447:
there, they made and recorded their music, and when the closed up, they were happy that they had some decent recordings, if not anything special. A few days later, they listened to the recordings, and decided to call it good. The band called the record company, and told them their album was finished. The record company executives told the band that the results were not what they were hoping for. However the company was patient with the band, and everyone agreed to live with the material for a while before deciding anything. While the Cowboy
Junkies were touring Europe, they worked the new songs into their sets. As they played the songs, the songs changed and matured. When they came back they re-listened to the Sharon tapes and agreed that the tracks were not what they wanted to release, and they decided to re-record the music.
471:
spent a fair amount of time balancing the sound, but at the same time they placed individual mics on each instrument to capture each individual performance on a separate track, allowing them to augment the sound of the central mic as needed. The recording arrangement allowed them to capture the intimacy of live recordings. The sessions went relatively smoothly, they just rolled tape and played over a handful of days in
December. Because of using multiple mics and tracks, for the first time the band had created an album which had to be mixed. The band felt they were too close to the material, so they brought in an outsider to mix the music. When they listened to the results, they trashed the mixes and decided to redo them themselves, spending a couple of weeks in the studio with Moore and their engineer, Tom Henderson.
443:, but this time Peter Moore was unfamiliar with the building, and the songs the band had written were more lush, which created recording problems, such as the music spilling over into Margo's vocal mic and causing feedback. Of the three days for the recording, the first two days were spent solving the musical challenges, and fighting the cold temperatures. Moore explained to the band why cold temperatures were perfect to record in, and the band explained to Moore that cold temperatures negatively affected human anatomy, and prolonged exposure caused extremities such as fingers to stop working.
341:
303:
298:
253:
248:
215:
210:
336:
331:
326:
321:
293:
288:
283:
243:
238:
233:
205:
200:
195:
470:
When the band returned to
Toronto, they made a decision to go to Eastern Studios in downtown Toronto, and find a new way to record their sound. The band really liked the one-mic sound, but wanted to take advantage of the multi-track equipment at the studio. Moore arranged the group around a mic, and
438:
north of
Toronto, as their studio. The recording proved challenging, as they had to adapt to the unique acoustics of the Sharon Temple and also the cool temperatures of a Canadian spring (they were not allowed to bring heaters into this unheated building due to its heritage designations). The cover
446:
On the third day, the sound problems were resolved, both by configuring the band around the microphone, and also by banishing Margo to a far corner of the building in a small makeshift sound booth made of baffles and sound blankets which they named the "witches hut". For the rest of their last day
404:
had. A number of critics have also noted that while the album is undeniably a disappointment when compared to its predecessor, when taken on its own merits it is a better album than its initial reception would suggest. The album focuses on the band's slow, languorous style, a style that has been
29:
379:
features a more conventional, polished sound than the earlier album's spare, haunting country blues. As a consequence, the album received average reviews from music critics, who said that the band had sacrificed their distinctive style.
405:
called simplistic, or narcoleptic, or uncategorizable. Margo states "It's not country, it's not blues, it's not rock, we just do what we do." The album peaked at number 47 on the U.S.
899:
1671:
1308:
1643:
1597:
396:
audiences also meant that it received more radio airplay and spawned bigger chart hits ("Sun Comes Up, It's
Tuesday Morning" and "Rock and Bird", which featured
1664:
958:
1385:
439:
of the album shows the band outside of this historic building. The intent of the recording was to use a single ambisonic mic like the one used for
1650:
1062:
1710:
1625:
1544:
1210:
907:
1474:
1151:
941:
849:
435:
224:
1703:
1611:
1744:
1558:
1530:
312:
1378:
1302:
1749:
1488:
839:
1657:
1618:
1565:
1509:
1502:
458:
for the musicians' benefit, but there were no serious plans to release it until 2010, when renewed interest in
1467:
1371:
788:
643:
410:
1439:
1579:
929:
Evans, Paul (1992). "Cowboy
Junkies". In DeCurtis, Anthony; Henke, James; George-Warren, Holly (eds.).
