377:. Inez de Roxas is queen of a gang of bandits, the Ladrones. Their Captain, Ferdinand de Roxas, has been dead for three weeks, and the band cannot agree which of the brigand lieutenants, José or Sancho, should replace him. The Law of the Ladrones holds that when two candidates for Chief have an equal number of votes, then the first foreigner who comes along will be made their leader and Inez's new husband. The Ladrones have abducted Rita, a young lady. In retaliation for her kidnapping, her betrothed, Count Vasquez, fought and killed de Roxas. The Ladrones see a goatherd (actually Vasquez in disguise) and his son on their way home. Inez orders the boy to take a ransom note to Vasquez and presses the old goatherd into service to guard their prisoner, Rita. The goatherd mentions that he has seen a stranger that day. The Ladrones wonder if this could be their new captain sent by fate. Vasquez eventually finds a moment to reveal his identity to Rita.
22:
402:
announces that he is quitting the
Ladrone band and runs off, leaving Grigg to face the wrath of the Ladrones. Grigg fabricates a tale of shooting and stabbing Sancho as he fled, but he says that he could not stop Sancho from escaping. Inez and José prepare to light a fuse leading to a store of dynamite that their late Captain had laid in case of a surprise, as it is the Law of the Ladrones that they must all perish together. Before doing so, however, they decide to kill Rita to avenge the late Captain's death.
1108:
117:
1118:
389:. He is happy that the wedding will not take place for four days. Grigg is formally betrothed to Inez and is ritually installed as Captain of the Ladrones by means of placing the Sacred Hat upon his head. Meanwhile, José and Inez begin to formulate a plot to get rid of Grigg and Sancho, while all celebrate.
380:
Adolphus
Cimabue Grigg, an English tourist and amateur photographer, enters in search of pretty scenery, but he is lost and finds travelling with his heavy photographic gear difficult. He vows, upon his return to England, to become a farmer and lead a life of happy domesticity. Sancho and José stop
401:
Sancho tells Grigg about the plot and hides as Inez and José arrive. They tell Grigg that Inez wants blood, and that the new
Captain must be daring: he must bring her Sancho's head according to the Law of the Ladrones. They suggest that he take a drink to inspire him. When they step away, Sancho
397:
The next morning, Vasquez slips out. Sancho is on guard duty, but tired from the night's festivities, he falls asleep. Inez confirms to José that she is unhappy at the prospect of marrying Grigg. José explains the plan: Inez will persuade Grigg to kill Sancho; then the angry brigands will murder
405:
Rita pleads with Grigg to save her life. Grigg, fearful at first, decides that, as an
Englishman, he must be bold to save a female in distress. He offers Rita a pistol, saying "come on"! Vasquez, now in military uniform, bursts in with a Spanish officer. The officer announces that all of the
74:
The piece was the first of
Sullivan's full-length operas that was produced. It was not a great success, with Burnand's libretto receiving criticism, but its music exhibits many of the qualities and techniques that Sullivan would employ in composing his twenty further comic operas, including the
406:
Ladrones have been pardoned, except for their
Captain. He moves to seize Grigg, but Vasquez assures him that Grigg is innocent. All the Ladrones decide to join the army, and Rita is free to marry Vasquez. Everyone dances and sings.
398:
Grigg in retaliation, leaving her free to marry José, who will become captain. Sancho wakes up and overhears this conversation but pretends to be asleep. Meanwhile, Rita hopes that
Vasquez will return soon to rescue her.
235:
was hardly ever performed in the 20th century. The Comic Opera Guild in the US and Fulham Light
Operatic Society in the UK each produced the piece in 1972. A professional concert of the opera was given in 2002 at
252:
in 2004 revived some interest in the work. Reviewing the 2004 Hyperion recording, Raymond Walker wrote: "Despite a mundane book about
Spanish brigands by Frances Burnand (who would later become Editor of
101:(where it would enjoy a long run in 1869), and elsewhere. Burnand had been a pioneer in Britain in the 1860s by collaborating on the creation of comic operas with original scores similar to
93:
for a private performance at Moray Lodge, where a group of friends called the "Moray
Minstrels" gathered regularly. The success of the performance led to productions for charity at the
21:
994:
984:
166:, justifies us in the hope that Mr. Sullivan may give us, at no distant date, a real comic opera of native manufacture." Sullivan's next operatic effort did not come until
105:'s highly successful French operettas, which had been a sensation in Paris beginning in the 1850s but were just becoming known in London. This was a departure from the
999:
772:
1121:
248:, most recently in 2012 in an updated staging by Glitter & Twisted Theatre Company, which also presented it in Cheltenham. A professional recording by
957:
245:
952:
989:
540:
974:
381:
him, identify themselves as bandits, and tell Grigg that he must be their new Captain of the Ladrones (or be shot). They force him to dance the
146:
967:
566:
158:
was Sullivan's first produced full-length opera. Although it was not a great success, it initially received some favourable notices.
