Knowledge

The Chocolate Watchband

Source đź“ť

1058: 320:
provided the space for nightly rehearsals. Within a week, the band began performing at local clubs in San Francisco's South Bay, playing a range of songs that included obscure British import tunes that hadn't been released in the USA, so that unlike other local bands who were covering the latest hits from the Top 10, the Chocolate Watchband played songs few people had heard before. Thus, in many instances, these songs became associated with the Chocolate Watchband and not the original artists.
42: 414:, the band chafed at Cobb's influence because he presented them as being more instrumentally refined on record than they were live. Less than half of the featured studio work was by official members of the band; the majority of the record featured session musicians, and a singer named Don Bennett contributed vocals on the track "Let's Talk About Girls." The album also included a song written by Cobb, "Medication", which was already done by 514:
as time passed, my admiration for his musical abilities and unique guitar playing grew like the expanding universe. I can't express how sad I feel knowing all that is now permanently behind us. In my heart all I can say is thank you Mark for making the Watchband happen. And thank you for selecting me as your lead singer. With our fans - your musical notes will always play on.
382:. The latter film inspired the group's next single; "Are You Gonna Be There At The Love-In", which was written and recorded in one day. The single was released with the B-side "No Way Out", an instrumental spawned from a studio warm-up with spontaneous Aguilar vocals that Cobb later took credit for. In late 1967, shortly after the release of their first album, 405:—the first rock music festival in the United States—among thirty other bands in June 1967. The group played several dates, including the Oakland Coliseum until late 1967, when Abbott and Flinders had a disagreement with Tolby and manager Ron Roupe over financial matters, which ensured the indefinite break-up of the Watchband in December 1967. 426:, was recorded with Cobb again using session musicians, and sometimes entire ghost bands, to record portions of it. It was a commercial failure except for the songs written and sung by David Aguilar that were put in on the album from past recording sessions. One of the tracks - "Devil's Motorcycle" - featured 299:. They never recorded any commercial releases, but rare demos by the group appeared in the 1990s. The band was gaining popularity until Torney and Phay accepted an offer from a rival band, The Otherside, to join their group. Kemling followed soon after, effectively dismantling the first incarnation of the band. 319:
Loomis naturally asserted the role of leader during this initial time period, although the band never acknowledged it had a designated leader. Songs to cover were presented, shows were talked about, the band voted together on all decisions. Sean Tolby obtained the latest in Vox equipment while Loomis
513:
This is a sad moment for all of us in the band. I never quite understood Mark's withdrawal and leaving, but in later years he expressed deep regret in breaking up the band. However, at that point in time there was no way to revive that magical moment in time. I always marveled at his guitar work and
343:
back and forth from coast to coast as his personal house bands. However, having signed a management contract with local promoter Ron Roupe a week earlier, their future followed a different path. Roupe, having secured a recording deal with Green Grass Productions in Los Angeles, introduced the band
307:
With the first version of the Chocolate Watchband disbanded, Mark Loomis moved on to join The Shandels. Quickly becoming disillusioned, he took the discarded name "Chocolate Watchband" and recruited The Shandels' bass player Bill 'Flo' Flores and former Watchband drummer, Gary Andrijasevich. Next he
396:
Loomis and Andrijasevich would depart after Aguilar, leaving Tolby and Flores with the duty of fulfilling a month's worth of bookings. They decided to enlist the services of Tim Abbott, Mark Whittaker and Chris Flinders, members of the San Francisco Bay Blues Band. The band still maintained a level
478:
In June 2013, the Chocolate Watchband made it back to a recording studio in their hometown San Jose, to begin a new album. From 2015 to the present (2018), the band's lineup is Tim Abbott on lead guitar and vocals; Gary Andrijasevich on drums; David Aguilar on vocals, keyboards, and harmonica;
462:
Continued interest prompted the band to reunite in 1999, with Dave Aguilar, Tim Abbott (replacing Mark Loomis, who backed out of the reunion), Bill Flores, and Gary Andrijasevich; Michael Reese was added as guitarist in place of Sean Tolby. The group began to touring internationally in 2000,
371:
Frontman Aguilar began writing material for the band, including originals like "Right By My Side", "Gone & Passes By", "Don't Need Your Lovin' Anymore", "No Way Out" and "Sitting There Standing." The band's second single was the more restrained track "Misty Lane", released with a sweet
421:
The band reformed in late 1968 for a short period of time, with Danny Phay, the group's original vocalist in its 1965 inception, re-joining the band, as well as guitarist Ned Torney; bassist Bill Flores and guitarist Sean Tolby from the 1967 line-up remained. A third studio album,
442:
After their dissolution in 1970, a revival of interest in psychedelic and garage rock in the late 1980s and 1990s brought the group to public attention, and their original vinyl releases became collectors' items, selling among private sellers for over
242:, however it did not include David Aguilar on vocals and was not as highly regarded or indicative of their past work. The Chocolate Watchband officially broke up in 1970 with no intent of ever reuniting again; however, they reunited in 1999. 368:", another song the band regularly played live. However, unknown to the Watchband, Tower Records farmed the distribution of their recordings out to Uptown Records, a rhythm and blues label with predominantly black artists. 360:, to whom the band was frequently compared. Cobb introduced the band to a song he had written a week earlier named "Sweet Young Thing". Released in December 1966 by Tower Records, the B-side featured the group's cover of 455:
and other labels re-issued the original albums on compact discs, including bonus tracks. After leaving the band, its members each embarked on other non-musical pursuits; Aguilar had worked as an
308:
convinced former Topsiders guitarist Dave "Sean" Tolby to enlist. The group recruited David Aguilar as the frontman and lead singer; at the time, Aguilar was a college student studying
1382: 259:
by Ned Torney and Mark Loomis, who had previously played guitar together in a local band known as The Chaparrals in the previous year. The two were joined by Rick Young (
195:
musical arrangements. The band's rebellious musical posture made them one of the harder-edged groups of the period with many critics labeling them as America's answer to
1412: 1397: 402: 275:) to form the first version of the Chocolate Watchband, a name that was originally meant to be taken as a joke. All five musicians had a background rooted in 1392: 1387: 554: 384: 216: 984: 1320: 1299: 1280: 1261: 1234: 1205: 1186: 1167: 1128: 1402: 372:
orchestrated ballad, "She Weaves a Tender Trap", as its B-side. During this period the band were featured in two Sam Katzman films:
491:) was released in 2019 to critical acclaim; the lead off single 'Secret Rendezvous' was featured as 'Coolest Song In The World' on 530: 365: 352:
and entered the recording studio; as a warm-up to show Cobb their capabilities, they quickly recorded tracks for "Come On," a
471:, in between the Cavestomp show and the live album. The group has since performed in Europe and the United States. In 2005, 235: 1310: 397:
of success, but the sound and style differed from the original band. They managed to secure a place as the opening act for
388:(1967) Aguilar left for university studies in science while the other members searched for ways to continue playing music. 559: 540: 203: 132: 1046: 238:". By 1969, with Mark Loomis dropping out in the middle of the recording sessions, the band released a final album, 313: 876: 331:
urged the Chocolate Watchband to sign a management contract with him. He was opening up a new Fillmore East in
283:, with each one having spent time on the local club circuit. The band garnered a local following, integrating 1057: 328: 221: 475:, a two-CD compilation of the Chocolate Watchband's complete Tower and Uptown recordings, was released. 1407: 1362: 763: 730: 680: 296: 256: 180: 64: 50:
1966. Front L-R: Sean Tolby, Gary Andrijasevich and Bill Flores. Back L-R: Mark Loomis and David Aguilar
444: 374: 324: 566: 410: 340: 295:, into their live repertoire. Curry was soon replaced by Gary Andrijasevich, a jazz drummer from 226: 220:. Although the album did not chart nationally, the band had a huge following in San Jose and the 196: 1316: 1295: 1276: 1257: 1240: 1230: 1224: 1211: 1201: 1182: 1163: 1136: 41: 1367: 1349: 288: 184: 82: 17: 667: 357: 207: 1376: 1156: 934: 689: 492: 448: 415: 336: 332: 284: 276: 268: 231: 188: 431: 502:
who had recently died. Founding member Mark Loomis died on September 26, 2014, in
1072: 210:, "Sweet Young Thing", in 1967. Later in the year, the band released their debut 772: 676: 663: 353: 349: 272: 260: 176: 87: 183:. The band went through several lineup changes during its existence. Combining 744: 480: 427: 192: 92: 68: 1244: 1215: 753: 653: 499: 484: 456: 398: 361: 1158:
Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality
881: 698: 452: 1358: 1342: 916: 914: 912: 163: 1353: 649: 640: 345: 309: 292: 1196:
Bogdanov, Vladimir; Erlewine, Stephen Thomas; Woodstra, Chris (2002).