1269:
1240:
1185:
1125:
1096:
1070:
1037:
1008:
1739:
1604:
262:
1523:
1481:
1446:
763:
562:
371:
359:
135:
70:
1685:
1551:
1717:
1537:
1516:
983:
937:
845:
1678:
1181:
1159:
455:
109:
1572:
1460:
1394:
1189:
718:
363:
153:
122:
114:
41:
1733:
1411:
676:
599:
431:
397:
274:
1495:
1215:
933:
873:
97:
102:
65:
28:
813:
568:
393:
74:
389:
356:
1345:
1297:(CD liner). Cowboy Junkies. New York, United States: RCA. 1990. 2058-2-R.
959:"Heroine JunkieCowboy Crooner Margo Timmins Takes Her Band On A Hip Trip"
187:
462:
made them reconsider putting out a finalized version of these sessions.
1326:
1152:"The Agony and the Ecstasy | Network Entertainment | Feb/March 1990"
36:
1363:
1367:
450:
These songs were released in 2022, when Cowboy
Junkies put out
480:
All tracks are written by
Michael Timmins except where noted
426:
The band decided to record in a live setting as they had on
1327:"Cowboy Junkies – The Caution Horses | List of Releases"
1211:"'Lost' Cowboy Junkies album 'Sharon' is out Friday"
704:
Kim
Deschamps – pedal steel guitar, lap steel guitar
1695:
1635:
1589:
1431:
496:
485:
121:
108:
96:
80:
64:
56:
48:
35:
21:
369:The first album following their 1988 breakthrough
388:However, the album's accessibility to mainstream
984:"Cowboy Junkies – Chart History – Billboard 200"
1307:: CS1 maint: others in cite AV media (notes) (
1263:
1261:
1234:
1232:
1119:
1117:
1090:
1088:
1031:
1029:
318:
1379:
1186:"new..lost…album, Sharon, available on vinyl"
8:
1644:Studio: Selected Studio Recordings 1986–1995
280:
230:
192:
1598:200 More Miles: Live Performances 1985–1994
727:Engineered by Peter Moore and Tom Henderson
1386:
1372:
1364:
1063:"Cowboy Junkies – Cold grey light of dawn"
167:
27:
18:
733:Studio Monitor Mix by Ricardo Caltagirone
400:on the piano on the single version) than
482:
1651:Rarities, B-Sides and Slow, Sad Waltzes
755:
724:Mixed by Peter Moore and Cowboy Junkies
698:Jeff Bird – mandolin, harmonica, fiddle
651:
16:1990 studio album by Cowboy Junkies
1300:
764:"The Caution Horses by Cowboy Junkies"
814:"The Caution Horses – Cowboy Junkies"
789:"The Caution Horses – Cowboy Junkies"
652:
173:
7:
900:"Cowboy Junkies: The Caution Horses"
505:"Sun Comes Up, It's Tuesday Morning"
1346:"The Caution Horses | Track lyrics"
730:Assisted by Jeff Ham and Martin Lee
320:
14:
841:The Encyclopedia of Popular Music
736:Digitally Mastered by Peter Moore
355:is the third studio album by the
282:
232:
225:The Encyclopedia of Popular Music
194:
1069:. April 30, 2001. Archived from
739:Artwork Concept – Cowboy Junkies
339:
334:
329:
324:
319:
301:
296:
291:
286:
281:
251:
246:
241:
236:
231:
213:
208:
203:
198:
193:
957:Crowley, Larry (July 4, 1990).
745:Cover Photo by Graham Henderson
742:Art Direction by David Houghton
1672:Platinum & Gold Collection
898:Gilmore, Mikal (May 3, 1990).
872:Sandow, Greg (March 9, 1990).
844:. Omnibus Press. p. 368.
486:
1:
1270:"The Caution Horses | Page 8"
1241:"The Caution Horses | Page 7"
1126:"The Caution Horses | Page 6"
1097:"The Caution Horses | Page 5"
1038:"The Caution Horses | Page 4"
313:The Rolling Stone Album Guide
1209:Krewen, Nick (2022-09-27).
