Knowledge (XXG)

The Big Boodle

Source 📝

457:. Sylvester was enthusiastic, stating that "in addition to having all that colorful, authentic scenery and police clearance and cooperation – always a big help – the picture could be made inexpensively. It begins, briefly, here in New York as an American private eye heads to Cuba. From then on, the rest of the characters – and there are four main ones – are islanders." 427:
wrote that "Sylvester offers a dazzling yet believable new method of making counterfeit money, a credible private detective, an agreeable half-humorous style and much background detail on the history and atmosphere of Cuba – in all, just about enough to atone for a coincidental and episodic story and
295:
That night, on his way home, two thugs attack, shoot and stab Ned but run off when the police are summoned. Colonel Guillermo Mastegui, Chief of the Secret Section of the Cuban National Police, interrogates Ned about the attack and accuses him of being involved in a plan to flood Cuba with worthless
582:
magazine wrote in 2019 "You wouldn’t believe the handsome, dashing Errol Flynn of the ‘30s and ‘40s had been reduced to being a croupier at a Havana casino – but you would believe the seedy Errol of the late ‘50s; his age and pain on his face tell the story of it all ... a man who’s done a lot
324:
Ned escapes, alerts Mastegui, then goes with Anita to El Morro. When they catch up with Collada and Fina, Collada uses Fina as a shield during a gunfight. Anita tries to bargain with him, but is killed by Collada. Ned jumps on Collada and they fight on the castle's parapet until Collada falls, with
313:
Upon leaving a club, Ned and Fina are kidnapped by Miguel Collada, a trusted banking aide of her father, and his henchman Chuchu. Collada reveals that he is behind the scheme to substitute the counterfeit bills, which have now been chemically aged, for bundles of old, withdrawn bills that are to be
303:
Señor Ferrer explains to Ned that Mastegui suspects that three million counterfeit pesos, manufactured in Chicago, are about to be laundered through the bank. Because this act would destroy confidence in the bank and in the government, Ferrer is anxious to discover who is behind the plot. Ned tells
317:
To help Ned, with whom she is falling in love, Fina suggests to Collada that Rubi may have hidden the plates in El Morro Castle where Rubi, she and Anita used to play as children. Meanwhile, Anita meets with Rubi to try to extricate themselves from Collada's scheme in which they became involved in
460:
Darcy Miller bought the film rights and announced plans to produce and direct. This fell through but a few months later it was announced film rights had been optioned by Lewis Blumberg, son of Nate Blumberg, chairman of Universal International. In February 1956 Blumberg signed a deal with
299:
Ned loses his job and can't leave Cuba. He meets with a young woman, Anita Ferrer, who believes that he has the bills, as well as the engraving plates they were made from, and offers to buy them. Anita takes him to meet her father, who is president of the Bank of Cuba.
639: 29: 568:
called the film "a fair-to-middling screen drama ... the story gets pretty well muddled ... Director Richard Wilson manages to keep his mimes moving around briskly. As for Flynn – well, he's the same Errol, albeit a bit older."
304:
Ferrer that he knows nothing about the matter and is about to leave when Ferrer's other daughter, Josefina, returns home and Ned recognizes her as the woman who passed him the notes in the casino, but says nothing.
1162: 576:
said the film was "fairly taut during most of the route, if somewhat locquatious, director Richard Wilson has kept his principals moving at a brisk pace against an authentic background."
307:
When "Fina" agrees to a meeting with Ned, she again denies any involvement in the counterfeiting, but offers to be seen with him in the hope of having the ringleaders show their hand.
790:'KINGS GO FORTH' WILL BE A MOVIE: Novel by Joe David Brown, Recently Published, to Be Filmed by Frank Ross U.S. Film Festival Urged By THOMAS M. PRYOR New York Times 9 May 1956: 36. 742:
SAMURAI' IS CITED BY FILM ACADEMY: Japanese Movie Named Top Foreign-Language Work in Advance of Presentations New Role for Flynn By THOMAS M. PRYOR New York Times 20 Mar 1956: 13.
453:. The Cuban government, via its cultural representative in the US, Roberto Hernandez, approached Sylvester, offering facilities and possibly some financing for a movie version of 314:
burned under his supervision. He will then keep the genuine, old currency, but fears that his associate, Rubi, may have stolen the plates, which could connect him to the swindle.
1215: 889:'SHARKFIGHTERS' IN THE CARIBBEAN: Sam Goldwyn Jr. Films Drama on Location In and Off Cuba The Stars Seafarers The Story By GRADY JOHNSON. New York Times 1 Apr 1956: 99. 328:
To protect Ferrer from the knowledge of Anita's wrongdoing, Mastegui declares that she has died a hero and considers the case closed. Ned and Fina walk off together.