408:
During recording sessions for the Chocolate Watchband's second album,
187:
and garage rock components, their sound was marked by David Aguilar's
503: 1198:
All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul
985:"The Untold and Deeply Stoned Story of the First U.S. Rock Festival" 280: 264: 211: 463:
culminating in a show at New York's Cavestomp and a live album,
1179:
Rock the Nation: Latin/o Identities and the Latin Rock Diaspora
536:"Misty Lane" b/w "She Weaves a Tender Trap" (Uptown 749) (1967) 1129:"THE CHOCOLATE WATCH BAND featuring Daryl Hooper of The Seeds" 1292:
Riot on Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood
1096: 1094: 1092: 1090: 539:"Are You Gonna Be There (At the Love-In)" b/w "No Way Out" ( 255:
The Chocolate Watchband was formed in the summer of 1965 in
230:, was released and included the band's most popular song, a 1273:
The Rock & Roll of San Francisco's East Bay, 1950-1980
356:
song that had also been the first single recorded by the
327:
at the Fillmore Auditorium, San Francisco music producer
920: 1254:
California Art: 450 years of Painting & Other Media
451:
issued a best-of release of the band in 1983, while
335:and wanted to shuttle the Chocolate Watchband, the 158: 154: 142: 138: 128: 101: 75: 60: 55: 32: 1155: 1073:"The Dead Rock Stars Club 2014 July To December" 495:'s Underground Garage program in February 2019. 1383:Psychedelic rock music groups from California 1032: 8: 1112: 1100: 1008: 970: 903: 487:on guitar and vocals. The resulting album ( 473:Melts in Your Brain . . . Not on Your Wrist 1200:. Hal Leonard Corporation/Backbeat Books. 835: 40: 29: 1123: 1121: 498:The first song recorded was a tribute to 467:in 2001. They also issued a studio album, 1413:Musical groups from San Jose, California 799: 627:Melts in Your Brain...Not On Your Wrist! 459:professor after the band's dissolution. 323:Six months later, after opening for the 1275:. Scene History. Microcosm Publishing. 792: 1020: 921:Bogdanov, Erlewine & Woodstra 2002 870: 868: 866: 864: 811: 202:The Chocolate Watchband was signed to 1398:Musical groups disestablished in 1970 958: 862: 860: 858: 856: 854: 852: 850: 848: 846: 844: 823: 7: 1223:Buckley, Peter; Edroso, Roy (2003). 604:(Dirty Water Records DWC1117) (2019) 392:1967–69: Reformation and dissolution 615:The Best of the Chocolate Watchband 598:(Twenty Stone Blatt BAMF 41) (2012) 1393:Musical groups established in 1965 1388:Garage rock groups from California 25: 1154:Abbey, Eric James (19 May 2006). 1135:. August 14, 2015. Archived from 780:Daryl Hooper - keyboards, guitar 348:and Ray Harris. The band flew to 206:in 1966 and released their first 1312:Unknown Legends of Rock 'n' Roll 1056: 1045:Renolds, Simon (November 1998). 703:(1965–67; 1968–69; 1999–present) 483:on bass and backing vocals; and 983:Newman, Jason (June 17, 2014). 303:1966–67: Loomis–Aguilar line-up 224:. In 1968, their second album, 1368:Chocolate Watchband @ pHinnWeb 1: 707:Chris Flinders - lead vocals 656:, keyboards, guitars, synths 47: 1309:Unterberger, Richie (1998). 1177:Avant-Mier, Roberto (2010). 756:- guitar, vocals, keyboards 629:(Big Beat CDWIK2 249) (2005) 403:KFRC Magic Mountain Festival 401:, and also performed at the 366:It's All Over Now, Baby Blue 179:band that formed in 1965 in 147: 1315:. Hal Leonard Corporation. 