Knowledge (XXG)

The City Madam

Source 📝

22: 72:, who identified himself as "one of the Actors" in the play. A second edition followed in 1659. Pennycuicke dedicated the play (Massinger was long dead) to Ann, Countess of Oxford—or at least most of the surviving copies bear a dedication to her; but others are dedicated to any one of four other individuals. 157:
Encouraged by their haughty mother, Lady Frugal, both Anne and Mary reject their suitors Sir Maurice Lacy, son of Lord Lacy, and Mr. Plenty, a country gentleman. They feel ridiculed and complain to Sir John Frugal about his wife and daughters' vanity and pretentiousness. Lady Frugal is angry towards
149:
Sir John Frugal is a merchant whose brother, Luke Frugal, has been to prison and has no money left. Out of charity, Sir John Frugal has invited him to live in his house. Luke is employed there as an under-apprentice, a mere servant who is scorned by Sir John Frugal's wife, Lady Frugal, the eponymous
165:
The characters then learn from Lord Lacy that Master John Frugal has left his house to go to a monastery and that he has bestowed all his goods to his brother Luke, who is surprised by such a reversal of fortune. Lord Lacy also tells Luke that his brother has requested him to welcome in his house
153:
John Frugal's debtors, Hoist, Fortune and Penury, come to his house to ask for his clemency and with the help of Luke Frugal, who waxes lyrical on the benefits of charity, they convince him into granting them a new delay to pay him back. Luke then convinces his brother's apprentices to steal from
169:
All of John Frugal's former debtors come back to Master Luke and tell him they might soon be able to pay him back. Master Luke says that he will give money to both apprentices Goldwire and Tradewell and implies that he would like to meet Shave'em. He is welcomed as a munificent benefactor among
161:
Shave'em the whore is visited by two of her customers, Ramble and Scuffle, but she rejects them, pretending that she has become a lady. Both men laugh at her and when Shave'em threatens them with a knife, Ramble draws his sword. Goldwire comes to her rescue dressed up as a Justice of the Peace
170:
them. Goldwire even proposes to procure Shave'em to him. But Master Luke reveals his plot by having Shave'em, Ding'em, the apprentices and his debtors all arrested. He treats Lady Frugal and her daughters with disdain and obliges them to wear coarse clothes in order to teach them humility.
173:
Sir John, disguised as an Indian, proposes to his brother to sacrifice Lady Frugal and her daughters in a Satanic ritual (Indians were supposed to worship the devil in Jacobean England). Master Luke agrees to send them to Virginia to be sacrificed in a Satanic ritual. He then receives his
154:
their master by forging his accounts. They agree to cheat him out of his money because they would like to become city gallants. Goldwire Junior has an affair with a prostitute called Shave'em and wants to buy clothes for her by swindling his master.
166:
some Indians from Virginia whom he could convert to Christianity. Sir John Frugal, Sir Maurice Lacy, and Plenty, painted and disguised as Indians and talking gibberish, are then introduced to Master Luke.
227: 177:
Sir John Frugal finally reveals his true identity and restores order. He wants his brother Luke to be sent to Virginia to atone for the wrongs that he has done.
209:
The title page of the 1658 quarto specifies the Blackfriars; it is likely that the King's Men would have performed a popular play at their summer theatre, the
300: 174:
apprentices' fathers, Goldwire Senior and Tradewell Senior, but asks from them a prohibitive sum of money to take their sons back into his service.
49: 21: 150:
city madam, and her two daughters Anne and Mary. Frugal's apprentices, Goldwire Junior and Tradewell Junior, both pity poor Master Luke.
223: 587: 577: 346: 57: 226:, died in 1659. Of the four other dedicatees, Thomas Freake was "a wealthy Dorset knight," William Lee was an official in the 293: 490: 426: 273:
The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama.
466: 410: 77: 286: 186: 130: 26: 442: 434: 450: 386: 162:
accompanied by Shave'em's procurer, Ding'em, disguised as a constable, and musicians disguised as watchmen.
115: 514: 482: 498: 546: 129:
in 1675. The original version may have been revived in 1771, and was definitely performed in 1783 at
53: 582: 418: 362: 330: 190: 99: 95: 61: 538: 458: 69: 378: 370: 322: 310: 83: 75:
No direct source for the play has been identified, other than Massinger's own earlier play,
45: 522: 402: 530: 571: 394: 210: 554: 506: 38: 230:; John Wrath and Richard Steadwell have not been identified. Gibson, pp. 383, 387. 141:, by Sir James Bland Burges, was brought out with success at the Lyceum in 1810. 474: 338: 104: 278: 65: 185:
The play is not often performed, but it was part of the 2011 season of the
158:
her astrologer, Stargaze, who had predicted a great day for marriages.
109: 41: 20: 103:(regarding Sir John Frugal's pretended absence and masquerade), 282: 119:(Stargaze's astrological verbiage), among other works. 213:, as well—but the Blackfriars had more prestige. 113:(Luke Frugal's rhapsodising over his wealth), and 275:Lincoln, NE, University of Nebraska Press, 1978. 238: 236: 90:. Specific connections have been cited between 271:Logan, Terence P., and Denzell S. Smith, eds. 222:Ann, daughter of Viscount Bayning and wife of 294: 8: 268:Cambridge, Cambridge University Press, 1978. 301: 287: 279: 193:in a production directed by Dominic Hill. 25:Scene from an 1845 London performance at 266:The Selected Plays of Philip Massinger. 202: 56:, on 25 May 1632 and was acted by the 7: 224:Aubrey de Vere, 20th Earl of Oxford 125:was adapted into a version titled 16:Comedy written by Philip Massinger 14: 139:Riches; or, The Wife and Brother 1: 88:A Trick to Catch the Old One 604: 467:A New Way to Pay Old Debts 411:The Great Duke of Florence 78:A New Way to Pay Old Debts 588:Plays by Philip Massinger 578:English Renaissance plays 347:The Custom of the Country 317: 187:Royal Shakespeare Company 131:Theatre Royal, Drury Lane 68:in 1658 by the stationer 48:. It was licensed by Sir 443:The Little French Lawyer 435:John van Olden Barnavelt 427:The Honest Man's Fortune 251:Logan and Smith, p. 110. 387:The Emperor of the East 116:Rollo, Duke of Normandy 515:Rollo Duke of Normandy 483:The Parliament of Love 82:which was modelled on 29: 27:Sadler's Wells Theatre 24: 547:The Unnatural Combat 451:The Lovers' Progress 133:. A play founded on 64:. It was printed in 54:Master of the Revels 363:The Double Marriage 331:Believe as You List 264:Gibson, Colin, ed. 191:Stratford-upon-Avon 100:Measure for Measure 62:Blackfriars Theatre 539:The Spanish Curate 459:The Maid of Honour 228:Stationers Company 70:Andrew Pennycuicke 30: 565: 564: 379:The Elder Brother 371:The Duke of Milan 323:The Bashful Lover 595: 311:Philip Massinger 303: 296: 289: 280: 252: 249: 243: 240: 231: 220: 214: 207: 127:A Cure for Pride 84:Thomas Middleton 46:Philip Massinger 603: 602: 598: 597: 596: 594: 593: 592: 568: 567: 566: 561: 523:The Roman Actor 403:The Fatal Dowry 313: 307: 261: 256: 255: 250: 246: 242:Gibson, p. 281. 