263:). Various reasons are given: the difficulty of the piece was too much for young Miles, his nerves got the better of him, or simply that he was not present at the time of recording. Other sources insist that it is indeed Miles on this track and attempt to prove it. Some sources additionally state that a) Gillespie played both trumpet and piano on this track or that b) it is impossible for Gillespie to have played both trumpet and piano on this track. One source states that Hakim played piano on the introduction and the coda, allowing Gillespie to play during Parker's solo. It should be pointed out that there is no piano on the master track of Ko-Ko except during Parker's solo, so this is clearly erroneous, but the piano does begin at the beginning of Parker's solo making it unlikely that the trumpet player would have had time to switch instruments. On the aborted take 1 of Ko-Ko, however, the piano can be heard behind the "Cherokee" melody which both the trumpet and saxophone play. So on take 1, at least, Gillespie cannot have been playing both trumpet and piano. See the various resources for further discussions on this controversy.
202:. While many of the tracks on this album had been previously released on other formats (78 rpm records, 7-inch EPs and singles, and 10- and 12-inch LPs), this is the first album that chronicles the entire session, recorded November 26, 1945, including all takes of all pieces. This session is famous in that it is the first recorded under Parker's name. It is also controversial, in that to this day it is unclear who the pianist and trumpet player are on all of the tracks.
1745:
230:, drums were booked for the date. On the 26th Reig went to Parker's apartment to bring Bird to WOR and was informed that Powell had gone with his mother to Philadelphia where she was buying a house. No need to worry, however; Dizzy Gillespie was present and introduced to Reig: 'Here's your piano player'. Parker also had contacted Argonne Thornton (later a.k.a.
214:(which consults "documents from the Savoy files and the recollections of Teddy Reig, who produced this session") this was to be "a standard three hours/four side session was scheduled for November 26, 1945, at the WOR studios in New York for which Parker would supply original compositions. A Union contract was arranged the preceding week and Parker;
237:
The author of the liner notes of this album—John
Mehegan—is under the impression that Powell was present, adding to the controversy over piano players. That Powell was absent is agreed by other sources, including the personnel listings of all other issues of these recordings, which list Gillespie
266:
In the end, this controversial date has been called "The
Greatest Recording Made in Modern Jazz History." "Now's the Time" and "Thriving From a Riff" (also released as "Thriving on a Riff", later known as "Anthropology") are jazz classics. Davis, Gillespie and Roach are revered as jazz giants in
245:
Mehegan mentions Hakim in his notes, stating: "As a final irony, a pianist by the name of
Argonne Thornton claims he played the date or at least part of it, although this is denied by Herman Lubinsky, who conducted the session." This denial, though, may be caused by the fact—as other sources
238:
and\or and Hakim on various tracks, sometimes contradicting each other. On the earliest releases of tracks from the session—on 78 rpm records—the pianist is listed as "Hen Gates", a pseudonym known to be used by Dizzy
Gillespie. He was listed thus due to his being under contract to the
169:
522:
As noted above, the precise personnel of this album remains unknown. For completeness, listed are the personnel as presented on the label of the album—which is almost certainly incorrect in that it credits Bud Powell on piano—as well as the personnel as listed on
29:
246:
state—that Hakim was not yet a member of the New York local
Musicians Union, having moved from Chicago, and was told not to play by a local union representative. Hakim himself claims to have played piano on all tunes except "
257:" is probably the most controversial track on the album. Many sources state that Gillespie is the trumpet player on this track in place of Davis (including the liner notes of one of Davis' own albums:
804:
Gillespie is credited for both trumpet and piano on the label, but the liner notes say: "Dizzy remembers playing both piano and trumpet on the date, but just where and when is not clear."
242:
label at the time of the recording. The second 78 rpm release of "Thriving on a Riff" (Savoy 945), though, credits
Gillespie on piano; later reissues credit Hakim on this track.
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250:" and "Billie's Bounce". Reig claims that Hakim left before the final "Koko" take, due to the aforementioned local union rep.
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766:(12 inch LP). On all previous releases except Savoy 903, the title is listed as "Thriving on a Riff".
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259:
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Originally released on 78 rpm Savoy 597, previously released on 78 rpm Savoy 916, Savoy XP 8001:
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Originally released on 78 rpm Savoy 903, previously released on 78 rpm Savoy 945, Savoy XP 8006:
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Erroneously listed in the liner notes as "Orig. Take #4", this take was not previously released.
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1191:"The Ko-ko session: November 26, 1945, Charlie Parker Reboppers' recording for Savoy"
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527:(the only other complete chronicle of this session), which also may be incorrect.
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Curley
Russell's name is omitted from the label, but present in the liner notes.