321:
After Collada and Fina depart for El Morro, leaving Chuchu to guard Ned, Rubi comes to the house intending to kill Collada, but is shot and killed by Chuchu.
799:
FOREIGN EARNINGS OF U.-I. INCREASING: Aboaf, Overseas Manager, Reports 78 Per Cent Gain in Last Five Years By THOMAS M. PRYOR New York Times 10 May 1956: 28.
508:, also joined the cast. Blumberg said, "The possible added revenue far outweighs the additional salaries we may have had to face in rounding up this cast." 715:
OF PICTURES AND PEOPLE: Blueprint for 'Prince of Players' – A Chinese 'G. W. T. W.' – Other Items By HOWARD THOMPSON. New York Times 18 July 1954: X5
1240: 1076: 1200: 1245: 1230: 880:
OF PEOPLE AND PICTURES: 'Next of Kin' Planned by Hal Wallis For Shirley Booth--New Company By A.H. WEILER. New York Times 17 June 1956: 103.
310:
After visiting several nightclubs, Fina admits that she took the counterfeit money from the pocket of Carlos Rubi, her sister's boyfriend.
296:
currency. Mastegui and a U.S. Treasury agent plan to have Ned followed in the hope that he will lead them to the head counterfeiter.
1225: 978: 541: 598: 1235: 1220: 1190: 781:
Drama: Milland Film Program Expands; Ann Harding Spurs Shadow Romance Schallert, Edwin. Los Angeles Times 30 Apr 1956: 27.
1069: 1037: 1210: 1146: 675: 1195: 1086: 477: 248: 42: 697:
A Report on Recent Criminals at Large: Criminala at Large By ANTHONY BOUCHER. New York Times 11 July 1954: BR10.
516:
Filming did eventually take place in Cuba, starting in late May 1956, mostly in Havana. The climax was shot at
388: 1043: 850: 832: 814: 622: 1062: 900: 292:
bills by a woman. He confronts the woman with the fact they are counterfeit, but she denies it and leaves.
772:
Lloyd Nolan Plans to Stage L'Engle Novel on Broadway, Hopper, Hedda. Chicago Daily Tribune 12 Apr 1956: c2
486: 517: 420:
The film was based on a 1954 novel by Richard Sylvester, which was reportedly based on a true incident.
1185: 533: 343: 256: 88: 1205: 1154: 1048: 918: 755: 116: 520:. It was one of the first American movies shot in Cuba, and used many of the cast and crew from 1003: 974: 522: 449: 435:
called it a "rugged slap bang adventure... at times engaging, at times superfluously vulgar."
1122: 1114: 1098: 733:
de Rochemont Prepares Israel Film--Addends By A. H. WELLSES. New York Times 20 Mar 1955: X5.
586: 501: 382: 589:
wrote: "An undistinguished chase film with the star very tired and a long way from home".
529: 493: 473:
Errol Flynn signed to star in March 1956. He reportedly had a 25% interest in the film.
126: 931:
Havana Picturesque Locale for Whodunit Scott, John L. Los Angeles Times 13 Feb 1957: 25.
28: 1008: 652: 462: 397: 150: 1179: 1138: 1030: 1054: 497: 481: 364: 349: 260: 92: 951: 547: 337: 252: 84: 52: 526:. "We certainly couldn't complain about the Cuban cooperation," said Blumberg. 288:
Ned Sherwood, a blackjack dealer in a Havana casino, is given some counterfeit
1130: 670: 289: 244: 106: 355: 264: 241: 96: 706:
Keeping Tab on Murder Drake, Drexel. Chicago Daily Tribune 1 Aug 1954: g5.
1025: 1019: 997: 504:
flew in from Italy to play the lead. Carlos Rivas, who had appeared in
406:
Cesar Fernandez-Garriga as Errol Flynn's attacker and later knife victim
679:. Bourke, NSW: National Library of Australia. 15 May 1959. p. 3 1014: 268: 1058: 1163:
It's All True: Based on an Unfinished Film by Orson Welles
952:"The Films of Errol Flynn: Part 6 – The Final Adventures" 480:
agreed to direct; Wilson had first met Flynn when he and
465:. Originally he said he did not want to film in Cuba. 940:
Cuban Counterfeiters New York Times 12 Mar 1957: 38.
