Knowledge

The Big Picture (Fred Frith and ARTE Quartett album)

Source đź“ť

1944: 31: 410:
he said the quartet "explore unconventional techniques", plays "folksy" and "noir melancholy" tunes, and each member contributes an improvised solo. But Cowley found that, on the whole, the music did not "mov or stimulat" him. He stated that "saxophone quartets leave me with an uncomfortable sense of
387:
suite is made up of six short pieces that "act as episodic juxtapositions of the extremes of timbre and range of the saxophones". He said there is "plenty of textural variety" and occasionally melodies surface. In
1680: 392:
Rosenstein complimented the quartet's handling of Frith's "themes and tight arrangements", but did feel that the constraints of the composition leaves "little room for the group to stretch things much".
374:"an essay on the subject of musical freedom" that "twists and turns across the landscape". He opined that the music is "emanding and challenging" and calls for "repeated listening". 1584: 349:
suite. Medwin found "Song and Dance" "much livelier and ... more fluid" than the original Rova Saxophone Quartet's interpretation, and "Red Rag" "particularly infectious".
1688: 882: 1525: 345:
illustrates Frith's "fascinating approach to composition". He called the ARTE Quartett's playing "virtuosic", especially in their handling of the
362:
suite as "a series of miniatures" that is "remarkably concise, focused and magnificently performed". He said the composition is reminiscent of
1109: 1724: 1408: 406:
suite "a lively negotiation" between the Arte Quartett and the "less orderly improvised responses" of the guest pianist and drummer. In
1983: 1968: 1748: 1415: 1978: 1497: 1401: 1295: 1572: 1518: 1504: 1475: 30: 1988: 1600: 1429: 1383: 1376: 1260: 1197: 1192: 1144: 1624: 1461: 1369: 1281: 1274: 1004: 826: 1973: 1848: 1253: 1800: 1756: 1696: 1341: 1207: 1768: 1102: 850: 1577: 1334: 1267: 1928: 1917: 1644: 311: 1872: 1716: 1362: 1895: 1812: 1792: 1468: 1348: 1316: 1151: 316: 1947: 1877: 1668: 1095: 855: 779: 768: 398: 271: 81: 1355: 946: 379: 106: 1864: 1736: 1704: 1661: 1229: 951: 921: 860: 1532: 1309: 1302: 363: 256: 101: 1780: 1773: 1729: 1709: 1224: 1172: 1079: 144: 1637: 1048: 1853: 1805: 1761: 1673: 1443: 1288: 1043: 974: 887: 795: 367: 337: 279: 137: 1962: 1825: 1550: 1436: 1202: 1187: 986: 944:
Rosenstein, Michael (October 2009). "Fred Frith and Arte Quartett: The Big Picture".
723: 295: 267: 158: 47: 302:
for saxophone quartet with two improvising soloists, composed by Frith in 2000, and
1922: 1857: 1605: 1589: 1246: 1219: 1212: 1158: 259: 132: 1820: 1785: 1632: 1617: 1612: 1593: 785:
Mastered at Headless Buddha Mastering Labs, Oakland by Myles Boisen in June 2008
284: 213: 171: 93: 1840: 1741: 1422: 1165: 1118: 982: 421: 263: 200: 154: 43: 955: 925: 914:
Heining, Duncan (May 2009). "Fred Frith and Arte Quartett: The Big Picture".
883:"Fred Frith: To Sail, To Sail, Pas de Deux & The Big Picture/Still Urban" 864: 1649: 1179: 1137: 1130: 772: 275: 85: 1069: 1012: 1511: 1054: 916: 818: 354: 282:, together with Frith and the ARTE Quartett's first collaborative album, 231: 1656: 1074: 1059: 1037: 38: 1091: 288:, which was also recorded in January 2008 at Swiss Radio DRS2. 1087: 1009:
New York Downtown Scene and other miscellaneous discographies
1003:
Ramond, Michel; Roussel, Patrice; Vuilleumier, Stephane.
