1944:
31:
410:
he said the quartet "explore unconventional techniques", plays "folksy" and "noir melancholy" tunes, and each member contributes an improvised solo. But Cowley found that, on the whole, the music did not "mov or stimulat" him. He stated that "saxophone quartets leave me with an uncomfortable sense of
387:
suite is made up of six short pieces that "act as episodic juxtapositions of the extremes of timbre and range of the saxophones". He said there is "plenty of textural variety" and occasionally melodies surface. In
1680:
392:
Rosenstein complimented the quartet's handling of Frith's "themes and tight arrangements", but did feel that the constraints of the composition leaves "little room for the group to stretch things much".
374:"an essay on the subject of musical freedom" that "twists and turns across the landscape". He opined that the music is "emanding and challenging" and calls for "repeated listening".
1584:
349:
suite. Medwin found "Song and Dance" "much livelier and ... more fluid" than the original Rova
Saxophone Quartet's interpretation, and "Red Rag" "particularly infectious".
1688:
882:
1525:
345:
illustrates Frith's "fascinating approach to composition". He called the ARTE Quartett's playing "virtuosic", especially in their handling of the
362:
suite as "a series of miniatures" that is "remarkably concise, focused and magnificently performed". He said the composition is reminiscent of
1109:
1724:
1408:
406:
suite "a lively negotiation" between the Arte
Quartett and the "less orderly improvised responses" of the guest pianist and drummer. In
1983:
1968:
1748:
1415:
1978:
1497:
1401:
1295:
1572:
1518:
1504:
1475:
30:
1988:
1600:
1429:
1383:
1376:
1260:
1197:
1192:
1144:
1624:
1461:
1369:
1281:
1274:
1004:
826:
1973:
1848:
1253:
1800:
1756:
1696:
1341:
1207:
1768:
1102:
850:
1577:
1334:
1267:
1928:
1917:
1644:
311:
1872:
1716:
1362:
1895:
1812:
1792:
1468:
1348:
1316:
1151:
316:
1947:
1877:
1668:
1095:
855:
779:
768:
398:
271:
81:
1355:
946:
379:
106:
1864:
1736:
1704:
1661:
1229:
951:
921:
860:
1532:
1309:
1302:
363:
256:
101:
1780:
1773:
1729:
1709:
1224:
1172:
1079:
144:
1637:
1048:
1853:
1805:
1761:
1673:
1443:
1288:
1043:
974:
887:
795:
367:
337:
279:
137:
1962:
1825:
1550:
1436:
1202:
1187:
986:
944:
Rosenstein, Michael (October 2009). "Fred Frith and Arte
Quartett: The Big Picture".
723:
295:
267:
158:
47:
302:
for saxophone quartet with two improvising soloists, composed by Frith in 2000, and
1922:
1857:
1605:
1589:
1246:
1219:
1212:
1158:
259:
132:
1820:
1785:
1632:
1617:
1612:
1593:
785:
Mastered at
Headless Buddha Mastering Labs, Oakland by Myles Boisen in June 2008
284:
213:
171:
93:
1840:
1741:
1422:
1165:
1118:
982:
421:
263:
200:
154:
43:
955:
925:
914:
Heining, Duncan (May 2009). "Fred Frith and Arte
Quartett: The Big Picture".
883:"Fred Frith: To Sail, To Sail, Pas de Deux & The Big Picture/Still Urban"
864:
1649:
1179:
1137:
1130:
772:
275:
85:
1069:
1012:
1511:
1054:
916:
818:
354:
282:, together with Frith and the ARTE Quartett's first collaborative album,
231:
1656:
1074:
1059:
1037:
38:
1091:
288:, which was also recorded in January 2008 at Swiss Radio DRS2.
1087:
1009:
New York
Downtown Scene and other miscellaneous discographies
1003:
Ramond, Michel; Roussel, Patrice; Vuilleumier, Stephane.
628:"Significant Restrictions Apply" (soloist: A. Formenti)
377:
Michael
Rosenstein wrote in a review of the album in
314:
and was performed by them on Frith's 2002 solo album
18:
2009 studio album by Fred Frith and ARTE Quartett
1910:
1887:
1564:
1542:
1489:
1453:
1393:
1326:
1238:
531:
523:
441:
433:
199:
153:
143:
131:
115:
92:
77:
69:
54:
37:
23:
306:for saxophone quartet, composed by Frith in 1994.