225: 217: 209: 201: 191: 156: 146: 132: 122: 112: 102: 80: 72: 58: 48: 38: 21: 867:Tony Thomas, Rudy Behlmer & Clifford McCarty, 325:the plates, into the sea and is eaten by sharks. 724:Of Local Origin New York Times 16 Oct 1954: 12. 676:Western Herald (Bourke, NSW : 1887 - 1970) 1070: 973:(7th ed.). London: Paladin. p. 99. 428:an irritating number of howlers in Spanish." 8: 653:"The Big Boodle (1957) - Overview - TCM.com" 496:discussed playing a female lead. Eventually 370:Charles Todd as U.S. Treasury Agent Griswold 1216:Films directed by Richard Wilson (director) 1077: 1063: 1055: 901:"Flynn's Last Fling - News & Features" 500:took the part, with Gia Scala in support. 27: 18: 616: 614: 750: 748: 809: 807: 805: 610: 7: 318:order to pay off substantial debts. 950:Vagg, Stephen (December 15, 2019). 583:of living, with plenty of regret." 539:Flynn would return to Cuba to make 376:Rogelio Hernández as Miguel Salcito 373:Enrique Cruz Alvarez as Police lt. 14: 640:1958 Box office figures in France 361:Francisco Canero as Police doctor 899:M. Shanken Communications, Inc. 815:"Lewis Blumberg's First Feature" 621:Sully, Frank (16 January 1957). 542:Assault of the Cuban Rebel Girls 839:. 22 February 1956. p. 63. 403:Sandro Giglio as Armando Ferrer 1201:American black-and-white films 821:. 28 November 1956. p. 4. 599:List of American films of 1957 394:Aurora Pita as Linen shop girl 184: (New York City, New York) 1: 1246:English-language crime films 1241:Films scored by Raúl Lavista 1231:1950s English-language films 1038:AFI Catalog of Feature Films 274:The movie was also known as 871:, Citadel Press, 1969 p 210 857:. May 30, 1956. p. 14. 443:An earlier Sylvester novel 229:371,394 admissions (France) 16:1957 film by Richard Wilson 1262: 1147:Invitation to a Gunfighter 969:Halliwell, Leslie (1989). 165:January 25, 1957 1093: 173: (San Antonio, Texas) 26: 1226:American adventure films 869:The Films of Errol Flynn 851:"Start Bundle in Havana" 756:"The Big Boodle - notes" 484:hired Flynn's yacht for 389:Guillermo Alvarez Guedes 176:March 11, 1957 221:a little over $ 600,000 971:Halliwell's Film Guide 487:The Lady from Shanghai 400:as Salcito's Secretary 33:1957 Theatrical Poster 760:Turner Classic Movies 657:Turner Classic Movies 447:, had been filmed as 433:Chicago Daily Tribune 1236:1950s American films 1221:American crime films 1191:1957 adventure films 919:"Flynn's Last Fling" 476:The following month 379:Carlos Mas as Chuchu 905:CigarAficionado.com 671:""Night in Havana"" 642:at Box Office Story 623:"Sully's Scrapbook" 534:Estudios Churubusco 240:is a 1957 American 68:by Robert Sylvester 1155:Three in the Attic 1085:Films directed by 560:Critical reception 117:Charles L. Kimball 1211:Films set in Cuba 1173: 1172: 833:"Havana Blossoms" 566:Los Angeles Times 523:The Sharkfighters 450:We Were Strangers 391:as Casino manager 385:as Miguel Collada 233: 232: 76:Lewis F. Blumberg 1253: 1196:1957 crime films 1115:Raw Wind in Eden 1099:Man with the Gun 1079: 1072: 1065: 1056: 985: 984: 966: 960: 959: 947: 941: 938: 932: 929: 923: 922: 915: 909: 908: 896: 890: 887: 881: 878: 872: 865: 859: 858: 847: 841: 840: 829: 823: 822: 811: 800: 797: 791: 788: 782: 779: 773: 770: 764: 763: 752: 743: 740: 734: 731: 725: 722: 716: 713: 707: 704: 698: 695: 689: 688: 686: 