154:). This opera did not enjoy its predecessor's popularity, and there was no suggestion of any further Burnand–Sullivan collaborations.
1157:
765:
273:
than the German and Italian operatic masters that Sullivan is likened to." Sullivan repeated several of the musical ideas that give
723:
680:
109:
style of musical theatre that was then popular in Britain, which used musical scores compiled from existing operas, popular songs,
731:
1152:
511:, Vol. 5, No. 12, Summer 1980, pp. 35–39. The article was originally published by the Offenbach 1980 Centenary Committee, London.
737:
655:
1147:
1111:
932:
758:
133:
54:
1162:
686:
638:
385:
and tell him that he will have to marry Inez. Grigg, who is already married, objects, as he does not want to commit
962:
947:
889:
847:
802:
225:, consisting of a slightly revised and expanded first act and a new second act. It was not successful, and
198:
98:
942:
504:
491:
Eden, David and William Parry. Liner notes, 2004, The Sir Arthur Society, from the Hyperion recording of
535:
244:
Society Festival, with professional soloists and the Cotswold Savoyards. The opera has been seen at the
1024:
700:
67:
262:
1142:
781:
745:
602:
206:
183:
76:
1056:
106:
1080:
58:
676:
270:
269:, Sullivan attempts a good variety of musical styles. At times these are more reminiscent of
102:
87:
In 1866, F. C. Burnand and Arthur Sullivan, then 24 years old, wrote the one-act comic opera
1088:
1072:
854:
254:
249:
1167:
1048:
903:
840:
819:
797:
715:
544:
241:
168:
116:
94:
50:
46:
283:(1888). The whereabouts of the composer's autograph score were not publicly known until
979:
910:
896:
279:
211:
162:
wrote: "The excellent vein of humour so apparent in , as well as in the more important
695:
586:
1136:
1093:
1064:
826:
792:
634:
298:
221:
202:
174:
868:
833:
312:
284:
1016:
937:
927:
179:
89:
42:
875:
237:
191:
110:
62:
882:
319:
344:
Mr. Peter Adolphus Grigg (a British tourist in search of the picturesque)
861:
373:
The action takes place in the mountains of Spain between Compostello and
356:
347:
307:
65:
in 1874 and America in 1880. In 1894, it was revised into a new opera,
1040:
750:
696:
Website for the 2004 Hyperion recording, with a link to the liner notes
374:
328:
386:
382:
337:
115:
20:
754:
556:
Sir Arthur Sullivan Society Magazine, #55, Autumn 2002, pp. 2–3
463:
12. "Who’d to Be Robber-Chief Aspire?" (Inez, Jose & Grigg)
61:, for a run of 72 performances. There were brief revivals in
457:
10. "Let Hidalgos Be Proud of Their Breed" (Inez & Jose)
426:
2. "Hand of Fate!" (Jose, Vasquez, Sancho, Inez & Rita)
136:, together with adaptations of two short Offenbach pieces,
57:, in London, on 18 December 1867 under the management of
194:
in 1874 and was given a production in America in 1880.
621:
A list of the sales from that auction is found in the
16:
1867 comic opera by Arthur Sullivan and F. C. Burnand
567:"Spanish Brigands Become Modern Guerillas at Buxton"
531:
529:
1008:
920:
811:
438:
6. "Hullo! What's That?" (Grigg, Sancho & Jose)
132:, with original music by Sullivan, to open his new
128:, Reed commissioned a two-act opera from Burnand,
420:1. "Hush! Not a Step" (Sancho, Jose & Chorus)
296:Sancho the Lion (1st Lieutenant of the Ladrones)
215:, he commissioned Burnand and Sullivan to revise
423:1a. "Let Others Seek the Peaceful Plain!" (Inez)
335:Count Vasquez de Gonzago (Captain of the Guard)
326:Rita (an English lady engaged to Count Vasquez)
261:. These anticipate the more mature Sullivan of
547:, St. David's Players, accessed August 22, 2012
305:José the Wolf (2nd Lieutenant of the Ladrones)
656:"The man who might have been George Grossmith"
766:
317:Inez de Roxas (Chieftainess of the Ladrones)
8:
985:People associated with Gilbert and Sullivan
958:International Gilbert and Sullivan Festival
738:Discussion of 2002 professional concert of
444:8. Finale Act I: "Hail to the Ancient Hat!"