851:"Fred Frith & Arte Quartett: The Big Picture"
551:"Some Assembly Required" (soloist: B. Hofstetter)
969:
967:
965:
758:Source: CD liner notes, Fred Frith discography.
714:Source: CD liner notes, Fred Frith discography.
595:"Void Where Prohibited" (soloist: S. Armbruster)
1689:Live in Trondheim, Berlin & Limoges, Vol. 2
672:"Batteries Not Included" (soloist: B. Kappeler)
411:the sentimental convenience of family groups".
1103:
8:
939:
937:
935:
737:Beat Kappeler – baritone and alto saxophones
998:
996:
278:, Switzerland, and was released in 2009 by
1884:
1728:(with Lesli Dalaba, Eric Glick Rieman and
1539:
1323:
1110:
1096:
1088:
29:
20:
1868:(with Nicolas Humbert and Marc Parisotto)
909:
907:
905:
778:Edited and mixed at Guerrilla Recording,
775:, Switzerland by Ron Kurz in January 2009
876:
874:
844:
842:
840:
838:
836:
515:
425:
810:
700:
683:"T. Square Park Lark (for Frank Zappa)"
1526:All Is Always Now – Live at The Stone
829:from the original on August 24, 2017.
701:
270:. It was recorded in January 2008 at
7:
1725:Dalaba Frith Glick Rieman Kihlstedt
728:Beat Hofstetter – soprano saxophone
540:"Introduction: The Power of Prayer"
1749:50th Birthday Celebration Volume 5
731:Sascha Armbruster – alto saxophone
262:by English guitarist and composer
14:
734:Andrea Formenti – tenor saxophone
1943:
1942:
881:Medwin, Marc (October 4, 2009).
1505:Stone, Brick, Glass, Wood, Wire
310:was originally written for the
1684:(with François-Michel Pesenti)
524:
434:
1:
1601:Live in Prague and Washington
1377:Field Days (The Amanda Loops)
1061:Still Urban / The Big Picture
1039:Still Urban / The Big Picture
849:Cowley, Julian (April 2009).
791:Cover design by Jonas Schoder
1198:French Frith Kaiser Thompson
859:. No. 302. p. 54.
1370:Nowhere, Sideshow, Thin Air
1005:"Discography of Fred Frith"
694:"The Power of Prayer: Coda"
562:"Hopscotch (for John Zorn)"
402:, Julian Cowley called the
358:, Duncan Heining described
2005:
1849:Angels on the Edge of Time
1760:(with Carla Kihlstedt and
819:"Fred Frith: Compositions"
420:All tracks are written by
341:, Marc Medwin stated that
323:Frith does not perform on
1984:Free improvisation albums
1969:2009 collaborative albums
1938:
1757:The Compass, Log and Lead
1208:Fred Frith Guitar Quartet
1125:
690:
679:
668:
657:
646:
635:
624:
613:
602:
591:
580:
569:
558:
547:
536:
528:
501:
490:
479:
468:
457:
446:
438:
244:
207:
195:
165:
28:
1769:Duo (Victoriaville) 2005
801:Source: CD liner notes.
1979:Avant-garde jazz albums
1648:(with Bob Ostertag and
1573:With Friends Like These
1335:The Technology of Tears
1268:Cheap at Half the Price
788:Cover art by Heike Liss
749:Katharina Weber – piano
352:Reviewing the album in
1929:Step Across the Border
1918:Fred Frith discography
1409:Step Across the Border
762:Production and artwork
312:Rova Saxophone Quartet
1989:Intakt Records albums
1896:Friends & Enemies
1873:Laying Demons to Rest
1717:2 Gentlemen in Verona
1363:The Happy End Problem
1053:at Intakt Records on
1856:, Gianni Gebbia and
1836:(with ARTE Quartett)
1813:The Art of Memory II
1793:The Stone: Issue Two
1469:Freedom in Fragments
1416:Middle of the Moment
1349:The Previous Evening
1317:Guitar Solos / Fifty
752:Lucas Niggli – drums
518:Freedom in Fragments
408:Freedom in Fragments
390:Freedom in Fragments
372:Freedom in Fragments
347:Freedom in Fragments
317:Freedom in Fragments
308:Freedom in Fragments
304:Freedom in Fragments
266:and the Swiss-based
1878:Susana Santos Silva
1796:(with Chris Cutler)
1720:(with Chris Cutler)
1692:(with Chris Cutler)
1669:Live Improvisations
1628:(with Henry Kaiser)
1402:The Top of His Head
780:Oakland, California
520:
430:
1625:Who Needs Enemies?