707:David Houghton – percussion
519:"Cause Cheap Is How I Feel"
466:The Caution Horses sessions
430:. This time they chose the
1766:
1658:Best of the Cowboy Junkies
701:Jaro Czerwinec – accordion
422:The Sharon Temple sessions
1619:In the Time Before Llamas
1566:Songs of the Recollection
1510:At the End of Paths Taken
1401:
640:"You Will Be Loved Again"
636:
622:
608:
591:
577:
557:
543:
529:
515:
501:
493:
490:
409:200 and number 33 on the
181:
178:
129:
26:
1503:Early 21st Century Blues
682:Michael Timmins – guitar
612:"Where Are You Tonight?"
1468:Pale Sun, Crescent Moon
1665:The Radio One Sessions
1440:Whites Off Earth Now!!
838:Larkin, Colin (2011).
454:. The recordings were
436:National Historic Site
1745:Cowboy Junkies albums
1580:Such Ferocious Beauty
688:Peter Timmins – drums
626:"Escape Is So Simple"
1605:Waltz Across America
878:Entertainment Weekly
874:"The Caution Horses"
693:Additional Musicians
644:Mary Margaret O'Hara
460:The Trinity Sessions
366:, released in 1990.
263:Entertainment Weekly
169:Professional ratings
1482:Miles from Our Home
1447:The Trinity Session
1303:cite AV media notes
1009:"The Caution Horse"
721:and Michael Timmins
441:The Trinity Session
428:The Trinity Session
402:The Trinity Session
372:The Trinity Session
170:
136:The Trinity Session
71:Alternative country
1750:RCA Records albums
1686:Notes Falling Slow
1552:All That Reckoning
1454:The Caution Horses
1295:The Caution Horses
1268:Timmins, Michael.
1239:Timmins, Michael.
1124:Timmins, Michael.
1095:Timmins, Michael.
1036:Timmins, Michael.
377:The Caution Horses
352:The Caution Horses
168:
145:The Caution Horses
22:The Caution Horses
1727:
1726:
1718:Trinity Revisited
1711:Long Journey Home
1626:Long Journey Home
1538:Sing in My Meadow
1517:Trinity Revisited
1274:Latent Recordings
1245:Latent Recordings
1130:Latent Recordings
1101:Latent Recordings
1073:on April 23, 2017
1042:Latent Recordings
963:Phoenix New Times
685:Alan Anton – bass
662:
661:
598:Michael Timmins,
417:Album development
348:
347:
166:
165:
162:
161:
117:, Michael Timmins
1757:
1679:The Nomad Series
1388:
1381:
1374:
1365:
1360:
1358:
1356:
1341:
1339:
1337:
1313:
1312:
1306:
1298:
1291:
1285:
1284:
1282:
1280:
1265:
1256:
1255:
1253:
1251:
1236:
1227:
1226:
1224:
1223:
1206:
1200:
1199:
1197:
1196:
1182:Timmins, Michael
1178:
1172:
1171:
1169:
1167:
1162:on March 3, 2016
1158:. Archived from
1147:
1141:
1140:
1138:
1136:
1121:
1112:
1111:
1109:
1107:
1092:
1083:
1082:
1080:
1078:
1059:
1053:
1052:
1050:
1048:
1033:
1024:
1023:
1021:
1019:
1005:
999:
998:
996:
994:
980:
974:
973:
971:
969:
954:
948:
947:
932:(3rd ed.).
926:
920:
919:
917:
915:
910:on April 9, 2009
906:. Archived from
895:
889:
888:
886:
884:
869:
863:
862:
860:
858:
835:
829:
828:
826:
824:
810:
804:
803:
801:
799:
785:
779:
778:
776:
774:
760:
655:
547:"Mariner's Song"
533:"Thirty Summers"
488:
483:
344:
343:
342:
338:
337:
333:
332:
328:
327:
323:
322:
306:
305:
304:
300:
299:
295:
294:
290:
289:
285:
284:
256:
255:
254:
250:
249:
245:
244:
240:
239:
235:
234:
218:
217:
216:
212:
211:
207:
206:
202:
201:
197:
196:
171:
131:
130:
92:
91:
87:
31:
19:
1765:
1764:
1760:
1759:
1758:
1756:
1755:
1754:
1730:
1729:
1728:
1723:
1691:
1631:
1585:
1427:
1418:Michael Timmins
1397:
1392:
1354:
1352:
1344:
1335:
1333:
1325:
1322:
1317:
1316:
1299:
1293:
1292:
1288:
1278:
1276:
1267:
1266:
1259:
1249:
1247:
1238:
1237:
1230:
1221:
1219:
1208:
1207:
1203:
1194:
1192:
1180:
1179:
1175:
1165:
1163:
1150:Stoute, Lenny.