429:3. "Only the Night-Wind Sighs Alone" (Rita)
246:International Gilbert and Sullivan Festival
953:Cultural influence of Gilbert and Sullivan
773:
759:
751:
432:4. "A Guard by Night" (Vasquez & Rita)
71:, with a completely different second act.
727:at The Gilbert & Sullivan Discography
573:, MusicWeb International, August 16, 2012
581:
579:
975:List of compositions by Arthur Sullivan
487:
485:
483:
479:
79:operas produced between 1871 and 1896.
460:11. "My Love, We’ll Meet Again" (Rita)
441:7. "Bolero" (Grigg, Sancho & Jose)
277:a Spanish flavour many years later in
719:at The Gilbert & Sullivan Archive
701:Synopsis and other information about
7:
625:, v. 9, no. 3, September 1966, p. 44
507:. "Offenbach's conquest of London",
469:14. Finale Act II: "Have Pity, Sir!"
1117:
746:Information about a 1972 production
178:, which was followed by another 13
639:"Arabella from Liverpool, or Miss
454:9. "Wake, Gentle Maiden" (Vasquez)
435:5. "From Rock to Rock" (Mr. Grigg)
257:) there are good musical ideas in
14:
593:, Hyperion Records webstite, 2004
466:13. "I Fired Each Barrel" (Grigg)
287:purchased it at auction in 1966.
1116:
1107:
1106:
990:Works about Gilbert and Sullivan
610:The Gilbert and Sullivan Archive
229:closed after just three months.
147:La Chatte métamorphosée en femme
658:, Kurt Gänzl's blog, 2 May 2018
645:, Kurt Gänzl's blog, 1 May 2018
201:needed a successor to fill the
673:Sullivan: A Victorian Composer
172:, in 1871, with a libretto by
1:
623:Gilbert and Sullivan Journal
571:Seen and Heard International
1184:
963:W. S. Gilbert bibliography
933:D'Oyly Carte Opera Company
691:and the Hyperion recording
97:, at Thomas German Reed's
75:famous series of fourteen
39:or The Law of the Ladrones
1158:Operas by Arthur Sullivan
1102:
788:
124:Buoyed by the success of
120:St. George's Hall in 1867
1153:English-language operas
890:The Yeomen of the Guard
848:The Pirates of Penzance
291:Roles and original cast
134:St George's Opera House
99:Gallery of Illustration
263:Gilbert & Sullivan
240:, England, at the Sir
121:
29:
1025:The Sapphire Necklace
612:, accessed 3 May 2009
351:– John Alexander Shaw
205:after the closing of
119:
113:and classical music.
24:
1148:English comic operas
948:Bridget D'Oyly Carte
803:Richard D'Oyly Carte
782:Gilbert and Sullivan
207:Gilbert and Sullivan
199:Richard D'Oyly Carte
184:Gilbert and Sullivan
77:Gilbert and Sullivan
1163:Operas set in Spain
943:Rupert D'Oyly Carte
565:Walker, Raymond J.