981:(CD liner notes).
516:
426:
1974:Fred Frith albums
1956:
1955:
1906:
1905:
1899:with Henry Kaiser
1865:Cut Up the Border
1801:The Sugar Factory
1737:What Leave Behind
1705:Traffic Continues
1697:The Art of Memory
1662:Ferdinand Richard
1560:
1559:
1485:
1484:
1065:at Intakt Records
711:
710:
639:"Boyan’s Problem"
512:
511:
370:. Heining called
248:
247:
240:
239:
191:
190:
1996:
1946:
1945:
1885:
1844:(with John Zorn)
1816:(with John Zorn)
1752:(with John Zorn)
1700:(with John Zorn)
1585:Voice of America
1540:
1430:Rivers and Tides
1324:
1310:Clearing Customs
1303:To Sail, to Sail
1112:
1105:
1098:
1089:
1025:
1024:
1022:
1020:
1015:on June 19, 2019
1011:. Archived from
1000:
991:
990:
971:
960:
959:
941:
930:
929:
911:
900:
899:
897:
895:
878:
869:
868:
846:
831:
830:
815:
769:Swiss Radio DRS2
704:
584:"Song and Dance"
526:
521:
436:
431:
272:Swiss Radio DRS2
257:avant-garde jazz
209:
208:
167:
166:
127:
126:
122:
102:Avant-garde jazz
82:Swiss Radio DRS2
65:
63:
33:
21:
2004:
2003:
1999:
1998:
1997:
1995:
1994:
1993:
1959:
1958:
1957:
1952:
1934:
1902:
1883:
1833:The Big Picture
1781:Ironic Universe
1774:Anthony Braxton
1730:Carla Kihlstedt
1710:Ensemble Modern
1556:
1538:
1481:
1449:
1389:
1327:Music for Dance
1322:
1234:
1173:Fred Frith Trio
1121:
1116:
1081:The Big Picture
1070:The Big Picture
1050:The Big Picture
1034:
1029:
1028:
1018:
1016:
1002:
1001:
994:
979:The Big Picture
973:
972:
963:
943:
942:
933:
913:
912:
903:
893:
891:
880:
879:
872:
848:
847:
834:
817:
816:
812:
807:
764:
744:The Big Picture
720:
712:
702:
606:"Rosali’s Song"
513:
428:The Big Picture
417:
385:The Big Picture
360:The Big Picture
343:The Big Picture
335:In a review at
333:
325:The Big Picture
300:The Big Picture
292:The Big Picture
252:The Big Picture
235:
226:
223:The Big Picture
217:
184:
181:The Big Picture
175:
124:
120:
119:
111:
61:
59:
50:
24:The Big Picture
19:
12:
11:
5:
2002:
2000:
1992:
1991:
1986:
1981:
1976:
1971:
1961:
1960:
1954:
1953:
1951:
1950:
1939:
1936:
1935:
1933:
1932:
1925:
1920:
1914:
1912:
1908:
1907:
1904:
1903:
1901:
1900:
1891:
1889:
1882:
1881:
1869:
1861:
1854:Lindsay Cooper
1845:
1837:
1829:
1817:
1809:
1806:Evelyn Glennie
1797:
1789:
1777:
1765:
1762:Stevie Wishart
1753:
1745:
1733:
1721:
1713:
1701:
1693:
1685:
1681:Helter Skelter
1677:
1674:Tim Hodgkinson
1665:
1653:
1645:Attention Span
1641:
1629:
1621:
1609:
1597:
1581:
1568:
1566:
1565:Collaborations
1562:
1561:
1558:
1557:
1555:
1554:
1546:
1544:
1537:
1536:
1529:
1522:
1515:
1508:
1501:
1493:
1491:
1487:
1486:
1483:
1482:
1480:
1479:
1472:
1465:
1457:
1455:
1451:
1450:
1448:
1447:
1444:Eye to Ear III
1440:
1433:
1426:
1419:
1412:
1405:
1397:
1395:
1394:Music for Film
1391:
1390:
1388:
1387:
1380:
1373:
1366:
1359:
1352:
1345:
1338:
1330:
1328:
1321:
1320:
1313:
1306:
1299:
1292:
1285:
1278:
1271:
1264:
1257:
1250:
1242:
1240:
1236:
1235:
1233:
1232:
1227:
1222:
1216:
1215:
1210:
1205:
1200:
1195:
1193:Duck and Cover
1190:
1184:
1183:
1176:
1169:
1162:
1155:
1148:
1141:
1134:
1126:
1123:
1122:
1117:
1115:
1114:
1107:
1100:
1092:
1086:
1085:
1077:
1066:
1057:
1046:
1044:Intakt Records
1033:
1032:External links
1030:
1027:
1026:
992:
975:Intakt Records
961:
931:
901:
888:All About Jazz
870:
832:
809:
808:
806:
803:
799:
798:
796:Intakt Records
792:
789:
786:
783:
776:
763:
760:
756:
755:
754:
753:
750:
740:
739:
738:
735:
732:
729:
719:
716:
709:
708:
705:
699:
698:
695:
692:
688:
687:
684:
681:
677:
676:
673:
670:
666:
665:
662:
659:
655:
654:
651:
648:
644:
643:
640:
637:
633:
632:
629:
626:
622:
621:
618:
615:
611:
610:
607:
604:
600:
599:
596:
593:
589:
588:
585:
582:
578:
577:
574:
571:
567:
566:
563:
560:
556:
555:
552:
549:
545:
544:
541:
538:
534:
533:
530:
527:
514:
510:
509:
506:
503:
499:
498:
495:
492:
488:
487:
484:
481:
477:
476:
473:
470:
466:
465:
462:
459:
455:
454:
451:
448:
444:
443:
440:
437:
418:
416:
413:
338:All About Jazz
332:
329:
294:comprises two
280:Intakt Records
246:
245:
242:
241:
238:
237:
228:
219:
205:
204:
197:
196:
193:
192:
189:
188:
186:
177:
163:
162:
151:
150:
149:Intakt Records
147:
141:
140:
138:Intakt Records
135:
129:
128:
117:
113:
112:
110:
109:
104:
98:
96:
90:
89:
79:
75:
74:
71:
67:
66:
56:
52:
51:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
2001:
1990:
1987:
1985:
1982:
1980:
1977:
1975:
1972:
1970:
1967:
1966:
1964:
1949:
1941:
1940:
1937:
1931:
1930:
1926:
1924:
1921:
1919:
1916:
1915:
1913:
1909:
1898:
1897:
1893:
1892:
1890:
1886:
1879:
1875:
1874:
1870:
1867:
1866:
1862:
1859:
1855:
1851:
1850:
1846:
1843:
1842:
1838:
1835:
1834:
1830:
1827:
1826:ARTE Quartett
1823:
1822:
1818:
1815:
1814:
1810:
1807:
1803:
1802:
1798:
1795:
1794:
1790:
1787:
1783:
1782:
1778:
1775:
1771:
1770:
1766:
1763:
1759:
1758:
1754:
1751:
1750:
1746:
1743:
1739:
1738:
1734:
1731:
1727:
1726:
1722:
1719:
1718:
1714:
1711:
1707:
1706:
1702:
1699:
1698:
1694:
1691:
1690:
1686:
1683:
1682:
1678:
1675:
1671:
1670:
1666:
1663:
1659:
1658:
1654:
1651:
1647:
1646:
1642:
1639:
1635:
1634:
1630:
1627:
1626:
1622:
1619:
1615:
1614:
1610:
1607:
1603:
1602:
1598:
1595:
1591:
1587:
1586:
1582:
1579:
1575:
1574:
1570:
1569:
1567:
1563:
1553:
1552:
1548:
1547:
1545:
1543:Composer only
1541:
1535:
1534:
1530:
1528:
1527:
1523:
1521:
1520:
1516:
1514:
1513:
1509:
1507:
1506:
1502:
1500:
1499:
1498:Live in Japan
1495:
1494:
1492:
1488:
1478:
1477:
1473:
1471:
1470:
1466:
1464:
1463:
1459:
1458:
1456:
1454:Composer only
1452:
1446:
1445:
1441:
1439:
1438:
1437:Eye to Ear II
1434:
1432:
1431:
1427:
1425:
1424:
1420:
1418:
1417:
1413:
1411:
1410:
1406:
1404:
1403:
1399:
1398:
1396:
1392:
1386:
1385:
1381:
1379:
1378:
1374:
1372:
1371:
1367:
1365:
1364:
1360:
1358:
1357:
1353:
1351:
1350:
1346:
1344:
1343:
1339:
1337:
1336:
1332:
1331:
1329:
1325:
1319:
1318:
1314:
1312:
1311:
1307:
1305:
1304:
1300:
1298:
1297:
1296:Eleventh Hour
1293:
1291:
1290:
1286:
1284:
1283:
1279:
1277:
1276:
1272:
1270:
1269:
1265:
1263:
1262:
1258:
1256:
1255:
1251:
1249:
1248:
1244:
1243:
1241:
1239:Studio albums
1237:
1231:
1228:
1226:
1223:
1221:
1218:
1217:
1214:
1211:
1209:
1206:
1204:
1203:Death Ambient
1201:
1199:
1196:
1194:
1191:
1189:
1188:The Orckestra
1186:
1185:
1182:
1181:
1177:
1175:
1174:
1170:
1168:
1167:
1163:
1161:
1160:
1156:
1154:
1153:
1152:Skeleton Crew
1149:
1147:
1146:
1142:
1140:
1139:
1135:
1133:
1132:
1128:
1127:
1124:
1120:
1113:
1108:
1106:
1101:
1099:
1094:
1093:
1090:
1084:
1082:
1078:
1076:
1072:
1071:
1067:
1064:
1062:
1058:
1056:
1052:
1051:
1047:
1045:
1041:
1040:
1036:
1035:
1031:
1014:
1010:
1006:
999:
997:
993:
988:
987:ARTE Quartett
984:
980:
976:
970:
968:
966:
962:
957:
953:
949:
948:
940:
938:
936:
932:
927:
923:
919:
918:
910:
908:
906:
902:
890:
889:
884:
877:
875:
871:
866:
862:
858:
857:
852:
845:
843:
841:
839:
837:
833:
828:
824:
823:fredfrith.com
820:
814:
811:
804:
802:
797:
793:
790:
787:
784:
782:in March 2008
781:
777:
774:
770:
766:
765:
761:
759:
751:
748:
747:
745:
741:
736:
733:
730:
727:
726:
725:
724:ARTE Quartett
722:
721:
717:
715:
706:
703:Total length:
696:
693:
689:
685:
682:
678:
674:
671:
667:
663:
660:
656:
652:
649:
645:
641:
638:
634:
630:
627:
623:
619:
616:
612:
608:
605:
601:
597:
594:
590:
586:
583:
579:
575:
572:
568:
564:
561:
557:
553:
550:
546:
542:
539:
535:
522:
519:
507:
504:
500:
496:
493:
489:
485:
482:
478:
474:
471:
467:
463:
460:
456:
452:
449:
445:
432:
429:
424:
423:
415:Track listing
414:
412:
409:
405:
401:
400:
394:
391:
386:
382:
381:
375:
373:
369:
365:
361:
357:
356:
350:
348:
344:
340:
339:
330:
328:
326:
321:
319:
318:
313:
309:
305:
301:
297:
293:
289:
287:
286:
281:
277:
273:
269:
268:ARTE Quartett
265:
261:
258:
254:
253:
243:
234:
233:
229:
225:
224:
220:
216:
215:
211:
210:
206:
202:
198:
194:
187:
183:
182:
178:
174:
173:
169:
168:
164:
160:
159:ARTE Quartett
156:
152:
148:
146:
142:
139:
136:
134:
130:
118:
114:
108:
107:Improvisation
105:
103:
100:
99:
97:
95:
91:
88:, Switzerland
87:
83:
80:
76:
72:
68:
57:
53:
49:
48:ARTE Quartett
45:
40:
36:
32:
27:
22:
16:
1927:
1923:Fred Records
1894:
1888:Compilations
1871:
1863:
1858:Lars Hollmer
1847:
1839:
1832:
1831:
1819:
1811:
1799:
1791:
1779:
1767:
1755:
1747:
1735:
1723:
1715:
1703:
1695:
1687:
1679:
1667:
1655:
1643:
1638:René Lussier
1631:
1623:
1611:
1606:Chris Cutler
1599:
1590:Bob Ostertag
1583:
1578:Henry Kaiser
1571:
1549:
1531:
1524:
1519:Storytelling
1517:
1510:
1503:
1496:
1476:Back to Life
1474:
1467:
1460:
1442:
1435:
1428:
1421:
1414:
1407:
1400:
1382:
1375:
1368:
1361:
1354:
1347:
1340:
1333:
1315:
1308:
1301:
1294:
1287:
1280:
1273:
1266:
1259:
1252:
1247:Guitar Solos
1245:
1220:Aksak Maboul
1213:Maybe Monday
1178:
1171:
1164:
1159:Keep the Dog
1157:
1150:
1143:
1136:
1129:
1080:
1068:
1060:
1049:
1038:
1017:. Retrieved
1013:the original
1008:
978:
945:
915:
892:. Retrieved
886:
854:
822:
813:
800:
794:Produced by
767:Recorded at
757:
743:
713:
517:
427:
419:
407:
403:
397:
395:
389:
384:
378:
376:
371:
359:
353:
351:
346:
342:
336:
334:
324:
322:
315:
307:
303:
299:
291:
290:
283:
260:studio album
251:
250:
249:
230:
222:
221:
212:
180:
179:
170:
73:January 2008
39:Studio album
15:
1821:Still Urban
1786:Janet Feder
1633:Nous Autres
1618:Lol Coxhill
1613:French Gigs
1594:Phil Minton
1490:Live albums
661:"Nostalgia"
404:Big Picture
396:Writing in
285:Still Urban
214:Still Urban
172:Still Urban
1963:Categories
1841:Late Works
1742:Toychestra
1423:Eye to Ear
1384:Propaganda
1356:Accidental
1261:Speechless
1230:Naked City
1166:Cosa Brava
1119:Fred Frith
1019:August 29,
983:Fred Frith
805:References
742:Guests on
422:Fred Frith
298:of music,
264:Fred Frith
255:is a 2009
203:chronology
201:Fred Frith
161:chronology
155:Fred Frith
44:Fred Frith
1650:John Zorn
1180:Henry Now
1138:Art Bears
1131:Henry Cow
1083:home page
956:0162-6973
926:1368-0021
894:August 5,
865:0952-0686
718:Personnel
650:"Kick It"
617:"Red Rag"
573:"Confess"
331:Reception
1948:Category
1533:Woodwork
1512:Impur II
1462:Pacifica
1282:Clearing
1275:Quartets
1225:Material
1145:Massacre
1055:Bandcamp
977:(2009).
917:Jazzwise
856:The Wire
827:Archived
505:"Part 6"
494:"Part 5"
483:"Part 4"
472:"Part 3"
461:"Part 2"
450:"Part 1"
399:The Wire
355:Jazzwise
232:Impur II
145:Producer
70:Recorded
55:Released
41: by
1911:Related
1657:Dropera
1254:Gravity
1075:Discogs
1063:reviews
947:Cadence
380:Cadence
368:Xenakis
236:(2009)
227:(2009)
185:(2009)
176:(2009)
60: (
1876:(with
1852:(with
1824:(with
1804:(with
1784:(with
1772:(with
1740:(with
1708:(with
1672:(with
1660:(with
1636:(with
1616:(with
1604:(with
1588:(with
1576:(with
1342:Allies
1289:Prints
954:
924:
863:
773:ZĂĽrich
746:suite
532:Length
442:Length
364:Varèse
296:suites
276:ZĂĽrich
218:(200)
116:Length
86:ZĂĽrich
78:Studio
1551:Impur
707:63:09
529:Title
439:Title
383:that
133:Label
94:Genre
1592:and
1021:2007
985:and
952:ISSN
922:ISSN
896:2020
861:ISSN
697:1:43
686:8:32
675:1:44
664:2:01
653:3:48
642:4:07
631:1:50
620:3:58
609:6:10
598:2:31
587:4:20
576:0:15
565:4:52
554:1:45
543:1:50
508:1:39
497:2:25
486:2:06
475:2:40
464:2:49
453:2:04
157:and
62:2009
58:2009
46:and
1073:at
1042:at
691:21.
680:20.
669:19.
658:18.
647:17.
636:16.
625:15.
614:14.
603:13.
592:12.
581:11.
570:10.
525:No.
435:No.
366:or
274:in
1965::
1007:.
995:^
964:^
950:.
934:^
920:.
904:^
885:.
873:^
853:.
835:^
825:.
821:.
771:,
559:9.
548:8.
537:7.
502:6.
491:5.
480:4.
469:3.
458:2.
447:1.
327:.
320:.
125:09
121:63
84:,
1880:)
1860:)
1828:)
1808:)
1788:)
1776:)
1764:)
1744:)
1732:)
1712:)
1676:)
1664:)
1652:)
1640:)
1620:)
1608:)
1596:)
1580:)
1111:e
1104:t
1097:v
1023:.
989:.
958:.
928:.
898:.
867:.
123::
64:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.