1149:
1148:
1144:
1134:
1132:
1123:
1122:
1115:
1105:
1103:
1094:
1093:
1086:
1076:
1074:
1061:
1060:
1056:
1046:
1044:
1035:
1034:
1027:
1017:
1015:
1013:Official Charts
1007:
1006:
1002:
992:
990:
982:
981:
977:
967:
965:
956:
955:
951:
944:
936:. p. 164.
928:
927:
923:
913:
911:
897:
896:
892:
882:
880:
871:
870:
866:
856:
854:
852:
837:
836:
832:
822:
820:
812:
811:
807:
797:
795:
787:
786:
782:
772:
770:
762:
761:
757:
752:
668:
663:
653:
581:"Rock and Bird"
477:
468:
424:
419:
386:
340:
335:
330:
325:
302:
297:
292:
287:
252:
247:
242:
237:
214:
209:
204:
199:
157:
148:
139:
89:
85:
84:
44:
17:
12:
11:
5:
1763:
1761:
1753:
1752:
1747:
1742:
1732:
1731:
1725:
1724:
1722:
1721:
1714:
1707:
1699:
1697:
1693:
1692:
1690:
1689:
1682:
1675:
1668:
1661:
1654:
1647:
1639:
1637:
1633:
1632:
1630:
1629:
1622:
1615:
1608:
1601:
1593:
1591:
1587:
1586:
1584:
1583:
1576:
1569:
1562:
1555:
1548:
1545:The Wilderness
1541:
1534:
1527:
1520:
1513:
1506:
1499:
1492:
1485:
1478:
1471:
1464:
1461:Black Eyed Man
1457:
1450:
1443:
1435:
1433:
1429:
1428:
1426:
1425:
1420:
1415:
1408:
1402:
1399:
1398:
1395:Cowboy Junkies
1393:
1391:
1390:
1383:
1376:
1368:
1362:
1361:
1350:JunkiesFan.com
1342:
1321:
1320:External links
1318:
1315:
1314:
1286:
1257:
1228:
1201:
1190:Cowboy Junkies
1184:(2022-08-29).
1173:
1156:JunkiesFan.com
1142:
1113:
1084:
1054:
1025:
1000:
975:
949:
942:
921:
890:
864:
850:
830:
805:
780:
754:
753:
751:
748:
747:
746:
743:
740:
737:
734:
731:
728:
725:
722:
709:
708:
705:
702:
699:
690:
689:
686:
683:
680:
671:Cowboy Junkies
667:
664:
660:
659:
656:
650:
649:
646:
641:
638:
634:
633:
630:
627:
624:
620:
619:
616:
613:
610:
606:
605:
602:
596:
593:
589:
588:
585:
582:
579:
575:
574:
571:
566:
559:
555:
554:
551:
548:
545:
541:
540:
537:
534:
531:
527:
526:
523:
520:
517:
513:
512:
509:
506:
503:
499:
498:
495:
492:
489:
478:
476:
473:
467:
464:
423:
420:
418:
415:
385:
382:
364:Cowboy Junkies
346:
345:
316:
308:
307:
278:
270:
269:
266:
258:
257:
228:
220:
219:
190:
184:
183:
180:
176:
175:
164:
163:
160:
159:
154:Black Eyed Man
150:
141:
127:
126:
123:Cowboy Junkies
119:
118:
112:
106:
105:
100:
94:
93:
82:
78:
77:
68:
62:
61:
58:
54:
53:
50:
46:
45:
42:Cowboy Junkies
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1762:
1751:
1748:
1746:
1743:
1741:
1738:
1737:
1735:
1720:
1719:
1715:
1713:
1712:
1708:
1706:
1705:
1701:
1700:
1698:
1694:
1688:
1687:
1683:
1681:
1680:
1676:
1674:
1673:
1669:
1667:
1666:
1662:
1660:
1659:
1655:
1653:
1652:
1648:
1646:
1645:
1641:
1640:
1638:
1634:
1628:
1627:
1623:
1621:
1620:
1616:
1614:
1613:
1609:
1607:
1606:
1602:
1600:
1599:
1595:
1594:
1592:
1588:
1582:
1581:
1577:
1575:
1574:
1570:
1568:
1567:
1563:
1561:
1560:
1556:
1554:
1553:
1549:
1547:
1546:
1542:
1540:
1539:
1535:
1533:
1532:
1528:
1526:
1525:
1521:
1519:
1518:
1514:
1512:
1511:
1507:
1505:
1504:
1500:
1498:
1497:
1493:
1491:
1490:
1486:
1484:
1483:
1479:
1477:
1476:
1472:
1470:
1469:
1465:
1463:
1462:
1458:
1456:
1455:
1451:
1449:
1448:
1444:
1442:
1441:
1437:
1436:
1434:
1432:Studio albums
1430:
1424:
1423:Peter Timmins
1421:
1419:
1416:
1414:
1413:
1412:Margo Timmins
1409:
1407:
1404:
1403:
1400:
1396:
1389:
1384:
1382:
1377:
1375:
1370:
1369:
1366:
1351:
1347:
1343:
1332:
1328:
1324:
1323:
1319:
1310:
1304:
1296:
1290:
1287:
1275:
1271:
1264:
1262:
1258:
1246:
1242:
1235:
1233:
1229:
1218:
1217:
1212:
1205:
1202:
1191:
1187:
1183:
1177:
1174:
1161:
1157:
1153:
1146:
1143:
1131:
1127:
1120:
1118:
1114:
1102:
1098:
1091:
1089:
1085:
1072:
1068:
1067:No Depression
1064:
1058:
1055:
1043:
1039:
1032:
1030:
1026:
1014:
1010:
1004:
1001:
989:
985:
979:
976:
964:
960:
953:
950:
945:
943:0-679-73729-4
939:
935:
931:
925:
922:
909:
905:
904:Rolling Stone
901:
894:
891:
879:
875:
868:
865:
853:
851:9780857125958
847:
843:
842:
834:
831:
819:
815:
809:
806:
794:
793:Musica Review
790:
784:
781:
769:
765:
759:
756:
749:
744:
741:
738:
735:
732:
729:
726:
723:
720:
716:
715:
714:
713:
706:
703:
700:
697:
696:
695:
694:
687:
684:
681:
678:
677:Margo Timmins
675:
674:
673:
672:
665:
657:
654:Total length:
647:
645:
642:
639:
635:
631:
628:
625:
621:
617:
614:
611:
607:
603:
601:
600:Margo Timmins
597:
594:
590:
586:
583:
580:
576:
572:
570:
567:
564:
560:
556:
552:
549:
546:
542:
538:
535:
532:
528:
524:
521:
518:
514:
510:
507:
504:
500:
484:
481:
475:Track listing
474:
472:
465:
463:
461:
457:
453:
448:
444:
442:
437:
433:
432:Sharon Temple
429:
421:
416:
414:
412:
408:
403:
399:
398:Bruce Hornsby
395:
391:
383:
381:
378:
374:
373:
367:
365:
361:
358:
354:
353:
317:
315:
314:
310:
309:
279:
277:
276:
275:Rolling Stone
272:
271:
267:
265:
264:
260:
259:
229:
227:
226:
222:
221:
191:
189:
186:
185:
177:
174:Review scores
172:
156:
155:
151:
147:
146:
142:
138:
137:
133:
132:
128:
124:
120:
116:
113:
111:
107:
104:
101:
99:
95:
83:
79:
76:
72:
69:
67:
63:
60:December 1989
59:
55:
52:March 1, 1990
51:
47:
43:
38:
34:
30:
25:
20:
1716:
1709:
1702:
1684:
1677:
1670:
1663:
1656:
1649:
1642:
1636:Compilations
1624:
1617:
1610:
1603:
1596:
1578:
1571:
1564:
1557:
1550:
1543:
1536:
1529:
1522:
1515:
1508:
1501:
1496:One Soul Now
1494:
1487:
1480:
1473:
1466:
1459:
1453:
1452:
1445:
1438:
1422:
1417:
1410:
1405:
1353:. Retrieved
1349:
1334:. Retrieved
1330:
1294:
1289:
1277:. Retrieved