628:"Significant Restrictions Apply" (soloist: A. Formenti) 377:
Michael Rosenstein wrote in a review of the album in
314:
and was performed by them on Frith's 2002 solo album
18:
2009 studio album by Fred Frith and ARTE Quartett
1910: 1887: 1564: 1542: 1489: 1453: 1393: 1326: 1238: 531: 523: 441: 433: 199: 153: 143: 131: 115: 92: 77: 69: 54: 37: 23: 306:for saxophone quartet, composed by Frith in 1994. 851:"Fred Frith & Arte Quartett: The Big Picture" 551:"Some Assembly Required" (soloist: B. Hofstetter) 969: 967: 965: 758:Source: CD liner notes, Fred Frith discography. 714:Source: CD liner notes, Fred Frith discography. 595:"Void Where Prohibited" (soloist: S. Armbruster) 1689:Live in Trondheim, Berlin & Limoges, Vol. 2 672:"Batteries Not Included" (soloist: B. Kappeler) 411:the sentimental convenience of family groups". 1103: 8: 939: 937: 935: 737:Beat Kappeler – baritone and alto saxophones 998: 996: 278:, Switzerland, and was released in 2009 by 1884: 1728:(with Lesli Dalaba, Eric Glick Rieman and 1539: 1323: 1110: 1096: 1088: 29: 20: 1868:(with Nicolas Humbert and Marc Parisotto) 909: 907: 905: 778:Edited and mixed at Guerrilla Recording, 775:, Switzerland by Ron Kurz in January 2009 876: 874: 844: 842: 840: 838: 836: 515: 425: 810: 700: 683:"T. Square Park Lark (for Frank Zappa)" 1526:All Is Always Now – Live at The Stone 829:from the original on August 24, 2017. 701: 270:. It was recorded in January 2008 at 7: 1725:Dalaba Frith Glick Rieman Kihlstedt 728:Beat Hofstetter – soprano saxophone 540:"Introduction: The Power of Prayer" 1749:50th Birthday Celebration Volume 5 731:Sascha Armbruster – alto saxophone 262:by English guitarist and composer 14: 734:Andrea Formenti – tenor saxophone 1943: 1942: 881:Medwin, Marc (October 4, 2009). 1505:Stone, Brick, Glass, Wood, Wire 310:was originally written for the 1684:(with François-Michel Pesenti) 524: 434: 1: 1601:Live in Prague and Washington 1377:Field Days (The Amanda Loops) 1061:Still Urban / The Big Picture 1039:Still Urban / The Big Picture 849:Cowley, Julian (April 2009). 791:Cover design by Jonas Schoder 1198:French Frith Kaiser Thompson 859:. No. 302. p. 54. 1370:Nowhere, Sideshow, Thin Air 1005:"Discography of Fred Frith" 694:"The Power of Prayer: Coda" 562:"Hopscotch (for John Zorn)" 402:, Julian Cowley called the 358:, Duncan Heining described 2005: 1849:Angels on the Edge of Time 1760:(with Carla Kihlstedt and 819:"Fred Frith: Compositions" 420:All tracks are written by 341:, Marc Medwin stated that 323:Frith does not perform on 1984:Free improvisation albums 1969:2009 collaborative albums 1938: 1757:The Compass, Log and Lead 1208:Fred Frith Guitar Quartet 1125: 690: 679: 668: 657: 646: 635: 624: 613: 602: 591: 580: 569: 558: 547: 536: 528: 501: 490: 479: 468: 457: 446: 438: 244: 207: 195: 165: 28: 1769:Duo (Victoriaville) 2005 801:Source: CD liner notes. 