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733:
Originally released on 78 rpm Savoy 573, previously released on Savoy XP 8000:
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Originally released on 78 rpm Savoy 573, previously released on Savoy XP 8000:
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Originally released on 78 rpm Savoy 945, previously released on Savoy XP 8001:
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1108:"Reflections of an Era: My Experiences with Bird and Prez"
881:
Patrick, James (1978). "The Music of
Charlie Parker".
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416:
295:
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911:Charlie Parker: The Complete Savoy Studio Sessions
883:Charlie Parker: The Complete Savoy Studio Sessions
602:Charlie Parker: The Complete Savoy Studio Sessions
525:Charlie Parker: The Complete Savoy Studio Sessions
876:
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234:), ... and asked that he appear at the studio."
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1182:
1091:: CS1 maint: others in cite AV media (notes) (
1050:"Miles Ahead session details November 26, 1945"
1007:: CS1 maint: others in cite AV media (notes) (
956:: CS1 maint: others in cite AV media (notes) (
934:
932:
930:
928:
791:(10 inch LP; as "Co-Coa") and Savoy MG 12014:
1499:Charlie Parker on Dial: The Complete Sessions
1367:Now's the Time: the Quartet of Charlie Parker
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141:Now's the Time: the Quartet of Charlie Parker
8:
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212:Charlie Parker: The Complete Savoy Sessions
1506:Bird: The Complete Charlie Parker on Verve
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1256:
1248:
909:Porter, Bob (1978). "Talking with Teddy".
167:
27:
18:
783:(7 inch EP; as "Co-Coa"), Savoy MG 9000:
1485:Charlie Parker's Savoy and Dial sessions
940:Bird/The Savoy Recordings (Master Takes)
410:
281:
826:
675:
16:1956 studio album by Charlie Parker
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949:
904:
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900:
646:("Thriving on a Riff" and "Koko" only)
470:"Thriving From a Riff" (orig. take #3)
459:"Thriving From a Riff" (short take #2)
210:According to the booklet accompanying
7:
1544:"Big Foot" aka "Driftin' on a Reed"
341:"Warming up a Riff" (orig. take #1)
14:
762:(10 inch LP) and Savoy MG 12009:
741:(10 inch LP) and Savoy MG 12001:
720:(10 inch LP) and Savoy MG 12009:
690:(10 inch LP) and Savoy MG 12014:
363:"Billie's Bounce" (orig. take #5)
319:"Billie's Bounce" (short take #2)
1744:
1743:
433:"Now's the Time" (orig. take #4)
389:"Now's the Time" (short take #2)
1492:Complete Charlie Parker on Dial
1343:Charlie Parker Memorial, Vol. 2
1327:Charlie Parker Memorial, Vol. 1
975:(liner notes). Charlie Parker.
973:Charlie Parker Memorial, Vol. 2
942:(liner notes). Charlie Parker.
764:Charlie Parker Memorial, Vol. 2
722:Charlie Parker Memorial, Vol. 2
352:"Billie's Bounce" (new take #4)
330:"Billie's Bounce" (new take #3)
781:Bird - Diz - Bud - Max, Vol. 1
417:
400:"Now's the Time" (new take #3)
288:
1:
1786:Albums produced by Teddy Reig
787:(10 inch LP), Savoy MG 9034:
1351:The Genius of Charlie Parker
1227:"Charlie Parker Discography"
793:The Genius of Charlie Parker
779:(7 inch EP), Savoy XP 8097:
758:(7 inch LP), Savoy MG 9001:
737:(7 inch EP), Savoy MG 9000:
716:(7 inch EP), Savoy MG 9001:
692:The Genius of Charlie Parker
686:(7 inch EP), Savoy MG 9000:
123:The Genius of Charlie Parker
1707:Charlie Parker with Strings
1335:The Immortal Charlie Parker
743:The Immortal Charlie Parker
198:, released posthumously by
1802:
1442:Summit Meeting at Birdland
1077:(label). The Be Bop Boys.
1024:"Jazz Musician Pseudonyms"
993:(label). The Be Bop Boys.
276:All tracks are written by
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1375:The Cole Porter Songbook
1359:The Charlie Parker Story
847:The Charlie Parker Story
534:The Charlie Parker Story
481:"Meandering" (only take)
187:The Charlie Parker Story
132:The Charlie Parker Story
22:The Charlie Parker Story
1714:Charlie Parker Omnibook
1665:Scrapple from the Apple
1466:Live at Rockland Palace
1458:The Washington Concerts
1162:"Buying Charlie Parker"
600:Personnel as listed on
532:Personnel as listed on
971:Cadena, Ozzie (1956).
845:Mehegan, John (1956).