1252:Moure, Nancy D. W. (1998). 1162:. McFarland & Company. 576:(Tower ST 5153) (1969) (as 418:, who Cobb also managed. 236:I'm Not Like Everybody Else 191:, songwriting, as well as 1429: 1271:Linstrum, Cory M. (2016). 1075:. The Dead Rock Stars Club 939:the chocolatewatchband.com 1403:American protopunk groups 1053:– via Google Books. 1033:Buckley & Edroso 2003 877:"The Chocolate Watchband" 713:Tim Abbott - lead guitar 623:(Big Beat WIKA 25) (1984) 529:"Sweet Young Thing" b/w " 314:San Jose State University 164:thechocolatewatchband.com 39: 27:American garage rock band 1290:Priore, Domenic (2007). 18:The Chocolate Watch Band 1359:The Chocolate Watchband 1350:The Chocolate Watchband 1256:. Dustin Publications. 1226:The Rough Guide to Rock 747:- bass, backing vocals 738:Michael Reese - guitar 719:Mark Whittaker - drums 658:(1966–67; 1999–present) 617:(Rhino RNLP-108) (1983) 578:The Chocolate Watchband 173:The Chocolate Watchband 34:The Chocolate Watchband 1047:"Retro Active Special" 596:Revolutions Reinvented 570:(Tower ST 5106) (1968) 516: 222:San Francisco Bay Area 56:Background information 697:Gary Andrijasevich - 586:(Orchard 3716) (2000) 533:" (Uptown 740) (1967) 511: 509:From David Aguilar: 438:1999–present: Revival 297:Cupertino High School 291:groups, particularly 257:Los Altos, California 181:Los Altos, California 725:Ned Torney - guitar 715:(1967; 1999–present) 671:(1966–69; 1999–2001) 590:At the Love-In Live! 465:At the Love-In Live! 375:Riot on Sunset Strip 325:Mothers of Invention 271:), and Danny Phay ( 251:1965: Early line-up 1139:on April 19, 2015. 693:(1966–67; 1968–69) 684:(1965–67; 1968–69) 592:(Roir 8272) (2001) 567:The Inner Mystique 411:The Inner Mystique 341:Jefferson Airplane 227:The Inner Mystique 197:the Rolling Stones 1322:978-1-6177-4469-3 1301:978-1-906-00204-6 1294:. Jawbone Press. 1282:978-1-621-06515-9 1263:978-0-961-46224-6 1236:978-1-84353-105-0 1207:978-0-87930-653-3 1188:978-1-441-16448-3 1169:978-0-786-42564-8 783: 777: 768: 759: 750: 741: 735: 728: 722: 716: 710: 704: 701:, backing vocals 694: 685: 672: 659: 645: 170: 169: 16:(Redirected from 1420: 1346: 1345: 1343:Official website 1326: 1305: 1286: 1267: 1248: 1229:. Rough Guides. 1219: 1192: 1173: 1161: 1141: 1140: 1125: 1116: 1115:, p. 54–55. 1113:Unterberger 1998 1110: 1104: 1101:Unterberger 1998 1098: 1085: 1084: 1082: 1080: 1068: 1062: 1061: 1060: 1054: 1042: 1036: 1030: 1024: 1018: 1012: 1009:Unterberger 1998 1006: 1000: 999: 997: 995: 980: 974: 971:Unterberger 1998 968: 962: 956: 950: 949: 947: 945: 933:Aguilar, David. 930: 924: 918: 907: 904:Unterberger 1998 901: 895: 894: 892: 890: 872: 839: 833: 827: 821: 815: 809: 803: 797: 781: 775: 766: 757: 748: 739: 733: 727:(1965; 2003-2004 726: 720: 714: 708: 702: 692: 683: 670: 657: 648:David Aguilar - 643: 602:This Is My Voice 489:This Is My Voice 289:British Invasion 166: 117: 115: 104: 83:Psychedelic rock 49: 46:Publicity photo 44: 30: 21: 1428: 1427: 1423: 1422: 1421: 1419: 1418: 1417: 1373: 1372: 1352:discography at 1341: 1340: 1337: 1331: 1329: 1323: 1308: 1302: 1289: 1283: 1270: 1264: 1251: 1237: 1222: 1208: 1195: 1189: 1176: 1170: 1153: 1149: 1144: 1127: 1126: 1119: 1111: 1107: 1099: 1088: 1078: 1076: 1070: 1069: 1065: 1055: 1044: 1043: 1039: 1031: 1027: 1019: 1015: 1007: 1003: 993: 