 1603: 1601: 1599: 1597: 1562: 1560: 1558: 1368:Mr Strangelove A Biography of Peter Sellers 230:Entertainments National Service Association 1709: 1707: 1523: 1521: 749: 273:and began appearing in film, sometimes in 27: 18: 2007: 2005: 1856: 1854: 1319: 1317: 1224: 1222: 1220: 1218: 631:as an exotic locale. Sellers' enthuastic 520:(1939). Sellers performs the song as the 456:features mock interviews that parody the 1978:Abbey Road: The Best Studio in the World 1789: 1787: 1461: 1459: 1457: 1455: 1453: 1451: 1449: 1315: 1313: 1311: 1309: 1307: 1305: 1303: 1301: 1299: 1297: 1269: 1267: 1265: 1263: 1261: 1259: 1257: 1084: 984: 405: 1360: 1358: 1356: 1354: 1214: 1181: 1716:The Suburbs: New Literary Perspectives 1239: 413:is parodied in "The Trumpet Volunteer" 228:received attention as a member of the 16:1958 studio album by Peter Sellers 2173:"Balham: Gateway to the South (1979)" 1188:The title likely alludes to the 1928 972:chose "I'm So Ashamed" as one of his 755: 654:. "Suddenly It's Folk Song" parodies 421:pop star named Mr. Iron, a parody of 7: 2113:Victor, Terry; Dalzell, Tom (2015). 578:" craze" according to Ken Graham of 538:, with Sellers portraying a British 472:calls "a send-up of the patronising 1643:The Life and Death of Peter Sellers 776: 1276:"The best sellers - all on one LP" 14: 2087:Mitchell, John (3 January 1959). 1274:Nevard, Mike (21 November 1958). 959:penned a letter published in the 814: 2287:Albums produced by George Martin 2089:"Peter Sellers turns on an L.P." 2065:Kaapse bibliotekaris - Volume 23 968:In 2011, broadcaster and writer 833: 828: 823: 818: 813: 795: 790: 785: 780: 775: 2195:"Balham - Gateway to the South" 1828:Graham, Ken (31 January 1959). 1399:Owsinski, Bobby (25 May 2022). 534:. "We Need the Money" parodies 236:. In 1948, he became a regular 1091: 991: 884:In a retrospective review for 710:'s scepticism, was devised by 611:", written by the comedy team 359:. It reached number 17 on the 180:. Released as a 10-inch LP on 1: 1330:. Little, Brown and Company. 1140:Balham - Gateway to the South 916:Balham - Gateway to the South 609:Balham - Gateway to the South 562:" has entered common lexicon. 560:Balham - Gateway to the South 446:(incorrectly identified as a 351:arrangement and the voice of 1958:"Gateway - Southern Posters" 1677:Carpenter, Humphrey (2002). 286:Jakka and the Flying Saucers 220:Born in 1925 to a family of 1975:Lawrence, Alistair (2012). 623:by presenting the suburban 2318: 2044:. 9 March 1959. p. 49 1937:Cambridge University Press 1756:. Songwriters Hall of Fame 1567:Mitchell, Gillian (2019). 924:Baroness Garden of Frognal 865:Christmas number one album 721:Songs for Swingin' Sellers 596:likened the sketch to the 453:Songs for Swingin' Sellers 251:and, from 1951, alongside 243:performer, appearing with 157:Songs for Swingin' Sellers 1981:. Bloomsbury Publishing. 1929:Forster, Leonard (1962). 1162:"Suddenly It's Folk Song" 1158: 1134: 1120: 1106: 1098: 1095: 1067: 1043: 1023: 1006: 998: 995: 763: 760: 139: 26: 2119:. Taylor & Francis. 1895:Collins, Philip (2012). 1528:Hepworth, David (2019). 1472:. Chicago Review Press. 1466:Womack, Kenneth (2017). 1232:(liner). Peter Sellers. 1124:"Party Political Speech" 2068:. Library Service. 1979 1861:Norman, Andrew (2021). 1324:Lewisohn, Mark (2013). 1010:"The Trumpet Volunteer" 662:, with three purported 528:Willium "Mate" Cobblers 510:with lyrics written by 357:Willium "Mate" Cobblers 2017:www.officialcharts.com 1864:The Real Peter Sellers 1505:www.officialcharts.com 1049:All the Things You Are 740:Celebration of Sellers 594:Leonard Wilson Forster 563: 502:" is a version of the 500:All the Things You Are 414: 296:. Though its producer 1962:southernposters.co.uk 1794:Barfe, Louis (2008). 1640:Lewis, Roger (1995). 1616:"The Best of Sellers" 1614:Unterberger, Richie. 734:A 12-inch version of 602:Christian Morgenstern 557: 409: 2216:Muir, Frank (1997). 1059:Oscar Hammerstein II 910:Aftermath and legacy 751:Professional ratings 590:Cambridge University 512:Oscar Hammerstein II 336:At the Drop of a Hat 194:British class system 2302:1950s comedy albums 2152:Parallel Parliament 1766:Gioia, Ted (2012). 1242:cite AV media notes 1230:The Best of Sellers 1087: 1071:"We Need the Money" 987: 974:Desert Island Discs 845:The Best of Sellers 752: 736:The Best of Sellers 700:The Best of Sellers 648:The Best of Sellers 637:BBC Third Programme 633:Midwestern American 385:The Best of Sellers 206:The Best of Sellers 173:The Best of Sellers 148:The Best of Sellers 22:The Best of Sellers 1800:. Atlantic Books. 1752:2016-12-25 at the 1365:Sikov, Ed (2002). 1085: 985: 938:in 2020. In 1979, 750: 746:Critical reception 619:, lampoons cinema 564: 492:Listen with Mother 415: 325:Flanders and Swann 232:(ENSA) during the 2292:Parlophone albums 2282:1958 debut albums 2092:Leicester Mercury 1867:. Pen and Sword. 1777:978-0-19-993739-4 1683:. PublicAffairs. 1541:978-1-7841-6208-5 1371:. Pan Macmillan. 1337:978-1-4000-8305-3 1172: 1171: 1081: 1080: 934:debate regarding 870:Leicester Mercury 867:. Writing in the 842: 841: 517:Very Warm for May 443:Trumpet voluntary 302:Winston Churchill 169: 168: 165: 164: 2309: 2266: 2265: 2263: 2261: 2247: 2241: 2240: 2238: 2236: 2213: 2207: 2206: 2204: 2202: 2191: 2185: 2184: 2179:. 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Index


Studio album
Peter Sellers
EMI
Genre
Comedy
satire
Label
Parlophone
Producer
George Martin
Peter Sellers
Songs for Swingin' Sellers
Peter Sellers
EMI
Parlophone
satirising
British class system
rock and roll
George Martin
UK Albums Chart
variety
Peter Sellers
Entertainments National Service Association
Second World War
BBC
radio comedy
Ted Ray
Spike Milligan
Harry Secombe

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