330:, for fear of being judged as a young single mother. Sophie and Cat offer Rosie a room at the safe house for as long as she needs, and access to social services. After a moment alone with her unborn child in the bathroom, Rosie tells the others that she wants to return home to her boyfriend, downplaying the abuse she shared earlier, and insisting that he will not be angry if she returns right away. On the way out, Sophie assures the frustrated Áila that it is normal for victims of abuse to need several tries before gaining the courage to leave their abuser, and gives Áila money for the taxi.
365:, they were faced with an 11 minute limit due to the size of 16mm film magazines. To circumvent this, he orchestrated a system dubbed "Real-Time Transitioning" in which, at planned cut points, he would hand off the spent camera to an assistant, and be handed another to continue filming; the two shots would then be stitched together in editing. In total, 12 cut points are hidden for the final film. This also allowed the editor, Christian Siebenherz, to blend different takes together from the five days of shooting.
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into an apartment complex, and witnesses her exchanging the anxiety medication for cash. Back in the cab, Áila quietly confronts Rosie over the drug exchange, who turns hostile and accuses Áila of looking down on her. As they reach the safe house, Áila refuses to go in with Rosie until she tells the truth. Rosie insists she was only selling, not using, and pays for the cab after Áila realizes her wallet is gone.
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On the way, Rosie becomes good-humoured, telling the cab driver she and Áila are sisters, and that Áila is on her way to enter in rehab for her drinking, much to Áila's bemusement. She tells the story of their father dying, possibly mirroring her own truth. At Rosie's stop, Áila secretly follows her
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Once inside, Rosie is reserved and hesitant to hand over her clothes to dry. While changing in the bathroom, she steals a bottle of Áila's anxiety medication, and later her wallet. Rosie slowly opens up, revealing that she was recently phased out of foster care, but remains adamant they not call the
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The two are greeted by Cat (Charlie Hannah) and Sophie (Barbara Eve Harris). Áila explains what happened, and Rosie details some of her boyfriend's abuse, but restates that she will not go the police, due to him being on bail, and her belief that they will not treat her with respect. She also does
333:Áila and Rosie share a quiet ride back to Rosie's apartment. Rosie asks Áila if she is mad at her. Áila says she is not, and tells Rosie she will be a good mother. Rosie says Áila will too. At the apartment, Áila tearfully watches Rosie walk away before driving off as night falls over
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inserted. After her appointment Áila encounters Rosie, battered and barefoot in the rain, having just fled her boyfriend, who is screaming at her down the street. Áila, unsure of what to do, offers Rosie shelter in her nearby apartment.
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The directors initially intended for the film to play as one continuous, real-time shot in order to create a heightened state of immediacy for both the actors and the audience. When cinematographer Norm Li suggested shooting on
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Production of the film involved an indigenous youth mentorship program, funded through Telus
Storyhive, which placed 11 young First Nations filmmakers within each department as mentees.
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women of contrasting lived experience and socio-economic position, Áila (Elle-Máijá Tailfeathers) and Rosie (
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uses an encounter between two strangers as the catalyst for a thoughtful drama as poetic as its title." On
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for Rosie to spend the night. She eventually agrees to consider going to a
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349:. The story is based on a personal experience of Elle-Máijá Tailfeathers.
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Toronto Film
Critics Association's Rogers Award for Best Canadian Film
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The film opens with a series of vignettes introducing Rosie, a young
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1170:"In brief: 'The Body Remembers,' The Twentieth Century nab prizes"
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in the
Generation program, and had its Canadian premiere at the
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806:"Berlin Film Festival: First Generation Section Films Unveiled"
410:, where it won the award for Best Dramatic Feature, and at the
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1032:"imagineNATIVE awards 'The Body Remembers', We Will Stand Up"
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On
December 11, the film was named to TIFF's annual year-end
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Vancouver Film
Critics Circle Award for Best Canadian Film
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Vancouver Film
Critics Circle Award for Best Canadian Film
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At TIFF, the film received an honourable mention from the
827:"Indigenous films highlight Canadian slate at TIFF 2019"
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The film was critically acclaimed upon release. On the
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In
January 2020, the film was named the winner of the
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Koistominno saakaisksinima ksaahkomm otsitsikowohpihpi
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The film centres on a chance interaction between two
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Malkʼwalaʼmida uḵwineʼ leʼołeʼ yax̱idixa̱nʼs ʼnalax̱
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1902:Films directed by Elle-Máijá Tailfeathers
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345:The film's title comes from an essay by
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326:not wish to join her grandparents in
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1082:Wilner, Norman (December 11, 2019).