523:, 1 May 1869, p. 76
1081:The Rose of Persia
1033:The Contrabandista
740:The Contrabandista
725:The Contrabandista
717:The Contrabandista
703:The Contrabandista
689:The Contrabandista
605:The Contrabandista
589:The Contrabandista
543:2014-03-11 at the
537:The Contrabandista
493:The Contrabandista
354:A Spanish Officer
275:The Contrabandista
267:The Contrabandista
259:The Contrabandista
233:The Contrabandista
219:. The result was
217:The Contrabandista
188:The Contrabandista
156:The Contrabandista
152:Puss in Petticoats
130:The Contrabandista
122:
59:Thomas German Reed
53:. It premiered at
34:The Contrabandista
30:
27:The Contrabandista
1130:
1129:
1000:Performing groups
521:The Musical Times
160:The Musical Times
103:Jacques Offenbach
55:St. George's Hall
1175:
1120:
1119:
1110:
1109:
1089:The Emerald Isle
1073:The Beauty Stone
775:
768:
761:
752:
671:Jacobs, Arthur:
659:
652:
646:
632:
626:
619:
613:
603:Introduction to
600:
594:
585:Walker, Raymond
583:
574:
563:
557:
554:
548:
533:
524:
518:
512:
502:
496:
489:
341:– Edgar Hargrave
332:– Arabella Smyth
323:– Lucy Franklein
250:Hyperion Records
1183:
1182:
1178:
1177:
1176:
1174:
1173:
1172:
1133:
1132:
1131:
1126:
1098:
1009:Sullivan operas
1004:
916:
904:Utopia, Limited
841:H.M.S. Pinafore
807:
798:Arthur Sullivan
784:
779:
712:
668:
663:
662:
653:
649:
633:
629:
620:
616:
601:
597:
584:
577:
564:
560:
555:
551:
545:Wayback Machine
534:
527:
519:
515:
509:About the House
503:
499:
490:
481:
476:
412:
410:Musical numbers
395:
371:
366:
293:
242:Arthur Sullivan
190:was revived in
95:Adelphi Theatre
85:
47:Arthur Sullivan
41:, is a two-act
17:
12:
11:
5:
1181:
1179:
1171:
1170:
1165:
1160:
1155:
1150:
1145:
1135:
1134:
1128:
1127:
1125:
1124:
1114:
1103:
1100:
1099:
1097:
1096:
1085:
1077:
1069:
1061:
1053:
1045:
1037:
1029:
1021:
1012:
1010:
1006:
1005:
1003:
1002:
997:
992:
987:
982:
977:
972:
971:
970:
968:dramatic works
960:
955:
950:
945:
940:
935:
930:
924:
922:
918:
917:
915:
914:
911:The Grand Duke
907:
900:
897:The Gondoliers
893:
886:
879:
872:
865:
858:
851:
844:
837:
830:
823:
815:
813:
809:
808:
806:
805:
800:
795:
789:
786:
785:
780:
778:
777:
770:
763:
755:
749:
748:
743:
735:
729:
721:
711:
710:External links
708:
707:
706:
698:
693:
687:Discussion of
684:
667:
664:
661:
660:
647:
641:Contrabandista
627:
614:
595:
591:2004 recording
575:
558:
549:
525:
513:
497:
478:
477:
475:
472:
471:
470:
467:
464:
461:
458:
455:
451:
450:
446:
445:
442:
439:
436:
433:
430:
427:
424:
421:
417:
416:
411:
408:
394:
391:
370:
367:
365:
362:
361:
360:
352:
342:
333:
324:
315:
303:
292:
289:
280:The Gondoliers
212:Utopia Limited
197:In 1894, when
180:collaborations
164:Contrabandista
84:
81:
15:
13:
10:
9:
6:
4:
3:
2:
1180:
1169:
1166:
1164:
1161:
1159:
1156:
1154:
1151:
1149:
1146:
1144:
1141:
1140:
1138:
1123:
1115:
1113:
1105:
1104:
1101:
1095:
1091:
1090:
1086:
1083:
1082:
1078:
1075:
1074:
1070:
1067:
1066:
1065:The Chieftain
1062:
1059:
1058:
1054:
1051:
1050:
1046:
1043:
1042:
1038:
1035:
1034:
1030:
1027:
1026:
1022:
1019:
1018:
1014:
1013:
1011:
1007:
1001:
998:
996:
993:
991:
988:
986:
983:
981:
978:
976:
973:
969:
966:
965:
964:
961:
959:
956:
954:
951:
949:
946:
944:
941:
939:
936:
934:
931:
929:
926:
925:
923:
919:
913:
912:
908:
906:
905:
901:
899:
898:
894:
892:
891:
887:
885:
884:
880:
878:
877:
873:
871:
870:
866:
864:
863:
859:
857:
856:
852:
850:
849:
845:
843:
842:
838:
836:
835:
831:
829:
828:
827:Trial by Jury
824:
822:
821:
817:
816:
814:
810:
804:
801:
799:
796:
794:
793:W. S. Gilbert
791:
790:
787:
783:
776:
771:
769:
764:
762:
757:
756:
753:
747:
744:
742:
741:
736:
733:
730:
728:
726:
722:
720:
718:
714:
713:
709:
705:
704:
699:
697:
694:
692:
690:
685:
682:
681:0-85967-905-5
678:
674:
670:
669:
665:
657:
654:Gänzl, Kurt.