789:Bird - Diz - Bud - Max
785:Charlie Parker, Vol. 1
777:Charlie Parker, Vol. 2
760:Charlie Parker, Vol. 1
756:Charlie Parker, Vol. 7
739:Charlie Parker, Vol. 1
735:Charlie Parker, Vol. 1
714:Charlie Parker, Vol. 1
688:Charlie Parker, Vol. 1
684:Charlie Parker, Vol. 2
507:"Koko" (orig. take #2)
1776:Charlie Parker albums
1658:Relaxin' at Camarillo
1434:One Night in Birdland
1054:plosin.com/milesahead
718:Charlie Parker Vol. 2
1781:Savoy Records albums
1562:"Bird Gets the Worm"
1138:The Musings of Miles
1135:Gitler, Ira (1956).
991:Thriving from a Riff
446:Thriving From a Riff
260:The Musings of Miles
1402:Jazz at Massey Hall
1311:South of the Border
1087:cite AV media notes
1028:jazzdiscography.com
1003:cite AV media notes
952:cite AV media notes
413:
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1418:Bird at St. Nick's
1075:Thriving on a Riff
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1189:Urbano, Tommaso.
1166:soulwalking.co.uk
946:. 1976. SJL 2201.
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496:" (short take #1)
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378:" (short take #1)
267:their own right.
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60:November 26, 1945
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1581:Chasin' the Bird
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306:Billie's Bounce
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1081:. 1945. 945 B.
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1048:Losin, Peter.
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997:. 1945. 903-B.
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944:Arista Records
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915:Charlie Parker
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887:Charlie Parker
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1022:Woker, Jack.
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1729:Bird and Diz
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1595:Confirmation
1531:Anthropology
1516:Compositions
1504:
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1426:Bird Is Free
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1303:Bird and Diz
1301:
1234:. Retrieved
1230:
1198:. Retrieved
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1169:. Retrieved
1165:
1155:
1149:. PRLP 7007.
1137:
1115:. Retrieved
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226:, bass; and
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37:Studio album
1771:1956 albums
1724:(1988 film)
1672:Swingmatism
1644:Ornithology
1394:Live albums
1288:Discography
1143:Miles Davis
979:. MG 12009.
921:. S5L 5000.
913:(booklet).
893:. S5L 5000.
885:(booklet).
857:. MG 12079.
654:double bass
640:Sadik Hakim
609:Miles Davis
594:double bass
550:Miles Davis
232:Sadik Hakim
218:, trumpet;
216:Miles Davis
1765:Categories
1538:Au Privave
1524:Ah-Leu-Cha
821:References
572:Bud Powell
271:Track list
220:Bud Powell
206:Background
112:chronology
103:Teddy Reig
1616:Donna Lee
1609:Dexterity
1567:Bloomdido
1236:3 January
1200:2 January
1171:2 January
1117:2 January
1059:2 January
1033:2 January
659:Max Roach
581:Max Roach
518:Personnel
240:Musicraft
228:Max Roach
222:, piano;
192:LP record
1749:Category
1550:Barbados
1477:Box sets
1319:Big Band
661: –
652: –
642: –
629: –
620: –
611: –
592: –
583: –
574: –
561: –
552: –
543: –
98:Producer
91:MG 12079
57:Recorded
49:Released
39: by
1689:Related
631:trumpet
613:trumpet
567:trumpet
554:trumpet
145:(1956)
136:(1956)
127:(1956)
1588:Cheryl
1469:(1997)
1461:(1983)
1453:(1978)
1445:(1977)
1437:(1977)
1429:(1961)
1421:(1958)
1413:(1958)
1405:(1953)
1386:(1958)
1378:(1956)
1370:(1956)
1362:(1956)
1354:(1956)
1346:(1956)
1338:(1956)
1330:(1956)
1322:(1954)
1314:(1952)
1306:(1952)
425:Length
412:Side B
296:Length
283:Side A
190:is an
1696:Bebop
1623:Ko-Ko
670:Notes
663:drums
644:piano
635:piano
585:drums
576:piano
563:piano
422:Title
293:Title
255:Ko-Ko
87:Savoy
82:Label
75:bebop
66:Genre
1721:Bird
1238:2015
1202:2015
1173:2015
1119:2015
1093:link
1061:2015
1035:2015
1009:link
958:link
565:and
510:2:50
499:0:40
494:Koko
484:3:15
473:3:00
462:0:20
451:3:00
436:3:15
403:3:05
392:0:37
381:0:20
366:3:05
355:2:00
344:2:30
333:3:05
322:1:20
311:2:20
71:Jazz
52:1956
418:No.
289:No.
194:by
1767::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