1030:Townsend, Kelly (October 28, 2019).
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1106:Wilner, Norman (18 February 2020).
947:"Long Take: Norm Li, csc (Q&A)"
242:), as they navigate the effects of
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1054:Townsend, Kelly (9 October 2019).
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1168:Malyk, Lauren (21 October 2019).
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356:Real-time transitioning technique
701:Best Director of a Canadian Film
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711:Best Actress in a Canadian Film
453:Rogers Best Canadian Film Award
279:Rogers Best Canadian Film Award
207:Rumaš muitá go máilbmi rahtasii
825:Peter Howell (July 31, 2019).
784:Jason Asenap (June 24, 2019).
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895:Aquino, Tara (2019-11-25).
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273:. In 2020 the film won the
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261:. It was nominated for six
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534:Best Original Screenplay
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225:Elle-Máijá Tailfeathers
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43:Elle-Máijá Tailfeathers
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755:BC Emerging Filmmaker
609:Best Dramatic Feature
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263:Canadian Screen Awards
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1749:It's Not Me, I Swear!
1427:A History of Violence
814:. September 19, 2018.
219:) is a 2019 Canadian
1947:2010s Canadian films
1897:Canadian drama films
102:Christian Siebenherz
1912:First Nations films
1853:All My Puny Sorrows
1701:Flower & Garnet
1347:The Sweet Hereafter
851:toronto.citynews.ca
606:22–27 October 2019
567:Best Cinematography
494:Best Motion Picture
430:Best Motion Picture
267:Best Motion Picture
1757:I Killed My Mother
1577:Anne at 13,000 Ft.
1527:The Forbidden Room
1227:The Canadian Press
1203:. 23 December 2019
1157:. January 9, 2020.
1137:. January 7, 2020.
679:Best Canadian Film
654:Best Canadian Film
586:7–18 October 2020
404:Best Canadian Film
374:Critical reception
347:Billy-Ray Belcourt
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132:Release date
1789:The Dirties
1619:Documentary
1457:My Winnipeg
1377:waydowntown
1367:Set Me Free
1233:23 February
1012:October 17,
987:October 10,
589:Grand Prix
499:Tyler Hagan
489:28 May 2020
164:105 minutes
67:Tyler Hagan
63:Produced by
39:Directed by
33:Film poster
1892:2019 films
1886:Categories
1869:BlackBerry
1733:The Rocket
1725:C.R.A.Z.Y.
1607:BlackBerry
1537:The Stairs
1357:Last Night
1007:Metacritic
931:2019-12-11
906:2019-12-11
881:2019-12-11
856:2021-06-12
768:References
729:Nominated
718:Nominated
561:Nominated
553:Nominated
507:Nominated
392:Metacritic
363:16 mm film
341:Production
328:Port Hardy
316:safe house
236:Indigenous
221:drama film
143:2019-02-09
108:Production
53:Written by
1845:Violation
1781:War Witch
1765:Incendies
1717:Childstar
1685:Maelström
1628:Swan Song
1507:Watermark
1477:Incendies
467:Category
398:Accolades
369:Reception
295:Blackfoot
248:long take
211:Blackfoot
193:Kwakʼwala
126:levelFILM
110:companies
99:Edited by
16:2019 film
1547:Werewolf
1175:Playback
1154:660 News
1061:Playback
1037:Playback
982:Fandango
960:(5): 23.
451:100,000
382:website
177:Language
79:Starring
1338:Feature
811:Variety
572:Norm Li
473:Result
424:At the
180:English
169:Country
141: (
94:Norm Li
1872:(2023)
1864:(2022)
1856:(2021)
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1407:Spider
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477:Ref(s)
461:Award
421:list.
172:Canada
149:Berlin
147: (
1587:Beans
1517:Enemy
1259:8 May
1207:7 May
1181:7 May
1067:7 May
950:(PDF)
876:Vogue
1805:Room
1284:IMDb
1261:2020
1235:2020
1209:2020
1183:2020
1069:2020
1014:2020
989:2021
761:Won
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705:Won
695:Won
683:Won
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576:Won
538:Won
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299:Sámi
297:and
285:Plot
227:and
1293:at
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1089:Now
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303:IUD
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