1273:
1248:. Retrieved
1244:
1220:. Retrieved
1216:Toronto Star
1214:
1204:
1193:. Retrieved
1176:
1164:. Retrieved
1160:the original
1155:
1145:
1133:. Retrieved
1129:
1104:. Retrieved
1100:
1075:. Retrieved
1071:the original
1066:
1057:
1045:. Retrieved
1041:
1016:. Retrieved
1012:
1003:
991:. Retrieved
987:
978:
966:. Retrieved
962:
952:
934:Random House
930:
924:
914:December 28,
912:. Retrieved
908:the original
903:
893:
881:. Retrieved
877:
867:
855:. Retrieved
840:
833:
823:December 12,
821:. Retrieved
817:
808:
796:. Retrieved
792:
783:
771:. Retrieved
767:
758:
717:Produced by
711:
710:
692:
691:
670:
669:
563:Powderfinger
479:
469:
459:
451:
449:
445:
440:
427:
425:
406:
401:
387:
376:
370:
368:
351:
350:
349:
311:
273:
261:
223:
152:
144:
143:
134:
37:Studio album
1740:1990 albums
1590:Live albums
1524:Renmin Park
1475:Lay It Down
719:Peter Moore
360:alt-country
115:Peter Moore
1734:Categories
1406:Alan Anton
1222:2023-02-04
1195:2023-02-04
750:References
712:Production
569:Neil Young
125:chronology
75:blues rock
1704:Open Road
1612:Open Road
1355:April 23,
1336:April 25,
1279:April 23,
1250:April 23,
1166:April 23,
1135:April 23,
1106:April 23,
1077:April 23,
1018:April 23,
993:April 23,
988:Billboard
968:April 23,
883:April 23,
798:April 23,
773:April 23,
666:Personnel
595:"Witches"
494:Writer(s)
411:UK Charts
407:Billboard
384:Reception
857:30 April
818:AllMusic
679:– vocals
456:mastered
357:Canadian
188:AllMusic
110:Producer
57:Recorded
49:Released
39: by
1331:Discogs
1047:May 28,
158:(1992)
149:(1990)
140:(1988)
1573:Sharon
1559:Ghosts
1531:Demons
940:
848:
768:iTunes
629:
615:
584:
550:
536:
522:
508:
497:Length
452:Sharon
182:Rating
179:Source
81:Length
658:44:32
491:Title
362:band
98:Label
66:Genre
1696:DVDs
1489:Open
1357:2017
1338:2013
1309:link
1281:2017
1252:2017
1168:2017
1137:2017
1108:2017
1079:2017
1049:2012
1020:2017
995:2017
970:2017
938:ISBN
916:2006
885:2017
859:2019
846:ISBN
825:2010
800:2017
775:2017
648:3:26
632:5:15
618:5:07
604:2:44
587:3:30
573:5:46
553:6:20
539:4:15
525:4:13
511:3:56
434:, a
394:rock
392:and
637:10.
487:No.
390:pop
103:RCA
1736::
1348:.
1329:.
1305:}}
1301:{{
1272:.
1260:^
1243:.
1231:^
1213:.
1188:.
1154:.
1128:.
1116:^
1099:.
1087:^
1065:.
1040:.
1028:^
1011:.
986:.
961:.
902:.
876:.
816:.
791:.
766:.
623:9.
609:8.
592:7.
578:6.
558:5.
544:4.
530:3.
516:2.
502:1.
413:.
375:,
268:B−
90:32
86:44
73:,
1387:e
1380:t
1373:v
1359:.
1340:.
1311:)
1283:.
1254:.
1225:.
1198:.
1170:.
1139:.
1110:.
1081:.
1051:.
1022:.
997:.
972:.
946:.
918:.
887:.
861:.
827:.
802:.
777:.
565:"
561:"
88::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