1979:Avant-garde jazz albums 1648:(with Bob Ostertag and 1573:With Friends Like These 1335:The Technology of Tears 1268:Cheap at Half the Price 788:Cover art by Heike Liss 749:Katharina Weber – piano 352:Reviewing the album in 1929:Step Across the Border 1918:Fred Frith discography 1409:Step Across the Border 762:Production and artwork 312:Rova Saxophone Quartet 1989:Intakt Records albums 1896:Friends & Enemies 1873:Laying Demons to Rest 1717:2 Gentlemen in Verona 1363:The Happy End Problem 1053:at Intakt Records on 1856:, Gianni Gebbia and 1836:(with ARTE Quartett) 1813:The Art of Memory II 1793:The Stone: Issue Two 1469:Freedom in Fragments 1416:Middle of the Moment 1349:The Previous Evening 1317:Guitar Solos / Fifty 752:Lucas Niggli – drums 518:Freedom in Fragments 408:Freedom in Fragments 390:Freedom in Fragments 372:Freedom in Fragments 347:Freedom in Fragments 317:Freedom in Fragments 308:Freedom in Fragments 304:Freedom in Fragments 266:and the Swiss-based 1878:Susana Santos Silva 1796:(with Chris Cutler) 1720:(with Chris Cutler) 1692:(with Chris Cutler) 1669:Live Improvisations 1628:(with Henry Kaiser) 1402:The Top of His Head 780:Oakland, California 520: 430: 1625:Who Needs Enemies? 981:(CD liner notes). 516: 426: 1974:Fred Frith albums 1956: 1955: 1906: 1905: 1899:with Henry Kaiser 1865:Cut Up the Border 1801:The Sugar Factory 1737:What Leave Behind 1705:Traffic Continues 1697:The Art of Memory 1662:Ferdinand Richard 1560: 1559: 1485: 1484: 1065:at Intakt Records 711: 710: 639:"Boyan’s Problem" 512: 511: 370:. Heining called 248: 247: 240: 239: 191: 190: 1996: 1946: 1945: 1885: 1844:(with John Zorn) 1816:(with John Zorn) 1752:(with John Zorn) 1700:(with John Zorn) 1585:Voice of America 1540: 1430:Rivers and Tides 1324: 1310:Clearing Customs 1303:To Sail, to Sail 1112: 1105: 1098: 1089: 1025: 1024: 1022: 1020: 1015:on June 19, 2019 1011:. Archived from 1000: 991: 990: 971: 960: 959: 941: 930: 929: 911: 900: 899: 897: 895: 878: 869: 868: 846: 831: 830: 815: 769:Swiss Radio DRS2 704: 584:"Song and Dance" 526: 521: 436: 431: 272:Swiss Radio DRS2 257:avant-garde jazz 209: 208: 167: 166: 127: 126: 122: 102:Avant-garde jazz 82:Swiss Radio DRS2 65: 63: 33: 21: 2004: 2003: 1999: 1998: 1997: 1995: 1994: 1993: 1959: 1958: 1957: 1952: 1934: 1902: 1883: 1833:The Big Picture 1781:Ironic Universe 1774:Anthony Braxton 1730:Carla Kihlstedt 1710:Ensemble Modern 1556: 1538: 1481: 1449: 1389: 1327:Music for Dance 1322: 1234: 1173:Fred Frith Trio 1121: 