991: 982: 981: 977: 969: 965: 957: 953: 943: 941: 932: 931: 927: 919: 910: 902: 898: 888: 886: 874: 873: 842: 836:Avant-Mier 2010 834: 830: 822: 818: 810: 806: 798: 794: 790: 644:(1965; 1968–69) 636: 611: 574:One Step Beyond 562:ST 5096) (1967) 550: 526: 521: 440: 424:One Step Beyond 394: 305: 267:), Jo Kemling ( 263:), Pete Curry ( 253: 248: 240:One Step Beyond 175:is an American 162: 124: 113: 111: 102: 97: 51: 35: 28: 23: 22: 15: 12: 11: 5: 1426: 1424: 1416: 1415: 1410: 1405: 1400: 1395: 1390: 1385: 1375: 1374: 1371: 1370: 1365: 1356: 1347: 1336: 1335:External links 1333: 1328: 1327: 1321: 1306: 1300: 1287: 1281: 1268: 1262: 1249: 1235: 1220: 1206: 1193: 1187: 1181:. Bloomsbury. 1174: 1168: 1150: 1148: 1145: 1143: 1142: 1133:Whisky-a-Go-Go 1117: 1105: 1086: 1063: 1037: 1035:, p. 193. 1025: 1023:, p. 107. 1013: 1001: 975: 963: 961:, p. 120. 951: 925: 908: 896: 840: 828: 816: 814:, p. 121. 804: 791: 789: 786: 785: 784: 778: 769: 760: 758:(2015-present) 751: 749:(2001–present) 742: 736: 723: 717: 711: 705: 695: 686: 675:Mark Loomis - 673: 668:backing vocals 662:Bill Flores - 660: 646: 635: 632: 631: 630: 624: 618: 610: 607: 606: 605: 599: 593: 587: 581: 571: 563: 549: 546: 545: 544: 537: 534: 525: 522: 520: 517: 439: 436: 393: 390: 358:Rolling Stones 304: 301: 285:cover versions 252: 249: 247: 244: 168: 167: 160: 156: 155: 152: 151: 144: 140: 139: 136: 135: 130: 126: 125: 123: 122: 119: 107: 105: 99: 98: 96: 95: 90: 85: 79: 77: 73: 72: 62: 58: 57: 53: 52: 45: 37: 36: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1425: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1384: 1381: 1380: 1378: 1369: 1366: 1364: 1360: 1357: 1355: 1351: 1348: 1344: 1339: 1338: 1334: 1332: 1324: 1318: 1314: 1313: 1307: 1303: 1297: 1293: 1288: 1284: 1278: 1274: 1269: 1265: 1259: 1255: 1250: 1246: 1242: 1238: 1232: 1228: 1227: 1221: 1217: 1213: 1209: 1203: 1199: 1194: 1190: 1184: 1180: 1175: 1171: 1165: 1160: 1159: 1152: 1151: 1146: 1138: 1134: 1130: 1124: 1122: 1118: 1114: 1109: 1106: 1103:, p. 54. 1102: 1097: 1095: 1093: 1091: 1087: 1074: 1067: 1064: 1059: 1052: 1048: 1041: 1038: 1034: 1029: 1026: 1022: 1017: 1014: 1011:, p. 53. 1010: 1005: 1002: 990: 989:Rolling Stone 986: 979: 976: 973:, p. 52. 972: 967: 964: 960: 955: 952: 940: 936: 935:"It's Alive!" 929: 926: 923:, p. 80. 922: 917: 915: 913: 909: 906:, p. 50. 905: 900: 897: 884: 883: 878: 875:Eder, Bruce. 871: 869: 867: 865: 863: 861: 859: 857: 855: 853: 851: 849: 847: 845: 841: 838:, p. 91. 837: 832: 829: 826:, p. 70. 825: 820: 817: 813: 808: 805: 802:, p. 19. 801: 800:Linstrum 2016 796: 793: 787: 779: 774: 771:Rich Young - 770: 765: 762:Jo Kemling - 761: 755: 752: 746: 743: 737: 732: 724: 718: 712: 706: 700: 696: 691: 690:rhythm guitar 688:Sean Tolby - 687: 682: 678: 674: 669: 665: 661: 655: 651: 647: 642: 639:Danny Phay - 638: 637: 633: 628: 625: 622: 619: 616: 613: 612: 608: 603: 600: 597: 594: 591: 588: 585: 582: 579: 575: 572: 569: 568: 564: 561: 557: 556: 552: 551: 547: 542: 538: 535: 532: 528: 527: 523: 518: 515: 510: 507: 505: 501: 496: 494: 493:Little Steven 490: 486: 482: 476: 474: 470: 466: 460: 458: 454: 450: 449:Rhino Records 446: 437: 435: 433: 429: 425: 419: 417: 416:The Standells 413: 412: 406: 404: 400: 391: 389: 387: 386: 381: 377: 376: 369: 367: 363: 359: 355: 351: 347: 344:to producers 342: 