684: 667: 661: 660: 649: 643: 637: 631: 630: 618: 587:Leslie Halliwell 536:in Mexico City. 502:Pedro Armendariz 383:Jacques Aubuchon 352:as "Fina" Ferrer 346:as Col. Mastegui 344:Pedro Armendáriz 257:Pedro Armendáriz 183: 181: 172: 170: 89:Pedro Armendáriz 31: 19: 1261: 1260: 1256: 1255: 1254: 1252: 1251: 1250: 1176: 1175: 1174: 1169: 1089: 1083: 994: 989: 988: 981: 968: 967: 963: 949: 948: 944: 939: 935: 930: 926: 917: 916: 912: 898: 897: 893: 888: 884: 879: 875: 866: 862: 849: 848: 844: 831: 830: 826: 813: 812: 803: 798: 794: 789: 785: 780: 776: 771: 767: 754: 753: 746: 741: 737: 732: 728: 723: 719: 714: 710: 705: 701: 696: 692: 682: 680: 669: 668: 664: 651: 650: 646: 638: 634: 620: 619: 612: 607: 595: 562: 557: 530:Post-production 514: 494:Linda Christian 471: 441: 418: 413: 358:as Anita Ferrer 340:as Ned Sherwood 334: 286: 277:Night in Havana 251:, and starring 194: 187: 179: 177: 168: 166: 159: 142: 137: 135: 95: 91: 87: 67: 65: 34: 17: 12: 11: 5: 1259: 1257: 1249: 1248: 1243: 1238: 1233: 1228: 1223: 1218: 1213: 1208: 1203: 1198: 1193: 1188: 1178: 1177: 1171: 1170: 1168: 1167: 1159: 1151: 1143: 1135: 1127: 1119: 1111: 1107:The Big Boodle 1103: 1094: 1091: 1090: 1087:Richard Wilson 1084: 1082: 1081: 1074: 1067: 1059: 1053: 1052: 1044:Review of film 1041: 1040: 1032:The Big Boodle 1028: 1021:The Big Boodle 1017: 1010:The Big Boodle 1006: 999:The Big Boodle 993: 992:External links 990: 987: 986: 979: 961: 942: 933: 924: 910: 891: 882: 873: 860: 842: 824: 801: 792: 783: 774: 765: 744: 735: 726: 717: 708: 699: 690: 662: 644: 632: 609: 608: 606: 603: 602: 601: 594: 591: 574:New York Times 561: 558: 556: 553: 513: 510: 506:The King and I 478:Richard Wilson 470: 467: 463:United Artists 455:The Big Boodle 440: 437: 425:New York Times 417: 416:Original Novel 414: 412: 409: 408: 407: 404: 401: 398:Velia Martinez 395: 392: 386: 380: 377: 374: 371: 368: 362: 359: 353: 347: 341: 333: 330: 285: 282: 249:Richard Wilson 237:The Big Boodle 231: 230: 227: 223: 222: 219: 215: 214: 211: 207: 206: 203: 199: 198: 195: 192: 189: 188: 186: 185: 174: 162: 160: 157: 154: 153: 151:United Artists 148: 147:Distributed by 144: 143: 140: 138: 133: 130: 129: 124: 120: 119: 114: 110: 109: 104: 103:Cinematography 100: 99: 82: 78: 77: 74: 70: 69: 63:The Big Boodle 60: 56: 55: 50: 46: 45: 43:Richard Wilson 40: 36: 35: 32: 24: 23: 22:The Big Boodle 15: 13: 10: 9: 6: 4: 3: 2: 1258: 1247: 1244: 1242: 1239: 1237: 1234: 1232: 1229: 1227: 1224: 1222: 1219: 1217: 1214: 1212: 1209: 1207: 1204: 1202: 1199: 1197: 1194: 1192: 1189: 1187: 1184: 1183: 1181: 1165: 1164: 1160: 1157: 1156: 1152: 1149: 1148: 1144: 1141: 1140: 1139:Wall of Noise 1136: 1133: 1132: 1128: 1125: 1124: 1120: 1117: 1116: 1112: 1109: 1108: 1104: 1101: 1100: 1096: 1095: 1092: 1088: 1080: 1075: 1073: 1068: 1066: 1061: 1060: 1057: 1051: 1050: 1045: 1042: 1039: 1036: 1034: 1033: 1029: 1027: 1023: 1022: 1018: 1016: 1012: 1011: 1007: 1005: 1001: 1000: 996: 995: 991: 982: 980:0-586-08894-6 976: 972: 965: 962: 957: 953: 946: 943: 937: 934: 928: 925: 920: 914: 911: 906: 902: 895: 892: 886: 883: 877: 874: 870: 864: 861: 856: 852: 846: 843: 838: 834: 828: 825: 820: 816: 810: 808: 806: 802: 796: 793: 787: 784: 778: 775: 769: 766: 761: 757: 751: 749: 745: 739: 736: 730: 727: 721: 718: 712: 709: 703: 700: 694: 691: 678: 677: 672: 666: 663: 658: 654: 648: 645: 641: 636: 633: 629:. p. 72. 