1116: 1081:The Big Picture 1070:The Big Picture 1050:The Big Picture 1034: 1029: 1028: 1018: 1016: 1002: 1001: 994: 979:The Big Picture 973: 972: 963: 943: 942: 933: 913: 912: 903: 893: 891: 880: 879: 872: 848: 847: 834: 817: 816: 812: 807: 764: 744:The Big Picture 720: 712: 702: 606:"Rosali’s Song" 513: 428:The Big Picture 417: 385:The Big Picture 360:The Big Picture 343:The Big Picture 335:In a review at 333: 325:The Big Picture 300:The Big Picture 292:The Big Picture 252:The Big Picture 235: 226: 223:The Big Picture 217: 184: 181:The Big Picture 175: 124: 120: 119: 111: 61: 59: 50: 24:The Big Picture 19: 12: 11: 5: 2002: 2000: 1992: 1991: 1986: 1981: 1976: 1971: 1961: 1960: 1954: 1953: 1951: 1950: 1939: 1936: 1935: 1933: 1932: 1925: 1920: 1914: 1912: 1908: 1907: 1904: 1903: 1901: 1900: 1891: 1889: 1882: 1881: 1869: 1861: 1854:Lindsay Cooper 1845: 1837: 1829: 1817: 1809: 1806:Evelyn Glennie 1797: 1789: 1777: 1765: 1762:Stevie Wishart 1753: 1745: 1733: 1721: 1713: 1701: 1693: 1685: 1681:Helter Skelter 1677: 1674:Tim Hodgkinson 1665: 1653: 1645:Attention Span 1641: 1629: 1621: 1609: 1597: 1581: 1568: 1566: 1565:Collaborations 1562: 1561: 1558: 1557: 1555: 1554: 1546: 1544: 1537: 1536: 1529: 1522: 1515: 1508: 1501: 1493: 1491: 1487: 1486: 1483: 1482: 1480: 1479: 1472: 1465: 1457: 1455: 1451: 1450: 1448: 1447: 1444:Eye to Ear III 1440: 1433: 1426: 1419: 1412: 1405: 1397: 1395: 1394:Music for Film 1391: 1390: 1388: 1387: 1380: 1373: 1366: 1359: 1352: 1345: 1338: 1330: 1328: 1321: 1320: 1313: 1306: 1299: 1292: 1285: 1278: 1271: 1264: 1257: 1250: 1242: 1240: 1236: 1235: 1233: 1232: 1227: 1222: 1216: 1215: 1210: 1205: 1200: 1195: 1193:Duck and Cover 1190: 1184: 1183: 1176: 1169: 1162: 1155: 1148: 1141: 1134: 1126: 1123: 1122: 1117: 1115: 1114: 1107: 1100: 1092: 1086: 1085: 1077: 1066: 1057: 1046: 1044:Intakt Records 1033: 1032:External links 1030: 1027: 1026: 992: 975:Intakt Records 961: 931: 901: 888:All About Jazz 870: 832: 809: 808: 806: 803: 799: 798: 796:Intakt Records 792: 789: 786: 783: 776: 763: 760: 756: 755: 754: 753: 750: 740: 739: 738: 735: 732: 729: 719: 716: 709: 708: 705: 699: 698: 695: 692: 688: 687: 684: 681: 677: 676: 673: 670: 666: 665: 662: 659: 655: 654: 651: 648: 644: 643: 640: 637: 633: 632: 629: 626: 622: 621: 618: 615: 611: 610: 607: 604: 600: 599: 596: 593: 589: 588: 585: 582: 578: 577: 574: 571: 567: 566: 563: 560: 556: 555: 552: 549: 545: 544: 541: 538: 534: 533: 530: 527: 514: 510: 509: 506: 503: 499: 498: 495: 492: 488: 487: 484: 481: 477: 476: 473: 470: 466: 465: 462: 459: 455: 454: 451: 448: 444: 443: 440: 437: 418: 416: 413: 338:All About Jazz 332: 329: 294:comprises two 280:Intakt Records 246: 245: 