241: 234: 221: 217: 208: 204: 199: 183: 147: 17: 12: 11: 5: 601: 599: 591: 590: 585: 580: 570: 569: 563: 562: 560: 559: 551: 543: 535: 531:The Sea Voyage 527: 519: 511: 503: 499:The Prophetess 495: 487: 479: 471: 463: 455: 447: 439: 431: 423: 415: 407: 399: 391: 383: 375: 367: 359: 355:The City Madam 351: 343: 335: 327: 318: 315: 314: 308: 306: 305: 298: 291: 283: 277: 276: 269: 260: 257: 254: 253: 244: 232: 215: 201: 200: 198: 195: 182: 179: 146: 143: 135:The City Madam 123:The City Madam 92:The City Madam 34:The City Madam 15: 13: 10: 9: 6: 4: 3: 2: 600: 589: 586: 584: 581: 579: 576: 575: 573: 557: 556: 552: 549: 548: 544: 541: 540: 536: 533: 532: 528: 525: 524: 520: 517: 516: 512: 509: 508: 504: 501: 500: 496: 493: 492: 488: 485: 484: 480: 477: 476: 472: 469: 468: 464: 461: 460: 456: 453: 452: 448: 445: 444: 440: 437: 436: 432: 429: 428: 424: 421: 420: 416: 413: 412: 408: 405: 404: 400: 397: 396: 395:The False One 392: 389: 388: 384: 381: 380: 376: 373: 372: 368: 365: 364: 360: 357: 356: 352: 349: 348: 344: 341: 340: 336: 333: 332: 328: 325: 324: 320: 319: 316: 312: 304: 299: 297: 292: 290: 285: 284: 281: 274: 270: 267: 263: 262: 258: 248: 245: 239: 237: 233: 229: 225: 219: 216: 212: 206: 203: 196: 194: 192: 188: 180: 178: 175: 171: 167: 163: 159: 155: 151: 144: 142: 140: 136: 132: 128: 124: 120: 118: 117: 112: 111: 106: 102: 101: 97: 96:Shakespeare's 93: 89: 85: 81: 79: 73: 71: 67: 63: 59: 55: 51: 50:Henry Herbert 47: 43: 40: 36: 35: 28: 23: 19: 555:A Very Woman 553: 545: 537: 529: 521: 513: 507:The Renegado 505: 497: 489: 481: 473: 465: 457: 454:(1624, 1634) 449: 441: 433: 425: 419:The Guardian 417: 409: 401: 393: 385: 377: 369: 361: 354: 353: 345: 337: 329: 321: 272: 265: 247: 218: 205: 184: 176: 172: 168: 164: 160: 156: 152: 148: 138: 134: 126: 122: 121: 114: 108: 98: 91: 87: 76: 74: 39:Caroline era 33: 32: 31: 18: 491:The Picture 475:The Old Law 339:The Bondman 137:, entitled 44:written by 583:1632 plays 572:Categories 558:(1619–22?) 518:(1612–24?) 259:References 181:Production 105:Ben Jonson 58:King's Men 478:(1614–18) 446:(1619–23) 398:(1619–20) 366:(1619–22) 350:(1619–23) 309:Plays by 145:Synopsis 550:(1624?) 110:Volpone 60:at the 542:(1622) 534:(1622) 526:(1626) 510:(1630) 502:(1622) 494:(1630) 486:(1624) 470:(1625) 462:(1632) 438:(1619) 430:(1613) 422:(1633) 414:(1636) 406:(1632) 390:(1632) 382:(1625) 374:(1623) 358:(1632) 342:(1624) 334:(1631) 326:(1636) 66:quarto 52:, the 42:comedy 211:Globe 197:Notes 37:is a 94:and 189:in 107:'s 86:'s 574:: 235:^ 302:e 295:t 288:v 80:,

Index


Sadler's Wells Theatre
Caroline era
comedy
Philip Massinger
Henry Herbert
Master of the Revels
King's Men
Blackfriars Theatre
quarto
Andrew Pennycuicke
A New Way to Pay Old Debts
Thomas Middleton
Shakespeare's
Measure for Measure
Ben Jonson
Volpone
Rollo, Duke of Normandy
Theatre Royal, Drury Lane
Royal Shakespeare Company
Stratford-upon-Avon
Globe
Aubrey de Vere, 20th Earl of Oxford
Stationers Company


v
t
e
Philip Massinger

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.