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Min Dît: The Children of Diyarbakır

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mother, who gave birth just six months ago to their baby sister, Dilovan, are murdered by paramilitary forces. The kids are taken care of by their aunt, the sister of their late mother. However, a few weeks on, their aunt goes missing, too. Left alone to look after their baby sister at such a young age, when they are not even capable of taking care of themselves, the kids are left penniless, and a few weeks later, they are forced to live on the streets of Diyarbakır, where they will have to fight really hard to survive.
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Miraz Bezar cast the actors himself. Şenay Orak and Muhammed Al were cast after the director met them on a bus trip to Urfa. Their highly acclaimed performances have been attributable to the fact that they are not only very talented child-actors but are also children who suffered experiences similar
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Hakan Karsak, who plays one of the paramilitary murderers, was cast after the director had seen him on stage and was taken by his passion and talent while other adult performers including Fahriye Çelik, Alişan Önlü, Berivan Eminoğlu and Berivan Ayaz were also recruited locally. Suzan İlir was cast
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The lives of 10-year-old Gülistan and her brother, Fırat, are turned upside down one quiet and dark night on the Diyarbakır-Batman highway while they’re on their way home with their parents from a wedding in a nearby village. Their father, a journalist working with a local newspaper, and their
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Director Miraz Bezar, who was born in Ankara, Turkey but moved to Germany when he was nine years old, knew a lot about the Kurdish issue and the situation in eastern Turkey before he started writing the script. But he didn't want to write a script far away in Germany.
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I think that an opening is still too big of a word for what is happening," he has said, "but it's worth remembering that all the things that were taboo when we started writing and shooting the film are now beginning to be talked
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Out of political reasons no Turkish distributor wanted to distribute the film. So director Miraz Bezar had to distribute the film himself. Nevertheless, the film opened in Turkey on April 2, 2010
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might be a personal story, but Turkey is no stranger to its premise; it is successful in bringing to light the plight of many children orphaned in Turkey's southeastern Anatolia region due to political
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this is a tragic tale, but it comes out as truthful as it can and should be, despite Bezar's occasional inclination toward an idealist reductionism on political issues.
869: 323:, but we never consider the situation of the children living in the kurdish part of Turkey. Now it is time to look at life from the perspective of a kurdish child. 347:
Each time I felt like we were at the edge of the abyss some small thing would come and pull us back, a reminder of why it was so important to tell this story,
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In order to raise the initial budget of 80,000 euros for the film, Bezar’s mother sold her house and his uncle paid the team’s hotel expenses.
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She at first did not want to tell me her name, but I finally convinced her that I was going to shoot a film and that I want her to help me.
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I want people to understand that violence produces violence. This is a story of children who want to stop or at least escape this violence.
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The film's young stars were themselves recruited from the bands of young marauding street vendors to whom the film is dedicated,
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those who might find orphaned children on the streets too heavy for weekend entertainment, but recommends the film to,
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It was a real challenge to do this film because we never knew if it would make it through the censorship in Turkey,
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Perhaps not a perfect film, though such should be accepted of a debut, “Min Dît” is a raw and genuine story.
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The film twice reached number nineteen in the Turkish box office and has made a worldwide total gross of
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With some exceptions, all live under such circumstances; they grow up in an atmosphere of peak violence.
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so much of the Turkish state has been built on lies; that there is only one people, only one language.
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there was a standing ovation for what promises to be the most controversial film of the festival,
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There are still team members who have not gotten paid. Most of them did it to support the film.
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after trying to sell the director a bottle of water in one of the cemeteries in Diyarbakır.
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Unlike “Slumdog,” the plot is not mawkishly sentimental and only a little bit contrived.
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Cinema is a form of art. People do not have to agree with or believe in what they saw.
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the latest in a line of movies focusing on the Kurdish problem in Southeast Anatolia,
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Inspired by the stories of the people he met there, he started to work with his aunt
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Emine Yıldırım, writing about the films screening at the Istanbul Film Festival in
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the Turkish government’s Kurdish initiative seems to be working for Turkish cinema.
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those interested in catching a glimpse of uncharted territory for Turkish cinema.
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it is the first feature-length film of Miraz Bezar and one with heart and meaning.
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57th San Sebastián International Film Festival - Gaztea Youth Award (Miraz Bezar)
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In the end this is a film about violence, the history of violence here in Turkey,
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Some in the audience ask if children face these situations in real life,
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There has never been a Kurdish state and there will never be one.
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I wanted to go to Diyarbakır after I completed my degree at the
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17th Febiofest International Film Festival Prague - Grand Prix
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15th Nuremberg Turkish-German Film Festival - Audience Award
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The film received its controversial Turkish premiere at the
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36th Ghent Film Festival - Special Jury Prize (Miraz Bezar)
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as co-producer after he was shown a rough cut of the film.
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18th Filmfest Hamburg - Young Talent Award (Miraz Bezar)
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While Yavuz Baydar, in the same publication, calls it,
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Andrew Finkel, writing about the film's premiere in
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Index

The Children of Diyarbakir

Miraz Bezar
Evrim Alataş
Şenay Orak
Muhammed Al
Hakan Karsak
Berivan Ayaz
Isabelle Casez
Mustafa Biber
Bezar Film
Corazón International
San Sebastián
US$
Kurdish
lit.
Kurdish
drama film
Kurdish
Miraz Bezar
Evrim Alataş
Diyarbakır
Berlin Film Academy
Evrim Alataş
Iraq
Iran
Afghanistan
Palestine
Fatih Akın
Klaus Maeck

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