242: 241: 238: 237: 228: 219: 205: 204: 197: 196: 193: 192: 189: 188: 186: 177: 163: 162: 151: 150: 149:Intakt Records 147: 141: 140: 138:Intakt Records 135: 129: 128: 117: 113: 112: 110: 109: 104: 98: 96: 90: 89: 79: 75: 74: 71: 67: 66: 56: 52: 51: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 2001: 1990: 1987: 1985: 1982: 1980: 1977: 1975: 1972: 1970: 1967: 1966: 1964: 1949: 1941: 1940: 1937: 1931: 1930: 1926: 1924: 1921: 1919: 1916: 1915: 1913: 1909: 1898: 1897: 1893: 1892: 1890: 1886: 1879: 1875: 1874: 1870: 1867: 1866: 1862: 1859: 1855: 1851: 1850: 1846: 1843: 1842: 1838: 1835: 1834: 1830: 1827: 1826:ARTE Quartett 1823: 1822: 1818: 1815: 1814: 1810: 1807: 1803: 1802: 1798: 1795: 1794: 1790: 1787: 1783: 1782: 1778: 1775: 1771: 1770: 1766: 1763: 1759: 1758: 1754: 1751: 1750: 1746: 1743: 1739: 1738: 1734: 1731: 1727: 1726: 1722: 1719: 1718: 1714: 1711: 1707: 1706: 1702: 1699: 1698: 1694: 1691: 1690: 1686: 1683: 1682: 1678: 1675: 1671: 1670: 1666: 1663: 1659: 1658: 1654: 1651: 1647: 1646: 1642: 1639: 1635: 1634: 1630: 1627: 1626: 1622: 1619: 1615: 1614: 1610: 1607: 1603: 1602: 1598: 1595: 1591: 1587: 1586: 1582: 1579: 1575: 1574: 1570: 1569: 1567: 1563: 1553: 1552: 1548: 1547: 1545: 1543:Composer only 1541: 1535: 1534: 1530: 1528: 1527: 1523: 1521: 1520: 1516: 1514: 1513: 1509: 1507: 1506: 1502: 1500: 1499: 1498:Live in Japan 1495: 1494: 1492: 1488: 1478: 1477: 1473: 1471: 1470: 1466: 1464: 1463: 1459: 1458: 1456: 1454:Composer only 1452: 1446: 1445: 1441: 1439: 1438: 1437:Eye to Ear II 1434: 1432: 1431: 1427: 1425: 1424: 1420: 1418: 1417: 1413: 1411: 1410: 1406: 1404: 1403: 1399: 1398: 1396: 1392: 1386: 1385: 1381: 1379: 1378: 1374: 1372: 1371: 1367: 1365: 1364: 1360: 1358: 1357: 1353: 1351: 1350: 1346: 1344: 1343: 1339: 1337: 1336: 1332: 1331: 1329: 1325: 1319: 1318: 1314: 1312: 1311: 1307: 1305: 1304: 1300: 1298: 1297: 1296:Eleventh Hour 1293: 1291: 1290: 1286: 1284: 1283: 1279: 1277: 1276: 1272: 1270: 1269: 1265: 1263: 1262: 1258: 1256: 1255: 1251: 1249: 1248: 1244: 1243: 1241: 1239:Studio albums 1237: 1231: 1228: 1226: 1223: 1221: 1218: 1217: 1214: 1211: 1209: 1206: 1204: 1203:Death Ambient 1201: 1199: 1196: 1194: 1191: 1189: 1188:The Orckestra 1186: 1185: 1182: 1181: 1177: 1175: 1174: 1170: 1168: 1167: 1163: 1161: 1160: 1156: 1154: 1153: 1152:Skeleton Crew 1149: 1147: 1146: 1142: 1140: 1139: 1135: 1133: 1132: 1128: 1127: 1124: 1120: 1113: 1108: 1106: 1101: 1099: 1094: 1093: 1090: 1084: 1082: 1078: 1076: 1072: 1071: 1067: 1064: 1062: 1058: 1056: 1052: 1051: 1047: 1045: 1041: 1040: 1036: 1035: 1031: 1014: 1010: 1006: 999: 997: 993: 988: 987:ARTE Quartett 984: 980: 976: 970: 968: 966: 962: 957: 953: 949: 948: 940: 938: 