651:
648:
644:
642:
636:
631:
628:
624:
618:
615:
611:
607:
606:
599:
596:
592:
590:
582:
580:
576:
572:
568:
562:
559:
553:
550:
546:
542:
539:
538:
532:
530:
526:
522:
517:
514:
510:
506:
501:
498:
494:
488:
486:
484:
480:
473:
468:
465:
462:
459:
456:
453:
452:
448:
447:
443:
440:
437:
434:
431:
428:
425:
422:
419:
418:
414:
413:
409:
407:
403:
399:
392:
390:
388:
384:
378:
376:
368:
363:
359:
358:
353:
350:
349:
343:
340:
339:
334:
331:
330:
325:
322:
321:
316:
314:
310:
309:
304:
302:– Mr. Neilson
301:
300:
299:bass-baritone
295:
294:
290:
288:
286:
282:
281:
276:
272:
268:
264:
260:
256:
251:
247:
243:
239:
234:
230:
228:
227:The Chieftain
224:
223:
222:The Chieftain
218:
214:
213:
208:
204:
203:Savoy Theatre
200:
195:
193:
189:
185:
181:
177:
176:
175:W. S. Gilbert
171:
170:
165:
161:
157:
153:
149:
148:
143:
142:Ching-Chow-Hi
139:
135:
131:
127:
118:
114:
112:
108:
104:
100:
96:
92:
91:
82:
80:
78:
72:
70:
69:
68:The Chieftain
64:
60:
56:
52:
51:F. C. Burnand
48:
44:
40:
36:
35:
28:
23:
19:
1087:
1079:
1071:
1063:
1055:
1047:
1039:
1032:
1031:
1023:
1015:
909:
902:
895:
888:
881:
874:
869:Princess Ida
867:
860:
853:
846:
839:
834:The Sorcerer
832:
825:
818:
739:
734:at the IMSLP
724:
716:
702:
688:
672:
650:
640:
630:
622:
617:
609:
604:
598:
588:
570:
561:
552:
536:
520:
516:
508:
505:Lamb, Andrew
500:
492:
404:
400:
396:
379:
372:
355:
345:
336:
327:
318:
313:Aynsley Cook
306:
297:
285:Terence Rees
278:
274:
266:
258:
232:
231:
226:
220:
216:
210:
196:
187:
173:
167:
163:
159:
155:
151:
145:
141:
137:
129:
125:
123:
88:
86:
73:
66:
38:
33:
32:
31:
26:
18:
1143:1867 operas
1122:WikiProject
1057:Haddon Hall
1017:Cox and Box
995:Adaptations
980:Grim's Dyke
938:Helen Carte
928:Savoy opera
732:Vocal score
635:Gänzl, Kurt
126:Cox and Box
90:Cox and Box
43:comic opera
25:Poster for
1137:Categories
1092:(1901) w/
876:The Mikado
666:References
587:Review of
495:. CDA67486
238:Cheltenham
192:Manchester
138:Ba-ta-clan
111:music hall
83:Background
63:Manchester
883:Ruddigore
320:contralto
271:Offenbach
265:fame. In
107:burlesque
1112:Category
862:Iolanthe
855:Patience
675:(1991).
541:Archived
364:Synopsis
357:baritone
348:baritone
308:baritone
182:between
1049:Ivanhoe
1041:The Zoo
921:Related
820:Thespis
375:Seville
329:soprano
169:Thespis
1168:Operas
1094:German
1084:(1899)
1076:(1898)
1068:(1894)
1060:(1892)
1052:(1891)
1044:(1875)
1036:(1867)
1028:(1867)
1020:(1866)
812:Operas
679:
449:Act II
393:Act II
387:bigamy
383:Bolero
346:comic
144:) and
474:Notes
415:Act I
369:Act I
338:tenor
255:Punch
677:ISBN
150:(as
140:(as
49:and
608:at
209:'s
186:.
45:by
1139::
637:.
578:^
569:,
528:^
482:^
311:–
37:,
774:e
767:t
760:v
683:.
643:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
