Knowledge (XXG)

The Charm (play)

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them both to fall into a deep sleep. When they awake their roles are reversed, with Kirree asking unreasonable levels of work from Jem. Pyee returns and this time Jem asks for a herb to remedy the situation, which she provides. After another sleep, the couple awake happily in love again. The play closes with Kirree on Jem's knee.
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Jem and Kirrie Quilliam are unhappily married due to his unreasonable expectations of her. Kirrie mentions this to Pyee, a travelling beggar woman and dealer in charms, who suggests that she might be able to offer a solution. Kirrie follows her direction and puts a herb into Jem's tea, which brings
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being said to have 'caused great laughter, from start to finish.' In the curtain call that followed the performance, Shimmin took to the stage and delivered a short speech. In this he emphasised the specifically Manx element of the production, which was important to the building of Manx identity
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and Shimmin wrote it, before it was rehearsed in her home on Athol Street, Peel. When it was produced in November 1912, it was a new venture for the Manx Language Society, in that it was their first event consisting solely of plays, without other items on the stage.
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Mr. Shimmin thanked the audience for their kind reception. He was a Manxman, and that was one of the few things he had to be proud of. There was one point he was very pleased of – the promoters, the players, Miss Morrison, and himself, were all Manx.
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for the Liverpool Manx Society, where it was reported (by Sophia Morrison) that "There was a crowded house. The Liverpool newspapers gave unstinted praise to both plays and players."
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initially, but in 1912 Sophia Morrison commissioned Christopher Shimmin to write the plays. Morrison plotted out the action of
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in January 1913 - a performance referred to as 'a complete success.' This performance had the distinction of attracting the
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and it is considered to be one of the earliest and most frequently performed pieces in the Manx dialect repertoire.
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has remained a popular play to be performed for over 100 years. It has been performed a number of times by
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The Peel Players then took their production of Shimmin's plays to the David Lewis' Theatre in
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Prior to this, in January 1913, the play had been published by the Manx Language Society.
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The play was first performed in the Centenary Hall in Peel on 7 November 1912, alongside
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available in digital and transcribed forms on ManxLiterature.com
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ahead of their repeat performances. After a performance in
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Sophia Morrison, producer of the first production of
238: 236: 234: 263:on ManxLiterature.com (accessed January 2017) 243:'Successful Production of Two New Manx Plays' 8: 133:The actors involved in the production were: 58:had been producing Manx dialect theatre at 42:. It was first performed in 1912 by the 374:15 January 2017 (accessed January 2017) 217: 215: 195: 155:Lieutenant Governor of the Isle of Man 368:'A Wonderful Night for Oie'll Verree' 7: 14: 145:, the plays were produced at the 22:Christopher Shimmin, author of 1: 319:'The Peel Players in Douglas' 66:. These had been written by 432: 222:'Shiaght Laa' interview 124:underway at that time: 343:, No. 2, November 1913 337:by Sophia Morrison in 131: 104: 40:Christopher R. Shimmin 26: 126: 117:Manx Language Society 109:Illiam Kodhere's Will 99: 60:Manx Language Society 21: 323:Isle of Man Examiner 203:'Peel Entertainment' 184:The Michael Players 34:is a comic one-act 356:Peel City Guardian 353:(Untitled article) 307:Peel City Guardian 304:(Untitled article) 292:Peel City Guardian 289:(Untitled article) 247:Peel City Guardian 207:Peel City Guardian 105: 92:Early performances 62:entertainments in 27: 228:, 04 January 2017 175:Later productions 423: 375: 365: 359: 350: 344: 332: 326: 316: 310: 301: 295: 286: 280: 279:13 November 1912 270: 264: 256: 250: 240: 229: 219: 210: 200: 139:The Peel Players 431: 430: 426: 425: 424: 422: 421: 420: 416:Manx literature 396: 395: 384: 379: 378: 366: 362: 358:11 January 1913 351: 347: 333: 329: 325:18 January 1913 317: 313: 309:1 February 1913 302: 298: 294:7 December 1912 287: 283: 271: 267: 257: 253: 249:9 November 1912 241: 232: 220: 213: 201: 197: 192: 177: 113:Sophia Morrison 94: 85: 56:Sophia Morrison 52: 12: 11: 5: 429: 427: 419: 418: 413: 408: 398: 397: 394: 393: 383: 382:External links 380: 377: 376: 360: 345: 327: 311: 296: 281: 265: 251: 230: 211: 194: 193: 191: 188: 176: 173: 147:Gaiety Theatre 115:in aid of the 93: 90: 84: 81: 51: 48: 13: 10: 9: 6: 4: 3: 2: 428: 417: 414: 412: 409: 407: 404: 403: 401: 392: 390: 386: 385: 381: 373: 369: 364: 361: 357: 354: 349: 346: 342: 341: 336: 331: 328: 324: 320: 315: 312: 308: 305: 300: 297: 293: 290: 285: 282: 278: 277:Mona's Herald 274: 269: 266: 262: 261: 255: 252: 248: 244: 239: 237: 235: 231: 227: 224:broadcast on 223: 218: 216: 212: 209:25 April 1908 208: 204: 199: 196: 189: 187: 185: 181: 174: 172: 169: 167: 162: 161:, to attend. 160: 156: 152: 148: 144: 140: 136: 130: 125: 122: 118: 114: 110: 103: 98: 91: 89: 82: 80: 77: 73: 69: 65: 61: 57: 49: 47: 45: 41: 37: 33: 32: 25: 20: 16: 388: 371: 363: 355: 348: 338: 330: 322: 314: 306: 299: 291: 284: 276: 268: 259: 254: 246: 206: 198: 179: 178: 170: 163: 132: 127: 120: 108: 106: 101: 86: 75: 53: 44:Peel Players 36:Manx dialect 30: 29: 28: 23: 15: 159:Lord Raglan 411:1913 books 406:1912 plays 400:Categories 273:'Fixtures' 226:Manx Radio 190:References 72:John Quine 54:From 1908 50:Background 389:The Charm 372:IOM Today 260:The Charm 180:The Charm 166:Liverpool 121:The Charm 102:The Charm 76:The Charm 31:The Charm 24:The Charm 135:Tom Dodd 38:play by 335:'Notes' 151:Douglas 340:Mannin 143:Ramsey 68:Cushag 83:Plot 70:and 64:Peel 149:in 402:: 370:, 321:, 275:, 245:, 233:^ 214:^ 205:, 157:,

Index


Manx dialect
Christopher R. Shimmin
Peel Players
Sophia Morrison
Manx Language Society
Peel
Cushag
John Quine

Sophia Morrison
Manx Language Society
Tom Dodd
The Peel Players
Ramsey
Gaiety Theatre
Douglas
Lieutenant Governor of the Isle of Man
Lord Raglan
Liverpool
The Michael Players
'Peel Entertainment'


'Shiaght Laa' interview
Manx Radio



'Successful Production of Two New Manx Plays'

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