936: 932: 927: 923: 919: 918: 910: 908: 906: 902: 890: 889: 884: 877: 875: 871: 866: 862: 858: 857: 852: 845: 843: 841: 839: 837: 833: 828: 824: 823:fredfrith.com 820: 814: 811: 804: 802: 797: 793: 790: 787: 784: 782:in March 2008 781: 777: 774: 770: 766: 765: 761: 759: 751: 748: 747: 745: 741: 736: 733: 730: 727: 726: 725: 724:ARTE Quartett 722: 721: 717: 715: 706: 703:Total length: 696: 693: 689: 685: 682: 678: 674: 671: 667: 663: 660: 656: 652: 649: 645: 641: 638: 634: 630: 627: 623: 619: 616: 612: 608: 605: 601: 597: 594: 590: 586: 583: 579: 575: 572: 568: 564: 561: 557: 553: 550: 546: 542: 539: 535: 522: 519: 507: 504: 500: 496: 493: 489: 485: 482: 478: 474: 471: 467: 463: 460: 456: 452: 449: 445: 432: 429: 424: 423: 415:Track listing 414: 412: 409: 405: 401: 400: 394: 391: 386: 382: 381: 375: 373: 369: 365: 361: 357: 356: 350: 348: 344: 340: 339: 330: 328: 326: 321: 319: 318: 313: 309: 305: 301: 297: 293: 289: 287: 286: 281: 277: 273: 269: 268:ARTE Quartett 265: 261: 258: 254: 253: 243: 234: 233: 229: 225: 224: 220: 216: 215: 211: 210: 206: 202: 198: 194: 187: 183: 182: 178: 174: 173: 169: 168: 164: 160: 159:ARTE Quartett 156: 152: 148: 146: 142: 139: 136: 134: 130: 118: 114: 108: 107:Improvisation 105: 103: 100: 99: 97: 95: 91: 88:, Switzerland 87: 83: 80: 76: 72: 68: 57: 53: 49: 48:ARTE Quartett 45: 40: 36: 32: 27: 22: 16: 1927: 1923:Fred Records 1894: 1888:Compilations 1871: 1863: 1858:Lars Hollmer 1847: 1839: 1832: 1831: 1819: 1811: 1799: 1791: 1779: 1767: 1755: 1747: 1735: 1723: 1715: 1703: 1695: 1687: 1679: 1667: 1655: 1643: 1638:RenĂ© Lussier 1631: 1623: 1611: 1606:Chris Cutler 1599: 1590:Bob Ostertag 1583: 1578:Henry Kaiser 1571: 1549: 1531: 1524: 1519:Storytelling 1517: 1510: 1503: 1496: 1476:Back to Life 1474: 1467: 1460: 1442: 1435: 1428: 1421: 1414: 1407: 1400: 1382: 1375: 1368: 1361: 1354: 1347: 1340: 1333: 1315: 1308: 1301: 1294: 1287: 1280: 1273: 1266: 1259: 1252: 1247:Guitar Solos 1245: 1220:Aksak Maboul 1213:Maybe Monday 1178: 1171: 1164: 1159:Keep the Dog 1157: 1150: 1143: 1136: 1129: 1080: 1068: 1060: 1049: 1038: 1017:. Retrieved 1013:the original 1008: 978: 945: 915: 892:. Retrieved 886: 854: 822: 813: 800: 794:Produced by 767:Recorded at 757: 743: 713: 517: 427: 419: 407: 403: 397: 395: 389: 384: 378: 376: 371: 359: 353: 351: 346: 342: 336: 334: 324: 322: 315: 307: 303: 299: 291: 290: 283: 260:studio album 251: 250: 249: 230: 222: 221: 212: 180: 179: 170: 73:January 2008 39:Studio album 15: 1821:Still Urban 1786:Janet Feder 1633:Nous Autres 1618:Lol Coxhill 1613:French Gigs 1594:Phil Minton 1490:Live albums 661:"Nostalgia" 404:Big Picture 396:Writing in 285:Still Urban 214:Still Urban 172:Still Urban 