338: 337:Grateful Dead 334: 333:New York City 330: 326: 321: 317: 315: 311: 302: 300: 298: 294: 290: 286: 282: 278: 277:rock and roll 274: 270: 266: 262: 258: 250: 245: 243: 241: 237: 233: 232:cover version 229: 228: 223: 219: 218: 213: 209: 205: 204:Tower Records 200: 198: 194: 190: 186: 182: 178: 174: 165: 161: 157: 153: 149: 145: 141: 137: 134: 131: 127: 120: 109: 108: 106: 100: 94: 91: 89: 86: 84: 81: 80: 78: 74: 70: 66: 63: 59: 54: 43: 38: 31: 19: 1408:ROIR artists 1330: 1311: 1291: 1272: 1253: 1225: 1197: 1178: 1157: 1137:the original 1132: 1108: 1077:. Retrieved 1066: 1050: 1040: 1028: 1016: 1004: 992:. Retrieved 988: 978: 966: 954: 942:. Retrieved 938: 928: 899: 887:. Retrieved 880: 831: 819: 807: 795: 626: 620: 614: 609:Compilations 601: 595: 589: 583: 577: 573: 565: 553: 512: 508: 497: 488: 477: 472: 468: 464: 461: 441: 432:Jerry Miller 423: 420: 409: 407: 395: 383: 380:The Love-Ins 379: 373: 370: 322: 318: 306: 254: 239: 225: 215: 201: 172: 171: 121:1999–present 103:Years active 1147:Works cited 1021:Priore 2007 885:. Biography 812:Priore 2007 782:(2012-2015) 740:(1999–2001) 677:lead guitar 650:lead vocals 641:lead vocals 543:373) (1967) 519:Discography 354:Chuck Berry 350:Los Angeles 329:Bill Graham 273:lead vocals 261:bass guitar 189:lead vocals 185:psychedelic 177:garage rock 88:garage rock 1377:Categories 1071:Doc Rock. 959:Moure 1998 889:October 6, 824:Abbey 2006 788:References 745:Alec Palao 621:Forty Four 555:No Way Out 481:Alec Palao 430:guitarist 428:Moby Grape 385:No Way Out 217:No Way Out 193:proto-punk 93:proto-punk 69:California 1245:936532596 1079:6 October 944:April 19, 767:(1965–66) 764:keyboards 754:Derek See 731:keyboards 681:keyboards 654:harmonica 531:Baby Blue 500:Sky Saxon 485:Derek See 457:astronomy 399:The Doors 362:Bob Dylan 65:Los Altos 1363:AllMusic 1216:47823606 882:AllMusic 734:1968-69) 584:Get Away 469:Get Away 453:Sundazed 1354:Discogs 994:May 15, 634:Members 524:Singles 447:$ 100. 346:Ed Cobb 310:biology 293:The Who 246:History 159:Website 150:section 148:members 143:Members 112: ( 1319:  1298:  1279:  1260:  1243:  1233:  1214:  1204:  1185:  1166:  776:(1965) 721:(1967) 709:(1967) 548:Albums 504:Hawaii 339:, and 208:single 129:Labels 76:Genres 71:, U.S. 61:Origin 699:drums 560:Tower 541:Tower 281:blues 269:organ 265:drums 212:album 133:Tower 118:–1970 1317:ISBN 1296:ISBN 1277:ISBN 1258:ISBN 1241:OCLC 1231:ISBN 1212:OCLC 1202:ISBN 1183:ISBN 1164:ISBN 1081:2014 1051:Spin 996:2017 946:2015 891:2014 773:bass 664:bass 378:and 364:'s " 279:and 234:of " 146:See 114:1965 110:1965 1361:at 445:USD 312:at 287:of 1379:: 1239:. 1210:. 1131:. 1120:^ 1089:^ 1049:. 987:. 937:. 911:^ 879:. 843:^ 729:; 679:, 666:, 652:, 506:. 434:. 316:. 214:, 199:. 67:, 48:c. 1325:. 1304:. 1285:. 1266:. 1247:. 1218:. 1191:. 1172:. 1083:. 998:. 948:. 893:. 580:) 558:( 116:) 20:)

Index

The Chocolate Watch Band

Los Altos
California
Psychedelic rock
garage rock
proto-punk
Tower
members
thechocolatewatchband.com
garage rock
Los Altos, California
psychedelic
lead vocals
proto-punk
the Rolling Stones
Tower Records
single
album
No Way Out
San Francisco Bay Area
The Inner Mystique
cover version
I'm Not Like Everybody Else
Los Altos, California
bass guitar
drums
organ
lead vocals
rock and roll

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