628: 624: 617: 615: 611: 604: 600: 597: 596: 592: 590: 588: 584: 581: 577: 575: 570: 567: 559: 554: 552: 550: 549: 544: 543: 537: 535: 531: 527: 525: 524: 519: 511: 509: 507: 503: 499: 495: 491: 489: 488: 483: 479: 474: 468: 466: 464: 458: 456: 452: 451: 446: 438: 436: 434: 429: 426: 421: 415: 410: 405: 402: 399: 396: 393: 390: 387: 384: 381: 378: 375: 372: 369: 366: 363: 360: 357: 354: 351: 348: 345: 342: 339: 336: 335: 331: 329: 326: 322: 319: 315: 311: 308: 305: 301: 297: 293: 291: 283: 281: 279: 278: 272: 270: 266: 262: 258: 254: 250: 246: 243: 239: 238: 228: 224: 220: 216: 212: 208: 205:United States 204: 200: 196: 190: 175: 164: 163: 161: 158:Release dates 155: 152: 149: 145: 139: 131: 128: 125: 121: 118: 115: 111: 108: 105: 101: 98: 94: 90: 86: 83: 79: 75: 71: 64: 61: 57: 54: 51: 49:Screenplay by 47: 44: 41: 37: 30: 25: 20: 1161: 1153: 1145: 1137: 1129: 1121: 1113: 1106: 1105: 1097: 1047: 1031: 1020: 1009: 998: 970: 964: 955: 945: 936: 927: 913: 904: 894: 885: 876: 868: 863: 854: 845: 836: 827: 818: 795: 786: 777: 768: 759: 738: 729: 720: 711: 702: 693: 681:. Retrieved 674: 665: 656: 647: 635: 626: 585: 579: 578: 573: 571: 565: 563: 546: 540: 538: 532:was done in 528: 521: 518:Morro Castle 515: 505: 498:Rossana Rory 492: 485: 482:Orson Welles 475: 472: 459: 454: 448: 445:Rough Sketch 444: 442: 432: 430: 424: 422: 419: 367:as Detective 365:Luis Oquendo 350:Rossana Rory 327: 323: 320: 316: 312: 309: 306: 302: 298: 294: 287: 276: 275: 273: 267:, filmed in 261:Rossana Rory 247:directed by 236: 235: 234: 193:Running time 127:Raúl Lavista 93:Rossana Rory 62: 548:Cuban Story 439:Development 338:Errol Flynn 253:Errol Flynn 85:Errol Flynn 73:Produced by 53:Jo Eisinger 39:Directed by 1186:1957 films 1180:Categories 1131:Pay or Die 605:References 411:Production 290:Cuban peso 245:crime film 226:Box office 197:84 minutes 180:1957-03-11 169:1957-01-25 134:Production 107:Lee Garmes 66:1954 novel 1206:Film noir 1123:Al Capone 683:1 January 356:Gia Scala 265:Gia Scala 242:film noir 141:Monteflor 113:Edited by 97:Gia Scala 1026:AllMovie 593:See also 512:Shooting 210:Language 123:Music by 81:Starring 59:Based on 1049:Variety 1035:at the 956:Filmink 855:Variety 837:Variety 819:Variety 627:Variety 580:Filmink 555:Release 469:Casting 213:English 202:Country 178: ( 167: ( 136:company 1166:(1993) 1158:(1968) 1150:(1964) 1142:(1963) 1134:(1960) 1126:(1959) 1118:(1958) 1110:(1957) 1102:(1955) 977:  263:, and 218:Budget 1015:TCMDB 1004:IMDb 975:ISBN 685:2016 572:The 564:The 545:and 431:The 423:The 332:Cast 284:Plot 269:Cuba 1046:at 1024:at 1013:at 1002:at 1182:: 954:. 903:. 853:. 835:. 817:. 804:^ 758:. 747:^ 673:. 655:. 625:. 613:^ 551:. 490:. 280:. 271:. 259:, 255:, 1078:e 1071:t 1064:v 983:. 958:. 921:. 907:. 762:. 687:. 659:. 182:) 171:)

Index


Richard Wilson
Jo Eisinger
Errol Flynn
Pedro Armendáriz
Rossana Rory
Gia Scala
Lee Garmes
Charles L. Kimball
Raúl Lavista
United Artists
film noir
crime film
Richard Wilson
Errol Flynn
Pedro Armendáriz
Rossana Rory
Gia Scala
Cuba
Cuban peso
Errol Flynn
Pedro Armendáriz
Rossana Rory
Gia Scala
Luis Oquendo
Jacques Aubuchon
Guillermo Alvarez Guedes
Velia Martinez
We Were Strangers
United Artists

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.