1963:Categories 1841:Late Works 1742:Toychestra 1423:Eye to Ear 1384:Propaganda 1356:Accidental 1261:Speechless 1230:Naked City 1166:Cosa Brava 1119:Fred Frith 1019:August 29, 983:Fred Frith 805:References 742:Guests on 422:Fred Frith 298:of music, 264:Fred Frith 255:is a 2009 203:chronology 201:Fred Frith 161:chronology 155:Fred Frith 44:Fred Frith 1650:John Zorn 1180:Henry Now 1138:Art Bears 1131:Henry Cow 1083:home page 956:0162-6973 926:1368-0021 894:August 5, 865:0952-0686 718:Personnel 650:"Kick It" 617:"Red Rag" 573:"Confess" 331:Reception 1948:Category 1533:Woodwork 1512:Impur II 1462:Pacifica 1282:Clearing 1275:Quartets 1225:Material 1145:Massacre 1055:Bandcamp 977:(2009). 917:Jazzwise 856:The Wire 827:Archived 505:"Part 6" 494:"Part 5" 483:"Part 4" 472:"Part 3" 461:"Part 2" 450:"Part 1" 399:The Wire 355:Jazzwise 232:Impur II 145:Producer 70:Recorded 55:Released 41: by 1911:Related 1657:Dropera 1254:Gravity 1075:Discogs 1063:reviews 947:Cadence 380:Cadence 368:Xenakis 236:(2009) 227:(2009) 185:(2009) 176:(2009) 60: ( 1876:(with 1852:(with 1824:(with 1804:(with 1784:(with 1772:(with 1740:(with 1708:(with 1672:(with 1660:(with 1636:(with 1616:(with 1604:(with 1588:(with 1576:(with 1342:Allies 1289:Prints 954:  924:  863:  773:ZĂĽrich 746:suite 532:Length 442:Length 364:Varèse 296:suites 276:ZĂĽrich 218:(200) 116:Length 86:ZĂĽrich 78:Studio 1551:Impur 707:63:09 529:Title 439:Title 383:that 133:Label 94:Genre 1592:and 1021:2007 985:and 952:ISSN 922:ISSN 896:2020 861:ISSN 697:1:43 686:8:32 675:1:44 664:2:01 653:3:48 642:4:07 631:1:50 620:3:58 609:6:10 598:2:31 587:4:20 576:0:15 565:4:52 554:1:45 543:1:50 508:1:39 497:2:25 486:2:06 475:2:40 464:2:49 453:2:04 157:and 62:2009 58:2009 46:and 1073:at 1042:at 691:21. 680:20. 669:19. 658:18. 647:17. 636:16. 625:15. 614:14. 603:13. 592:12. 581:11. 570:10. 525:No. 435:No. 366:or 274:in 1965:: 1007:. 995:^ 964:^ 950:. 934:^ 920:. 904:^ 885:. 873:^ 853:. 835:^ 825:. 821:. 771:, 559:9. 548:8. 537:7. 502:6. 491:5. 480:4. 469:3. 458:2. 447:1. 327:. 320:. 125:09 121:63 84:, 1880:) 1860:) 1828:) 1808:) 1788:) 1776:) 1764:) 1744:) 1732:) 1712:) 1676:) 1664:) 1652:) 1640:) 1620:) 1608:) 1596:) 1580:) 1111:e 1104:t 1097:v 1023:. 989:. 958:. 928:. 898:. 867:. 123:: 64:)

Index


Studio album
Fred Frith
ARTE Quartett
Swiss Radio DRS2
ZĂĽrich
Genre
Avant-garde jazz
Improvisation
Label
Intakt Records
Producer
Fred Frith
ARTE Quartett
Still Urban
Fred Frith
Still Urban
Impur II
avant-garde jazz
studio album
Fred Frith
ARTE Quartett
Swiss Radio DRS2
ZĂĽrich
Intakt Records
Still Urban
suites
Rova Saxophone Quartet
Freedom in Fragments
All About Jazz

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